The original cast of The Hitchhiker's Guide To The Galaxy have returned to the theatre where they created the show more than 30 years ago for a one-off performance. The show began on radio in 1978 before becoming a hit TV programme, series of books and a Hollywood movie.
Simon Jones, who played hapless hero Arthur Dent in the 1980s TV series as well as in the long-running BBC radio show, reprised his role for the special live radio broadcast.
Also returning were Mark Wing-Davey, who played the two-headed Zaphod, Geoff McGivern as undercover alien Ford Prefect and Stephen Moore as Marvin the Paranoid Android.
The special radio show was performed live at London's Broadcasting House Radio Theatre on Saturday (29Mar14) and simultaneously aired on BBC Radio 4.
Bassist Keith 'sabu' Crier, a member of disco band Gq, has passed away. The 58 year old musician died on Sunday (29Sep13). No further details surrounding his death have been released.
A post on the band's Facebook.com page reads, "I am sad to say that my musical brother and fellow GQ band mate Keith 'Sabu' Crier has passed away. He was an innovator. Sabu is gone..... but the music we made will go on forever."
Formed in 1968, GQ made waves on the disco scene with hits like Disco Nights (Rock-Freak), Sitting in the Park and I Do Love You.
The band continued until the early 1990s and reunited in 1999 to record a tribute to Billy Stewart and Marvin Gaye.
Crier was the son of R&B singer Arthur Crier and the uncle of musician Keith Sweat.
Robert Zemeckis is a blockbuster director at heart. Action has never been an issue for the man behind Back to the Future. When he puts aside the high concept adventures for emotional human stories — think Forrest Gump or Cast Away — he still goes big. His latest Flight continues the trend revolving the story of one man's fight with alcoholism around a terrifying plane crash. Zemeckis expertly crafts his roaring centerpiece and while he finds an agile performer in Denzel Washington the hour-and-a-half of Flight after the shocking moment can't sustain the power. The "big" works. The intimate drowns.
Washington stars as Whip Whitaker a reckless airline pilot who balances his days flying jumbo jets with picking up women snorting lines of cocaine and drinking himself to sleep. Although drunk for the flight that will change his life forever that's not the reason the plane goes down — in fact it may be the reason he thinks up his savvy landing solution in the first place. Writer John Gatins follows Whitaker into the aftermath madness: an investigation of what really happened during the flight Whitaker's battle to cap his addictions and budding relationships that if nurtured could save his life.
Zemeckis tops his own plane crash in Cast Away with the heart-pounding tailspin sequence (if you've ever been scared of flying before Flight will push into phobia territory). In the few scenes after the literal destruction Washington is able to convey an equal amount of power in the moments of mental destruction. Whitaker is obviously crushed by the events the bottle silently calling for him in every down moment. Flight strives for that level of introspection throughout eventually pairing Washington with equally distraught junkie Nicole (Kelly Reilly). Their relationship is barely fleshed out with the script time and time again resorting to obvious over-the-top depictions of substance abuse (a la Nic Cage's Leaving Las Vegas) and the bickering that follows. Washington's Whitaker hits is lowest point early sitting there until the climax of the film.
Sharing screentime with the intimate tale is the surprisingly comical attempt by the pilot's airline union buddy (Bruce Greenwood) and the company lawyer (Don Cheadle) to get Whitaker into shape. Prepping him for inquisitions looking into evidence from the wreckage and calling upon Whitaker's dealer Harling (John Goodman) to jump start their "hero" when the time is right the two men do everything they can to keep any blame being placed upon Whitaker by the National Transportation Safety Board investigators. The thread doesn't feel relevant to Whitaker's plight and in turn feels like unnecessary baggage that pads the runtime.
Everything in Fight shoots for the skies — and on purpose. The music is constantly swelling the photography glossy and unnatural and rarely do we breach Washington's wild exterior for a sense of what Whitaker's really grappling with. For Zemeckis Flight is still a spectacle film with Washington's ability to emote as the magical special effect. Instead of using it sparingly he once again goes big. Too big.
Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
On the eve of the release of Paul, a movie about two aging geeks who find an alien while on a road trip to Comic-Con, we figured it would be a good time to revisit our favorite sci-fi road trips. We’re not talking about a sci-fi journeys, either. These movies aren’t just about a group of people hiking toward some far off destination, they’re about that great American tradition of hoping in a vehicle (of some sort) and heading off on a mission, be it to accomplish a precise goal or to simply wander. As long as they’re in a vehicle when they do it, it’s up for consideration-- and the great thing about sci-fi is that the vehicles can get pretty crazy.
