Using the formula so many unsuccessful romantic comedies have employed before it (looking at you Valentine's Day) What to Expect When You're Expecting wrangles a cast of big name stars but drops them in roles perfectly aligned with their sensibilities. Paired with a relatable central concept — one way or another we've all seen a side of pregnancy — director Kirk Jones (Waking Ned Devine) pulls off a comedy that's sweet poignant and most importantly funny. The experience of having a baby presented in the film isn't glorified or glamorized nor is it a one-person job resting on the women's shoulders making What to Expect a blockbuster comedy that delivers a little something for everyone.
Taking place primarily in Atlanta What to Expect bounces back and forth between a handful of couples with babies on the brain: Wendy (Elizabeth Banks) and Gary (Ben Falcone) are desperately trying to get pregnant while Gary's NASCAR legend father Ramsey (Dennis Quaid) is (frustratingly) having no problem with his trophy wife Skyler (Brooklyn Decker); Weight loss TV personality Jules (Cameron Diaz) takes home the top prize at a celeb dance-off at the same time she discovers she's carrying her dance partner Evan's (Matthew Morrison) child; Holly (Jennifer Lopez) and Alex (Rodrigo Santoro) are finally ready to take the plunge into the world of adoption but the actual process turns out to be an uphill battle; and Rosie (Anna Kendrick) a food truck owner has a wild night out with her competition (and former flame) Marco (Chace Crawford) that puts them both in a difficult situation. If you guessed she's pregnant you'd be correct.
What to Expect's DNA is a closer to match Woody Allen's Every Thing You Always Wanted to Know About Sex *But Were Afraid to Ask than anything out of the generic rom-com playbook. The screenplay from Heather Hach and Shauna Crossm is sharp with even the silliest and most expected gags landing thanks to the comedic talents of Banks Diaz Kendrick and the wicked rapport of the "Dude's Group " sporting Chris Rock Thomas Lennon Rob Huebel Amir Talai and Joe Manganiello. Even Decker who outshines her costars in Battleship holds her own taking the bubbly blonde to a whole other level
The movie makes a bold move to mix the less shiny moments of pregnancy in with the broad comedy and the results are mixed. Rosie and Marco's struggle with their accidental pregnancy takes a dramatic turn that doesn't feel earned in the grand scheme of things. Kendrick handles it with grace but pregnancy in its darkest moments require breathing room and with so many stories to juggle What to Expect can't afford it. Jennifer Lopez is the movie's biggest weakness a thread that never digs deep (or illicit laughs) from the roller coaster ride of adoption. The couple's predicament forces J.Lo to stick mostly to pouting and is completely overshadowed by the movie's highlights.
Thankfully those highlights are plentiful. Whether Diaz is spoofing Biggest Loser with her satirical take on TV personalities Banks is having a meltdown during her keynote at a baby expo or Rock is delivering a profanity-laden soliloquy on why dads need to man up What to Expect keeps laughs coming. Hollywood rarely gives birth to a comedy that's both hilarious and honest. What to Expect hits both chords defying expectations.
