On December 20, Sony Pictures Classics rolls out its home entertainment release of Midnight in Paris, this summer's sleeper hit directed by the legendary Woody Allen and starring Owen Wilson, Rachel McAdams, Marion Cotillard, Michael Sheen and more! Praised for its sharp writing and lovable performances, the film is also the New York-bred auteur's biggest hit in ages, grossing nearly $140 million worldwide throughout 2011.
With a Rotten Tomatoes score of 93%, it's one of the most celebrated films of the year. Simon Miraudo at Quickflix has called Midnight in Paris, "bewitching, enchanting and enthralling" while Leonard Maltin says it's "whimsical and romantic." So if you're looking for a great flick for a movie night at home, you should check out Midnight in Paris, available everywhere DVDs are sold on December 20! http://www.sonyclassics.com/midnightinparis/
Sucker Punch a sprawling and convoluted action sci-fi fantasy is director Zack Snyder’s first “original” film in that it’s based on a script Snyder co-wrote (along with Steve Shibuya) and not a graphic novel or a previous movie. But to anyone who has seen Snyder’s two previous live-action films 300 and Watchmen it will feel awfully familiar: His now-trademark flourishes – gorgeous visuals elaborate action sequences a desaturated color palette a CGI-airbrushed “heightened reality ” abundant slo-mo and fatal self-seriousness – are all conspicuously on display.
It’s all there in fact in Sucker Punch’s opening sequence: a very intense and ultra-dramatic montage set to a haunting cover of the Eurythmics’ "Sweet Dreams" and slowed down to a crawl so that we may better admire every super-stylized detail of Snyder’s exquisite handiwork. It depicts a series of wrenching domestic tragedies that result in the film’s teenage heroine Babydoll (Emily Browning) being shipped off to an all-girls mental hospital by her malevolent stepfather (Gerard Plunkett) properly setting the stage for the ensuing melodrama.
To ensure Babydoll doesn’t act up again evil stepdaddy bribes a corrupt orderly (Oscar Isaac) into having the traumatized but otherwise mentally competent girl lobotomized without the required consent of the facility’s resident psychiatrist Dr. Gorski (Carla Gugino). The year is 1967 and lobotomies though still legal are exceedingly rare; as such they must wait five days for the local lobotomizing physician (Jon Hamm) to come and turn Babydoll into a very pretty vegetable. Which is more than enough time for her to retreat into a dreamworld and concoct a vivid fantasy in which she and four scantily clad mates – Rocket (Jena Malone) Sweat Pea (Abbie Cornish) Blondie (Vanessa Hudgens) Amber (Jamie Chung) – conspire to escape the brothel in which they’re imprisoned.
The meat of the escape plan calls for a series of quests in which Babydoll and the gang battle giant samurais World War I zombie troopers futuristic alien robots dragons et al – all while dressed in sleek variants of the archetypal hot chick Halloween costumes (sexy nurse sexy schoolgirl sexy sanitation worker etc.). The sequences are well-choreographed and visually stimulating but have very little connection to the plot – they’re more like beautiful and disposable diversions grandiose music videos in which Snyder is able to cram elements from a broad spectrum of pop culture influences from Hong Kong cinema and anime to Moulin Rouge and Heavy Metal without any apparent rules or logic to bind his fertile imagination.
All of which wouldn’t be so bad – honestly it wouldn’t – if Sucker Punch weren’t so punishingly maudlin. Nary a scene goes by in which some poor girl isn’t threatened or smacked or nearly raped. (All the women in the film are victims; the men with the exception of Scott Glenn's imaginary character monsters.) A movie with hot chicks and guns and orcs and robots and zombies should at the very least be fun. But Snyder’s film is dour and pretentious to the point of pain an overstuffed emo tragedy bracketed by ponderous voiceover about demons and monsters and how all of us have the weapons within us to defeat them. Or something like that. Sucker Punch is such a molten-hot mess that whatever Important Message it's supposed to convey ends up hopelessly garbled by the time the end credits roll.
