"Dying is easy; comedy is hard."
It might have been a DC Comics character who revived these final words of 19th century thespian Edmund Kean, but it is Marvel that seems to be taking the maxim to heart, perhaps having at last stumbled upon the dark side of comedy direction. Since the latter half of its first phase of movies, Marvel Studios has prioritized a comic hue over intensity or grit, hiring unlikely folk like Joe Johnston, Shane Black, the Russo Brothers, and James Gunn (whose upcoming Guardians of the Galaxy looks like a riot) to turn what might have been adrenal actioners into wry character pieces. But the latest filmmaker to take up with the company is of a different breed. Still wading through the muck of a post-Edgar Wright production of Ant-Man, unable to find a director of note to take the reins from the manic brain behind the Cornetto Trilogy, Marvel has announced a partnership with horror director Scott Derrickson for its upcoming Doctor Strange feature. Variety reports that the man behind Sinister, The Exorcism of Emily Rose, and sci-fi/thriller The Day the Earth Stood Still will handle the long gestating feature, a particular passion of super producer Kevin Feige.
Getty Images/Araya Diaz
It is interesting both that Derrickson arises as a stark contrast to the Marvel helmers of Phases 1 and 2 — genre subverters, sitcom folk, the Honey I Shrunk the Kids dude — as well as smack dab in the middle of the company's high profile Ant-Man mess. Having lost Wright over a disharmony in desired tone of the film, Marvel might only now be realizing just how ribald a comedic vision can be. The difficulty Marvel faces in replacing Wright — Adam McKay (director of various Will Ferrell movies) and Rawson Thurber (of Dodgeball and We're the Millers) have already turned down the prospect, per The Wrap — seems to be no unlikely contributor to its realization that the comedy game is a lot tougher than anticipated back in the inceptive Winter Soldier days.
So now we have Doctor Strange, a character that is far from exempt of the same brand of personality and farce that we saw in The Avengers, both Captain Americas, Thor 2, and (perhaps most of all) Iron Man 3. And we're worried. Not so much about Doctor Strange in particular — the property is steeped in supernatural elements worthy of a great horror director's touch (and Derrickson is, indeed, a great horror director) — but about the future of Marvel on the whole. The company has built such a strong, satisfying franchise thanks not simply to its devotion to its characters but principally to its devotion to joy, personality, humanity... all the inherent facets of comedy. A Marvel that is afraid to have fun — resultant of its dissolution with Edgar Wright (the "funnest" guy it has ever hired) and inability to find a director to peter down his wily voice — is not a Marvel of promise.
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On Saturday Night Live, the cast member who anchors Weekend Update has always had a special role to fill on the show. Guaranteed a showcase, they are the one constant in an otherwise ever changing group of sketches.
The originator of the role, Chevy Chase, left after one season to find stardom in movies, setting an example that would be followed going forward: Weekend Update anchors moving on to bigger and better things. You may have heard of Chase's immediate successors — Jane Curtin, Dan Aykroyd, and Bill Murray — all of whom (along with Chase) continue working regularly in film and television 30-plus years later. But how about everyone else who's held the desk?
THE LOST YEARS
When first Jean Doumanian and then Dick Ebersol took over as executive producer after Lorne Michaels exited the show following the 1979 - '80 season, the segment went through a number of changes, including sometimes being called Newsbreak and Saturday Night News. The most prominent host during the early '80s was Brad Hall — known to most, now, as Julia Louis-Dreyfus' husband — who anchored from 1982 - '84. Many of the other anchors during that time — Charles Rocket, Christine Ebersole, Brian Doyle-Murray, and Mary Gross — did the segment for just a year (or less). Most members of this group have faded into the background, although Rocket, who famously dropped an F-bomb during a SNL sketch, made regular appearances on television and movies (Moonlighting, Dances with Wolves) until his death in 2005. Doyle-Murray (Bill's older brother) and Guest were established character actors before joining the show and didn't miss a beat after leaving. Doyle-Murray has been in everything from National Lampoon's Christmas Vacation to ABC's The Middle, usually playing some variation of a blowhard. Guest most famously played the six-fingered Count Rugen in The Princess Bride and earned additional praise for directing ensemble comedies like Waiting for Guffman and Best in Show.
