ABC Television Network
Every network has a tent pole series, but ABC has a tent pole show runner: Shonda Rhimes. So when the network unveiled their fall 2014-2015 schedule on Tuesday, nobody was surprised to see that Thursday nights are now all Rhimes, all the time. But one person can only develop so many shows, and luckily ABC has several other series lined up to fill in the hours that aren't produced by the woman behind Grey's Anatomy and Scandal, series that include a superhero spinoff, an immortal medical examiner who solves crime, and a sitcom about how kids these days are too obsessed with technology.
With so many new shows arriving this fall, it can be hard to figure out which ones are going to be worth your time, so we've rounded up all of ABC's upcoming shows and some clips from their first episodes to save you the hassle. Although, this batch features a next seasons' Trophy Wife and a replacement for Don't Trust the B in Apartment 23, so fans of those shows might want to tread carefully to avoid further heartbreak.
Selfie What It Is: Sitcom What It's About: After a 20-something woman finds herself the subject of an embarrassing viral video, she hires an image consultant to help her rebrand herself in the real world. Who's In It: Karen Gillan and John Cho What It Sounds Like: Pygmalion for the Internet age. How Good Will It Be: The premise (and title) are pretty ridiculous, but both Gillan and Cho are charming and talented, so they might just be enough to keep the show afloat. How Long It Will Last: Like Cougar Town and Trophy Wife before it, the terrible title will be its downfall. We’ll be surprised if it gets two seasons.Airs: Mondays at 8 pm
Manhattan Love Story What It Is: Sitcom What It's About: A romantic comedy about a couple in the beginning stages of their relationship that reveals their inner thoughts as well as their actions. Who's In It: Analeigh Tipton, Jake McDorman, Jade Catta-Preta and Nicholas Wright What It Sounds Like: Peep Show meets How I Met Your Mother How Good Will It Be: McDormand has been playing the loveable jerk for years now, and Tipton is charmingly awkward, but the inner monologue shtick seems like it will get annoying very quickly. How Long It Will Last: One and done.Airs: Mondays at 8:30 pm
Forever What It Is: Drama What It's About: A medical examiner who just happens to be immortal. Who's In It: Ioan Gruffudd, Alana De La Garza and Judd Hirsch What It Sounds Like: Remember New Amsterdam? No? Well, it’s basically the same thing. How Good Will It Be: It depends on how well the show is able to integrate the issue of him immortality, but there are so many “cop with a mysterious secret” procedurals on the air right now that this one does How Long It Will Last: Unlike New Amsterdam, it will probably get a full season. Airs: Mondays at 10 pm
Black-ish What It Is: Sitcom What It's About: An upper-middle class black man struggles to raise his assimilated, color-blind kids with a sense of cultural identity. Who's In It: Anthony Anderson, Tracee Ellis-Ross and Laurence Fishburne What It Sounds Like: The early episodes of The Fresh Prince that were actually about something How Good Will It Be: It’s got a cast full of TV vets and Larry Wilmore behind it, but it looks a little too generic to really stand out. How Long It Will Last: Even with Wilmore leaving for the Minority Report in October, the cast should be enough to earn it a second season. Airs: Wednesdays at 9:30 pm
Christela What It Is: Sitcom What It's About: An ambitious law student is torn between her dream job and her traditional Mexican-American family. Who's In It: Christela Alonzo, Carlos Ponce, Terri Hoyos, Andrew Leeds and Sam McMurray What It Sounds Like: If Leslie Knope were a character on George Lopez How Good Will It Be: Alonzo is an accomplished comedian, which will help the show in the long run, but thus far we haven’t seen anything that’s worth getting excited over. How Long It Will Last: Probably a yearAirs: Fridays at 8:30 pm
How to Get Away With Murder What It Is: Drama What It's About: A group of law school students find themselves entangled in a real-life murder mystery. Who's In It: Viola Davis, Alfie Enoch, Liza Weil, Matt McGorry, Aja Naomi King and Michael Gaston What It Sounds Like: Legally Blonde, minus the light-hearted goofiness, plus Scandal How Good Will It Be: Like Shonda Rhimes’ other shows, it will probably be campy and over-the-top, but completely addicting nonetheless. How Long It Will Last: Again, it’s Shonda Rhimes, so at least 7 seasons.Airs: Thursdays at 10 pm, after Grey's Anatomy and Scandal
Agent Carter What It Is: Drama What It's About: A female secret agent helps to establish S.H.I.E.L.D. in the days following World War II Who's In It: Hayley Atwell What It Sounds Like: It’s an extended version of the Agent Carter short film. How Good Will It Be: Marvel’s last TV show floundered, but Peggy Carter is an established character, a fan-favorite and is played by the very talented Atwell, so things should go a lot more smoothly this time around. How Long It Will Last: Thanks to the Marvel brand, it’s guaranteed at least two seasons.Airs: Between the winter finale and spring premiere of Agents of S.H.I.E.L.D.
