The organisation's 2012 Entertainment Industry Awards took place in Hollywood and The West Wing star was the toast of the night thanks to his years of activism and commitment to stamp out bullying.
Journalist Shriver was on hand to present her longtime friend with the prize, telling the crowd, "He knows deeply that words can hurt - he was called a 'theatre fag' as he grew up. His whole life is authentic."
Film executive David Weil was also feted at the ceremony, hosted by True Blood beauty Janina Gavankar.
The funnyman swam 140 miles (225 kilometres) along England's River Thames to raise $1.6 million (£1 million) for the U.K.'s Sport Relief organisation, but suffered diarrhoea and sickness during the challenge.
Britain's The Sun reported this week (begs26Sep11) that Walliams was being tested for potentially fatal Weil's disease, a waterborne condition, as a precaution - but a spokesperson for Comic Relief, which created Sport Relief, has played down the claim.
The rep says, "Comic Relief understands that David has contracted a bug that has caused a stomach upset.
"He is being treated for this and has been advised by medical professionals that it is not serious and that he will soon be back to full health. David has not been tested for Weil's disease."
The Little Britain star raised $1.6 million (£1 million) for the U.K.'s Sport Relief charity by swimming 140 miles (225 kilometres) along the river from Gloucestershire to Big Ben in London over the course of eight days.
Walliams was admitted to hospital to treat a back injury following the challenge, and now editor's at Britain's The Sun report he is being tested for potentially fatal Weil's disease, a waterborne condition, after displaying symptoms of the ailment - including fevers and muscle pain.
A source tells the publication, "The first signs were during the swim - the sudden fever, the diarrhoea and the rash. What was especially significant was the sudden stop of the illness only to return a few days later.
"The extreme and continued muscle and joint pain and the fact he is still extremely fatigued and feverish show all the classic signs of Weil's. He is undergoing tests but at least he's in good hands."
Will it take a Hollywood production to alert the masses about the current oil crisis facing the world which leaves no person unaffected? Does Syriana have the makings to be such a wide-reaching film? Well probably not but it does make a noble stab at it. Much of the way through Syriana has the feel of a documentary although it ultimately falls into the pattern of the popular interwoven narratives that are so popular these days. Among the interwoven: A beleaguered CIA agent (George Clooney); a wary and inquisitive Washington lawyer (Jeffrey Wright); an opportunistic energy analyst (Matt Damon) and his wife (Amanda Peet) who have just lost their young son; and a Persian Gulf prince (Alexander Siddig) who helps China in an oil deal thus antagonizing the U.S. The cast assembled here includes some of this era's finest actors. That no single actor steals the show is mostly a testament to on-screen time split justly. Clooney is the big story here and he should be: Rare is the sex symbol superstar of his enormity who dares to don a gut and a beard as he does here. With his trademark physical attributes obscured Clooney's acting is allowed to shine and his character's tension is palpable. As for Wright the quintessential chameleon of an actor his performance is as flawless and brilliant as always. Damon provides a reliable turn but it's onscreen wife Peet who adds the truly raw emotion that the film lacks overall. Rounding out the ensemble are two under-appreciated stalwarts: Chris Cooper nailing the role of a shrewd oilman and Christopher Plummer perfectly cast as the head of a law firm. Stephen Gaghan has displayed his writing chops in the past—most famously in 2000's Traffic for which he won an Oscar—and he certainly has a solid mentor behind him in (executive producer) Steven Soderbergh. After making his directorial debut with the 2002 flop thriller Abandon he finds far better luck with this star-studded politically charged film having traveled the world to gain insight into Robert Baer’s book which serves as source material. Unfortunately Gaghan’s stirring documentary/handheld-cam filmmaking is contradicted by the overall convoluted feel of the movie which comes to a too-neat conclusion that leaves several characters hanging. Although Gaghan has a bold and daring take on a topical problem there's a reason a topic like this with so many disparate lives and ideas is not often tackled on the big screen: film is just not a vast enough medium.
In the Dark Ages Arthur (Clive Owen) is the Roman commander of a band of Sarmatian warriors who after losing a key battle to the Romans were forced to join the Empire's Special Forces unit and sent to Britain to defend Roman holdings from the encroaching Saxons and the uprising Britons. Some 15 years later the Romans are pulling out but Arthur and his knights are sent on one final mission for the Empire before returning to Rome--rescue a Roman nobleman and his family from the other side of Hadrian's Wall before they get massacred by the Saxons. As with any final mission things don't necessarily go as planned. With the Saxons on their heels Arthur decides to not just rescue the family but hundreds of slaves at the same time--including Guinevere (Keira Knightley) and her mysterious shaman Merlin (Stephen Dillane) who convince Arthur to join the Britons in their fight against the Saxons instead of going home. Arthur balks until he realizes the Roman Empire has crumbled and he has nothing left to go home to. He leads his knights into the Battle of Badon Hill a clash that proved pivotal to the country's future and started Arthur on his path to become king of Britain.