THE GOLDEN AGE
Since Michaels took back the reins of SNL in 1985, the format of Weekend Update has remained largely unchanged and the comics that have sat behind the desk have become some of the biggest names in entertainment. But, who's having the best post-SNL career? Starting with the mid '80s, we rank them from worst to best below:
Kevin Nealon (1991 - '94) and Colin Quinn (1998 - 2000)
Most non-hardcore SNL fans would have difficulty remembering anything about either Nealon's or Quinn's stint on Update, so maybe it's not surprising that they've had the least success since leaving the show (although they've still done significantly better than most of the Ebersol folk). Quinn was a stand-up comic before the show and just returned to doing more of the same when he left. He did host a show on Comedy Central for a while, Tough Crowd with Colin Quinn. Nealon's biggest success came playing hapless accountant Doug Wilson on Showtime's Weeds. Each is friends with fellow SNL alum Adam Sandler, so Nealon and Quinn also show up occasionally doing cameos in Sandler's films. Lately, we've seen Quinn show up on episodes of Girls as a boss and friend of Alex Karpovsky's character Ray.
Norm Macdonald (1994 - '97)
Like Quinn, Macdonald came to SNL with an established background in stand-up. He had the good fortune to be behind the desk during the O.J. Simpson arrest and trial, which provided endless fodder for the comedian… and possibly led to his dismissal after running afoul of NBC executive Don Ohlmeyer, a friend of Simpson. Macdonald had his own sitcom on ABC for three years (Norm), and keeps a steady schedule of stand-up dates. Besides doing voice-over and commercial work, he's also a frequent guest of Conan O'Brien and, like Quinn and Nealon, has a habit of showing up in movies that Sandler produces.
Seth Meyers (2006 - '14)
Meyers sat behind the Weekend Update desk longer than anyone, and is the only anchor that worked both solo and with a partner. He has only been gone a few months, so it's hard to grade him, but he's off to a rousing start as the host of NBC's Late Night with Seth Meyers, maintaining his 30 Rock residence and boss Michaels. We're rooting for you, Seth.
Dennis Miller (1985 - '91)
Miller was the one responsible for returning Update back to something closer to Chase's original version. Unlike most of the others, Miller's sole role on the show was hosting the fake news segment, very rarely taking part in any of the show's sketches. Miller also might be the most controversial of the former anchors. After leaving SNL, he hosted Dennis Miller Live on HBO from 1994 - 2002, winning five Emmys. He also did a disastrous two-season stint as a commentator on ABC's Monday Night Football. After 2001, Miller's political views became increasingly conservative, leading to him to a gig at Fox News with a regular spot on Bill O'Reilly's The O'Reilly Factor. Since 2007, Miller has also hosted a syndicated radio show. Oddly, when Miller is on vacation his frequent fill-in both on radio and with O'Reilly is Macdonald.
Amy Poehler (2004 - '08)
One of the founders of the influential improv group Upright Citizens Brigade, Poehler joined with Tina Fey to form the first all-female team on Weekend Update, and the two have been joined together ever since. Poehler was such a powerful presence on the show that she managed to make an appearance on the segment by frequent target Vice Presidential candidate Sarah Palin come off as charming instead of forced. Since SNL, Poehler has starred in the movie Baby Mama and has done the voices for more animated characters than we can count. She also just completed her sixth season starring in NBC's Parks and Recreation. Time magazine named her one of the 100 Most Influential People in the World in 2011 and, oh yeah, and she has a little awards show hosting gig that she does with Fey.
Jimmy Fallon (2000 - '04)
Fallon teamed with Fey to turn Update back into a buzz-worthy segment, with the two of them trading quips at which Fallon would frequently crack up. He tried his hand at movies after leaving the show, starring in Fever Pitch with Drew Barrymore and Taxi with Queen Latifah. It was when he returned to television, however, that he really hit his stride. Starting with taking over for O'Brien on Late Night, Fallon has steadily grown into one of the most powerful people in the entertainment industry as a late night talk show host. In February, he took over for Jay Leno on The Tonight Show, moving it back to New York from Los Angeles and earning accolades for his mix of goofy humor, music, and social media interaction.