ABC Television Network
Galavant What It Is: Comedy What It's About: A musical fairy tale that follow a prince’s quest for revenge on the king who stole his true love. Who's In It: Vinnie Jones, Joshua Sasse, Timothy Omundson, Mallory Jansen, Karen David and Luke Youngblood What It Sounds Like: Once Upon a Time: The Musical! How Good Will It Be: If it doesn’t get bogged down in mythology and plot complications like Once Upon a Time in Wonderland, it could be entertaining in its ridiculousness. How Long It Will Last: Well, Once Upon a Time has been on for three years and Glee has been on for five, so four seasons sounds about right. Airs: Between the winter finale and spring premiere of Once Upon a Time
Fresh Off the Boat What It Is: Sitcom What It's About: Based on the memoir by chef Eddie Huang, it follows as 12-year-old boy as he and his immigrant family adjust to life in suburban Florida. Who's In It: Randall Park, Paul Sheer, Constance Wu, and Aubrey K. Miller What It Sounds Like: Aliens in America meets The Goldbergs, but set in the 1990s How Good Will It Be: It’s written by Nahnatchka Khan, who ran Don’t Trust the B in Apt. 23, so it will probably be quirkily funny. How Long It Will Last: Like Don’t Trust the B, it will squeak its way to a second season.Airs: Midseason
Secrets and Lies What It Is: Drama What It's About: A man discovers the body of his neighbor’s son in the woods, sending the town into a tailspin that will reveal everyone’s hidden secrets. Who's In It: Ryan Phillipe, KaDee Strickland, Natalie Martinez, Clifton Collins Jr. and Juliette Lewis What It Sounds Like: Broadchurch, minus David Tennant, with a touch of Revenge. How Good Will It Be: It’s a pretty generic premise, but the cast is good, so like most of ABC’s dramas, you will become addicted to it but you won’t tell anybody about it. How Long It Will Last: It will either be cancelled in the middle of the first season, like Hostages, or it will run for at least four seasons. Airs: Midseason
American Crime What It Is: Drama What It's About: After a couple are attacked in their home, racial tensions are stirred up in a small California community. Who's In It: Felicity Huffman, Timothy Hutton, W. Earl Brown, Richard Cabral, Benito Martinez and Penelope Anne Miller What It Sounds Like: Crash: The TV Series How Good Will It Be: It’s a bit of a complicated topic for ABC's brand of soap-y drama, so we don't see things working out. How Long It Will Last: Cancelled after one season.Airs: Midseason
The Whispers What It Is: Drama What It's About: Aliens have invaded the earth by inhabiting the bodies of children. Who's In It: Lily Rabe, Barry Sloane and Milo Ventimiglia What It Sounds Like: The exact plot of Torchwood: Children of Earth, minus both Peter Capaldi and John Barrowman How Good Will It Be: It’s got a solid cast behind it, but the premise has been done before – and done really well – so we don’t have high hopes. How Long It Will Last: Well, Resurection got a second season, so this probably will too.Airs: Midseason
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Actress Jessie Mueller has been hailed as Broadway's next big star after winning rave reviews for her portrayal of singer/songwriter Carole King in a new stage musical. Beautiful: The Carole King Musical opened at the Stephen Sondheim Theater in New York City on Sunday night (12Jan14), and critics have been quick to praise the show's star for her performance.
Ben Brantley of the New York Times made it clear Mueller is the best element of the production, writing, "Originality is clearly not this show's strong suit. With one very important exception. That's Ms Mueller, a Broadway star in waiting for several years, who here steps confidently into the VIP room of musical headliners."
Elysa Gardner of USA Today also singles out Mueller for her star turn, writing, "Jessie Mueller... is a singer with exquisite tone and great flexibility - and one of our best young musical actresses to boot... Mueller's portrayal of King (is) far and away the best reason to see Beautiful..."
The Hollywood Reporter's David Rooney adds, "This is entertaining boomer bait that elevates its by-the-numbers narrative with great songs. It's also a tremendous showcase for the talented Jessie Mueller as she embodies King's blossoming from songwriter-for-hire to empowered performer of her own material."
Joe Dziemianowicz of the New York Daily News concurs: "Best of all is Mueller... She doesn't sound all that much like King, but brings lots of sweetness and some depth to the role. Now that's beautiful."
Prior to opening night, King sent her best wishes to the cast along with her songwriting partners Gerry Goffin, Cynthia Weil and Barry Mann. In a post on Twitter.com, she wrote, "The real Goffin & King, Mann & Weil wish the whole company of Beautiful a great opening night and a long, joyous run!"
Chasing Mavericks is one of those hoary "based on a true story" movies that borders on hagiography. It's a fictionalized take on the early life of surfing wunderkind Jay Moriarity (Jonny Weston) and his attempt with the help of his mentor Frosty (Gerard Butler) to conquer the giant waves known as "mavericks." Although the beaches of North California and their crashing waves are gorgeous the story and the acting don't hold water. Chasing Mavericks is more interested in showing Moriarity to be a hero than an actual person and the movie suffers for it in the end.
