The pre-votes are in, and we finally have the nominee list for the 2014 People's Choice Awards thanks to the People's Choice blog. And man, oh, man is it a hefty list.
With a total of 58 categories, the awards show covers music, movies, and television with categories from "Favorite Action Movie Star" to "Favorite TV Anti-Hero" to "Favorite TV Bromance." This year's top contenders are Glee (with 8 nods), Katy Perry (5 nods), and Sandra Bullock (5 nods). And don't worry about Bullock's Gravity co-star George Clooney feeling left out — the two of them snagged a nod for "Favorite Duo." (You already know what we think about their magical pairing.)
We've got the entire list of nominees for you... have fun scrolling!
Favorite MovieDespicable Me 2Fast & Furious 6Iron Man 3Monsters UniversityStar Trek Into Darkness
Favorite Movie ActorChanning TatumHugh JackmanJohnny DeppLeonardo DiCaprioRobert Downey Jr.
Favorite Movie ActressGwyneth PaltrowJennifer AnistonMelissa McCarthySandra BullockScarlett Johansson
Favorite Movie DuoChris Pine & Zachary Quinto (Star Trek Into Darkness)Jennifer Aniston & Jason Sudeikis (We’re the Millers)Robert Downey Jr. & Gwyneth Paltrow (Iron Man 3)Sandra Bullock & George Clooney (Gravity)Sandra Bullock & Melissa McCarthy (The Heat)
Favorite Action MovieFast & Furious 6Iron Man 3Star Trek Into DarknessThe WolverineWorld War Z
Favorite Action Movie StarBrad PittChanning TatumHugh JackmanRobert Downey Jr.Vin Diesel
Favorite Comedic MovieGrown Ups 2The Hangover Part IIIThe HeatInstructions Not IncludedWe’re the Millers
Favorite Comedic Movie ActorAdam SandlerBradley CooperChris RockJames FrancoZach Galifianakis
Favorite Comedic Movie ActressEmma WatsonJennifer AnistonMelissa McCarthySandra BullockScarlett Johansson
Favorite Dramatic MovieCaptain PhillipsGravityThe Great GatsbyLee Daniels’ The ButlerPrisoners
Favorite Dramatic Movie ActorChanning TatumChris HemsworthHugh JackmanLeonardo DiCaprioRyan Gosling
Favorite Dramatic Movie ActressAmy AdamsEmma StoneHalle BerryOprah WinfreySandra Bullock
Favorite Family MovieDespicable Me 2Monsters UniversityOz the Great and PowerfulPercy Jackson: Sea of MonstersThe Smurfs 2
Favorite Horror MovieCarrieThe ConjuringHansel & Gretel: Witch HuntersInsidious: Chapter 2Mama
Favorite Thriller MovieA Good Day to Die HardThe CallNow You See MeRed 2White House Down
Favorite Network TV Comedy2 Broke GirlsThe Big Bang TheoryGleeHow I Met Your MotherModern Family
Favorite Comedic TV ActorChris ColferDarren CrissJesse Tyler FergusonJim ParsonsNeil Patrick Harris
Favorite Comedic TV ActressJane LynchKaley CuocoLea MicheleMelissa McCarthyZooey Deschanel
Favorite Network TV DramaChicago FireThe Good WifeGrey’s AnatomyNashvilleParenthood
Favorite Dramatic TV ActorJim CaviezelJosh CharlesKevin BaconMark HarmonPatrick Dempsey
Favorite Dramatic TV ActressJulianna MarguliesMariska HargitayPauley PerretteSandra OhStana Katic
Favorite Actor in a New TV SeriesAndy SambergJonathan Rhys MeyersJoseph MorganMichael J. FoxRobin Williams