Tina Fey (2000 - '06)
During her time on SNL, in addition to co-anchoring Update with first Fallon and then Poehler, Fey was the show's first female head writer. While still on the show, Fey wrote the hit teen comedy Mean Girls, and since leaving has starred in a group of comedies, including Baby Mama with Poehler and most recently Muppets Most Wanted. She wrote, produced, and starred in NBC's 30 Rock for seven seasons, and her book Bossypants was number one on the New York Times bestseller list for five weeks. She's won eight Emmys, most recently for her work hosting the Golden Globes with Poehler, and she was the youngest ever recipient of the Mark Twain Prize for American Humor. Dazzlingly smart and funny, it's hard to find many people that can match resumes with Fey.
20th Century Fox Film
Hi, Nancy.Hi, Helen.What's the story, morning glory?What's the word, hummingbird?Have you heard about Hugo and Kim? They were cast in Star Wars: Episode VII, although there's no confirmation just yet. I think Kim's playing Bib Fortuna.
That's pretty much what the last year and change has felt like — rumors upon rumors upon rumors of who might be cast in J.J. Abrams' upcoming addition to the Star Wars series. We've heard tell of Clone War veterans reuniting for the film, blockbuster fixtures like Gary Oldman and Andy Serkis, rising indie mavens drawing notice from their turns in Coen Bros dramas and HBO series. But the waiting is over. Courtesy of TheWrap, we have official news of the 12 performers cast to headline the next Star Wars movie. Here's who they are, where you might know them from, and what we can expect from them in the new film.
Mark HamillBest known as: Luke Skywalker, power converter spendthrift and daddy issues-haver.Age: 62.In the new movie: We know very little of what Hamill will be brought on to do in the upcoming film, though with his standing as the Original Trilogy's central hero and his family rallied at the head of this story (presumably), we imagine that Hamill will have a good amount to do.
Carrie FisherBest known as: Princess Leia Organa, rigid adversary of the nerf herder lobby.Age: 57.In the new movie: We've been told, in only the most tenuous terms, that Star Wars: Episode VII will focus on Han and Leia's kids. So even if she and Ford are sidelined as the parental figures who've seen it all before (hey, it's kind of like that new Boy Meets World spinoff), then they'll likely be around for a healthy sum.
Harrison FordBest known as: Han Solo, alleged Kessel Run record holder and reformed atheist.Age: 71In the new movie: On top of the above, new rumors allow that Ford will have a pretty significant role in the new film. Considering his latter days screen presence, we imagine something in the vein of an extended carbonite nap. A few are actually predicting that Han might bite the dust in VII.
Peter MayhewBest known as: Chewbacca, devoted Life Day celebrant and family man.Age: 69 (though that's only like, 14 in Wookiee years).In the new movie: Some people are already pretty livid that Chewbacca's in the film at all, considering his death in the Expanded Universe, but you don't bring out the Wookiee suit just to have him play canasta.
Anthony DanielsBest known as: C-3PO, buzzkill.Age: 68.In the new movie: I don't know, probably a lot of kvetching.
Kenny BakerBest known as: R2-D2, frequent film extra and Robot Hall of Fame inductee.Age: 79.In the new movie: Doot beep beeeooo doot.
Oscar IsaacBest known as: The titular misanthropic folk musician in the Coen Brothers' 2013 film Inside Llewyn Davis.Age: 35.In the new movie: Isaac's role is anyone's guess at this point, although two call-outs in a casting release from last year speak to his nature. He might be playing "a late 20-something male. Fit, handsome, and confident," or, more likely, "a 30-something male, intellectual. Apparently does not need to be fit."
Adam DriverBest known as: Adam, the Lena Dunham's oddball love interest on the HBO dramedy Girls, or the space cowboy from Inside Llewyn Davis.Age: 30.In the new movie: Rumors surrounding Driver's initial mention in regard to the film had him pegged to be the villain. We had some fun with that one.
Andy SerkisBest known as: Gollum from The Lord of the Rings movies.Age: 50.In the new movie: Considering his mo-cap history, Serkis is probably playing an alien. And that's awesome.
Max von SydowBest known as: Blofeld in Never Say Never Again, the older priest in The Exorcist, or the guy from all those Ingmar Bergman films.Age: 85.In the new movie: Last fall's casting call advertised the film's search for "a 70-something male with strong opinions and a tough demeanor," exempting the necessity for physical fitness. We can't get more specific than this but it seems like von Sydow is going to be taking on some kind of authoritarian position. Maybe at the Academy (training the Solo kids, per chance), or as the penny-pinching new owner of the Cantina.