Knights weren't exactly cuddly lovable guys; in fact the Sarmatian warriors were fearless killing machines--a concept the cast of King Arthur clearly grasps. Owen as Arthur is a brave charismatic leader who never lets his knights down. Owen also adds a smidgen of sensuality to the character a quality that draws others to him including his six knights and Guinevere wonderfully portrayed by Knightley. But with the exception of a brief love scene between the two co-stars the film steers clear of romance and Guinevere's attraction to Arthur seems more about the myth than the man. The young Knightley however stands her ground with the testosterone-laden cast and proves she can act fight and look absolutely spectacular in nothing but harnesses and armbands. Judging by the studio promotion you would think Guinevere is the film's main character but she is only introduced some 40 minutes into the film. Lancelot (Ioan Gruffud) is slightly less impenetrable than Arthur and Gruffudd crafts this quality in him by showing a little bit of fear every now and then. The actor gives Lancelot a vulnerability that helps to make the character a bit more human.
Director Antoine Fuqua (Training Day) and co-writer David Franzoni (Gladiator) call this film the "real" story behind the King Arthur mythology and trim away every ounce of the fantasy you associate with the legend in favor of gritty realism. The story as Franzoni tells it is based on an actual half-British Roman commander named Artorius who fought the Saxons in the 5th century. But setting up the people events and the entire history behind King Arthur and the Knights of the Round Table takes time--about 40 precious minutes and that doesn't even include the opening scrawl. Not only is it boring it's confusing. King Arthur however picks up steam when it gets to The Final Mission. At this point Knightley's character Guinevere is finally introduced and Fuqua gets to indulge the audience with an epic battle complete with captivating military strategies and intense fight sequences. Fuqua's sets are also impressive especially the replica of Hadrian's Wall complete with massive gates. But the film's noble set designs cannot make up for the lack of character development that plagues this Arthurian tale. As with Gladiator Franzoni is so preoccupied making the characters in King Arthur ferocious that he forgets we need to care about them too.
January 30, 2004 2:33pm EST
Best friends David (Omarion) and Elgin (Marques Houston) earn a living dancing in competitions against rival dance crews in a local warehouse owned by Mr. Rad (Steve Harvey) who keeps the challenges clean and organized. Basking in their recurring success David and Elgin are approached by an Orange County crew for a dance-off with a bigger payday than they are accustomed to: $10 000. The only catch is that they would have to put up half that money in advance which they scrape up at the last minute thanks to Elgin's grandmother. But the OC crew plays dirty steals their moves and wins the competition leaving David and Elgin with a huge debt to repay. To come up with the dough they become runners for a local drug dealer--a job that doesn't pay off when Elgin gets robbed and beaten while transporting a large sum of money. He blames David for the attack since his buddy was too busy cozying up to his Princeton-bound sister Liyah (Jennifer Freeman) to have his back. Now the only way Elgin can repay his grandmother and the dealer is to win "The Big Bounce " an MTV-sponsored dance competition with a $50 000 purse. But Elgin and David's falling-out threatens their shot at the big time.
The majority of the cast in You Got Served are onetime members of the boy band B2K (an acronym for Boys For 2000) an R&B quartet that includes Lil' Fizz J-Boog Raz-B and Omarion. Houston a solo artist whose single "Smile" is included on the film's soundtrack is Omarion's older brother and with recurring role on UPN's Sister Sister is probably their only castmate with any real acting experience. That seems to have helped Houston however whose character Elgin has the most emotional range of the bunch: Sweet funny bitter angry and at times apologetic. His co-star Omarion goes over the top with the puppy-dog-face thing but let's face it teenage girls across America will swoon over just that. But despite some amateurish performances it is apparent that these heartthrobs did not take themselves or their roles too seriously and their lighthearted performances make their characters so darn likeable. More to the point the performances in this film depend more heavily on the dancing than the acting and in that department both Houston and Omarion thrive. The film also features Harvey in a demure role that doesn't do anything for the comic actor and cameo appearances from Lil' Kim and hottie Wade Robson. But the prize for the most irritating performance of all goes to MTV VJ LaLa who plays herself as "The Big Bounce" host and whose shrieky voice will have you scrounging in your pockets for aspirin.