James MacArthur, who for 11 seasons booked ‘em on Hawaii Five-O, passed away earlier this morning. He was 72. Born in 1937 to playwright Charles MacArthur and EGOT winner Helen Hayes, he is survived by his wife of 25 years, Helen, and their four children and seven grandchildren.
Forever remembered as the second in command on Hawaii Five-O, he also had a prosperous stage career before and after the long running program. MacArthur joined the classic tropical cop show after the pilot was created when test audiences didn’t like the original. The producer remembered MacArthur from his work on Hang ‘Em High and brought him in as a replacement. An avid golfer and traveler, he once drove all the way from London to Malawi, Africa.
Read on for the official press release:
Today the world mourns the loss of internationally-known actor, family man, and humble human being, James Gordon MacArthur. He passed on October 28th 2010 at the age of 72 with his family by his side.
James was born on December 8, 1937 in Los Angeles, California and raised in a theatre atmosphere by his parents, the First Lady of the American stage, Helen Hayes and noted playwright Charles MacArthur residing at their home, "Pretty Penny", on the bank of the Hudson River in Nyack, New York.
As an actor, James had three strong separate careers, Live Stage, Movies and Television. In 1955 prior to his senior year at the Solebury School, James appeared in the TV play, "Deal a Blow". After graduation and before going to Harvard, he went to Hollywood to make the film version of it, renamed "The Young Stranger" which earned him a nomination in the Most Promising Newcomer category at the 1958 BAFTA awards. During summer breaks from Harvard he made "The Light in the Forest" and "Third Man on the Mountain" for Walt Disney. In 1959 and 1960, he made both "Kidnapped" and "Swiss Family Robinson" for Disney and made his Broadway debut playing Aaron Jablonski opposite Jane Fonda in "Invitation to a March" which won him the 1961 Theatre World Award for Best New Actor. He then appeared in "Under the Yum Yum Tree", "The Moon Is Blue", "John Loves Mary", "Barefoot in the Park" and "Murder at the Howard Johnson's" before returning to Hollywood to star in such movies as "The Interns", "Spencer's Mountain", "The Truth About Spring" with Haley Mills, and "Cry of Battle". In 1963, he was a runner up in the Golden Laurel Awards in the "Top New Male Personality" category. He then was a member of the all-star cast which included Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, George Montgomery, Charles Bronson and Telly Savalas in "The Battle of the Bulge".
In 1968 producer Leonard Freeman remembered the actor who did a cameo in the Clint Eastwood movie "Hang 'em High" as the traveling preacher who came on the set, requiring only one take which was excellent. He called James, and cast him as Detective Dan Williams of Hawaii 5-0, who will be forever tied to the phrase "Book 'em Dano!".
After 11 years as Detective Dan Williams, he returned to the live stage in "The Hasty Hearst" with Caroline Lagerfelt", "The Front Page", a play written by his father Charles MacArthur, "A Bed full of Foreigners" in several locals and then played Mortimer in the national tour of "Arsenic and Old Lace" with Jean Stapleton, Marion Ross, and Larry Storch.
MacArthur loved life and all that it had to offer. He was adventurous and a world traveler. In the early 1970s he spent six months driving his Land Rover from London, England to Malawi, Africa with friend, Stan Hattie. He also enjoyed sharing his love for travel with his family taking them on numerous vacations to many exotic locations. James was an avid tennis player and enjoyed skiing, fishing, and hiking. He was a skilled flamenco guitarist and a consummate reader. His passion for playing golf led him to meet and fall in love with his wife, LPGA tour player and teacher, "H.B." Duntz. Throughout his life James developed a long list of friendships and stories to tell along the way. He had a great sense of humor and loved to laugh. He was witty and charming always enjoying a good time. He was often the recipient of practical jokes; however, one could always tell when he was the instigator of a few good ones of his own by that famous little crinkle at the side of his mouth and the twinkle in his eye. He was never one to be lost for words.