Favorite Actress in a New TV SeriesAllison JanneyAnna FarisMing-Na WenRebel WilsonSarah Michelle Gellar
Favorite TV Crime DramaBonesCastleCriminal MindsThe MentalistNCIS
Favorite Competition TV ShowAmerica’s Got TalentDancing with the StarsMasterChefThe VoiceThe X Factor
Favorite Cable TV ComedyAwkward.Cougar TownHot in ClevelandMelissa & JoeyPsych
Favorite Cable TV DramaDownton AbbeyPretty Little LiarsSons of AnarchyThe Walking DeadWhite Collar
Favorite Premium Cable TV ShowCalifornicationGame of ThronesGirlsHomelandTrue Blood
Favorite Cable TV ActressAngie HarmonClaire DanesCourteney CoxLucy HaleMaggie Smith
Favorite TV Anti-HeroDexter Morgan (Dexter)Jaime Lannister (Game of Thrones)Norman Bates (Bates Motel)Rick Grimes (The Walking Dead)Walter White (Breaking Bad)
Favorite TV BromanceBlaine & Sam (Glee)Ryan & Esposito (Castle)Sam, Dean & Castiel (Supernatural)Sheldon, Leonard, Howard & Raj (The Big Bang Theory)Ted, Marshall & Barney (How I Met Your Mother)
Favorite TV Gal PalsCaroline & Max (2 Broke Girls)Lily & Robin (How I Met Your Mother)Meredith & Cristina (Grey’s Anatomy)Penny, Bernadette & Amy (The Big Bang Theory)Rachel & Santana (Glee)
Favorite On-Screen ChemistryCastle & Beckett (Castle)Damon & Elena (The Vampire Diaries)Derek & Meredith (Grey’s Anatomy)Emma & Hook (Once Upon A Time)Kurt & Blaine (Glee)
Favorite Sci-Fi/Fantasy TV ShowBeauty and the BeastOnce Upon A TimeSupernaturalThe Vampire DiariesThe Walking Dead
Favorite Sci-Fi/Fantasy TV ActorAndrew LincolnIan SomerhalderJared PadaleckiJensen AcklesStephen Amell
Favorite Sci-Fi/Fantasy TV ActressEmilia ClarkeGinnifer GoodwinKristin KruekNina DobrevTatiana Maslany
Favorite TV Movie/MiniseriesAmerican Horror StoryBehind the CandelabraThe BibleSharknadoThe White Queen
Favorite Daytime TV Host(s)Ellen DeGeneresKelly Ripa & Michael StrahanDr. Phil McGrawRachael RaySteve Harvey
Favorite New Talk Show HostArsenio HallBethenny FrankelJenny McCarthyQueen LatifahRoss Mathews
Favorite Late Night Talk Show HostConan O’BrienDavid LettermanJimmy FallonJimmy KimmelStephen Colbert
Favorite Streaming SeriesArrested DevelopmentBetween Two Ferns with Zach GalifianakisHouse of CardsLosing It with John StamosOrange Is the New Black
Favorite Series We Miss Most30 RockBreaking BadDexterFringeThe Office
Favorite New TV ComedyBrooklyn Nine-NineThe Crazy OnesDadsThe GoldbergsThe Michael J. Fox ShowThe MillersMomSean Saves the WorldSuper Fun NightTrophy Wife
Favorite New TV DramaMarvel’s Agents of S.H.I.E.L.D.BetrayalThe BlacklistDraculaHostagesOnce Upon a Time in WonderlandThe OriginalsReignSleepy HollowThe Tomorrow People
Favorite Male ArtistAviciiBlake SheltonBruno MarsJustin TimberlakeMichael Bublé
Favorite Female ArtistBritney SpearsDemi LovatoKaty PerryP!nkSelena Gomez
Favorite Breakout ArtistAriana GrandeAustin MahoneIcona PopImagine DragonsLorde
Favorite Pop ArtistBritney SpearsBruno MarsDemi LovatoJustin TimberlakeKaty Perry
Favorite Country ArtistThe Band PerryBlake SheltonCarrie UnderwoodLady AntebellumTaylor Swift
Favorite Country Music IconAlan JacksonGeorge StraitTim McGrawToby KeithWillie Nelson