Also, be wary of spoilers below for any of the films you haven’t seen.
The Vehicle: 1977 Ford Mustang Cobra II
The Travelers: Jenny Hayden (Karen Allen) and the Starman (Jeff Bridges)
The Destination: From Wisconsin to Arizona so the Starman can catch an intergalactic ride away from the stupid people who shot down his peace-bringing spaceship.
Trip Highlight: There’s a lot to pick from in John Carpenter’s Starman - resurrecting a deer, fighting the truckers, fleeing the NSA - but the highlight would have to be Starman driving their car directly into a gas tanker while they’re both inside. It takes balls to intentionally blow up your road-tripping ride, even if you are a space alien.
Close Encounters of the Third Kind
The Vehicle: A variety of station wagons and trucks, but it all begins in a yellow Ford-F250.
The Travelers: Roy Neary (Richard Dreyfuss) and Jillian (Melinda Dillon)
The Destination: Devils Tower National Monument in Wyoming
Trip Highlight: The arrival of the mothership, of course. It technically happens after they’ve reached their destination, but we’re still counting it since it’s the start of a second road trip for Roy. Except where he’s going, they don’t need roads. (Sorry, it had to be said.)
The Vehicle: The spaceship Icarus II
The Travelers: A team of eight scientists
The Destination: The sun
Trip Highlight: Some crazy stuff goes down in Sunshine, but as insane as stuff gets, the trip highlight has to be the spacewalk Kaneda and Capa take to make repairs after Trey forgets to adjust the heat shield for their new trajectory. Not only is it a visually awesome scene, but it’s essentially the most high-stakes tire change ever seen in a road trip movie.
2001: A Space Odyssey
The Vehicle: The spaceship Discovery One
The Travelers: David Bowman (Keir Dullea), Dr. Franke Poole (Gary Lockwood) and Hal 9000
The Destination: Jupiter, though no one knows what to expect when they get there.
Trip Highlight: Dave’s mind-bending trip into the monolith orbiting Jupiter, which in turn sent countless college kids on acid trips of their own while trying to figure out just what in the hell the ending of 2001: A Space Odyssey means.
The Vehicle: A pimped-out Winnebago Chieftain
The Travelers: Lone Star (Bill Pullman) and Barf (John Candy)
The Destination: Planet Druidia to stop President Skroob (Mel Brooks) from stealing all of its air.
Trip Highlight: Lone Star and Dark Helmet’s duel inside Mega Maid’s ear, which taught the world over the heartwarming message that you don’t need a special ring to use the Schwartz as long as you’re pure of heart. Or something.
The Vehicle: A 1984 Chevy Van
The Travelers: A group of geeks on a mission to see Star Wars Episode I: The Phantom Menace early.
The Destination: Skywalker Ranch
Trip Highlight: A surprise encounter with William Shatner in Las Vegas, who then tells them what they need to do to infiltrate Skywalker Ranch. Sure, the movie may not be all that great, but it’s scenes like this that prove its intentions were in the right place.
The Lord of the Rings: The Two Towers
The Vehicle: Treebeard, the oldest Ent of Middle Earth
The Travelers: Merry (Dominic Monaghan) and Pippin (Billy Boyd)
The Destination: Isengard
Trip Highlight: Merry and Pippin going to battle riding atop giant, ancient walking trees of doom. Enough said.
The Hitchhiker’s Guide to the Galaxy
The Vehicle: The spaceship Heart of Gold
The Travelers: Arthur Dent (Martin Freeman), Ford Prefect (Mos Def) Zaphond Beeblebrox (Sam Rockwell), Trillian (Zooey Deschanel) and Marvin (Alan Rickman/Warwick Davis)
The Destination: The planet Magrathea, which contains the answer to the Question of Life, the Universe and Everything
Trip Highlight: All manner of insane and improbable things happen in The Hitchhikers Guide to the Galaxy, so it’s hard to pick just a single highlight. However, we’ve got to hand it to Marvin the Paranoid Android for saving the day by turning the Point-of-View gun on the Vogons, causing them to be overcome with crippling despair.
The Vehicle: Virgil, a deep-Earth drilling vessel.
The Travelers: A team of scientists and astronauts trying to restart the Earth’s molten core, which has stopped spinning.
The Destination: The Core, duh.
Trip Highlight: Let’s be clear, The Core is only a movie worth talking about because of how joyously silly it is. To that end, we can’t help but give a bit of a slowclap to its cheesiest moment: getting rescued because a pod of whales singing a song that alerts the surface that Virgil survived the nuclear explosions at the core.
