Director Paul Feig has teased fans with his latest Ghostbusters casting coup, hinting that Melissa Mccarthy and Kristen Wiig will star in the highly-anticipated revamp. The Bridesmaids filmmaker took to Twitter.com on Tuesday (27Jan15) and simply posted a photo collage of his leading ladies and Saturday Night Live stars Kate McKinnon and Leslie Jones, with no caption explaining the tweet.
The mysterious post came shortly after news suggesting the quartet is in final negotiations for the all-female remake of the sci-fi classic.
McCarthy has long been rumoured to be a frontrunner for the film, and this will mark her fourth collaboration with Feig, who directed her in The Heat, upcoming movie Spy, and Bridesmaids.
Meanwhile, McKinnon has been a Saturday Night Live regular since 2012 and she was nominated for an Emmy Award last year (14), while Jones joined the SNL cast in 2014 and recently appeared in comedian Chris Rock's film Top Five.
Feig has reteamed with The Heat screenwriter Katie Dippold for the Ghostbusters project, which Ivan Reitman, who directed the original 1984 Ghostbusters and its 1989 sequel, will produce.
The movie is expected to start shooting this summer (15), with original Ghostbusters star Dan Aykroyd slated to return.
When Fox announced that they were dropping the standard pilot-season model of developing new TV shows; it earned them a great deal of attention from fans and critics. So when they unveiled their Fall 2014-2015 schedule, everyone's focus went straight to the slate of new shows premiering in the next few months — after all, they have to be good if Fox is willing to gamble on a brand new way of doing things. In certain cases, it seems like the gamble might just have paid off — you can't go wrong with Batman or British remakes, right? - but others seem like they'll only rub salt in the wound of recent cancellations.
We've run down all of Fox's upcoming series in order to predict which ones will live up to the hype and be worth your time come fall. Although sadly, none of them seem likely to fill the Enlisted-shaped hole in our hearts.
Gotham What It Is: DramaWhat It's About: Following Det. Jim Gordon and the Gotham City Police Department as they deal with the crime and corruption that plagues the city, and Gordon attempts to find Who's In It: Ben McKenzie, Donal Logue, Sean Pertwee and Jada Pinkett-SmithWhat It Sounds Like: It's basically Batman, minus Batman himself. How Good Will It Be: Based on the first trailer for the show, it looks like it could be exciting and gritty, although tiny Bruce Wayne and Selina Kyle do make us a bit wary. Still, it's got a talented cast on board, so if the show can keep the visuals and story interesting, it could be surprisingly good. How Long It Will Last: At least two seasons. Fox has thrown a lot of support behind Gotham, so they won't let it go easily.
UtopiaWhat It Is: Reality showWhat It's About: 15 people move to an isolated, undeveloped location for a year and attempt to build their own society from scratch. Who's In It: No word yet, but they have to be crazy if they're willing to sign up for this. What It Sounds Like: Big Brother meets Survivor, with a dash of Kid Nation. How Good Will It Be: It depends entirely on the cast, but our best bet is that it will either be outright terrible, or horrifically entertaining. How Long It Will Last: Unfortunately, it will probably run for ten years.
Red Band SocietyWhat It Is: Drama What It's About: A coming-of-age story set in the pediatric ward of a hospital that follows a group of patients as they grow, bond, and battle illnesses. Who's In It: Octavia Spencer, Griffin Gluck, Charlie Rowe, Dave Annable, Brian Bradley aka Astro, Ciara Bravo and Zoe LevinWhat It Sounds Like: One Tree Hill meets Grey's Anatomy, except only one person is in a coma. How Good Will It Be: Spencer is generally the best part of everything she does, but even she might not be enough to make the many elements of this show — comedy, drama, tear-jerking moments of triumph, general teenage drama, hospital administration — blend well together. How Long It Will Last: About a season. Even if it is good, it will probably struggle to find an audience.