Favorite Hip-Hop ArtistDrakeJay ZKanye WestLil WayneMacklemore & Ryan Lewis
Favorite R&B ArtistAlicia KeysCiaraJustin TimberlakeRihannaRobin Thicke
Favorite BandImagine DragonsMaroon 5One DirectionOneRepublicParamore
Favorite Alternative BandFall Out BoyImagine DragonsMumford & SonsMuseParamore
Favorite SongJust Give Me A Reason (P!nk feat. Nate Ruess)Mirrors (Justin Timberlake)Radioactive (Imagine Dragons)Roar (Katy Perry)When I Was Your Man (Bruno Mars)
Favorite AlbumThe 20/20 Experience (Justin Timberlake)Bangerz (Miley Cyrus)Based on a True Story… (Blake Shelton)Blurred Lines (Robin Thicke)To Be Loved (Michael Bublé)
Favorite Music VideoBest Song Ever (One Direction)Heart Attack (Demi Lovato)Just Give Me A Reason (P!nk feat. Nate Ruess)Roar (Katy Perry)Wrecking Ball (Miley Cyrus)
Favorite Music Fan FollowingBritney Army (Britney Spears)Directioners (One Direction)KatyCats (Katy Perry)Little Monsters (Lady Gaga)Lovatics (Demi Lovato)
We're impressed you read the whole list.
The 40th annual show will be hosted by 2 Broke Girls stars Beth Behrs and Kat Dennings on CBS on Jan. 8 at 9 PM. Final voting ends on Dec. 5.
Real Housewives of Miami star Lea Black unveiled her new line of bejeweled evening bags and bracelets at boutique Rene Ruiz in Coral Gables, Miami, on Wednesday night. Above, Lea holds one of her favorite designs. The event was filmed for the Real Housewives of Miami and, as is wont to happen when that clique gets together, the cameras brought along some drama.
Lea's bags, which she describes as "timeless," are representative of Lea's personal style — sparkly yet classic. Lea has been seen wearing her bags to events featured on the hit Bravo reality show and decided to now market her one-of-a-kind designs to the public.
As much as the evening tried to focus on fashion, the ladies couldn't help but be sidetracked by drama, fueled by the Bravo producers. In the middle of the lovely event decorated with orchids, one of the producers went up to Real Housewife Lisa Hochstein and told her something one of the other girls said about her. Lisa then pulled fellow Housewife Alexia Echevarria aside and had a heated conversation. Before the end of the evening, Lisa made a dramatic early exit, storming out of the event. Lisa plays the Real Housewife role so well!
By the end of the night, not many of Lea's pieces were sold — but the crowd seemed to be there more for the spectacle than to shop. But Lea's latest endeavor does seem promising, the purses are really beautiful (think a more practical, sturdier Judith Leiber) and the price point is great, running around $300 for a clutch. The prices go all the way up to about $1500 for the more unique made-to-order Swarovski encrusted purses.
Below, I strike a pose with former RHOM Karent Sierra and my friend Kristin Ducote, wife of racecar driver Chapman Ducote and the author of the book Naked Paddock. I'm modeling some of Lea's gorgeous designs on my wrist — love the sparkle!
For more photos and an in-depth behind-the-scenes look at the event, head to MiamiFashionRevolution.com.
