True Parker, the former Cheers star's son from her marriage to actor Parker Stevenson, recently proposed to his longtime girlfriend, 18-year-old Lauren Sargeant.
And Alley, who wed first husband Bob Alley at the age of 20, is delighted by the 17 year old's news.
She tells the National Enquirer, "I could not be more proud of my son and happy for him."
Alley is also mum to 15-year-old daughter Lillie.
Starting near the end of his short 24-year life and then told in flashback this film version of Christopher “Notorious B.I.G” Wallace’s (Jamal Woolard) rapid rise from the streets of Brooklyn to fame is told in standard-issue Hollywood biopic style. We see this Catholic honors student (played by his real life son Christopher Jordan Wallace) become a teenage drug dealer and accidental father before a chance recording finds its way to Sean “Puffy” Combs (Derek Luke) who engineers an almost immediate rise to fame fortune -- and trouble. “Biggie” now must juggle his newfound recording career a marriage to fellow artist Faith Evans (Antonique Smith) his romantic encounters with female rap comer L’il Kim (Naturi Naughton) and a major East Coast/West Coast rivalry with Tupac Shakur (Anthony Mackie) that leads to tragedy for both. As Wallace Brooklyn rapper Woolard is almost indistinguishable from the real man himself. He’s completely convincing performing B.I.G’s biggie hits and proves himself to be a first-rate dramatic actor as well -- at least in a story like this that he can clearly relate to. As his mother Angela Bassett makes the most of limited screen time (despite top billing) and expertly conveys the angst of a parent fighting a losing battle for her son. Luke again shows why he is so promising playing Puffy with just the right amount of flash and supreme confidence. Unfortunately the “balanced” portrait of Combs and many others in B.I.G’s life is tainted by the fact this film was produced by some of the real life players including his managers mother and executive producer Combs. George Tillman Jr. (Soul Food) directs this by-the-numbers account of Biggie’s life in a style we have seen countless times before. Except for a couple of occasions he doesn’t even let the rap sequences play out to give us an idea of how this guy whose songs reflected his rough Brooklyn lifestyle could climb to the top so fast. Whatever was special is lost in what appears to be a brazen attempt to sell soundtrack albums.
The film centers on yet another over-achieving career woman Kenya McQueen (Sanaa Lathan) who is beautiful stylish and successful but can’t find the right man to save her life. You know the type. She would have given up by now if it weren’t for her three close girlfriends (Wendy Raquel Robinson Taraji P. Henson Golden Brooks) who exact a fair amount of peer pressure to keep her in the game. Kenya finally agrees to go on a blind date with Brian Kelly (Simon Baker) a sexy landscape architect who turns out to be not exactly what she'd pictured for herself. You know because she’s an uptight black woman and he’s a free-spirited white man. And there's our conflict. Should Kenya stay the straight and narrow path or follow her heart--no matter where it takes her? That’s a rhetorical question of course. Lathan has had a nice steady career making likable urban romantic comedies (Love and Basketball Brown Sugar) so she fits easily into Something New’s milieu. As Kenya the actress is effectively professional and whip-smart at work but also does a nice job playing up the character’s insecurities in her personal life. By being so very high maintenance one wonders why the almost-too-good-to-be-true Brian would even fall for her. But that’s what Something New has going for it--Baker (The Ring Two) and Lathan make their connection seem palpable and genuine. The movie really steams up when these two are on screen together. As for the rest they add flavor wherever necessary especially Donald Faison (TV’s Scrubs) as Kenya’s womanizing brother and Alfre Woodard who does a surprising turn as Kenya’s materialistic snobbish mother. Written directed and produced by women of color Something New wants to make a statement about the pressures professional women--in this case black women--have trying to find love and commitment in their lives. Successful producer Stephanie Allain (Hustle & Flow) and screenwriter Kriss Turner were both inspired by an article they read in the Detroit Free Press about how 42.4 percent of black women have never been married which then lead them to the idea that if you’re in your 30s and single are you going to open things up and look outside your race? This delicate subject matter in Something New’s is skillfully handled by first-time director Sanaa Hamri who adequately shows the fine line. But despite its sweet temperament the film ultimately lapses into ordinary and predictable rom-com fare. After all you got to have the Hollywood ending right?