Singer Dave Matthews has teamed up with Jakob Dylan to form a new band named the Nauts. The group, which also includes Bob Dylan guitarist Charlie Sexton, his brother Bill and drummer Brady Blade, formed out of a project Blade organised to bring different musicians together for a jam session, according to Mixonline.com.
The Nauts are now working on their self-produced album and will reportedly make their onstage debut at the next Unscene! concert, which takes place each month in Shreveport, Louisiana.
Double Trouble's Tony Franklin, bassist Roy Harper, vocalist Noah Hunt and pianist Riley Osborne are also working on the Nauts album.
We're the Millers is a screwball comedy about a self-involved pot dealer, Dave (Jason Sudeikis), who wrangles stripper Rose (Jennifer Aniston), dopey loser Kenny (Will Poulter), and rebellious runaway teen Casey (Emma Roberts) to join him on a felonious trip across the border and back to smuggle tons of marijuana into the United States from Mexico. Such a wily storyline is sure to provide a slew of organic gags...of course, it doesn't, and the film instead relies on a nonstop barrage of egregious pop culture references to get audiences laughing without expending any real creative effort.
And since they do comprise the majority of the film's runtime, we decided it was only right to pay tribute to said quips. As such, peruse the following comprehensive list of all of the pointless, forced, groan-inducing pop culture references from We're the Millers:
The film opens with Dave watching a string of YouTube clips, most notably the "Double Rainbow" video. Dave and a college friend (Thomas Lennon) discuss a Dave Matthews Band concert. Dave makes a joke about Dexter.Dave refers to a trio of long-haired ruffians as "the cast of Annie." Dave does an impression of Bane, Tom Hardy's character from The Dark Knight Rises. Dave calls a buttoned-up Midwesterner "Flanders," a reference to the Simpsons character. Dave calls stripper Rose "Pretty Woman." Dave mentions that he has rented, but not yet watched, Precious on Netflix. Dave compares Casey to Eminem, specifically from his role in 8 Mile. Dave mentions Dora The Explorer. Dave contrasts his fake family with The Brady Bunch. Dave compares his fake family to Marky Mark and the Funky Bunch. Dave makes a joke about the movie La Bamba.Casey makes a joke about Snoop Dogg's well-known affection for marijuana.Dave denegrates LeBron James and compliments Michael Jordan.Dave, Rose, Casey, and Kenny listen to, and sing along with, "Waterfalls" by TLC.Dave makes reference to Tom Waits.Dave utilizes the Miller Brewing Company slogan, "It's Miller Time."A vacationing couple (Nick Offerman and Kathryn Hahn) mention the movie Free Willy.Dave references Scarface.Rose makes a vulgar joke with the title of the movie Black Hawk Down.Dave sardonically contrasts Rose's acting talents with those of Meryl Streep.Offerman's character mentions that his wife's vibrator is named Joe Morgan.Rose performs a stripping routine, pulling a waterchord in an over-the-top reference to Flashdance.A criminal (Ed Helms) references the mythology of Spider-Man in a discussion about a tarantula bite suffered by Kenny.Dave references Barbra Streisand's celebrity in the theater community.Dave uses the phrase "Whale emoji, hashtag YOLO" while mocking Casey.Dave calls Kenny as "Ken Doll."Dave makes a joke about 50 Cent.And somewhere after that, the film ends. But the references do not! In the blooper reel...
A dumb thug (Mark L. Young) insults Kenny by calling him Don Knotts.Hahn's character likens her tampon to a Stormtrooper.Sudeikis, Roberts, and Poulter surprise Aniston by playing, and singing along to, the Friends theme song.
Did we miss any?
Follow Michael Arbeiter on Twitter @MichaelArbeiter | Follow hollywood.com on Twitter @hollywood_com
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The new fall pilots haven't even premiered yet, but already the networks are looking forward to their next big task: finding the right pilots and scripts to order for the 2013-2014 season. Development season is well underway and has been for the past few weeks — although this season is marked by a declaration from some networks (namely ABC and NBC) that the typically order-happy suits would not be as quick to bulk up their pilot orders this year. In other words, less is more.
Most of the majors have already made their first-round choices for specific projects, and the trends that have emerged seem to be all about big-name attachments (e.g. Vince Vaughn, Jodie Foster, Ryan Reynolds), period dramas (e.g. Aztec empire, Cold War America, 1890s Europe), international transplants (from Israel, England and Scandinavia) and — in an interestingly-revived yet well-worn trend — book adaptations (including Dracula and two Sleepy Hollow reboots).