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In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
In 1960s England a young pregnant woman is arrested and sent to a facility for the criminally insane for casually butchering her philandering husband and his mistress. Flash forward 43 years to the tiny hamlet of Little Wollop where fed-up vicar's wife Gloria Goodfellow (Kristin Scott Thomas) is ready to ditch her earnest hands-off husband Walter (Rowan Atkinson) in favor of buff American golf pro Lance (Patrick Swayze). That is until the advent of new housekeeper Grace Hawkins (Maggie Smith). Like a gray-haired Mary Poppins Grace quickly sets about putting Gloria's life to rights from helping timid son Petey (Toby Parkes) get over his fear of bullies to encouraging Walter to spice up his sermons. The fact that Grace's methods are rather er unorthodox is hardly surprising and neither is the film's ultimate resolution--although getting there is amusing enough. Most of Keeping Mum's success can be attributed to its two female stars. Scott Thomas and Smith are both consummate professionals tackling their somewhat standard-issue roles with game enthusiasm. Smith (aka Professor Minerva McGonagall from the Harry Potter movies) plays Grace with a determined twinkle that could simply be a prim elderly woman's possessive affection for her adopted clan--or just as easily the glint of a madwoman on a mission. And Scott Thomas as always does English upper-middle-class to a tee. Neither Atkinson nor Swayze really tackle any new ground character-wise: Swayze's whole performance seems to build up to the point where he gets to take off his shirt and Atkinson's Walter goes so far as to blunder into a Four Weddings and a Funeral-esque malapropism at one point. But the men aren't the main attraction here. With Keeping Mum writer/director Niall Johnson follows in the footsteps of several other calculatedly eccentric comedies about quirky English folks from The Full Monty and Calendar Girls to Waking Ned Devine and Saving Grace. Like its predecessors the film is often charming but unlike many of them it unfortunately never really hits its comedic stride. Much of the humor is more likely to elicit mild chuckles than belly laughs mostly because very little of what happens is surprising. For a black comedy Keeping Mum is neither particularly dark nor particularly funny--it's diverting enough while you're watching but in the end it's about as memorable as another misty day on the English moors.
Rogan of "Fear Factor"
Many of the networks' new
summer series have already debuted--but are people watching? Some critics
certainly are, and the consensus is: wait until fall.
To date, NBC's reality show Fear Factor has scored the highest ratings among new series, according to Nielsen Media Research. The week of its premiere--June 11 through June 17--the show scored an admirable 13 share on June 11, achieving the No. 12 ranking in the Nielsen top 25.
Where is NBC's Kristin in the top 25 throughout June? Nowhere to be found. How about Fox's resurrected Freakylinks? Or ABC's drama The Beast? Ditto.
Hal Boedeker, television writer for the Orlando Sentinel in Florida,
says that it all boils down to quality.
"It has been a boring summer so far, with the networks burning off the series
they realized were duds," he said. "If this is the way programmers think they're
going to keep viewers tuning in, they should snap out of it. Kristin and
The Beast are disasters of unusual ineptitude.
"I guess Fear Factor is a success in the ratings, but it's
not a success anyone should be happy about. The program shouts, 'We're creatively
bankrupt.' The same thing goes for the horrible Spy TV. You're watching
the end of Must-See TV on NBC."
Elsewhere, on the pay-cable networks, series both new and old have been making
their mark, most notably HBO's Sex and the City, which claimed the top
spot in the cable ratings last week. Sex... outperformed HBO's premiere
of Chicken Run
and The Replacements,
which finished at No. 3 and No. 4 for the week, respectively.
The Sarah Jessica Parker
series scored a 3.4 rating, with the new HBO series Six Feet Under in tow
in the No. 2 spot for the week with a 2.8 rating. In an effort to boost Six
Feet Under's future Nielsen showings, HBO recently decided to move the series
from 10 p.m. EST Sundays to 9:30 p.m. EST on the same night, riding on Sex...'s
As for the Nielsen ratings for basic-cable networks, TNT's new series Witchblade--airing Tuesday at 9 p.m. EST--made an impressive showing last week, grabbing the No. 7 spot. TNT executives expect its fan base to quickly broaden.
"It would be early to judge [Witchblade], but the returns thus far are very favorable," TNT Publicity spokesman Walter Ward said. "It is averaging a 2.4 rating for its time slot.
"Most important, Witchblade ratings and delivery increase each quarter hour for both weeks. In key demos--viewers 18-49 and 25-54--the series is pacing well ahead of TNT year to date in prime time."
New summer series, of course, are still on the way. They include CBS' Big Brother 2, NBC's other reality program, Spy TV, and Showtime's quirky time-twisting drama Leap Years.