Chris Stokes makes his directing and screenwriting debut with You Got Served and giving members of the B2K hip-hop ensemble starring roles makes sense; after all he was the band's manager. While this casting choice was weak in terms of acting it was a solid pick in terms of the film's dance theme not to mention fan fare. Although B2K split up last month the group still has a stranglehold over the young ladies. Besides it's a given that moviegoers aren't expecting great performances or a gripping tale from You Got Served just some awesome dancing which is where this film really delivers. Sure some scenes belong on the editing room floor especially one in which David and Elgin practice their latest moves shirtless in an alley at night during a rainstorm. But with dance sequences making up more than three-quarters of the film it still moves along at a fast pace and is surprisingly entertaining. The film's amateurism however rears its bopping head when scenes stray from these awe-inspiring dancing sequences. In these instances the dire acting skills of its young cast and the sappy dialogue become more obvious not to mention the director's overuse of fade-outs from scene to scene; you'll half be expecting a commercial break.
Looney Tunes: Back in Action revisits an age-old Tunes question: Why does the affable Bugs reap all the fame and glory while the egocentric Daffy gets shafted again and again? Our duck friend quite frankly has had it up to his skinny neck playing second fiddle to the carrot muncher. All Daffy wants is a little recognition from the studio but the brothers Warner (actual twin brothers as we come to find out) decide instead to let Daffy out of his contract on the advice of their no-nonsense VP of comedy Kate Houghton (Jenna Elfman). Bugs however knows they're making a mistake. Even though Daff bears the brunt of the abuse Looney Tunes would fail without him and Bugs convinces the powers that be they need the nutty mallard. If the plot had only followed this thread--perhaps showing Daffy on the skids--then maybe the film wouldn't have spiraled into Looneyville. Unfortunately Daffy ends up hooking up with the hunky D.J. Drake (Brendan Fraser) a studio security guard who finds out that his famous movie star father Damian Drake (Timothy Dalton) is really a secret agent hunting for a mysterious diamond known as the Blue Monkey a supernatural gem that can turn the planet's population into monkeys. The evil head of the Acme Corporation Mr. Chairman (Steve Martin) wants the diamond for his own diabolical plans and he's kidnapped D.J.'s dad in an effort to get it. Now the gang has to get the diamond save D.J.'s dad and of course save the world.
It might be a little hard to act subtly around cartoon characters but these aren't your ordinary cutesy Mickey Mouse types. Bugs Daffy Porky Yosemite Sam and Foghorn Leghorn are pros at comic timing able to spar with the best of them throw out zingers without a second thought and slay you with a droll glance at the camera. It isn't really necessary for the human actors to match their madcap-ness; just reacting would have sufficed. Fraser comes off the best of the human bunch; since he's had practice (Monkeybone) he easily interacts with his animated co-stars and deftly handles the doubletakes and jabs at pop culture. Elfman on the other hand sputters and goes bug-eyed every time she encounters silliness. She looks uncomfortable doing the green screen thing especially when she's trying to look natural when peeling a distraught duck from around her waist. Martin's highly anticipated turn as Mr. Chairman turns out to be the biggest disappointment. The over-the-top character is reminiscent of Martin's hysterically funny Rupert the Monkeyboy in 1988's Dirty Rotten Scoundrels but Martin turns Mr. Chairman--an angry schoolboy with knee socks and matted-down hair who never grew up--into a caricature of ridiculous proportions and unlike Rupert who came in small hilarious doses Mr. Chairman gets very tiresome very quickly.
Back in Action's animation is well done more engaging and ambitious than its 1996 predecessor Space Jam in which the action mostly took place in Looney Tunes land; here animated characters go the Who Framed Roger Rabbit? route and Bugs Daffy and the rest coexist harmoniously with humans in the real world. But despite its aspirations Back in Action leaves out vital elements that made Space Jam appealing. While the earlier film stuck to a simple plot Back in Action guided by director Joe Dante (Small Soldiers The 'Burbs) tries too hard to keep things wild and wacky while incorporating elements of '60s heist pics and action-adventure scenes and in the process loses sight of the most important ingredient in any kids movie: the story. Tykes may have limited attention spans but if the story's good they will watch. Granted some individual bits are laugh-out-loud funny particularly the scene in the Warner Bros. commissary where a stuttering Porky Pig complains about being politically incorrect with Speedy Gonzales while an animated Shaggy and Scooby-Doo berate actor Matthew Lillard for playing Shaggy as such a bonehead in the live-action Scooby-Doo. These scenes prove that if any cartoon characters could pass themselves off as real celebrities in the entertainment industry the gang from Looney Tunes could but moments like these simply can't overcome a contrived plot and juvenile antics.