It was a big night for Jennifer Lawrence at the 2013 GLAAD Media Awards on Saturday night. Not only did the Oscar-winning actress have the task of presenting President Bill Clinton, the recipient of the Advocate for Change Award at last night's ceremony, but she sent the Internet into a frenzy (what else is new?) when she debuted her new, short haircut.
Celebrity hairdresser Mark Townsend shared a shot of Lawrence's gorgeous new look on Instagram with the message "Meanwhile, this is happening" before she hit the red carpet for the event wearing a stunning little black dress by David Koma. The photo got overwhelmingly positive reception from fans online, who wrote messages in response like, "Crazy gorgeous" and "perfect".
Of course even if Lawrence may look a little different, she still remains her same old charming self we've all come to know and love. According to E! Online, the 22-year-old Catching Fire star had one of her trademark slip-ups on stage. Lawrence, while introducing President Clinton's award with Miramax honcho Harvey Weinstein before Chelsea Clinton introduced her father, the actress reportedly "mildly flubbed" the former President's name.
But President Clinton took the small slip-up in stride and joked, "I don't know why Harvey made Jennifer do that. She really was like 2-years-old when I became president. I met her backstage and she looked like she was touring the Museum of Natural History."
Below are more of the winners, including President Clinton, from the 2013 GLAAD Media Awards:
Advocate for Change Award: Bill Clinton, presented by Harvey Weinstein and Jennifer Lawrence
Stephen F. Kolzak Award: Steve Warren, presented by Leonardo DiCaprio and Charlize Theron
Outstanding Film – Wide Release: The Perks of Being a Wallflower (Summit Entertainment), accepted by writer-director Stephen Chbosky with Logan Lerman, Johnny Simmons and Mae Whitman
Outstanding Comedy Series: The New Normal (NBC), accepted by co-creators Ryan Murphy and Allison Adler with Andrew Rannells, Justin Bartha, Georgia King, Jayson Blair, NeNe Leakes
Outstanding Individual Episode: “Don’t Ask, Don’t Tell Me What to Do” Raising Hope (Fox), accepted by show creator Greg Garcia with Cloris Leachman, Shannon Woodward
Outstanding TV Movie or Mini-Series: American Horror Story: Asylum (FX), accepted by show creator Ryan Murphy
Outstanding Daily Drama: Days of Our Lives (NBC), accepted by: Freddie Smith
Outstanding Talk Show Episode: “At Home with Neil Patrick Harris, His Fiancé David Burtka, & Their Twins” Oprah’s Next Chapter (OWN)
More: Jennifer Lawrence Smoking Pot on Set?You're Not Allowed to Hate Jennifer Lawrence...and Here's WhyStephen Colbert Got President Bill Clinton To Send Out His First-Ever Tweet
From Our Partners:Eva Longoria Bikinis on Spring Break (Celebuzz)33 Child Stars: Where Are They Now? (Celebuzz)
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
Socialite Paris Hilton has laughed off reports she is dating Entourage heartthrob Adrian Grenier, insisting they are just friends.
The hotel heiress has been romantically linked to a string of famous men this year, including James Blunt, Josh Henderson, Cisco Adler and NASCAR driver Kasey Kahne.
After Hilton and Grenier were spotted frolicking on a beach in Malibu, California, last week, gossips began speculating they were dating.
However, Hilton's rep says, "They are just friends. There's nothing between them."
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Bobby Garfield (David Morse) returns to his small hometown to attend the funeral of his childhood friend and remembers the fateful summer in 1960 when his whole world changed. The story flashes back to when 11-year-old Bobby (Anton Yelchin) and his best friends Carol (Mika Boorem) and Sully-John (Will Rothhaar) capture the pure joy of youthfulness. When a mysterious stranger named Ted Brautigan (Anthony Hopkins) moves upstairs and starts to pay attention to Bobby the boy suddenly realizes what's truly missing from his life--the love of a parent. Bobby's mother Liz (Hope Davis) is embittered by the death of Bobby's father and shows little compassion for her son's growing needs. Ted fills a void with the boy opening his eyes to the world around him and helps Bobby come to terms with his real feelings for Carol--and his mother. But Ted also has some deep dark secrets of his own and Bobby tries hard to stop danger from reaching the old man.