Weston plays Moriarity as a 15-year-old and although Weston is still in his early twenties he looks disconcertingly older. The tan make-up doesn't help and neither does his hollow performance which is mostly just him looking wide-eyed and earnest. He's not given much to work with the challenges he has to overcome not given much weight at all. Moriarity's dad left when he was a kid and his mom (Elisabeth Shue) is often drunk and can't keep a job. This could have been an interesting development — Jay has to take care of her and loan her money and lives in what looks like a cubbyhole in the living room — but it's given short shrift. The movie Moriarity patiently does her laundry and wakes her up for work instead of what a normal 15-year-old would do which would probably include at the very least some choice four letter words or acting out. Although his mentoring at the hands of Butler's Frosty does explore some of Jay's pain and fears he's not particularly affected by anything. He just shakes it all off like a shaggy dog who's spent a day at the beach.
Other plot developments are equally toothless and without any real consequence. He has a bully who verbally taunts him but eventually respects him. His best friend is either doing or selling drugs given his shady goings-on and wads of dough in his pocket. Moriarity holds a torch for his childhood friend Kim (Leven Rambin) who is apparently embarrassed to be seen with him but even she isn't all that bad. It's like an after-school special that runs for 105 minutes (but feels much longer).
His crusty mentor Frosty is supposed to be a damaged man whose passion for surfing trumps everything even it seems supporting his family. At one point it's clear he's lied to his wife about going to do construction work but she just sort of shrugs it off. Brenda (Abigail Spencer) knows Frosty's love for the ocean and how it heals him from past tragedies so she mostly tolerates his behavior aside from a few sharp remarks. As his voiceover indicates (delivered by Butler with an accent that goes in and out) these "Children of the Tides" are simply drawn to the ocean even if it kills them. The passion trumps all as it surely did in the life of the real Jay Moriarity.
The footage of the men surfing is the centerpiece of the story which is probably why everything else feels like an afterthought. Even this is uneven though. Some of it is obviously Butler and Weston — Butler was injured on the set while filming a surfing scene — but the faraway shots don't really match up. It's not clear if this is archival footage or if it's just poorly edited and filmed. A few scenes in the movie look startlingly different all cloudy grays with Butler haggard and thinner and although it could be just a really ham-handed way to visually indicate grief this interlude looks like it's from an entirely different movie. A perk of Chasing Mavericks is its "alternative" music soundtrack that is immediately recognizable and surprisingly on point with songs from Mazzy Star Matthew Sweet and the Butthole Surfers popping up at appropriate times.
While surely the people involved in making the film are dedicated to preserving Jay's memory and inspiring others it's hard to take it seriously or be emotionally moved by such a blatantly unblemished portrayal. Real tributes show that grit and shortcomings of their subjects as much as why they're heroes.
David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
The organisation's 2012 Entertainment Industry Awards took place in Hollywood and The West Wing star was the toast of the night thanks to his years of activism and commitment to stamp out bullying.
Journalist Shriver was on hand to present her longtime friend with the prize, telling the crowd, "He knows deeply that words can hurt - he was called a 'theatre fag' as he grew up. His whole life is authentic."
Film executive David Weil was also feted at the ceremony, hosted by True Blood beauty Janina Gavankar.
A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
The funnyman swam 140 miles (225 kilometres) along England's River Thames to raise $1.6 million (£1 million) for the U.K.'s Sport Relief organisation, but suffered diarrhoea and sickness during the challenge.
Britain's The Sun reported this week (begs26Sep11) that Walliams was being tested for potentially fatal Weil's disease, a waterborne condition, as a precaution - but a spokesperson for Comic Relief, which created Sport Relief, has played down the claim.
The rep says, "Comic Relief understands that David has contracted a bug that has caused a stomach upset.
"He is being treated for this and has been advised by medical professionals that it is not serious and that he will soon be back to full health. David has not been tested for Weil's disease."
The Little Britain star raised $1.6 million (£1 million) for the U.K.'s Sport Relief charity by swimming 140 miles (225 kilometres) along the river from Gloucestershire to Big Ben in London over the course of eight days.
Walliams was admitted to hospital to treat a back injury following the challenge, and now editor's at Britain's The Sun report he is being tested for potentially fatal Weil's disease, a waterborne condition, after displaying symptoms of the ailment - including fevers and muscle pain.
A source tells the publication, "The first signs were during the swim - the sudden fever, the diarrhoea and the rash. What was especially significant was the sudden stop of the illness only to return a few days later.
"The extreme and continued muscle and joint pain and the fact he is still extremely fatigued and feverish show all the classic signs of Weil's. He is undergoing tests but at least he's in good hands."