Here's what ABC, CBS, The CW, FOX, NBC and more have coming down the '13-'14 pipeline so far:
— Dumb F*ck: Single-camera comedy about an average Joe and his brilliant wife who move in with her intelligent yet emotionally stunted family of geniuses; written by Hank Nelken (Saving Silverman), executive produced by Vin Di Bona, Bruce Gersh, Susan Levison and Shaleen Desai.
— Burns & Cooley: Medical procedural about two New York neurosurgeons who compete as they strive to be the top in all aspects of their lives; written by Meredith Philpott (Awkward), exec produced by Matt Gross (Body Of Proof).
— Founding Fathers: Drama about a war veteran whose Texas hometown is in the hands of a militia group led by his older brother; written by Rich D'Ovidio (Thir13en Ghosts), produced by Lorenzo Di Bonaventura and Dan McDermott.
— Untitled McG Project: Retelling of Romeo and Juliet, revolving around two rival families fighting for control over Venice, California; written by Byron Balasco (Detroit 1-8-7), produced by McG (The OC, Supernatural, Nikita).
— Untitled Kurtzman/Orci Project: Drama about a mysterious game; written by Noah Hawley (The Unusuals), produced by Heather Kadin, Alex Kurtzman and Bob Orci.
— Dracula: 1890s-set period piece about the iconic vampire; written by Cole Haddon, produced by Tony Krantz and Colin Callender; starring Jonathan Rhys Meyers (The Tudors).
— The Blacklist: Drama about an international criminal who surrenders himself and helps the government hunt down his former cohorts; written by Jon Bokenkamp, exec produced by John Davis, John Fox and John Eisendrath.
— Hench: Based on the comic about a man who becomes a temp for super villains; written by Alexandra Cunningham (Desperate Housewives), exec produced by Peter Berg and Sarah Aubrey (Prime Suspect).
— Cleopatra: Period drama about the Egyptian queen Cleopatra; written by Michael Seitzman (Americana), exec produced by Lorenzo Di Bonaventura and Dan McDermott.
— Pariah: Drama inspired by Freakonomics about a rogue academic who uses economic theory to police San Diego; written by Kevin Fox (The Negotiator), exec produced by Kelsey Grammer, Stella Stolper and Brian Sher.
— After Hours/The Last Stand: Medical drama about Army doctors who work the night shift at a San Antonio hospital; revisited from last season; written by Gabe Sachs and Jeff Judah.
— Untitled Parkes/MacDonald Project: Drama about an interpreter at the United Nations who works with diplomats and politicians from around the world; written by Tom Brady (Hell on Wheels), produced by Walter Parkes, Laurie MacDonald and Ted Gold.
— Untitled Charmelo/Snyder Project: New Orleans-set drama, described as a "sexy Southern Gothic thriller"; created by Eric Charmelo and Nicole Snyder (Ringer), exec produced by Peter Traugott and Rachel Kaplan.
— Untitled Rand Ravich Project: Drama-thriller following a secret service agent at the center of an international crisis in Washington, DC; created by Rand Ravich (Life), produced by Far Shariat.
— Island Practice: Based on the book Island Practice: Cobblestone Rash, Underground Tom, and Other Adventures Of A Nantucket Doctor, about an eccentric doctor with a controversial medical practice on an island off the coast of Washington; written by Amy Holden Jones (Mystic Pizza, Beethoven), produced by Brian Grazer, Francie Calfo and Oly Obst.
— The Brady Bunch: Reboot of the series, about a divorced Bobby Brady who re-marries a woman with children of her own; written by Mike Mariano (Raising Hope), co-developed and exec produced by Vince Vaughn (Sullivan & Son).
— A Welcome Grave: Based on the book series about a private investigator who comes under suspicion when a rival turns up dead.
— Backstrom: Based on the book series about a House-like detective who tries to change his self-destructive nature; written by Hart Hanson (Bones), produced by Leif G.W. Persson (novel) and Niclas Salomonsson.
— Ex-Men: Single-camera comedy about a young guy who moves into a short-term rental complex and befriends the other men who live there after being kicked out by their wives; written and directed by Rob Greenberg; starring Chris Smith and Kal Penn.