Domhnall GleesonBest known as: Bill Weasley in the Harry Potter and the Deathly Hallows movies, or the fellow from About Time.Age: 30.In the new movie: Gleeson could rival Isaac in either of the character descriptions mentioned above, though he does seem more the intellectual type (if only for the British accent).
John BoyegaBest known as: The kid from Attack the Block.Age: 22.In the new movie: Boyega could be playing the character Thomas that was advertised in a casting call last year:
"Young man to play 19-23 years old. Must be handsome, smart and athletic. Must be 18 or over. Has grown up without a father's influence. Without the model of being a man, he doesn't have the strongest sense of himself. Despite this, he is smart, capable and shows courage when it is needed. He can appreciate the absurdities in life and understands you can't take life too seriously."
Daisy RidleyShe's pretty new.Age: I don't know — 20? In the new movie: Could be Rachel, who was introduced in the same casting call:
"Young woman to play 17-18 Years old. Must be beautiful, smart and athletic. Open to all ethnicities (including bi- and multi-racial). Must be 16 or over. Was quite young when she lost her parents. With no other family, she was forced to make her way alone in a tough, dangerous town. Now 17 she has become street smart and strong. She is able to take care of herself using humor and guts to get by. Always a survivor, never a victim, she remains hopeful that she can move away from this harsh existence to a better life. She is always thinking of what she can do to move ahead."
So there you have it: still a whole lot of grey area! But at least we know something!
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Ever since the first Inside Llewyn Davis trailer was released earlier this year, we've all taken to brownstone porches and subway platforms with a nonstop recording of Marcus Mumford and Oscar Isaac's "Fare Thee Well" cover and a checkered pocket full of somber contemplation. The latest Coen Bros picture has the makings to be the best music movie in ages, owing both to its tale of a trembling New York folk musician facing the aching realities of the toughest industry on the planet, and to its beard's worth of actual great music. We've only gotten a taste of the latter so far — the aforementioned ditty by star Isaac (who plays the titular Llewyn Davis) and Mumford & Sons' lead singer and guitarist standing out — but through the good graces of National Public Radio, we are now treated to the full soundtrack.
A number of the movie's actors, in addition to Isaac, have a place on the album: Justin Timberlake, Carey Mulligan, Adam Driver, Stark Sands, and Nancy Blake among them. The soundtrack also employs the musical talents of artists like Brooklyn- and Queens-based folk musicians John Cohen, Dave Van Ronk, the Punch Brothers, and Bob Dylan.
The Coens have done wonders with many colorful corners of the United States: Los Angeles, the Midwest, the Great Plains, the Deep South... but this could very well be their iconic stab at New York City. Not the same New York they channeled in The Hudsucker Proxy, but the one vastly overshadowed — the folksier, slushier New York that has seen resurgence in the wake of this decade's upswing in Brooklyn counterculture. We look forward with excitement to Inside Llewyn Davis as a great music film and a great New York film. In the meantime, we enjoy the lovely tunes the Coens, their players, and NPR have treated us to.
Inside Llewyn Davis Soundtrack1. "Hang Me, Oh Hang Me" — Oscar Isaac2. "Fare Thee Well (Dink's Song)" — Oscar Isaac and Marcus Mumford3. "The Last Thing on My Mind" — Stark Sands, with Punch Brothers4. "Five Hundred Miles" — Justin Timberlake, Carey Mulligan, and Stark Sands5. "Please Mr. Kennedy" — Justin Timberlake, Oscar Isaac, and Adam Driver6. "Green, Green Rocky Road" — Oscar Isaac7. "The Death of Queen Jane" — Oscar Isaac8. "The Roving Gambler" — John Cohen, with the Down Hill Strugglers9. "The Shoals of Herring" — Oscar Isaac, with the Punch Brothers10. "The Auld Triangle" — Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake, and Gabe Witcher11. The Storms Are on the Ocean" — Nancy Blake12. "Fare Thee Well (Dink's Song") — Oscar Isaac13. "Farewell" — Bob Dylan14. "Green, Green Rocky Road" — Dave Van Ronk
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It used to be seedy comedy club basements and open mic nights was where television scouts would seek out emerging talent, but now all you need is a savvy web-series and a snappy Twitter account. That's not to say the talent has been devolved, just the venues have evolved. With Hulu screening comedy shorts and Youtube becoming the predominant way we consume entertainment, it's no surprise that Internet personalities are making the jump to the television more than ever. With the success of Nikki and Sara Live, Lonely Planet and Stevie TV, here is the next set of online comedy stars to keep your eye on.