Star Trek: The Voyage Home
The Vehicle: A Bird-of-Prey starship
The Travelers: The exiled officers of the USS Enterprise.
The Destination: Earth, 1986, where the crew plan to abduct a humpback whale and bring it back to the future.
Trip Highlight: Well if it isn’t another whale-related sci-fi plot point (if only we had gone with the falling whale in Hitchhiker’s Guide, we’d have a hat trick going on)... Strange obsession with whales aside, it’s hard not to love the scene where Kirk saves the day (and the future) by decloaking the Bird-of-Prey right in front of a group of angry whalers who most likely all had to change their underwear afterward.
Ape descendant Arthur Dent (Martin Freeman) gets yanked from the Earth by best friend and alien Ford Prefect (Mos Def) seconds before a Vogon constructor fleet destroys it to make way for a hyperspace expressway. Next thing he knows Arthur is aboard the Vogon ship reading the Hitchhiker's Guide to the Galaxy (voiced by Stephen Fry) and wondering where he might get some tea. But he and Ford are not in the clear: the Vogons (some of whom look like the nightmarish drawings of Ralph Steadman come to life in S&M leather) want to throw them into the vacuum of space right after they read some of the third worst poetry in the known universe. Luckily the spaceship Heart of Gold picks up the stranded hitchhikers in the nick of time. Stolen by the dim but groovy President of the Galaxy Zaphod Beeblebrox (Sam Rockwell) the ship has an Improbability Drive that causes certain mischief turning the stowaways into loveseats and later two missiles into a bowl of petunias and a sperm whale. Also onboard is doe-eyed Earth girl Tricia "Trillian" McMillan (Zooey Deschanel) who previously ditched Arthur at a costume party on Earth to satisfy her wanderlust with Zaphod. The crew then embarks on a quest to find the Ultimate Question to Life the Universe and Everything after supercomputer Deep Thought (voiced by Helen Mirren) found the answer: 42. On the run and without a home Arthur discovers that life's true meaning comes from the answers found within.
The slapstick antics and sharp dialogue evoke enough laughs to make one forget that the characters are rather one-note. Rockwell's Zaphod is a riot at first but the cheeky smile and devilish winks soon wear thin. Deschanel has little to work with playing Trillian though it's fun watching her wield a point-of-view gun on Zaphod. Mos Def mumbles some lines but does manage to act like someone from another planet. Freeman does an amiable job playing the fish-out-of-water Earthman but neglects to express the grief and bewilderment of someone who just lost his planet. Even John Malkovich as Humma Kavular--the spiritual leader of a cult awaiting the arrival of the Big Handkerchief--fails to make much of an impression in his brief appearance. Only Alan Rickman as the perpetually glum robot Marvin and Bill Nighy as the stammering planet designer Slartibartfast remain funny without becoming routine--though unfortunately Nighy only appears in the third act. A half-cocked romance between Arthur and Trillian is thrown in for good measure with the couple merely going through the motions.
Directed with considerable flair by first-timer Garth Jennings whose frantic visual style blends well with Adams' ironic wit the film looks as good as can be. CGI is used to display Adams' universe in ways never seen before: The massive concrete slabs of the Vogon fleet surrounding Earth the Heart of Gold tricked out in 1960's Formica kitsch the stark bureaucratic world of Vogosphere and the eye-popping factory floor on Magrathea are all vividly brought to life. Although the graphics of the Guide look more like Internet pop-up ads than stellar entries from the best-selling book in the galaxy the exposition from the Guide is clever and amusing though one should brush up on the material prior to viewing. Even with all the stunning visuals however the plot is still thin. Jennings and screenwriter Karey Kirkpatrick (Chicken Run) have trimmed the story--and witty banter--to its barest essentials leaving out some of the funnier bits to quicken the pace. Memorable exchanges--like the opening battle of wits between Arthur and Mr. Prosser--are reduced to a few meaningless lines while the always hinted-at love affair between Arthur and Trillian gets the full Hollywood treatment. In the past Adams who died of a heart attack in 2001 has allowed the Guide to change and progress with each incarnation so new additions--like the point-of-view gun and the cult of the Big Handkerchief--are welcomed. But the patchwork of wacky vignettes and neutered banter particularly between Arthur and Ford leave one yearning for something more meaningful.