— Sleepy Hollow: Contemporary reinterpretation of the Sleepy Hollow short story; written by Patrick Macmanus and Grant Scharbo, produced by Scharbo and Gina Matthews.
— Gun Machine: Based on an upcoming novel (of the same name) about a New York detective whose chance discovery of a stash of guns leads back to a variety of unsolved murders; written by Dario Scardapane (Trauma), produced by Warren Ellis (book author), Scardapane, Peter Chernin and Katherine Pope.
— Sleepy Hollow: Modern-day thriller based on the Sleepy Hollow short story, following Ichabod Crane and a female sheriff who solve supernatural mysteries; written by Alex Kurtzman and Roberto Orci (Fringe, Hawaii Five-0) and Phillip Iscove, produced by Heather Kadin and Len Wiseman.
— The Beach: Based on the 1996 novel and 2000 movie about a group of youths who try to start society over on a remote paradise; written by Andrew Miller (The Secret Circle).
— Hard Up: Single-camera comedy based on Israeli series about four twentysomething guys who are strapped for cash; written by Etan Frankel (Shameless), produced by John Wells.
— Lowe Rollers: Animated comedy about a struggling Titanic-themed casino in Las Vegas; written by Mark Torgove and Paul Kaplan (Outsourced) and Ash Brannon, produced by Ryan Reynolds, Jonathon Komack Martin, Steven Pearl and Allan Loeb.
— Untitled Chris Levinson Project: Cop drama about a detective who puts his life under surveillance when he begins to lose his memory; written by Chris Levinson (Touch), produced by Peter Chernin and Katherine Pope.
— Untitled Friend/Lerner Project: Drama set on an aircraft carrier following young naval officers and a female fighter pilot who tries to solve an onboard murder; written and produced by Russel Friend and Garrett Lerner (House).
— Untitled Ryan Reynolds Project: Half-hour comedy about a disgraced hotelier forced to manage a rundown airport hotel; written by Matt Manfredi and Phil Hay (Clash of the Titans), produced by Ryan Reynolds, Allan Loeb, Jonathon Komack Martin and Steven Pearl.
— Untitled Jason Katims Project: Romantic comedy about a single female attorney; written by Jason Katims (Parenthood, Friday Night Lights) and Sarah Watson.
— Getting On: U.S. adaptation of a British comedy about a group of nurses and doctors working in a women's geriatric wing of a run-down hospital; Big Love creators Mark V. Olsen and Will Scheffer to exec produce with Jane Tranter, Julie Gardner and Geoff Atkinson.
— Buda Bridge: Belgian-set crime drama about a woman who is found dead on a famous bridge in Brussels; written and directed by Michael R. Roskam (Bullhead), produced by Michael Mann (Luck) and Mark Johnson (Breaking Bad).
— Hello Ladies: Comedy about an oddball Englishman who chases women in Los Angeles; written, directed by and starring Stephen Merchant (The Office), produced by Lee Eisenberg and Gene Stupnitsky (The Office).
— Angie's Body: Drama about a powerful woman at the head of a crime family; written by Rob Fresco (Heroes, Jericho), directed and executive produced by Jodie Foster, Fresco and Russ Krasnoff.
— Conquest: Period drama about Spanish conquistador Hernan Cortes, who clashes with the Aztec ruler Moctezuma II; written by Jose Rivera (The Motorcycle Diaries), produced by Ron Howard, Brian Grazer and Francie Calfo.
— Low Winter Sun: Based on 2006 British miniseries about the aftermath that follows the murder of a cop by a fellow detective; written by Chris Mundy; James Ransone, Ruben Santiago Hudson and Athena Karkanis to star.
— Those Who Kill: Based on Danish series about a detective and forensics scientist who track down serial killers; written by Glen Morgan, produced by Brian Grazer, Francie Calfo, Peter Bose and Jonas Allen, directed by Joe Carnahan.
— Untitled LaGravenese/Goldwyn Project: Legal thriller about an attorney who discovers new evidence that re-opens a sensational murder case; written by Richard LaGravenese, directed by Tony Goldwyn, exec produced by David Manson; Marin Ireland to star as female lead.
— The Americans: Period drama about two KGB spies posing as Americans in Washington, DC; created by Joe Weisberg, exec produced by Weisberg, Graham Yost, Darryl Frank and Justin Falvey; directed by Gavin O'Connor; Keri Russell, Matthew Rhys and Noah Emmerich to star.
