Hollywood star Richard Gere has split from his actress wife Carey Lowell, according to a U.S. report. The Pretty Woman star has separated from his spouse of 11 years, former Bond girl and Law & Order regular Lowell, and is moving forward with plans for a divorce, reports New York Post gossip column Page Six.
A source tells the publication the stars, who have a 13-year-old son called Homer, have been "spending time apart for quite some time".
Gere, 64, was previously married to supermodel Cindy Crawford, while Lowell, 52, has been wed twice before.
A representative for the couple has yet to comment.
The Pretty Woman star wed the supermodel in 1991, but the pair split just three years later and divorced in 1995.
And Gere, who has a nine-year-old son with current wife Carey Lowell, is adamant their marriage failed because he wasn't ready to have children with the beauty.
He says, "I married her because I didn't want to lose her. But we didn't have the perfect marriage - it wasn't happening as well as either of us wanted.
"Marriage is walking the path in the same direction. I wasn't sure I'd adjust to looking after my own child."
In the ever-changing west of 1882 city marshal Virgil Cole (Ed Harris) and his deputy Everett Hitch (Viggo Mortensen) are two tough dudes out to clean up lawless towns a mission that takes them to Appaloosa. This small mining town has been taken over by a ruthless power-hungry land baron Randall Bragg (Jeremy Irons) who along with his band of thugs has run the place into the ground. Although their initial efforts are met with some success Cole and Hitch run into personal and professional conflict when a pretty mystery lady Allison French (Renee Zellweger) blows into town. She complicates the picture walking on the gray line between good and evil and generally making the Marshal and his No. 2 overcome unwelcome obstacles in their fight to bring Bragg and his boys to justice. The film based on the novel by Robert B. Parker smartly details the unique problems inherent in bringing law and order to an unruly West. Guiding his co-star Marcia Gay Harden in 2000’s Pollock to an Oscar Harris the director once again shows he has a natural affinity for steering his fellow actors at least most of them into superlative performances which includes himself. In fact the actor doesn’t seem to be the least intimidated in playing the leading role in a movie he also co-wrote directed and produced. Harris comes off as the embodiment of a dedicated lawman who quietly goes about his business determined to clean up the wild wild West his way with the help of a loyal deputy. Mortensen is wonderfully authentic as Harris’ partner in stopping sagebrush crime looking like he’s lived in those boots his entire life. Mortensen’s demeanor and style in the role of Everett Hitch evokes a true feel for a place and time long gone. Together these two do not seem fake or awkwardly contemporary but instead come off as the real deal. Irons is slippery and fun to watch as the devious outlaw Bragg proving as he did in his Oscar-winning Reversal of Fortune there’s nobody as good at playing subtle shades of bad. Zellweger on the other hand lets her acting show at every turn. To be fair her character rarely adds up but she does nothing to give any dimension beyond the obvious to a woman courting both sides of the law. In only his second outing behind the camera in a decade Harris shows Pollock was no fluke. Clearly enamored with the era he nobly honors the great American western tradition crafting a film that fits in with some of the best examples Hollywood has turned out. Some may complain that Appaloosa is long on talk and short on action but the time director Harris devotes to letting his characters develop is far more satisfying than a lot of pointless violence that many Westerns wallow in. Like Howard Hawks’ 1959 classic Rio Bravo this is an honest tale of the camaraderie between a pair of lawmen simply trying to do a job. This is a director whose emphasis is focused on his cast and he’s picked them very carefully right down to the smallest roles surrounding himself with a lot of terrific character actors. Just as impressive are the top notch production values including cinematographer Dean Semler’s stunning New Mexico landscapes.
In a mechanized world an imaginative young inventor Rodney Copperbottom (voiced by Ewan McGregor) wants to be as famous as his hero the greatest inventor of all time Mr. Bigweld (voiced by Mel Brooks). With his father's "follow your dreams and never give up" ringing in his ears Rodney leaves his small town and sets out to the big bad Robot City to meet his idol and show him his invention. Once there Rodney meets the Rusties a ragtag group of street-smart bots lead by the wacky Fender (voiced by Robin Williams) who know the ropes. Rodney finds out that Bigweld has gone into seclusion and Robot City is being taken over by an ambitious robot named Ratchet (voiced by Greg Kinnear) whose motto is "Why Be You When You Could Be New?" Ratchet soon halts production on parts for the older robots. If the bot folk can't afford the new stuff they are gathered up and sent to an underground chop shop where Rachet's hideous mother Madame Gasket (voiced by Jim Broadbent) melts them down and turns them into metal for new parts. But the evil duo's plan is soon spoiled when Rodney and the Rusties start fixing the older models and decide the must get the reclusive Bigweld back on track to fight back.
How can you go wrong with such a fabulous cast? They all do a great job including McGregor as the earnest Rodney Copperbottom; Brooks as the soft-hearted boss Big Weld; Kinnear as the vain and conniving Rachet; Broadbent as the repugnantly evil Gasket; Jennifer Coolidge as the hilarious and lovable big-booty bot Aunt Fanny; Halle Berry as the smart and seductive executive bot Cappy; and Amanda Bynes as the perky Piper determined to prove herself. But once again voice over veteran Robin Williams steals the show as the broke down and chaotic robot Fender. With his hundreds of voices and impersonations animated films fit the frenetic Williams to a tee making him the undisputed king.
Blue Sky Animation and Oscar-winning director Chris Wedge who brought us the delightful Ice Age are back turning in another stellar animated effort. Robots is rivet-ing transporting the audience into a world of mechanics electronics and robotics. The best scene is when Rodney gets to Robot City and goes on a roller coaster "cab" ride with Fender through a maze of whirligigs and gadgets. Good fun. Added into the mix is a groovin' soundtrack that makes you want to get up and dance with the characters while snickering at the songs' innuendos. Overall Robots incorporates vibrant colors above the ground with dark rusted images below to bring to life this lively world of metal folk.
How about this for a test of inner peace? A wailing newborn screaming in the middle of the night -- every night.
That's right. Looks like the road to nirvana for the Buddhist-minded Richard Gere will, for a little while at least, be one characterized primarily by dirty diapers, the above-mentioned nightly cacophony and a decided lack of quiescence.
Gere and actress Carey Lowell, the actor's on-again, off-again partner since 1995, welcomed the birth of their first child -- a baby boy -- Sunday night in New York.
The kid, given name Homer James Jigme Gere, weighed in at a healthy 8 pounds, 12 ounces. No word from either of the proud parents on the exact etymological inspiration for the kid's three-part name.
Gere is, of course, best known for the type of rough-trade hunkiness he embodies in such flicks as "American Gigolo," "An Officer and a Gentleman" and "Pretty Woman," and last year's romantic blockbuster ""Runaway Bride." This coming fall, he'll be seen playing an older man who falls hopelessly in love with twentysomething Winona Ryder in the May-December romance "Autumn in New York."
Lowell is lesser known as either the coveted "Bond girl" in "License to Kill" (1989) or as assistant district attorney Jamie Ross on NBC's "Law & Order" from 1996-98. But movie buffs that we are here at Hollywood.com, we can also positively I.D. her as Tom Hanks' dead wife in "Sleepless in Seattle."
Gere (at an apparently virile 50) and Lowell (12 years his junior) are among the latest Hollywood types enjoying late-life baby booms. Fellow fiftysomething thespian Michael Douglas is expecting a child of his own this fall with bride-to-be Catherine Zeta-Jones.
Gere's ex-wife Cindy Crawford gave birth to her first child, with second husband Rande Gerber, last July.