It was perplexing enough when the world decided to give one biopic to software engineer/documented oddball John McAfee. But perplexing enough just isn't perplexing enough: The Hollywood Reporter has linked Warner Bros. to a second developing film about the antivirus mogul and his various legal troubles throughout South America. News broke on Monday that the studio could be funding a cinematic project based on a Wired article ("John McAfee's Last Stand") about McAfee's alleged criminal activity. All this on top of December's announcement that McAfee would play the focal character in Running in the Background: The True Story of John McAfee, a film by Impact Future Media, to whom McAfee himself sold his life rights.
That's right, two John McAfee movies. The major studio exploit and the independent project with questionable objectivity, as it always goes. See, the dueling biopics phenomenon is not one unique to the case of McAfee. Recent years have seen competing forces vie for the presentation of a shared subject's life story — a couple of instances are even in the works presently. Is there always a clear winner to the showdown, or are we left torn between contrasting portraits of great figures? Take a gander at what we think:
The Studio Movie: John McAfee's Last Stand adaptation (no official title)
Source Material: Wired article "John McAfee's Last Stand"
Creative Forces: Unknown
The Independent Film: Running in the Background: The True Story of John McAfee
Source Material: McAfee's life rights
Creative Forces: Unknown
The Champion: Yet to be determined, although we can bet that the latter, which McAfee himself is at least marginally involved on a production level, might be a little skewed away from objectivity... which could, actually, be quite interesting.
The Studio Movie: Hitchcock
Source Material: Alfred Hitchcock and the Making of Psycho by Stephen Rebello
Creative Forces: Director Sacha Gervasi; stars Anthony Hopkins, Helen Mirren, and Scarlett Johansson
The HBO Film: The Girl
Source Material: Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto
Creative Forces: Director Julian Jarrold; stars Toby Jones and Sienna Miller
The Champion: The Girl is a far superior, more intricate and compelling film to the bland Hollywood output
The Studio Movie: Steve Jobs
Source Material: Steve Jobs by Walter Isaacson (authorized biography)
Creative Forces: Writer Aaron Sorkin
The Independent Film: jOBS
Source Material: Unknown
Creative Forces: Director Joshua Michael Stern; stars Ashton Kutcher and Josh Gad
The Champion: As much as we like Gad in costume as the Woz, we have to bet on the Sorkin power for this one.
The Sundance Premiere: Lovelace
Source Material: Unknown
Creative Forces: Directors Rob Epstein and Jeffrey Friedman; stars Amanda Seyfried, Peter Sarsgaard, and Sharon Stone
The Muddling-in-Oblivion Machination: Inferno: A Linda Lovelace Story
Source Material: Unknown
Creative Forces: Director/writer Matthew Wilder; stars Malin Akerman, Matt Dillon, and Harold Perrineau
The Champion: Another TBD, but Sundance provides us with some very favorable thoughts about the former.
And one from the archives...
The Studio Movie: Capote
Source Material: Capote by Gerald Clarke
Creative Forces: Director Bennett Miller; stars Philip Seymour Hoffman, Catherine Keener, and Clifton Collins, Jr.
The Independent(ish) Film: Infamous
Source Material: Truman Capote: In Which Various Friends, Enemies, Acquaintances, and Detractors Recall His Turbulent Careerby George Plimpton
Creative Forces: Director/writer Douglas McGrath; Toby Jones (again!), Sandra Bullock, and Daniel Craig
The Champion: The Oscars were right on this one: Miller and Hoffman's rendition of the story was a dazzling feat — while Infamous, too, is a film worth your while, it doesn't quite live up to the spectacle that a character like Truman Capote deserves
Summer 2011 has been solid, if unspectacular – both for us moviegoers and for “them,” the studios. We've had enjoyable, quality-leaning popcorn fare like X-Men, Thor and Super 8 – and there's still hope for Cowboys & Aliens and Harry Potter, among others. Meanwhile, “they” have had dependable, albeit predictably subpar, blockbusters in Pirates 4 and The Hangover Part II, with shoo-ins like Transformers, Zookeeper and Captain America yet to come. It's all rather ho-hum in the end – and worth raising the question: With summer 2012's almost weekly barrage of event movies and guaranteed megahits, is summer 2011 the appetizer to its entree (er, the iPhone 4GS to its iPhone 5)? Here's why we ask.