GracepointWhat It Is: Drama What It's About: Based on the British series Broadchurch, it centers on a small town and the murder that upends the lives of all of its residents. Who's In It: David Tennant, Anna Gunn, Michael Peña, Jacki Weaver, Kevin Zegers and Jessica LucasWhat It Sounds Like: It's literally just Broadchurch with Tennant doing an American accent. How Good Will It Be: A lot depends on how much they take from the original, but since that was such a good series and they've got a fantastic cast on board, things look good for Gracepoint. How Long It Will Last: At least three seasons, regardless of how closely it hews to the original.
Backstrom What It Is: Drama What It's About: A crime procedural about an obnoxious and offensive, but brilliant detective who is brought back from exile to run the special crimes unit. Who's In It: Rainn Wilson, Dennis Haysbert, Thomas Dekker, Beatrice Rosen and Kristoffer PolahaWhat It Sounds Like: Every other "rogue cop" procedural that's hit the air in the last few year, but with Dwight from The OfficeHow Good Will It Be: It has a pretty decent cast, but the premise is something we've seen before many times, with varying levels of success, so there's a lot against it. A lot is riding on Wilson, although it's his first real foray into drama, which also doesn't bode well. How Long It Will Last: Like almost every other crime procedural premiering this fall, it will probably be canceled within the year.
Mulaney What It Is: SitcomWhat It's About: An aspiring stand-up comic gets a job writing jokes for a narcissistic comedian and game show host, which causes conflict between him and his two best friends and roommates. Who's In It: John Mulaney, Martin Short, Nasim Pedrad, Seaton Smith and Elliott GouldWhat It Sounds Like: Seinfeld meets New Girl, with a touch of 30 Rock How Good Will It Be: The cast is fantastic, but multi-cam sitcoms can be pretty hit or miss, and this one was dropped by NBC and then reworked before FOX picks it up. However, the combination of SNL alums and comic legends means this one will probably be one of your new favorite shows. How Long It Will Last: Sunday night at 9:30 is a tough slot, but we think this one will scrape its way to a second season.
EmpireWhat It Is: Drama What It's About: It follows Lucious Lyon, the head of a major hip hop record label and the ex-wife and family who are competing to take over the family business. Who's In It: Terrence Howard, Taraji P. Henson, Gabourey Sidibe, Bryshere Gray, Jussie Smollett, Trai Byers and Kaitlin DoubledayWhat It Sounds Like: Hustle and Flow meets Nashville How Good Will It Be: Empire has a lot of big-name talent behind it - in addition to the Oscar-nominated cast, it was created by Lee Daniels and written by Danny Strong — but it seems like the kind of show that would fare better on cable, so it might end up being a little lackluster. How Long It Will Last: Well, Nashville got three seasons, so we're predicting Empire will get the same.
Hieroglyph What It Is: Drama What It's About: After he gets caught stealing a magic scroll, a thief is brought to work for the Pharaoh, only to discover that court might be more dangerous than prison. Who's In It: Max Brown, Reece Ritchie, Condola Rashad, Caroline Ford and John Rhys-DaviesWhat It Sounds Like: Game of Thrones meets Sleepy Hollow, set in Ancient Egypt. How Good Will It Be: It's written by Travis Beacham, who wrote Pacific Rim, so it could turn out to be entertaining and campy. However, it's completely ridiculous-sounding, so the odds are against it. How Long It Will Last: Unless it manages to pull in a devoted audience like Sleepy Hollow, probably only one season.
Wayward Pines What It Is: Drama What It's About: An idyllic American town... that you can never leave. Who's In It: Matt Dillon, Carla Gugino, Melissa Leo, Tobey Jones, Juliette Lewis and Terrence HowardWhat It Sounds Like: The Stepford Wives meets The Twilight Zone How Good Will It Be: On the one hand, it's got an impressive A-List cast. On the other, it's executive-produced by M. Night Shamylan, so we're hoping it will be good, but expecting it to be terrible. How Long It Will Last: The Shamylan outrage will bring attention to it, resulting in it just barely earning a second season.