Let's hear it for the old guy who in this movie comes off sexier than his buff young accomplice (Dermot Mulroney). OK the old guy happens to be the gracefully aging icon Paul Newman -- as a feisty heistmeister who dodges a long prison sentence and then teams up with his equally conniving rest-home nurse (Linda Fiorentino) on a bank job gone wrong. "Where the Money Is" is breezy suspenseful and as much a love story as anything else -- if you call mentoring a new life in crime a kind of love. The mission-improbable caper is no more or less entertaining than a "Rockford Files" rerun but the film's swerving joyride takes its real thrills from the great escape that Fiorentino's Bonnie Parker makes from a dead-end life in the married lane.
Newman still hasn't lost it and as Henry Manning he doesn't miss any nuances in the edgy balance between streetwise wariness and amiable rapport with his sultry new colleague. The steam-powered Fiorentino has forged her career by making danger look casual and this is her most alluring work since "The Last Seduction" added another zero to her salary. Her chemistry with Newman a flirty twist on the idea of honor among thieves is really what makes this movie worth seeing. Mulroney is serviceable as the dim but lovable hubby a supporting role that's more foil than fully etched character.
We can all thank director Marek Kanievska for deciding not to have the May-December duo end up in the sack and leaving them simply professional cohorts. The director's admirable sense of comic timing works all the better by not letting the laughs get in the way of his leads' exploration of their characters -- although there's no denying the limits of this frothy genre. Perhaps Kanievska's greatest feat here is allowing Newman to retain his dignity in close-up.
Brolin and Driver to wed
Jews are angry
Smile, Mrs. Dirty Harry
Moore birthday bash
Pryor turns street
Beastie Boys are back
Brando takes ill
Brolin and Driver to wed
Actor Josh Brolin (Hollowman, The Mod Squad) and actress Minnie Driver (Return To Me, Good Will Hunting) are engaged to be wed, People magazine reports.
This is the third wedding for Brolin, who was married previously to Deborah Adair. Brolin's first wife, Jane, died in 1995. Brolin has two children, Trevor, 12, and Eden, 8.
This will be the first trip down the aisle for Driver, who previously dated Matt Damon and John Cusack.
Brolin -- son of famed actor James Brolin and stepson of Barbra Streisand -- and Driver became romantically involved when they costarred in Slow Burn.
"It's obvious they are very much in love," Danny McKeever, Brolin's auto-racing instructor, told reporters.
No wedding date has been set yet, People reported.
Comic strip "BC" defames Jews, says Jewish group
The Simon Weisenthal Center, a nonprofit Jewish civil rights organization, is asking newspapers that carry the syndicated comic strip BC not to run Sunday's cartoon.
The strip portrays a Menorah, a Jewish symbol, in the first panel, under a quote by Jesus: "Father, forgive them: for they know not what they do." Succeeding panels then show the Menorah morphing into a cross, with more of Jesus' last words atop each panel. The final panel's quote, "Do this in remembrance of me," frames a picture of a cave, presumably Jesus' final resting place.
The founder and director of the Weisenthal Center, Rabbi Marvin Heir, said that newspapers have a duty not to run the strip, as it describes Judaism being "subsumed" or encompassed by Christianity, Reuters reported. The strip "will promote hatred rather than tolerance and diversity," Heir said.
A statement released by Johnny Hart, creator of BC, defends his work, saying that during a week that is holy for both Christians and Jews this year, he was trying to honor both.
The Simon Weisenthal Center, located in Los Angeles, is named in memory of Nazi hunter Simon Weisenthal.
Dirty Harry's wife on "Camera"
Smile, you're on Candid Camera.
Dina Ruiz Eastwood, wife of Hollywood legend Clint Eastwood, will be saying that more often, having joined Candid Camera's team as the show's co-host.
Starting with the new fall season, Eastwood will co-anchor the show with Peter Funt, The Associated Press reports. Eastwood will take over for Suzanne Sommers, former star of Three's Company.
The Eastwoods, who appeared together in True Crime, have been married since 1996. Prior to taking her new gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif. Prior to taking the gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif.
Candid Camera airs Sunday evenings on Pax TV.
Former "Survivor" contestant gives deposition
America hasn't heard the last from the first season's cast members of the TV hit Survivor.
As part of ex-cast member Stacy Stillman's $70,000 lawsuit against CBS, fellow South Pacific islander Dirk Been delivered a videotaped deposition -- six hours in length -- to lawyers, according to a report by People magazine. Been's deposition will remain under wraps due to confidentiality agreements that each cast member signs before taping begins.
Stillman contends that the TV series rigged the vote that kicked her off the island. Stillman reportedly asked the questions during Been's deposition.
"We're very pleased with what Dirk said today," Donald Yates, Stillman's lawyer, told the New York Post.