Superheroes The Dark Knight Rises: Add up all the excitement over every movie this summer, and it still wouldn't equal that of the Dark Knight sequel, more than a year before its release. Even a minor casting tidbit can generate major traffic for movie sites and send the twitters atwitter – and such immeasurable buzz is how excitement is gauged these days. It's just part of what makes The Dark Knight Rises the most anticipated movie of next summer, if not all of 2012. (7/20/12) The Amazing Spider-Man: The completely overhauled franchise seems a risky proposition for Sony/Columbia: The budget isn't really changing all that much, but the names (Andrew Garfield's isn't exactly household) and storyline are, with the focus shifted toward Peter Parker's younger days. Still, moviegoers aren't going to turn down a superhero flick of this magnitude during summertime, and it's not like we're talking about a Spider-Man musical or something. (7/3/12) The Avengers: Iron Man, Thor, Captain America, the Hulk and others from the Marvel universe – with Geekus Christ himself, Joss Whedon, behind it all? It's orgasmic for comic-book nerds, sure, but make no mistake: Even the most casual moviegoers have been excited since the announcement of this Ocean's Eleven of superheroes. Not bad for the FIRST. MOVIE. OF. THE. SUMMER! (5/4/12) Adaptations Battleship: We're a little uneasy about the whole board-game-adaptation thing, but Monopoly: From Boardwalk to Broke this isn't. It's Peter Berg directing, a $200 million budget, and, well, battleship scenes. Plus, we get to see Rihanna try to act, Brooklyn Decker try to act again, and female moviegoers try not to squirm at the sight of Taylor Kitsch and Alexander Skarsgard in their tight naval uniforms – and perhaps out of their tight naval uniforms. (5/18/12) Dark Shadows: Another Burton-Depp-Bonham Carter collabo, another roughly billion dollars for the studio. But Warner Bros. isn't alone in its rabid anticipation: Fans have more than approved the gothic-even-in-PG-movies Burton for this gig, an adaptation of the dark 1960s soap of the same name that deals with vampires, of the non-Twilight ilk. With Depp as the beloved bloodluster Barnabas Collins and Seth Grahame-Smith, who knows a thing or two about making bloodplay fun (read Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter), responsible for the script, there's high hopes for Shadows – and confidence from fans. (5/11/12) Abraham Lincoln: Vampire Hunter: It's hard to believe that it's been almost 150 years since Abe Lincoln's assassination, and we're seeing a movie about his days as a vampire hunter before his biopic; at this point, it's also more exciting. Based on Seth Grahame-Smith's bizarro Lincoln novel of the same name (he also co-adapted the screenplay), Vampire Hunter looks to be one of the most original – even though its story isn't – offerings of the crowded season; it's certainly got the most self-explanatory title. Expect bloody, gory fun. Lots of it. (6/22/12) Snow White and the Huntsman: The first of roughly 200 opportunistic modern-day takes on the ol' Grimm bros fairy tale (we can thank Tim Burton' Alice in Wonderland for the oh-so-slight uptick in greenlit fairytale movies) coming your way, Huntsman promises to be the darkest of the bunch – you know, death, revenge and stuff. And while that's not necessarily quite enough for us to get overly excited, Universal had millions at “Snow W--”. The fact that it stars Kristen Stewart in the title role is icing. (6/1/12) ="">
="">="">Animation Madagascar 3: All the main players are back for the third installment in this DreamWorks cash cow, and there's no reason to think fans' excitement – or the movie's resultant box office – will wane whatsoever. One little twist, however (and frankly, one of the weirder indie-mainstream marriages in ages), that those who don't fall in the target demographic might find interesting: Noah Baumbach, of angsty, artsy drmedies like The Squid and the Whale, wrote the screenplay! (6/8/12) Brave: There's an all-encompassing keyword attached to Brave – one that piques excitement, promises quality and Oscar nominations, and instantly drums up hundreds of millions of virtual dollars at the box office: Pixar. The studio's first fairy tale epic promises darker undertones than we're used to seeing, and tells the story of a Scottish warrior