Bordertown What It Is: Animated sitcomWhat It's About: Set on a town that borders the US and Mexico, it follows two families as they navigate life, relationships and politics. Who's In It: Alex Borstein, Nicholas Gonzalez, Judah Friedlander, Missi Pyle and Efren RamirezWhat It Sounds Like: American Dad meets The Cleveland ShowHow Good Will It Be: The last time Seth MacFarlane made a show about racial and family dynamics, we got Dads, so we're not optimistic. How Long It Will Last: 5 years at a minimum
Last Man on Earth What It Is: SitcomWhat It's About: After an apocalypse wipes out all of humanity except one man, he wanders the earth looking for other survivors. Who's In It: Will ForteWhat It Sounds Like: Zombieland, minus the other peopleHow Good Will It Be: Forte is hilarious, and his recent dramatic turn in Nebraska will probably serve him well, but it's hard to see how this concept will last longer than one episode. How Long It Will Last: It's a quirky comedy from an SNL alum that isn't Amy Poehler, Tina Fey or Jimmy Fallon. It'll get a year if we're lucky.
Weird LonersWhat It Is: SitcomWhat It's About: Four relationship-phobic weirdoes find each other living next door to one another in a New York apartment. Who's In It: Becky Newton, Zachary Knighton, Nate Torrence and Meera KhumbhaniWhat It Sounds Like: New Girl meets Happy Endings, minus Damon Wayans Jr. How Good Will It Be: The cast is made up of actors who have primarily played the "best friend" role in comedies, so it could be the showcase they need to establish themselves as leading actors. However, the premise seems like a re-tread of most post-Friends comedies, with some forced "quirk," so we don't see things going well. How Long It Will Last: Three out of four actors were on shows that were cancelled relatively soon, so we'd be surprised if this one made it to a second season.
Hollywood is a magical place where you can go from the mail room to the board room. It takes time to build a career and a lot of small roles before the big break. But one major role can turn you into a household name. Some of Hollywood’s hottest actors have small roles in memorable movies that will leave you shocked you missed them.
Melissa McCarthy in Charlie’s Angels
McCarthy is a comedic powerhouse who became a household name after 2011's Bridesmaids. It may be hard to believe that she was once a near-extra who called Lucy Liu a b**ch in Charlie’s Angels. She also had a small role in Go and was featured in the trailer.
Jennifer Lawrence on My Super Sweet 16 promos
Lawrence is so successful at the young age of 23, it can be hard to believe she's been in the business for years already. Lawrence started off playing the title character's daughter on The Bill Engvall Show, and found a spot in these promos for a particularly regrettable reality series.
Paula Patton in Hitch
Patton's relationship with Robin Thicke post-Blurred Lines has put her name on everyone’s lips. She has found success in the Mission Impossible films and has some buzz around her film career. But back in 2005, her first role was in this questionably funny Will Smith comedy.
Christina Hendricks on Undressed
Hendricks found the role of a lifetime as Mad Men's waning queen bee Joan Holloway. Long before playing the strong but unfortunate advertising agency secretary, however, Hendricks appeared on MTV’s sex-fueled soap Undressed.
Rooney Mara in Youth in Revolt
Before her ascension to films like The Social Network, The Girl with the Dragon Tattoo, and Side Effects, Mara starred in this forgettable Michael Cera offbeat comedy. With this movie, she kicked off her pattern of playing intense, intelligent, and sexual characters... a pratice that has served her well.
Rashida Jones & Steven Moyer in Ny-Lon
Granted, you wouldn't really call a starring role in a series a "small" one. However, this British TV show is widely unknown in the States, so we'll count it. Jones played a New Yorker in a long-distance relationship with a British businessman (Moyer).
Jane Krakowski in Vacation
People remember Krakowski for 30 Rock and her role on Ally McBeal, but she began the trade as a child actor. She delivers one of the most memorable lines in this popular 1980s comedy.
Steve Carell in Curly Sue
Now one of Hollywood’s biggest comedy actors, Carell started his film career with a non-speaking role. He might not be the first actor to play a background waiter, but very few of those were called "Tesio."
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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CBS Television Network
If you're one of the viewers that routinely switches off CBS as soon as Mike and Molly ends, well, shame on you: you're missing out on Mom. The freshman sitcom starring Anna Faris as a recovering alcoholic single mom who moves in with her also recovering mother, played by Allison Janney, holds enough of the audience on CBS' Monday night lineup that it will probably earn a second season, but that's not good enough. The show deserves more.
