And the Comic-Con news just keeps on coming!
Vampires, werewolves, geeks, serial killers, secret agents and more are set to dazzle fans at the 2013 Comic-Con in San Diego. Warner Bros. has just unveiled their lineup, and it's looking like 17 of their fan-favorite series will be in attendance. Take a look at the full lineup below to find out when stars from The Vampire Diaries, Arrow, The Big Bang Theory, and more will be taking the stage.
Wendesday, July 17:– Pilot screenings of Almost Human, The Tomorrow People, and The 100, as well as a special presentation of The Originals featuring never-before-seen footage.
Thursday, July 18:- MAD: Producers Kevin Shinick and Mark Marek.
Friday, July 19:- Almost Human: Stars Karl Urban, Michael Ealy, and executive producer J.H. Wyman. - The Big Bang Theory: Executive producers Steven Molaro and Bill Prady and the writers- Childrens Hospital: Creator/star Rob Corddry and executive producers David Wain and Jonathan Stern join cast members Lake Bell, Erinn Hayes, Ken Marino and Rob Huebel. - The Following: Kevin Bacon, Shawn Ashmore, and Valorie Curry join executive producers Kevin Williamson and Marcos Siega. - Nikita: Maggie Q, Shane West, Lyndsy Fonseca, Aaron Stanford, Melinda Clarke, Devon Sawa, and Noah Bean join executive producer Craig Silverstein. - The 100: Series stars Eliza Taylor, Thomas McDonell, Marie Avgeropoulos, and Henry Ian Cusick join executive producers Matthew Miller and Jason Rothenberg. - The Paranormal and Extraterrestrial Squad: Producers Milo Ventimiglia and Russ Cundiff and creators/stars John Dale and Michael Hobert.
Saturday, July 20:- Arrow: Stephen Amell, Katie Cassidy, David Ramsey, Emily Bett Rickards and Colton Haynes joining executive producers Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg. - The Originals: Joseph Morgan, Claire Holt, Phoebe Tonkin, and Charles Michael Davis join executive producer Julie Plec. - Person of Interest: Executive producers Jonathan Nolan and Greg Plageman join members of the cast for their third visit to Comic-Con. - Revolution: Series stars and creator/executive producer Eric Kripke. - The Tomorrow People: Series stars Robbie Amell, Mark Pellegrino, and Peyton List with executive producers Greg Berlanti, Phil Klemmer and Danny Cannon. - The Vampire Diaries: Nina Dobrev, Paul Wesley, Ian Somerhalder, Kat Graham and Candice Accola join executive producers Julie Plec and Caroline Dries.
Sunday, July 21:- Supernatural: Jared Padalecki, Jensen Ackles, Misha Collins, and Mark A. Sheppard with executive producers Jeremy Carver and Robert Singer. - Beware the Batman: Producers Glen Murakami and Mitch Watson. - Teen Titans Go!: Producer Aaron Horvath joins members of the voice cast, including Greg Cipes and Scott Menville.
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At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
Bobby Garfield (David Morse) returns to his small hometown to attend the funeral of his childhood friend and remembers the fateful summer in 1960 when his whole world changed. The story flashes back to when 11-year-old Bobby (Anton Yelchin) and his best friends Carol (Mika Boorem) and Sully-John (Will Rothhaar) capture the pure joy of youthfulness. When a mysterious stranger named Ted Brautigan (Anthony Hopkins) moves upstairs and starts to pay attention to Bobby the boy suddenly realizes what's truly missing from his life--the love of a parent. Bobby's mother Liz (Hope Davis) is embittered by the death of Bobby's father and shows little compassion for her son's growing needs. Ted fills a void with the boy opening his eyes to the world around him and helps Bobby come to terms with his real feelings for Carol--and his mother. But Ted also has some deep dark secrets of his own and Bobby tries hard to stop danger from reaching the old man.
The performances make the film especially in the genuine camaraderie of the kids. Yelchin Boorem and Rothhaar never deliver a false move with an easiness that makes us believe we are simply watching three 11-year-old children grow up together. Yelchin in particular is able to get right to the heart of this young boy who misses his father and clings to the only adult who will listen. And his scenes with Boorem simply break your heart. (Davis) does an admirable job playing a part none too sympathetic. She manages to show a woman whose been beaten down but who does truly love her son in her own way. Morse too is one of those character actors you can plug in any movie and get a performance worth noting. In Hearts you want to see more of him. Of course the film shines brightest when Hopkins is on the screen. It may not be an Oscar-caliber performance but the actor is unparalleled in bringing a character to life--showing the subtleties of an old man looking for some peace in his life.
If you are expecting the Stephen King novel you may be disappointed. Screenwriter William Goldman and director Scott Hicks (Shine) deftly extracted the King formula of telling a story through a child's eye and explaining how the relationships formed as a child shaped the adult later. Hicks did an amazing job with his young actors especially Yelchin and Boorem. But where the novel continued into a supernatural theme explaining Brautigan's fear of being captured by "low men in yellow coats" (a reference to King's The Dark Tower series) the movie downplayed the mystical elements instead giving real explanations for Brautigan's man-on-the-run. That was the one problem with Hearts--we needed more danger. Introducing men from another dimension may not have been the way to go but had there been more tension the film would have resonated more especially when Bobby risked his own safety to save Ted.