heroine. And did we mention it's Pixar? (6/22/12) Ice Age: Continental Drift: More of the same from this verrrrry outdated (get it? Ice Age? Sorry.) franchise, with some J. Lo-voicing action thrown in, because she was relevant again when this thing was filming. Ice Age might not seem worthy of a mention on our list – not many people penciled it in to their iPhone calendars when it was announced a couple years ago – but for its built-in blockbuster powers, we had to. Oh, and it's in 3-D! Don't see much of that very much these days. (7/13/12) Sequels* The Bourne Legacy: It lost Damon and Greengrass, but the Bourne franchise soldiers on with truly two of the most sensible replacements imaginable: Oscar nominees Jeremy Renner (The Hurt Locker) and Tony Gilroy (Michael Clayton) as star and director, respectively. That is just about the least amount of drop-off conceivable after losing the aforementioned titans – and they may even bring something to the table that Damon and Greengrass couldn't. Be excited. (8/3/12) MIB 3: This could best be summed up thusly: No one (except perhaps Columbia Studios and Will Smith's team of accountants) was itching for a third Men in Black installment, especially a full decade after the previous MIB – but the relative lukewarm excitement towards it trumps the hell out of any of this summer's threequels (or fourquels or fivequels). Granted, about 75 percent of said lukewarm excitement is due to the fact Flight of the Conchords' Jemaine Clement is in it, but still. (5/25/12) *Also see: The Dark Knight Rises, Madagascar 3 and Ice Age: Continental Drift
Miscellaneous The Dictator: No one knows what this thing is about – Paramount's synopsis doesn't provide much insight: “the story of a heroic dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed” – and that's rather refreshing. We do know that it re-teams star Sacha Baron Cohen and director Larry Charles (oh, and Megan Fox), so it's fair to expect something controversial and envelope-pushing, something between R-rated sociopolitical satire and, well, Borat. And that's nice to see nestled between superhero movies. (5/11/12) Ted: Family Guy creator Seth MacFarlane brings his boundary-pushing brand of humor to the big screen for the first time as writer, director and voice star of Ted. In the live action/CG-animated comedy, he tells the story of John Bennett (Mark Wahlberg), a grown man who must deal with the cherished teddy bear who came to life as the result of a childhood wish…and has refused to leave his side ever since. If that all sounds press release-y, it should. But we're sold. (7/13/12) Prometheus: What started as a quasi-prequel to Ridley Scott's Alien turned into ... something else. The plot is being kept heavily under wraps, but everything that is known (i.e., a cast including Noomi Rapace, Charlize Theron and Michael Fassbender; a script co-written by Lost's Damon Lindelof; and Scott's penchant for BIG movies) is confidence-inspiring. The probability that Prometheus is at least heavy on outsize sci-fi-ness only helps. (6/8/12) Also... What To Expect When You're Expecting: It's been a New York Times bestseller for almost three decades now – why NOT make it into a movie?! Who cares if it's essentially an instructional book?! Cameron Diaz and the recently cast J. Lo star in what is more or less a Mother's Day gift and a male punishment. (5/11/12) Rock of Ages: The Tom Cruise-starring musical you keep hearing about, based on the Broadway hit of the same name and directed by Adam Shankman, who did the same thing with 2007's Hairspray. It's Tom Cruise's last shot at a return to pre-couch-jump stardom. 'Til Mission: Impossible Ghost Protocol. (6/1/12) I Hate You, Dad: The obligatory summer “comedy” from truly the most consistent box office star in the world, Adam Sandler. Should be eh-mazing, again. (6/15/12) Jack the Giant Killer: The Usual Suspects team of Bryan Singer and Christopher McQuarrie reunite for this quasi-take on Jack and the Beanstalk. Which means it'll probably be different from their last collaboration, Valkyrie. Which means it'll probably be good. (6/15/12) Here Comes the Boom: See I Hate You, Dad, above, and replace “Adam Sandler” with “Kevin James.” And subtract “the most consistent box office star in the world.” (7/27/12) Total Recall: This one exciting for us fans of the somewhat unappreciated Schwarzenegger