MacArthur was deeply honored to speak at the Library of Congress. He also was the Master of Ceremonies at Dan Quayle's Inaugural Ball. He was most supportive of the theatre through the Helen Hayes Awards in Washington, DC serving as a Board member, participant in the Annual Charity Auction and as the presenter of the Charles MacArthur Award for Best Screenplay at the annual Washington Theatre Awards.
In 2001, James was honored with his own star along the Walk of Fame in Palm Springs, California. In 2003, the fourth annual Film in Hawaii Award was bestowed upon him and Hawaii Five-O. The National Academy of Television Arts & Sciences honored James with a Gold Circle Award for 50 years of outstanding contributions to the medium in 2008. He was a true master of his craft.
His retirement was as busy as his career spending time with his family, who meant the world to him. He leaves behind his wife of over 25 years, Helen Beth (H.B. Duntz), four children: Charles P. MacArthur (Jenny), Mary McClure (Kevin), Juliette Rappaport (Kurt), James D. MacArthur and seven grandchildren; Ruby Johnstone, Riley Kea MacArthur, Ford and Daisy McClure, Jake, Luke, and Julia Rappaport.
Holly Kennedy (Hilary Swank) doesn’t know how lucky she has it. She’s smart beautiful and married to Gerry (Gerald Butler) a passionate funny and impetuous Irishman who loves her with every breath in his body. But when that breath runs out--Gerry dies unexpectedly from an illness--Holly’s luck runs out. Barely coping her salvation arrives in the form of letters from Gerry that come to Holly in unexpected ways--letters he wrote to her before he died to help her get through the pain and move on with her life and letters that always end with “P.S. I Love You.” A saint huh? Holly’s mother (Kathy Bates) and best friends Sharon (Gina Gershon) and Denise (Lisa Kudrow) begin to worry Gerry’s letters are keeping Holly tied to the past but in fact each letter pushes Holly on a journey of rediscovery and to show her how a love so strong can turn the finality of death into new beginning for life. Tissues please! Swank will be damned if she pigeonholes herself into always playing serious women who don’t wear makeup. P.S. I Love You is her stab at romantic dramedy and while the genre may not suit her best the Oscar-winning actress still has fun playing a spirited woman who wears designer clothes cute hats and gets to make out with a strapping Irish hunk. Actually Swank gets to bed TWO strapping Irish hunks in P.S. I Love You: The first is the yummy Butler of course and the other is Gerry’s old bandmate William played by American Jeffrey Dean Morgan (who’ll be seen in the upcoming romantic comedy The Accidental Husband with Uma Thurman). Lucky girl. Butler however is the one the ladies will sigh over the most. Having already given a powerhouse performance this year as the Spartan king in 300 the Scottish actor turns the tables to show his soft underbelly as the adorably romantic and fun-lovin’ Gerry. The abs still rock though. One can easily see why Holly is such a mess after he dies. Gershon and Kudrow add some genuineness as Holly’s friends (someone please find a Kudrow a TV show) as does Bates as Holly’s hardened mother. Harry Connick Jr. however seems out of place as Holly’s would-be suitor. She just needs to stick with the Irish guys. Hilary Swank teams up with her Freedom Writers director Richard LaGravenese once again for P.S. I Love You and it’s clear they have a symbiotic relationship. Swank probably likes the way LaGravenese accentuates her best features turning her into a glam leading lady while LaGravenese obviously enjoys gazing at her through his camera lens. Unfortunately the two really haven’t found the best material. Freedom Writers is the mother of all teacher-gets-students-motivated retreads while P.S. I Love You--based on a novel by Cecelia Ahern and adapted by LaGravenese and Steven Rogers--is just pure fluff with very little substance behind it. Not that the film won't inspire some romantic feelings or work up tears but its only real strengths are: 1) the players who somehow rise about the triteness of it all especially Butler and 2) the gorgeous landscapes of Ireland which should send any woman in her right mind straight to the Emerald Isles to find her perfect man. Seriously ladies book your trips NOW.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.