The performances make the film especially in the genuine camaraderie of the kids. Yelchin Boorem and Rothhaar never deliver a false move with an easiness that makes us believe we are simply watching three 11-year-old children grow up together. Yelchin in particular is able to get right to the heart of this young boy who misses his father and clings to the only adult who will listen. And his scenes with Boorem simply break your heart. (Davis) does an admirable job playing a part none too sympathetic. She manages to show a woman whose been beaten down but who does truly love her son in her own way. Morse too is one of those character actors you can plug in any movie and get a performance worth noting. In Hearts you want to see more of him. Of course the film shines brightest when Hopkins is on the screen. It may not be an Oscar-caliber performance but the actor is unparalleled in bringing a character to life--showing the subtleties of an old man looking for some peace in his life.
If you are expecting the Stephen King novel you may be disappointed. Screenwriter William Goldman and director Scott Hicks (Shine) deftly extracted the King formula of telling a story through a child's eye and explaining how the relationships formed as a child shaped the adult later. Hicks did an amazing job with his young actors especially Yelchin and Boorem. But where the novel continued into a supernatural theme explaining Brautigan's fear of being captured by "low men in yellow coats" (a reference to King's The Dark Tower series) the movie downplayed the mystical elements instead giving real explanations for Brautigan's man-on-the-run. That was the one problem with Hearts--we needed more danger. Introducing men from another dimension may not have been the way to go but had there been more tension the film would have resonated more especially when Bobby risked his own safety to save Ted.
Will Will Truman get lucky? Will Chandler and Monica tie the knot? Will Dawson and Pacey make up? And what's up with "Popular"?!
Those are some of the questions that have been posed and that will be answered during the fall season of television.
Herein is a critique of the fall seasons of 10 TV series that Hollywood.com staffers watch on a weekly basis:
"Will & Grace," NBC, Thursdays, 9 p.m. ET
Is "Will & Grace," the as-of-late-sometimes-hilarious sitcom about a gay man named Will Truman (Eric McCormack, who looks tan and really sexy this season), his best gay friend Jack McFarland (the always funny, over the top Emmy winner Sean Hayes), his best female friend Grace Adler (Debra Messing), and her lush of a socialite "employee" Karen Walker (Emmy winner Megan Mullally), falling from, er, grace this season? "Will & Grace" sadly has been spotty since its Emmy win for Best Comedy. McCormack has said that Will will date this season and have a number of boyfriends. The guest spot a few weeks back by Patrick Dempsey as one of those alleged future boyfriends was funny, and the exchange among Dempsey, McCormack and Hayes in Banana Republic (dancer-actor-singer-choreographer Jack is now a Banana Republic sales associate, headphones and all) was witty and pretty and ... well, you know. But last week's much-hyped guest spot by Cher was totally disappointing. The writing was weak for most of the episode, guest star Camryn Manheim was wasted and Cher appeared in only the last few minutes. What we needed was a half hour of "Jack & Cher." Here's hoping that Will hooks up with Mr. Banana Republic. Life is about the Banana, after all. Go, girlfriend. Grade: B-
"Friends," NBC, Thursdays, 8 p.m. ET
Some shows grind to a halt after two characters get together, but the pairing of Monica (Courteney Cox Arquette) and Chandler (Matthew Perry), who are set to wed this season, has created more hijinks than ever. They have created the funniest storylines of the season: Monica consults an elaborate wedding binder she's been keeping since 4th grade, only to find out that her parents spent her wedding fund on a beach house. Chandler keeps having embarrassing moments with his future father-in-law (Elliott Gould) and finds that he can't smile in photographs. Rachel (Jennifer Aniston) and Phoebe (Lisa Kudrow) compete for maid of honor (Phoebe wins, but lets Rachel do it because it means more to her). Meanwhile, the non-wedding-related storylines have fallen to the wayside: Rachel has hired a cute younger assistant she can't date; Joey's pilot gets canceled, and Phoebe just found out that her grandmother's secret cookie recipe is from Nestle Tollhouse. Ross (David Schwimmer), other than a memory-lane kiss with Rachel, is so far unlucky in love. But, in the funniest episode of the season, he finds an unlikely snuggling partner in Joey when the two accidentally nap together -- and like it. Grade: B+