Garfunkel and Oates
While IFC's Portlandia likes to poke fun at the twee-inclinations of its native hipster population, the network is welcoming a ukulele and guitar playing music duo that would fit right in on the show. Despite their preciousness at first glance, the folk-comedy duo Garfunkel and Oates are anything but quirky clones of Zooey Deschanel. No topic is off-limits, and while some of their early videos were pretty no-frills, they've since stepped up their game with polished videos and catchy tunes. The popular web series will join IFC's line-up next year, as the show will center on the personal and professional lives of Kate "Oates" Micucci and Riki "Garfunkel" Lindhome. Think Flight of the Conchords without the Kiwi accents. Optioning these two was not exactly a risky roll of the dice, as both ladies already have careers in Hollywood (you might recognize Micucci from her recurring roles in Scrubs, Raising Hope and The Big Bang Theory), but we're glad their satirical singing skills will be reaching a larger audience.
Another successful female comedy duo that will be making their television debut are Abbi Jacobson and Ilana Glazer. The concept of female friends navigating life in New York is sure to draw Girls comparisons, but the two comedians have been creating their gonzo-style web series Broad City since 2009. Coming up the ranks from UCB, the two are well versed in improvisation and got one of UCB's most famous alums — Amy Poehler — on to executive produce the show for Comedy Central in 2014. The former web series will transition to 10-episode scripted comedy with the help Louie producers Dave Becky and Tony Hernandez. With more of an upbeat take on city life and indefinable comedic chemistry, we're excited to have these broads on board.
Landing a role on Saturday Night Live would be a dream for any comedian, especially when the rest of your comedy troupe joins you. To be honest, the digital shorts were the strongest segment of SNL until Andy Samberg and Lonely Island left the show. To replace them, SNL recruited the comedy troupe Good Neighbor, whose comedy web series were already viral hits themselves. Nick Rutherford, Kyle Mooney, Beck Bennett and Dave McCary had already been in talks to do a pilot for Comedy Central produced by Will Ferrell and Adam McKay, when Lorne Michaels snatched them up. While one of the members, Nick Rutherford, was snubbed by SNL, the rest of the troupe has already proved their mettle on the latest SNL episode where Mooney avoids the seduction attempts of Miley Cyrus.
Rockers U2 and Hollywood actor Stephen Rea turned out in Dublin, Ireland on Monday (02Sep13) to pay their respects to award-winning poet Seamus Heaney at his funeral. Singer Bono was joined by his wife Ali Hewson and bandmates The Edge, Adam Clayton, and Larry Mullen, Jr. at the memorial service.
Other dignitaries in attendance included Irish Prime Minister Enda Kenny, Irish President Michael D. Higgins, and Paddy Moloney, frontman of folk rockers The Chieftans.
During the service at the Church of the Sacred Heart in Donnybrook, Dublin, a book of Heaney's work was taken to the altar, and his fellow writer Peter Fallon read Heaney's poem The Given Note.
Heaney, who won the Nobel Prize in Literature in 1995, died in a hospital on Friday (30Aug13) after he was admitted for treatment following a fall.
He will be buried later on Monday in his native Bellaghy, Northern Ireland.
Miley Cyrus has scored her first number one in the U.K. singles chart with her party song We Can't Stop. The pop superstar ends Swedish DJ Avicii's three-week reign at the top of the countdown - his Wake Me Up slips to two, while British rapper Tinie Tempah enters at three with his 2 Chainz collaboration, Trampoline.
Meanwhile, classical singers Richard and Adam Johnson, who rose to fame on reality TV show Britain's Got Talent, hold on to pole position in the U.K. albums chart with The Impossible Dream, fending off competition from The Civil Wars' self-titled release, which is new at two.
The folk duo received a big boost in sales thanks to a simple Twitter.com post from soul singer Adele, who recently urged her 16 million followers to buy the band's new record.
You never know exactly what you're going to get from a Joel and Ethan Coen film, but more often than not, it's unexpectedly sublime. They're masters of the craft, melding writing, performance, camera work, and soundtrack into one perfectly packaged storytelling experience. Their 2013 Cannes Film Festival debut Inside Llewyn Davis is no exception.