— The Bridge: Based on the Scandinavian series, about a murder investigation opened up after a dead body is discovered on a bridge connecting the United States and Mexico; written by Meredith Stiehm and Elwood Reid (Cold Case), produced by Carolyn Bernstein, Lars Blomgren and Jane Featherstone.
— Untitled Dr. Dre Project: One-hour drama about music and crime in Los Angeles; written by Sidney Quashie, exec produced by Dr. Dre.
Follow Marc on Twitter @MarcSnetiker
[Photo Credit: ABC, CBS, Fox, NBC, The CW]
Seth and Lorne team up: There's one man besides Lorne Michaels whose name has become synonymous with Saturday Night Live, and that's Weekend Update anchor Seth Meyers, who is teaming up with Michaels (through his Broadway Video company) for a multicamera comedy written and produced by Meyers and his brother, Mad TV's Josh Meyers. [THR]
Once Upon a Time gets hooked: The world's most famous one-handed pirate is going to bring some much needed villainy to Storybrooke this fall when Colin O'Donoghue (The Tudors) joins the cast of ABC's fairy tale drama as Captain Hook. Peter Pan's main nemesis will make his debut in the second season's fourth episode. [TVLine]
NBC goes global: The Peacock has ordered one of its first major project for next development season — a drama described as "The West Wing meets the United Nations" — from producers Walter Parkes and Laurie MacDonald and Hell on Wheels writer Tom Brady (not the one you're thinking of). The drama will focus on an interpreter employed at the United Nations building in New York City who deals with ambassadors and diplomats from across the globe as they attempt to sort of the world's crises. [Deadline]
From Smash to cash: Craig Zadan and Neil Meron, the duo well-known for their contribution to NBC's Smash but equally familiar for their take on Hairspray and Chicago, are at it again, signing a two-year deal with Sony Pictures Television for multiple projects. The first will be a Bonnie & Clyde miniseries for the History Channel; the second, an Anna Nicole Smith biopic for Lifetime; and the third, a made-for-TV movie about fallen Latter-Day Saints leader Warren Jeffs (also on Lifetime). Zadan and Meron will produce all three. [THR]
Huggies in homeroom: TLC has ordered six episodes of High School Moms, a teenage pregnancy series (in the vein of MTV's Teen Mom franchise) that follows young parents at a Denver high school with an on-site day care center.[THR]
Follow Marc Snetiker on Twitter @MarcSnetiker
[Photo Credit: Mary Ellen Matthews/NBC; WENN.com]
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It almost makes you wanna trip over an ottoman, just for the hell of it.
Today marks fifty years since the premiere of The Dick Van Dyke Show, one of the most iconic and influential sitcoms in television history. The Dick Van Dyke Show, starred (you probably don’t need us to tell you) Dick Van Dyke as Rob Petrie, a family man and comedy writer for a New York City-based variety TV show. TDVDS seems to have all the facets of your standard workplace comedy—tyrannical boss, wisecracking coworkers, put-upon errand boy -- but there’s something that differentiates this series from others of its type: it was the first of its kind.
In fact, TDVDS was a pioneer not just as a workplace comedy (seriously—name one that came before it), but also in its portrayal of woman and minorities. One of the main characters, Sally Rogers, was a brash, single woman and professional comedy writer. TDVDS was nearly unprecedented in its portrayal of a black family as economic and societal equals to the Petries. And finally, it was one of the first shows to include a number of Jewish characters.
But in addition to these important sociopolitical steps, it was also the foundation for several types of comedic characters that have stood the test of time. We may not realize this, but characters from our favorite sitcoms today—workplace, family, all genres—draw inspiration from the cast of The Dick Van Dyke Show.
Liz Lemon (Tina Fey on 30 Rock)
Liz Lemon is the hapless head writer of TGS with Tracy Jordan, a sketch comedy show on NBC. Since the series' start, Liz is illustrated as a career woman who has let her work addiction, and (often ironically counterproductive) measures to advance the depiction of women on television, stand in the way of her personal life. However, Liz's mission is to "have it all." She wants to meet a good man and start a family, but is in no way willing to give up her demanding job. Additionally, the scattered attempts Liz does make at finding love are always ill-fated, either by her own abrasive personality or by her attraction to terrible men.