"The West Wing," NBC, Wednesdays, 9 p.m. ET
This Emmy winner started its second season with a bang -- quite literally. After the cliffhanger from the end of the first season, wherein President Jed Bartlet (Martin Sheen) and Deputy Chief of Staff Josh Lyman (Bradley Whitford) were shot, the two-hour opener took viewers from the present to the past. The episode cleverly gave the audience the background of why Bartlet first got on the campaign trail and showed how his extraordinary staff was assembled, all while juxtaposed with the assassination crisis. And the show doesn't seem to be stopping, creating scenarios that mirror the current social and political climate -- including some controversial racial conflict. The cast is still outstanding -- including Emmy winners Allison Janney as Press Secretary C.J. Cregg and Richard Schiff as Communications Director Toby Ziegler. Guest spots by the likes of Timothy Busfield and John Laroquette added heart and intensity to the behind-the-scenes storylines. But the heart of the show remains Sheen as the wise and truthful President Bartlet, and given the current real-life situation in the political world, Bartlet would be considered a godsend. Grade: A
"Everybody Loves Raymond," CBS, Mondays, 9 p.m. ET
Though "Everybody Loves Raymond" does not tend to build upon storylines episode to episode, it has shown some resourcefulness this season. Bringing in guest stars such as Robert Culp as Debra Barone's (Emmy winner Patricia Heaton) dad was a nice touch, especially when it led to a hilarious dispute between in-laws. But the show has been quite hit-or-miss lately. Ray (Ray Romano) developing a fear of germs, for example -- interesting but not funny, especially for a character who already has three young children. Just a breakdown of logic there. Ray's brother Robert, the divorced cop (played with deadpan precision by Brad Garrett), has also been curiously underused thus far. Grade: B-
"ER," NBC, Thursdays, 10 p.m. ET
The best thing America's top drama -- for the past six seasons -- has done so far is not add any new characters. Drs. Greene and Corday (Anthony Edwards and Alex Kingston) have gotten engaged; Dr. Kovac (the very hunky Goran Visjnic) is feeling guilt over a guy he accidentally killed during a mugging; and Dr. Carter (Noah Wyle) is back from rehab and peeing in a cup whenever he's asked. Dr. Chen (Ming-Na) is pregnant by a doctor at another hospital; Dr. Benton (Eriq LaSalle) lost his surgical attending position and is now "demoted" to an ER post; and there are hints that Dr. Weaver (Laura Innes) is mulling a lesbian relationship. Oh yes, and they treat people, too. The strongest episodes are still the medical-oriented cases, especially the 22-week-old "miracle baby" who survived nearly an entire day. Medical student/nurse Abby Lockhart (Maura Tierney) is emerging as the emotional core, letting us miss Sherry Stringfield and Julianna Margulies a little less. What's left to do is to use more of Michael Michele, who plays pediatric resident Dr. Cleo Finch. "ER" is not consistently great, but it still keeps our pulses pounding. Grade: B
"Dawson's Creek," WB, Wednesdays, 8 p.m. ET
Last year ended with Joey (Katie Holmes) sailing into the sunset with Pacey (Joshua Jackson), leaving her best friend/soul mate Dawson (James Van Der Beek) weeping and alone. It's a good choice because Holmes and Jackson have decidedly better chemistry, and although they dispense the same amount of SAT-filled sentences (meanwhile Pacey is flunking school) as Joey and Dawson, this new couple have snappier arguments/flirtations. This season: Joey's repairing her friendship with Dawson, who's trying to move on by taking pictures and finding a new confidante in Pacey's older sister (Sasha Alexander), particularly after his parents discover that they're having another baby. Pacey and Dawson take (very small) steps toward reconciliation after the former's boat is swept into a storm and the latter risks his neck to save him. Jen (Michelle Williams) is temporarily ostracized from the group -- and from best friend Jack (Kerr Smith) -- when she lets the already medicated Andie (Meredith Monroe) try Ecstasy at a rave, causing her to collapse and nearly die. But it's Andie who gives the fractured group a chance to heal again when she announces that she's leaving Capeside to spend the rest of the year in Italy (she already got into Harvard early, dontcha know). In her tearjerking farewell, she implores her friends to make up, and it looks as if they will. Grade: B+