Faris has had an up-and-down career in the movies, but her emotional vulnerability and comedic timing has found a home on the sitcom. Her Christy, a waitress and AA regular, is hopeful and easy to root for as portrayed by the doe-eyed actress. Having a character that the audience can root for isn't always a given on a Chuck Lorre show, nor is having fully formed female characters... as anyone that's watched Melissa McCarthy descend into caricature on Mike and Molly can attest.
Janney, who's proven her chops in everything from The West Wing to Juno, provides even more incentive to watch. She infuses her Bonnie with a seen-it-all outlook that works perfectly for a character that's not as enamored of the sober lifestyle as her daughter is. More than that, Janney plays Bonnie as a real person, even when the writing is broad. She doesn’t work too hard for the laughs, but instead lets them come naturally, which helps temper the over-the-top elements that are a Lorre hallmark.
The show has also featured an enviable group of guest stars, starting with Kevin Pollak as Christy's long-absent father. The veteran comedian was the perfect choice to play off of the two leading ladies as a mensch who's trying to make things right. Justin Long, Mimi Kennedy, and Octavia Spencer have also put in appearances.
The show isn't perfect; the writers have yet to find a good rhythm for Christy's daughter, played by Saddie Calvano, and her boyfriend (Spencer Daniels). Additionally, Matt Jones and French Stewart, who play Christy's ex and boss respectively, seem like they might be more at home on Lorre's Two and a Half Men. While not everything might have jelled quite yet, the performances by the leads rises above any of the first year quibbles.
It's hard to play addiction recovery for both laughs and empathy, but Faris and Janney are doing a brilliant job of exactly that. Their efforts deserve to be rewarded with viewers that seek the show out as opposed to ones that just forget to change the channel after Mike and Molly.
Show Mom some love and you won't be disappointed.
Actresses Angela Bassett and Mayim Bialik have teamed up with designers at Hope Paige Designs to create a line of fashionable medical ID bracelets for charity. The stars join Melissa Joan Hart, Kimora Lee Simmons, Dot Marie Jones and Meatloaf, who all participated last year (12), to raise awareness for the second annual event.
Shelly Fisher, the founder of Hope Paige, says, "We are so appreciative that these celebrities have come on board to help us raise awareness about the importance of wearing a medical ID bracelet. The creativity of these charity-minded celebrities are sure to encourage people to be safe while donating to some truly great causes."
Fisher will donate 100 per cent of the proceeds to charities of the celebrity's choice.
Last year (12), she raised over $50,000 (GBP33,300).
Ol' Dirty Bastard's widow has hit back at allegations she is to blame for the last-minute cancellation of a New York documentary screening about the late rapper, insisting organisers had known about her objections well in advance. Friends and fans of the tragic star, real name Russell Jones, had gathered at the Brooklyn Historic Academy of Music last week (15Nov13) to view Dirty: Platinum Edition, which was shot by the star's cousin, Stephon Turner, but the screening was halted moments before it was due to be unveiled after organiser Chris Kanik was served with a cease and desist order from estate lawyers, preventing him from airing the film.
However, Icelene Jones, who controls the Wu-Tang Clan star's estate, claims the event could have been axed at least two weeks earlier - as she had already made her feelings about the documentary known.
She tells XXL magazine, "It (the ban) wasn't a last minute thing. The communication has been very clear. The letter (cease and desist) didn't go out the day of; this is something that's been going back and forth for a while. And that's what they tried to make it seem like - like Icelene Jones messed up everybody's good time and stopped everybody from seeing the film."
Jones' manager, Melissa Jacobs, reveals estate officials had asked for money "up front" for permission to use ODB's likeness in the film, but Kanik refused, insisting they were motivated by "greed".
Jacobs adds, "We are the estate of Russell Jones, we have been appointed by the courts. You're using his birthday, you're using his picture, you're promoting this event... Then when we ask for compensation he's trying to make it sound like we're asking for something we're not entitled to have."
