While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
Archeologist extraordinaire Lara Croft (Angelina Jolie) and her team find a luminescent sphere located in an ancient underwater ruin in the Mediterranean Sea. Croft soon finds out the glowing orb is actually a map revealing the location of Pandora's Box a mythical box containing "life and death"--and a lot of really bad people including a Chinese crime syndicate boss named Chen Lo (Simon Yam) and his evil partner Jonathan Reiss (Ciaran Hinds)--want it. The battle is on as all three race for the box Croft to protect it and the others to turn it into a nifty doomsday weapon. The film strings one action sequence after the next as Croft fights evildoers in her around the world scavenger hunt for Pandora's box--and while some fit in most are gratuitous. There is Croft performing flips on her jet ski for example or Croft riding a motorcycle for what seems like an eternity through the hills in eastern China. The film plays out like the multilevel video game but unlike its PlayStation2 counterpart we have no control over the action. The extravagant stunts however cannot make up for the dry storyline that isn't gripping and ultimately fails to draw you in.
The concept behind Lara Croft is so fresh and intriguing that it's a shame Hollywood consistently traps the character in such shamefully bad storylines. As portrayed by Jolie Croft is the perfect female heroine; she's intelligent driven and tough and her life is absolutely fascinating. But while the first Tomb Raider movie gave us a wealth of information about Croft's character including her patronage education and what drives her as an explorer the sequel just hangs her out to dry. Too bad! If any actress can pull off a complex character like Croft it's definitely Jolie. Not only can she pull off the physical stunts but she also has developed little character quirks--i.e. the raised eyebrow quizzical look. But we never get a closer glimpse into Croft's life and the screenplay rarely allows her personality to emerge. There is an endearing scene in which Croft knocks on the door of a Chinese family and asks to borrow their television so she can hook up a video cam and send a message back home to England. The brief interaction Croft has with the little girl who sits and watches Croft in amazement is quite touching and it would have been nice to see more of this human side.
Dutch director Jan De Bont (Speed 2: Cruise Control) exhibits a flamboyant visual style here but Lara Croft Tomb Raider: The Cradle of Life has little to offer other than its look. Most of the slick stunts for example are not only unnecessary but also unsound. One of the more preposterous action sequences has Croft slicing her arm underwater to attract a shark which she then punches in the nose before clutching on to its dorsal fin and pilfering a ride to the surface. Croft had just had her thigh torn open minutes earlier in a brawl. Couldn't she have squeezed some blood out of that wound rather than carve a new one? Never mind the fact that the shark then conveniently swims away and never comes back for a bite of its bleeding prey. But wait it gets worse: Croft then gets rescued while floating at sea by some Brits who show up on a Russian nuclear submarine. Little of it makes any sense. Shot in Greece Tanzania and Hong Kong De Bont shows some polished National Geographic-looking frame compositions that are unfortunately trapped within Dean Georgaris's lackluster screenplay.