For its part, CBS filed a counter-suit against Stillman, claiming she broke her nondisclosure agreement when she brought her suit against Survivor last February.
Moore to celebrate birthday with TV bash
To celebrate Dudley Moore's 66th birthday, his family and friends are throwing him a small party -- at Carnegie Hall.
Michael Caine and Julie Andrews will chair the televised event, An All-Star Tribute To Dudley Moore, People magazine reports. Mary Tyler Moore, Barbara Walters, Amy Irving, Lauren Bacall, Eric Idle, Chevy Chase, Jimmy Fallon and Bo Derek are scheduled to give praise in person, while Robin Williams and John Cleese have taped video messages for Moore.
Dudley Moore, star of such films as 10, Arthur, and the original Bedazzled, suffers from a rare brain disorder called Progressive Supranuclear Palsy, a relative of Parkinson's disease. The ailment has severely limited Moore's ability to work as Moore is confined to his wheelchair. Moore has curtailed his public appearances.
Net proceeds from the evening go to two of Moore's pet charities, Music for All Seasons and the Dudley Moore Research Fund for PSP. The tribute will take place on Monday.
Pryor's name to headline street sign in Illinois
Peoria, Ill., will try for the second time to honor hometown hero, comedian Richard Pryor, USA Today reports.
Peoria City Council members rejected on March 27 the renaming of South Sheridan Street in honor of Pryor, but that apparently did not sit well with certain council members. The proposal has reappeared on the docket, and the council will once again vote on the matter in two weeks.
Councilman Eric Turner said that the city has received a black eye for failing to honor Pryor. According to Turner, he and Pryor were childhood friends while growing up on the south side of Peoria.
Pryor is a controversial choice for such an honor, given his past penchant for profanity-filled routines and his well-documented battles with drugs. In 1980, Pryor nearly killed himself accidentally in a fire related to his freebasing cocaine.
Pryor, currently living in California, suffers from Multiple Sclerosis.
Beastie Boys' Grand Royal reappears
Out of print since 1997, the Beastie Boys' cult magazine Grand Royal has been licensed by Harper Collins to reappear in the guise of a coffee-table book. The book would comprise the best of the old magazines and incorporate fresh new articles, according to a story filed by online portal Yahoo!
The Beastie Boys produced just six editions of Grand Royal, from 1993 to 1997, which were all instant hits. The magazine, which linked skateboarding and politics and music and pop culture, sold out three of the six print runs. The magazine featured articles with then-obscure musicians, such as a Kid Rock interview in the fourth edition.
According to the report, Josh Behar, a senior editor at Harper Collins, said that the Beastie Boys "really love this project. Their dedication is amazing." Beastie Boy Mike D is working closely with Behar to finish the book. The book is scheduled to appear in bookstores in April 2002.
Actor Steve Buscemi reportedly knifed in fight
Actor Steve Buscemi has flown from the North Carolina set of Domestic Disturbance to his home in New York to recover from knife wounds, according to The Associated Press.
Police arrested a local man and will charge him for assault with a deadly weapon with intent to kill after allegedly stabbed Buscemi in the head, throat, and arms, AP said. Buscemi was released from a local hospital and flew home to recuperate.
The fight happened early Thursday at the Firebelly Lounge, a local bar, in Wilmington, N.C.
Domestic Disturbance costar Vince Vaughn also was arrested for his alleged involvement in the fight. AP said Vaughn was trying to come to the aid of Buscemi.
Buscemi's agents, the William Morris Agency, said they had no information at this time. Domestic Disturbance's studio, Paramount Pictures, refused to comment.
John Travolta and Teri Polo also star in the film.
Marlon Brando hospitalized
Screen legend Marlon Brando, 77, has reportedly been hospitalized for pneumonia, days before he was due to shoot the opening scene for the upcoming comedy Scary Movie 2 this week.
The actor is said to be undergoing treatment at a Los Angeles-area hospital. Neither Brando's agent, Dimension Films nor Scary Movie 2 producer Brillstein-Grey Entertainment have commented on details about his illness, or how long he is expected to be in the hospital.
The filmmakers still want Brandon to be in the film and, even though production wraps this month, his scenes could still be filmed after he recovers, according to Variety.
Scary Movie 2 is the sequel to last year's summer blockbuster directed by Keenen Ivory Wayans. It costars Chris Elliot, Tim Curry, Tori Spelling and Andy Richter.
The sequel, also directed by Wayans, is due in theaters for the July 4 holiday weekend.
Brando's next project is working alongside Robert DeNiro and Edward Norton in the crime drama The Score.