Skewering the politics of the left--and Michael Moore in particular--is not a terrible idea for comedy but American Carol doesn’t do it very successfully. Using the hackneyed uninspired approach of spoofing Dickens’ A Christmas Carol director David Zucker’s version has the Ghosts of John F. Kennedy (Chriss Anglin) General George S. Patton (Kelsey Grammer) and George Washington (Jon Voight) visiting a liberal documentary filmmaker named Michael Malone (Kevin Farley) in order to set him straight and teach him not to hate America but to embrace it in all its glory. Their goal is to stop him from helping a group of Islamic suicide bombers make a new recruitment film. In a series of gags American Carol presents Malone as a man who uses the medium to bash his country. He is portrayed as sympathetic to Nazis and Hitler responsible for 9/11 in bed with Middle Eastern terrorists--wrong on every possible issue and overweight to boot. After pointing out all his perceived evil the ghosts try to get Moore er Malone to see the light and change his ways. Apparently David Zucker--aware most of Hollywood leans to the left--got a list of actors known to be supporters of the GOP and hired them all. Voight Grammer James Woods Kevin Sorbo Dennis Hopper Robert Davi ET’s Mary Hart country singer Trace Adkins and even Zucker veteran Leslie Nielsen signed up to bash Moore using a sledgehammer approach as a substitute for the lack of a clever script. Occasionally thanks to an inspired casting choice here and there Carol is kind of amusing such as in a scene in which Malone and Rosie O’Connell (get it?) guest on the O’Reilly Factor. With Bill O’Reilly playing himself (and doing it well) actress Vicki Browne really nails Rosie who is presented as so far left she makes Moore look like Ronald Reagan. As Malone Farley (younger brother of the late Chris Farley) looks reasonably like Moore but doesn’t really get the mannerisms right. It’s not enough to try and get by just by putting on a baseball cap and glasses and hoping for the best. Of the rest Grammer comes off well as Patton delivering his lines with a lot more panache than they deserve. You know what kind of movie you’re watching when even Gary Coleman and Paris Hilton turn up for a bit. Zucker--whose films Airplane! and the The Naked Gun series specialize in inspired sight gags--seems to have forgotten how to make this style of throw-it-to-the-wall-and-see-if-it-sticks style of comedy work. Surprisingly the jokes are mostly verbal in this outing and the whole comic soufflé falls flat. Also the events of 9/11 are still too close to serve as a gateway for a few of the gags employed here. The premise is promising but the Michael Malone/Moore character is so far out he doesn’t resemble reality much less the famous Moore. Blaming him for all the ills of the world may be cathartic for the ultra-conservative base Zucker is apparently aiming An American Carol at but there needs to be more than just a kernel of truth to make these jokes zing. Instead what could have been an amusing riff looks more like a propaganda film out to destroy Moore rather than spoof him.
If you have ever been embarrassed by your big loud family then you will certainly relate to Toula (played by Nia Vardalos) the narrator and main character in My Big Fat Greek Wedding. After all her suburban home is modeled after the Parthenon and her father (played by Michael Constantine) believes a squirt of Windex can cure anything--including bursitis--and that every word in the English language derives from a Greek root. At 30 Toula is still living at home and kowtowing to her strict father--who believes that every Greek woman's ambition should be to marry a Greek man have Greek children and feed everyone until she dies. Suffice it to say he is less than happy when Toula becomes engaged to Ian (played by John Corbett)--a non-Greek. What ensues is a hilarious tale of what happens when two families--one loud Greek Orthodox the other conservative Episcopalian--must reconcile their differences for the sake of their children's happiness. Vardalos' narration of the events that are occurring--and how she feels about them--helps draw the viewer into Toula's world.
Vardalos is great as Toula and presents her character's traits and peculiarities fittingly well like her low self-esteem and the way she slouches. More importantly Vardalos made Toula's character believable. When Toula begins taking classes at a local college her confidence improves she puts on a little makeup combs her hair and voila! She's transformed into a beautiful person oozing happiness. It's quite charming. Corbett is well cast as the sweet and accepting fiancé but he comes across as a little bland. That really dated haircut certainly doesn't win him any points either. Constantine as Toula's strict father is chauvinistic and thick-headed but he plays his cards just right so you can never really hate the character straight out even though he treats his wife and kids like a Neanderthal would. As Aunt Voula Andrea Martin is by far the most hilarious of the bunch and she delivers each line with zany conviction. For all you 'N Sync fans Joey Fatone has a small role as Toula's cousin and has maybe three lines in the film.
My Big Fat Greek Wedding is based on comedy writer Vardalos' one-woman show. Tom Hanks and his wife Rita Wilson saw the show and apparently liked it so much they decided to produce it through their Playtone studio. Directed by Joel Zwick the film is not the first to deal with big weddings and what happens when too many family members get involved. Ang Lee did it better with the 1993 romantic comedy The Wedding Banquet about a gay Taiwanese-American man who marries a young Chinese woman to satisfy his parents as did Mira Nair with last year's Monsoon Wedding about an arranged Indian marriage. But Zwick who has directed a slew of TV shows from Happy Days to The Wayans Brothers keeps things fresh and funny despite the tired storyline. Set in Chicago but filmed in Toronto the film feels authentic especially the scenes in the family's diner Dancing Zorbas their house and their neighborhood. But the movie could have done without the cartoonish old-world granny with anti-Turkish sentiment.