Anyone who’s been to the zoo has considered the possibility that once all the visitors and the zookeepers go home the animals come out from their enclosures and talk about the day. And so while Frank Coraci's Zookeeper is kind enough to show us what that fantasy looks like it isn’t kind enough to show us much else.
In Zookeeper Kevin James plays Griffin Keyes who’s so in love with his girlfriend Stephanie (played by Leslie Bibb) that he doesn’t realize she’s terrible until he proposes to her and she says no because she doesn't like his job. After the breakup Griffin focuses on his work and is totally aware of how he wishes he had someone in his life to care for him the way he cares for the wildlife at the Franklin Park Zoo. When the animals (being the astute creatures that they are) notice how badly their favorite zookeeper has been feeling since the demise of his relationship they decide to break their vow of silence to show their appreciation for him by sharing all the tips and tricks that have helped them all get mates. The imparting of this knowledge paves the way for Kevin James to regurgitate onto the audience all the talent for physical comedy he’s accumulated over the course of his acting career and it means Griffin spends the majority of the movie rubbing his back against a tree like a bear or peeing on a tree like a wolf because he thinks his ex-girlfriend will take him back if he asserted his dominance more.
One of the more skillful things the film does is give each of the animals their own personalities in a relatively short period of time and credit should be given to the actors who voiced them. Sylvester Stallone’s Joe the Lion was the leader of the group and his frequent lover’s quarrels with Janet the Lioness (voiced by Cher) will particularly resonate with parents. Adam Sandler’s Donald the monkey delivered some nice one-liners and unapologetically bragged about his opposable thumbs. Judd Apatow Maya Rudolph Jon Favreau and Faizon Love also provided worthy comedic contributions to the animal group but it was Nick Nolte’s role of Bernie the gorilla that particularly stood out. After an incident with an abusive zookeeper (strangely played by Donny Wahlberg) where Bernie gained the reputation of being dangerous he was extricated from his beautiful and open enclosure and dropped down into a cement pit to be punished over a misunderstanding. But even though Bernie was out of site and otherwise inaccessible to the zoo’s patrons Griffin didn’t forget about him and worked arduously to convince him that not every human is cruel by putting a yellow polo shirt on him and taking him to T.G.I. Fridays. Though completely random and almost irrelevant the sentiment was very close to nice.
But the movie's biggest problem isn’t the fact that its animals talk or that Griffin listens to them without realizing he’s trying to win back a human by acting like a wombat. It’s that because Griffin's first love Stephanie was a bad person filmmakers were burdened with concocting a new love figure for him (because like all protagonists he's supposed to rediscover his self-worth and self-respect after it has been misplaced). The director acknowledged this challenge by manufacturing Rosario Dawson’s character Kate the eagle expert/veterinarian. Kate’s close proximity to Griffin at the zoo and possession of a slinky black dress meant she became his accomplice when he tried to use the skills the animals taught him to win Stephanie back at his brother's wedding. Eventually it becomes clear that the audience is supposed to root for a union between Griffin and Kate but it's an almost impossible task because Griffin barely has any screen time with Kate and because of all the talking animals going on there is no room for a relationship when the film is already busting at the seams.
Theoretically Zookeeper sounds decent. And for the most part the scenes where the animals are coaxing Griffin are actually enjoyable. But the framework of the film makes the plot unnecessarily complicated…which means not only do audience members not get enough of what they wanted but they also get a whole bunch of other things they didn’t sign up for.
September 12, 2003 11:43am EST
New grads Paul (Rider Strong) Karen (Jordan Ladd) Jeff (Joey Kern) Marcy (Cerina Vincent) and Bert (James Debello) head off to a cabin in the woods to let off some post-college steam before entering the working world. They are a pretty likeable bunch except for Bert who gets drunk and starts shooting at squirrels with a rifle--and then accidentally shoots a stranger in the woods. Bert keeps mum about the incident until the man projectile vomiting blood and looking like he's been skinned alive shows up at the cabin and tries to take their truck. While trying to stop him Paul unintentionally sets him on fire and the gang watches as he runs ablaze into the woods. What they don't know however is that he had a contagious flesh-eating virus. When his charred body falls into the local water reservoir everyone becomes vulnerable. The first to gulp down a glass of water filled with strange chunky particles is Karen whom they forcibly quarantine in a shed behind the cabin when she begins to show signs of the disease. Before long the fear of contagion turns the remaining four against one another. What's more a local lynch mob has formed in order to track down and kill anyone who may have come in contact with the virus which has apparently threatened this small town before. Cabin Fever is definitely a rollicking ride; it will scare you gross you out and make you laugh.
Like most low-budget horror films Cabin Fever's cast isn't exactly stellar yet the young actors and actresses really elevate the material. The most refreshing thing about the characters is that they react to what is happening to them in a way you and I probably would as opposed to the typical slasher-flick way: Instead of banding together against the common enemy they bicker act like cowards and put themselves first. Strong who last appeared in My Giant but is probably better known as Shawn from the TV series Boy Meets World emerges as a capable lead as Paul the most sensible of the group. Although his character comes across as somewhat brighter and more sensitive than the rest he is still immature enough to try to cop a feel when his love interest Karen is sleeping and feeling under the weather. Karen meanwhile is played by Ladd who has had small roles in several movies including The Specials and Never Been Kissed. Her character is the most compassionate of the gang and Karen reacts more intensely to events than the others. Kern as cocky know-it-all Jeff Vincent as slutty tough chick Marcy and Debello as party boy Bert perfectly round out the diverse cast of characters.
