The heartbreak of illegal immigration is vividly displayed in this poignant story of nine year old Carlos (Adrian Alonso) a boy living in Mexico with his grandmother while his mother (Kate del Castillo) works as an illegal domestic in Los Angeles trying to make enough money to send home so the son she has been separated from can live a good life--even if it means being without her. When the grandmother suddenly dies Carlos decides to cross the border and look for mom. As his journey continues he encounters a woman (America Ferrera) and her brother (Jesse Garcia) who make tuition money taking babies into the U.S. In this instance she decides to help smuggle Carlos across by hiding him in her van. Once he lands in Tuscon he meets a sympathetic middle- aged migrant worker named Enrique (Eugenio Derbez) who accompanies him to East L.A. Once there they try to locate his mother--their only clue being a vague description of the area around a pay phone she used in her weekly calls home to Carlos. The film which is shot mostly in Spanish with some English language scenes as well offers great big screen opportunities to some of Mexico’s biggest television stars including telenovela favorite Kate del Castillo. She delivers a moving performance as a mother living separated by borders with her only son but living “under the same moon.” The film really belongs however to young Alonso--a natural in front of the cameras who impressed American audiences as Catherine Zeta-Jones and Antonio Banderas’ son in The Legend of Zorro but breaks out here as the determined Carlos. Both create a touching mother-son relationship even though they are never in any scenes together. Also playing against type is superstar Derbez unquestionably one of Latin America’s most popular actors who develops a winning chemistry with Alonso making every moment of their screen time count. Ugly Betty’s Ferrera also turns up for some effective moments including a heart-stopping sequence in which she is questioned by border guards while the van carrying the hidden Carlos is searched. Although she has made some award winning shorts Under the Same Moon represents the first feature length film for Mexican-born Patricia Riggen. She succeeds on all levels emphasizing the characters in the story over the potentially political hot button topic of immigration which her film so eloquently humanizes. Working with screenwriter Ligiah Villalobos the two women give urgency to the tragic separation of mother and son caught between two disparate cultures. Given the time restraints and low budget Riggen’s command of the camera is impressive particularly in the inventive and almost spiritual ways she manages to bring mother and son together on screen even though they never share a shot. Use of music is also hugely effective with Carlos Silotto’s melodic score recalling a similar film about a young dreamer Cinema Paradiso. Ultimately though Under the Same Moon lives or dies with the actors and Riggen’ spot-on casting decisions--particularly in the case of Alonso--really lift it to new levels. Most of the actors have extensive TV followings and Riggen knew by casting them she would risk the wrath of Mexican film critics who uniformly look down on television. Doesn’t matter. Under the Same Moon has universal appeal and should find approving audiences around the world.
There's nothing more annoying than watching a film and realizing you've already seen the best scenes in the trailer. Daryl Chase (Jones) is a stand-up banking professional who enjoys his fine Italian suits and his Perrier. But his world gets turned upside down when he's mistaken for a murderer and is forced to make a run for the border to hide from Mafia goons and government agents -- not to mention Freddy Tiffany (Eddie Griffin) a fast-talking hoodlum who's either trying to help him or turn him in. Makes little sense? Thought so.
No doubt Griffin's antics which are rehashed from his character on TV's "Malcolm & Eddie " are supposed to provide this dud's comedy relief -- à la Eddie Murphy -- to break up the shoot-'em-up action scenes. But his best lines are used in the trailers and by the time you hear Griffin reciting them up on the big screen all you can muster is a forced chuckle. Especially painful to watch is the scene where street-smart Freddy tries to teach uptown snob Daryl how to act "black."
There's only so much a director can do with a film that's troubled from the very beginning. Director George Gallo ("Trapped in Paradise") put together a film with an utterly confusing main story and subplots that lead to dead ends. It's hard to stay focused when characters flip-flop from being good guys to bad guys. Most of the confusion is cleared up at the very end of the film but by that time who cares?
Madonna's "Music" is movin' on up. The Queen of Music’s latest single made a giant leap, 12 slots to be exact, to the No. 2 spot on Billboard's Hot 100 singles chart. The hip-hop flavored ditty shot up right behind Janet Jackson's "Doesn't Really Matter," which has been at the No. 1 spot for the past three weeks.
"Music" also made a jump on Billboard's Hot Dance Music/Maxi-Singles Sales chart from No. 10 to the No. 1 spot, knocking off "Let's Get Married" by Jagged Edge. Others artists continued to creep up the charts this week, including Christina Aguilera's "Come On Over Baby (All I Want Is You)" (from No. 23 to No. 18) and Next's "Wifey" (from No. 8 to No. 7).
’N SYNC’S ’N-VITE: The chart-topping, superpopular boy band ’N Sync have been selected to perform at the inaugural Latin Grammy Awards show, which will be televised Sept. 13 from the Staples Center in Los Angeles. Hosted by Gloria Estefan, Andy Garcia and Jimmy Smits, the show will feature performances by some of today's hottest Latin acts. Carlos Vives and Emilio Estefan Jr.lead the pack of nominees with six nods each, followed by Mark Anthony and Shakira with five nominations apiece.
A LESSON IN ‘GRAMMAR’: The kids are just crazy about grammar. No, not the subject, but "Country Grammar," the major label debut by St. Louis rapper Nelly. The CD remains in the No. 1 spot on the pop album charts for the third consecutive week. "Grammar" moved another 213,000 units for the week.