sci-fi original. Colin Farrell plays the Ahnold part, with Underworld's Len Wiseman directing. As for the tri-boobed prostitute, we have a lot of casting ideas, but that's a whole other feature. (8/3/12) G.I. Joe 2: Cobra Strikes: The Rock slides into this mother of all unwarranted sequels – from the guy who directed the mother of all unwarranted biopics, Justin Bieber: Never Say Never. And it'll still be a blockbuster! (8/10/12) Southern Rivals: The blockbusterist comedy is saved for last in summer '12. Two of the genre's biggest names, Will Ferrell and Zach Galifianakis, play political enemies in this one. It remains to be seen what kind of effect this will have on the presidential election a few months later. (8/10/12) The Expendables 2: Sly Stallone won't be returning to the director's chair for this one. Everything else is seemingly identical to the original – maybe even the plot. (8/17/12) ="">
In this latest doomsday pic Earth's inner core has stopped rotating a situation that will eventually cause the planet's electromagnetic fields to collapse. If it isn't fixed pronto static charges will create "super storms" that will generate hundreds of lightening strikes per square mile and cause microwave radiation to ultimately cook the planet. Government and military officials conjure up a team of scientists led by geophysicist Josh Keyes (Aaron Eckhart) to travel to the planet's core and get it spinning again. Accompanying them are geophysicist Dr. Zimsky (Stanley Tucci) atomic weapons expert Dr. Levesque (Tchéky Karyo) "terranauts" Major Childs (Hilary Swank) and Commander Iverson (Bruce Greenwood) and Dr. Brazzelton (Delroy Lindo)--the renegade scientist who built the subterranean vessel. Their mission is to travel to the center of the earth to detonate a nuclear device that will hopefully jump-start the core and save the world. Like the "terranauts" grinding their way through Earth's layers to get to the planet's core The Core laboriously plods through the storyline to get to its climax--and both are equally uneventful.
Despite a really corny scene in which he demonstrates what will happen to the planet by torching some sort of fruit on a fork Eckhart (Possession) is believable as the sensible Keyes. Co-star Swank (Insomnia) meanwhile brings intensity to the role of fledgling astronaut Childs. It is Tucci (Big Trouble) however who creates the film's most interesting character the arrogant Dr. Zimsky. The diva-esque geophysicist heads to the center of the earth in style with his Louis Vuitton monogrammed canvas bag and an endless supply of cigarettes--making him politically--and refreshingly--incorrect. You'll love how he pompously records the mission's progress in a Carl Sagan-style narration. Back at mission control D.J. Qualls' computer-hacking character Rat mirrors a recent report describing the characteristics of computer virus writers: Male. Obsessed with computers. Lacking a girlfriend. Aged 14 to 34. Capable of sowing chaos worldwide. Qualls (The New Guy) couldn't be more suited for this digital graffiti artist role.
Director Jon Amiel helps define the film's main characters by weaving vignettes of their everyday lives throughout the first half of the film but so much effort is devoted to exploring their individual backgrounds that relationships among the team members are never established. The minor characters are like extras in a Star Trek episode--they're just onscreen to die. The Core also fizzles as a believable disaster movie because of its flimsy scientific reasoning even if you try to suspend your disbelief for the sake of cinematic "escapism." While I can make myself believe for example that a government-created weapon of mass destruction is to blame for the planet's imminent annihilation I cannot buy into the notion that this high-tech vessel was built by a renegade scientist in his backyard and is able to withstand the rough trip to the center of the earth. Although the film's original November release date was delayed because more time was needed to complete the special effects don't expect to be visually dazzled by the voyage. Most of what we see is what the "terranauts" see on their screen: spotty black-and-white renditions of sharp jagged rock. Scenes of the Roman Coliseum getting zapped by lightening and San Francisco's Golden Gate Bridge melting aren't convincing either.