Each and every one of these characteristics can be traced back to Rose Marie's character, Sally Rogers, on The Dick Van Dyke Show. Sally's lack of apparent femininity led her to often be jokingly referred to as "one of the guys" by coworkers Rob and Buddy. She was a markedly successful professional writer, but she often lamented her inability to find a husband. The few men that Sally was seen with over the course of the series never offered much promise: her on-off love interest Herman Glimscher was immature (much like Liz's recurring boyfriend, and the best character in the history of television, Dennis Duffy). Furthermore, Sally often drove men away due to her unbridled personality and sense of humor.
Tom Haverford (
Aziz Ansari on Parks and Recreation)
While he was employed at the Parks Department of Pawnee, Indiana, Tom Haverford was rarely seen contributing to anything but the office vibe. Tom is an incurable wiseass. At every waking opportunity, he goofs off and makes fun of his coworkers (specifically Jerry...and Leslie...and Ben...and Jerry). There have been many quick-witted slackers over the years, but Tom is one we are pleased to have with us today. And, of course, we might not have Tom if we never had Morey Amsterdam's character, Buddy Sorrell, on The Dick Van Dyke Show.
Although Buddy's work ethic was slightly more impressive than Tom's (after all, he was a comedy writer, so technically, making fun of the producer was part of the job...right?), he was not exactly a model employee. Buddy never let an opportunity to snark at producer Mel Cooley slip by, usually vying for the obvious target of his baldness. Like Tom, Buddy was shown to be a decent guy underneath his attitude -- still a jackass, but a decent jackass.
Dean Craig Pelton (Jim Rash on Community)
Every fan of Community (that I know) cheers whenever Greendale Community College's Dean Craig Pelton struts into the library to deliver what will inevitably be unappreciated, irrelevant, and annoying news to the study group. The dean is the biggest victim of the eightsome's constant barrage of mockery due to his overzealous embrace of everything that he has to say. Somehow, despite his laughable appearance and incredibly peculiar personality, Dean Pelton takes himself incredibly seriously, and takes great offense to anyone who insults him or his job.
In this case, there are as many physical similarities between Pelton and Richard Deacon's Dick Van Dyke character Mel Cooley as there are personal. The bald, bespectacled Mel cherished his position of authoirty over the fun-loving gang of writers. However, his authority was strictly in title; he rarely commanded any respect from the trio, especially Buddy. Mel was the victim of endless abuse from the wisecracking comedians. Still, he carried out his position with great pride, much like Dean Pelton does his. Of course, Mel was never shown to be a pansexual deviant...maybe Community got that from Leave it to Beaver.
Ryan Howard (B.J. Novak on The Office)
Ah, the horrible boss. Beyond every other staple in workplace comedy has this one pervaded. Now, one might find it curious that, in use of The Office, we wouldn't highlight the iconic Michael Scott as the 'bad boss.' The thing is, Michael, while bumbling, insecure, immature, and ill-equipped for his position, was actually a pretty decent guy...underneath it all, anyway. Ryan Howard, however, during his reign as Michael's superior at Dunder Mifflin Corporate, was very much the opposite. He embodied perfectly the 'evil boss.' He was seflish, egotistical, insensitive, and obsessed with own success over others' and the company's. He was not above belittling, berating or manipulating his employees if it meant getting what he wanted.
Over the years, there have been many, many terrible bosses. But they all date back to creator Carl Reiner's character Alan Brady, star of the in-universe Alan Brady Show for which Rob, Sally and Buddy were writers. Alan originated as a faceless character, much like the George Steinbrenner character we saw in Seinfeld. Once the show made a transition into depicting Brady as a full-fledged character, he got meaner, ruder, more narcissitic and less compassionate -- especially to his own brother-in-law, Mel.
Phil and Claire Dunphy (Ty Burrell and Julie Bowen on Modern Family)
Phil and Claire are a classic formula. Goofy husband, high-strung wife. Both good-hearted and devoted to one another. Unlike some other series of recent past, it is easy to see why Phil and Claire love each other. Their differences are not played to extremes in the interests of laughable chaos. We actually see plenty of their similarities, as well. While Phil's bumbling nature often causes Claire grief, and Claire's flusterability (just go with it) might upset Phil, we never doubt that they're right for each other.
And this is something we definitely find in Rob and Laura Petrie, played by Dick Van Dyke himself and the great Mary Tyler Moore. They started it all: the great married couple. Not perfect to the point of inhuman like the Cleavers. Not flawed to the point of "Well, why are they even married?" like the Barrones. Totally real. Totally lovable. Totally memorable. Like the show itself, a true legacy.