Ol' Dirty Bastard passed away in 2004 from a drug overdose.
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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Splash News / Marvel
It seems that Marvel has hit the ground running with its four upcoming Netflix series. Hot off the news that Drew Goddard has been approached to write and produce Daredevil, Marvel has also approached Twilight writer Melissa Rosenberg to write and produce its Jessica Jones series. Now before the pitchforks are brandished and several villages are burned to the ground by the comic book fans who are instantly turned off by the Twilight brand, Rosenberg has had a wealth of experience in television and film beyond the realm of sparkly vampires. It should also be noted that the writer was involved with ABC's now defunct attempt to bring Jessica Jones to the small screen, AKA Jessica Jones, so she has experience with the character. It also helps that a woman is writing a series that finally features a female superhero, something which the cinematic Marvel universe has been in serious need of.
In the comics, Jessica Jones is a costumed superhero/private investigator that has rubbed shoulders with the likes of Daredevil and Spider-Man. She is romantically involved with fellow superhero Luke Cage, who will also be getting his own Netflix series in the coming years. The character was introduced in the critically acclaimed comic book series Alias, a book that many consider to be a landmark title in comic book history.
Hopefully, Rosenberg is as up for the task as her résumé leads us to believe. Her previous work includes writing for the early seasons of Dexter (the good ones) and a number of episodes for strong, clever shows like The O.C. and Ally Mcbeal, both of which feature some strong female characters and a fun amount of wit that every comic book series needs.
This news coupled with Goddard's Daredevil signing shows that the Marvel brass is doing its best to select the perfect creator to write and produce each one of their series. The comic giant has found success in allowing its creatives to steer the ship on their projects. Marvel's key to success is in the way that its characters feel distinctive in their solo outings. Just as each individual comic book series has its own writer and penciler to fill in and color the world with their own sensibilities, Marvel has let the writers and directors of their films put their own style and influence into each film. Kenneth Brannagh was allowed to give Thor a nice helping of Shakespearian gravitas and tragedy that made the God of Thunder feel mythic. Joss Whedon put his trademark wit into the mouths of The Avengers, which helped each member of the team shine. James Gunn and Edgar Wright, who are directing Guardians of the Galaxy and Ant-Man respectively, also stand to give each film their own individual touch that will fit in and highlight the best parts of the properties' characters. Most importantly, Marvel is choosing writers and directors that fans feel safe entrusting their beloved characters to. Hopefully, their winning streak continues when Jessica Jones hits Netfix's streaming service.
A24 via Everett Collection
Bill Murray is about to ghost it up... again. The Ghostbuster veteran is set to join the cast of B.O.O.: Bureau of Otherworldly Operations, according to a tweet from DreamWorks Animation.
The animated supernatural flick will follow "two bumbling apparitions who find themselves in an extraordinary after-life adventure when they join the Bureau of Otherworldly Operations (B.O.O.) – the ghost world's elite counter-haunting unit – and ultimately must face off against the planet’s greatest haunter." Murray will voice a villainous ghost named Addison Drake (and we can only hope that he's the "greatest haunter" that the plot speaks of).
While the cast includes a star-powered line-up – Seth Rogen, Melissa McCarthy, Rashida Jones, Matt Bomer, and the recently announced Jennifer Coolidge and Octavia Spencer will all voice the comedy – the film didn't seem like it was going to be any different from various other star-packed animations... that is, until Murray signed on. The film's director Tony Leondis (Igor) said: "Bill Murray is the perfect actor to bring this character to life — or should I say 'after-life?'", and we couldn't agree more.
Adding Murray to any movie instantly ups its appeal and makes it standout from the crowd, mostly because Murray stands out from the crowd himself. From Zombieland to Charlie's Angels to Get Smart, Murray manages to turn movies that have the potential to be complete duds into movies that, well, feature Bill Murray, and that makes the film more attractive. He's like the spicy kick of herbs that a bland dish needs. Adding him into the mix almost makes you forget what's going on behind him. So when in doubt, make sure Murray is in your movie.
20th Century Fox will release B.O.O. on June 5, 2015.