The film time travels back to 1961 New York City, when folk music was emerging as a favorite of youth culture. Every frame of Llewyn Davis feels authentic — forget 3D, when the titular character walks the streets of the Coens' recreated Lower East Side — it feels like you could reach out and touch it. Add on amazing performances and a wry script and you have another modern classic in the making.
Like their 2000 film O Brother, Where Art Thou?, the Coens' recruited T-Bone Burnett to curate their selection of folk cover songs. Everyone cast has their moment in the sun, including leading man Oscar Issac, and costars Carey Mulligan, Justin Timberlake, and Adam Driver. As the soulful music fills the screen, the Coens compliment it with blooming light and a grit that today only exists in memories of New York.
For a taste of what's in store for the Dec. 20, 2013 release, here's a few of the numbers that made the final cut of the film. Imagine them with the musical stylings of the above ensemble and you get an idea of why we're swooning over Inside Llewyn Davis.
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American Idol's Season 11 runner-up and tiny vocal powerhouse Jessica Sanchez made her Glee debut at Regionals during Thursday night's finale, and she was really good. But was she too good?
The Gleek Perspective: Sanchez Should Have Won That TrophyThis might be un-American of me to admit, but I’ve never seen a single episode of American Idol. Gasp! I know, crazy right? On the other hand I have seen every single episode of Glee multiple times and can easily have hour-long discussions on the simplest of McKinley High moments. So when I learned that American Idol superstar Jessica Sanchez would be joining Glee in the Season 4 finale as a rival singer, I really didn’t have an opinion and here’s why: every year, Glee tries to scare us at Sectionals, Regionals and Nationals with these guest stars who have great voices and killer dance moves. And every year, the New Directions narrowly beat out their amazing competition, thus always remaining the heroic underdogs.
I knew that Sanchez would be good, but this year Glee made a huge mistake — she was too good. Sanchez lead the Hoosier Daddies in two heart-pumping, hip-shaking, perfectly choreographed numbers and just as the New Directions feared, she had a hugely wonderful voice. This wouldn’t have been a problem if the glee club had their old powerhouse singers of the past — Rachel, Mercedes, and Santana — but this year, Sanchez blew our group out of the water. What’s worse is Glee awarded the first place trophy over to the New Directions thinking that we’d be happy that our group of misfits once again snagged the top spot. Like I said, I’ve never seen an episode of American Idol, but if Fox wants Glee fans to actually get excited again, maybe they should bring on more of their reality stars over to the halls of McKinley — we could certainly use some of the talent right now.
The Idol Fan Perspective: Jessica Sanchez is Better Than Rachel BerrySorry, Lea Michele. But aside from the glory of Season 1, no Regionals performance you were ever involved with reached this level. Idol fans know Sanchez can work a stage like no other performer, gobbling up each inch of spotlight with her infectious brand of sass. But it's not just about attitude. Sanchez has faced off against multitudes of talented singers before ever stepping foot in McKinley High to combat the New Directions, and she almost always emerges the victor (unless her competitor is an impossibly cute folk singer like Season 11 winner Phillip Phillips). Sanchez has got incredible pipes, and some of the best vocals I've ever seen on this show and on Idol.
Did they really think we'd buy the New Directions beating out this tiny dynamo for the trophy? Because I can tell you one thing, Glee writers, I sure as hell didn't.
What's your take? Was Sanchez really better than the New Directions? Were you happy to see her onstage again, Idol fans?
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Looks like Home Alone star Macaulay Culkin has found a new country to call home, and a new occupation. The 32-year-old actor — who has been spending a lot of time in the U.K. recently — hopped on stage (on a boat, no less!) to sing with American singer Adam Green. The longtime friends performed a cover of the Beach Boy's "Kokomo" in front of the 200-person crowd.
RELATED: 'Home Alone 5'? And Without Macaulay Culkin?
The surprise guest shocked fans after many doubted it could be the famed star, even after Green teased his appearance by saying fans would recognize him from the 1990 family film. Green used to be a member of the anti-folk duo The Moldy Peaches, before going it alone. Looks like he's found a new partner.
Check out the performance below and tell us in the comments section if you think the seemingly retired actor has found his calling.
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