"Frasier," NBC, Tuesdays, 9 p.m. ET
In the early '90s -- in its third season -- "Seinfeld" began to structure its episodes around the supporting characters, not the title character. Suddenly, the same seems true about "Frasier." While the love affair between Niles (David Hyde Pierce) and Daphne (Jane Leeves) seemed to be the hook to get viewers back into the show early this fall, it remained the hook throughout most of the season. And it worked. Their relationship has spawned a number of morose storylines thus far, with ex-wives and ex-fiancees plotting against the likable couple, but Frasier himself seems to have been pushed aside, stuck with adequate conflicts such as his displeasure with his wealthy new boss. But it still works. And Niles pretending to still be married in social circles is surprisingly hilarious each time. Grade: B+
"Spin City," ABC, Wednesdays, 9 p.m. ET
No, you can't blame Charlie Sheen alone for "Spin City's" decline in popularity. It really comes down to the writing. Only one episode of "Spin City" this fall has been impressive -- the one where Sheen and Heather Locklear lock horns on the set of "Live With Regis" -- but little else has proven to be much of a surprise. Sure, Sheen's character, the deputy mayor of New York, is narcissistic, and yes, he has a tainted history with drugs, but didn't we already expect that? It's not Sheen's fault that this sort of cliched writing took place. It's not Locklear's fault that she has little chemistry with him. And it's not the viewers' fault for wanting to change the channel - even though it means the certain demise of one of their previously most beloved shows. We miss ya, Mike. Grade: C-
"Popular," WB, Fridays, 9 p.m. ET
The WB's "Popular" is one of the most underrated and funniest shows on television. It's sad that it's been relegated to a Friday night spot. The show boasts a fabulous ensemble cast of pretty people vs. Everyday people, although the two sides have been mingling more and more. School stud turned social pariah Josh Ford (Bryce Johnson) has hooked up with tree-hugger Lily Esposito (Tamara Mello) after the pair rescued a gay chimpanzee from the L.A. Zoo. It's a lame pairing, but player-player Josh has already hooked up with the rest of the ladies on the show, so I guess Lil' Lily was next. Alarming this season: Instead of funny gags such as kidnapping Gwyneth Paltrow's personal shopper and competing ruthlessly for Homecoming Queen, "Popular" has turned to Very Special Episodes. Harrison John (Christopher Gorham) is battling leukemia, Nicole Julian (Tammy Lynn Michaels) has cried ... twice(!) ... over her fall from popularity, Carmen Ferrera's (Sara Rue) mother is an alcoholic, and both reigning Homecoming Queen Brooke McQueen (Leslie Bibb) and Mike "Sugar Daddy" Bernadino are battling eating disorders. Not very funny stuff. This season has been more about tears over sadness and struggles rather than laughter. As Mary Cherry (the always hilarious Leslie Grossman) would say, let's get some laughs back, hon. And pronto! Grade: B-
"Ally McBeal," Fox, Mondays, 9 p.m. ET
After a disappointing third season, David E. Kelley's series was in need of some serious spice. Kelley tried everything to raise ratings, from a lesbian lip-lock to some full-blown musical mishmash, but nothing could save the sinking show. In a final act of desperation, Kelley brought in a fresh-from-the-cell Robert Downey Jr. Little did Kelley know that the criminal element would bring such critical success this fall. As a cute, clever attorney named Larry, Downey's straight but sarcastic delivery is the perfect foil for Ally's (Calista Flockhart) high-strung hysteria. He steals every scene with his flawless timing, then punctuates even the simplest sentence with that trademark sexy smirk. Downey may have been sent in to rekindle the spark, but his presence has set the show on fire and made "Ally McBeal" a must-see on Monday nights again. Grade: B+
Reviews by Jason Alcorn, Kit Bowen, Tracey Pollack, Ellen A. Kim and Don Chareunsy.