Because of its gruesome subject matter it is difficult to describe such a vile movie as being good or even well made but this one really is. In his feature directorial debut helmer Eli Roth delivers a truly disturbing horror picture. While most pics of this genre tend to look cold and gritty Roth saturates his sets with golden ambient lighting that brightly contrasts the film's dark dismal subject matter. And dismal is putting it mildly: Cabin Fever shows viewers things that most movies don't because they would be considered too disturbing. Case in point: When the intoxicated Bert drives off for help in his pickup and hits a deer the animal doesn't just die on impact but struggles in pain its hind legs flailing through the windshield. Such disturbing imagery escalates by degrees until the very end when the film takes on a weird surreal quality. For example the scenes of Paul being pushed through a hospital on a gurney have a dreamlike feel bound to make moviegoers question if what is happening is real. The film's score also has all sorts of unusual instrumental influences including a Twin Peaks-inspired number when a sheriff comes to investigate the cabin and a Deliverance-type banjo ditty to accompany the locals folk in front of the general store which adds a touch of humor at the most unlikely moment.
The Producers Guild of America will give out awards tonight, with the teams behind A Beautiful Mind, Moulin Rouge and Shrek among those in contention for its top honor. The producers of Harry Potter and the Sorcerer's Stone and Lord of the Rings: The Fellowship of the Ring are also in the running for the Darryl F. Zanuck Producer of the Year Award.
The honor is similar to the motion picture academy's best picture prize, and the winner is considered a near shoo-in for Oscar gold. The 1,500-member Producers Guild has correctly predicted the best picture Oscar winner 10 out
of the last 13 years.
A Beautiful Mind, Lord of the Rings and Moulin Rouge are
nominated for both the PGA award and best picture Oscar. But the guild opted for box office hits Shrek and Harry Potter for its other two slots,
while the Academy chose the indie critic faves In the Bedroom and Gosford Park.
The Producers Guild will also hand out awards in three television categories, with such shows as The West Wing and The Sopranos among those in the running.
The teams behind CSI: Crime Scene Investigation, Law & Order, Six Feet Under, The Sopranos and The West Wing are nominated for the Norman Felton Producer of the Year Award in episodic television-drama.
Contenders for the Danny Thomas Producer of the Year Award in episodic television-comedy are Frasier, Friends, Malcolm in the Middle, Sex and the City and Will & Grace.
The nominated producers of Frasier include the late David Angell, who was aboard one of the hijacked planes that crashed on Sept. 11.
Among the David L. Wolper Producer of the Year Award in longform television nominees are some well-known names--Billy Crystal for HBO's 61*, and Tom Hanks and Steven Spielberg for HBO's Band of Brothers.
Husband-and-wife actors Bradley Whitford of The West Wing and Jane Kaczmarek of Malcolm in the Middle will host the guild's 13th annual ceremony at the Century Plaza Hotel & Spa.
Formed in 1950, the Producers Guild has about 500 active members and 1,000 affiliated members.
Here is the full list of nominees:
Darryl F. Zanuck Theatrical Motion Picture Producer of the Year Award in Motion Pictures
A Beautiful Mind, Brian Grazer and Ron Howard
Harry Potter and the Sorcerer's Stone, David Heyman
Lord of the Rings: Fellowship of the Ring, Barrie M. Osborne, Peter Jackson and Fran Walsh
Moulin Rouge, Martin Brown, Baz Luhrmann and Fred Baron
Shrek, Aron Warner, John H. William and Jeffrey Katzenberg
Norman Felton Producer of the Year in Episodic Television-Drama
CSI Crime Scene Investigation, Jerry Bruckheimer, Ann M. Donahue, Carol Mendelsohn, Anthony Zuiker, Jonathan Littman, Sam Strangis, Danny
Cannon, Cynthia Chvatal and William Petersen
Law & Order, Dick Wolf, Barry Schindel, Jeffrey L. Hayes, Lewis H. Gould and Kati Johnston
Six Feet Under, Alan Ball, Robert Greenblatt, David Janollari and Alan Poul
The Sopranos, David Chase, Brad Grey, Mitchell Burgess, Robin Green, Ilene S. Landress and Terence Winter
The West Wing, John Wells, Aaron Sorkin, Thomas Schlamme, Llewellyn Wells, Christopher Misiano, Alex Graves and Michael Hissrich
Danny Thomas Producer of the Year Award in Episodic Television-Comedy
Frasier, David Angell, Peter Casey, Kelsey Grammer, David Lee, Dan O'Shannon, Mark Reisman and Maggie Blanc
Friends, Kevin S Bright, Marta Kauffman, David Crane, Shana Goldberg-Meehan, Scott Silveri, Andrew Reich, Ted Cohen and Todd Stevens
Malcolm in the Middle, Linwood Boomer and James S. Simons
Sex and the City, Michael Patrick King, Cindy Chupack, John P. Melfi and Sarah Jessica Parker
Will & Grace, James Burrows, Jeff Greenstein, Max Mutchnick, David Kohan and Tim Kaiser
David L. Wolper Producer of the Year Award in Longform Television
61*, Billy Crystal and Ross Greenburg
Anne Frank, Hans Proppe and David R. Kappes
Band of Brothers, Tom Hanks, Steven Spielberg and Tony To
Life With Judy Garland: Me and My Shadows, Craig Zadan, Neil Meron, Robert Allan Ackerman and Lorna Luft
Wit, Cary Brokaw