When it comes to romance, nobody's smoother than John Stamos. He made everyone swoon as the guitar-playing, child-rearing Jesse Katsopolis on Full House, he sang and danced his way into their hearts in Bye Bye Birdie, and he probably beat everyone out for Prom King in high school. He can even make yogurt seem attractive. Such is the power of Stamos. If you're looking for a way to win over the hearts of millions, there's no better role model.
Which is exactly why the producers of My Man Is a Loser chose him to play the ultimate playboy-turned-marriage counselor. The film centers around Marty and Paul (Michael Rapaport and Bryan Callen, respectively), two family men who turn to Stamos' character, Mike, for guidance after their marriages start to fall apart. However, their plan to sweep their wives off their feet backfires, as Marty and Paul 2.0 might actually be worse than the original model. Turns out Mike still has a few lessons of his own to learn, and bartender Clarissa (Tika Sumpter) might be just the person to teach him.
In this exclusive clip from the film, Mike guides his buddies through the three Ls of communication - look, listen, and learn - by having them uphold a conversation with three strangers. Apparently it's his talent for paying attention, along with his jet black hair and winning smile, that helps Mike win over all the ladies. Although, if we're being honest, his tenure with Jesse and the Rippers probably helps.
My Man is a Loser will be released in theaters and on VOD on July 25.
20th Century Fox via Everett Collection
There are certain songs that transport you back to movie scenes as soon as you hear them. Sometimes that makes you feel warm inside, sometimes it inspires you, and other times it gives you the willies. We're taking a look at the songs that we can't help but associate with the big screen, toucing on the greatest inspirational songs in films and the creepiest uses of pop songs in movies. Here, though, we take a look at the songs in movie scenes that touched our romantic hearts.
"Unchained Melody" in Ghost
"Oh, my love... My darling… I've hungered for your touch..." The song was a hit for The Righteous Brothers long before the movie was made, but ever since that opening line and Bobby Hatfield's falsetto can only mean one thing… Demi Moore, Patrick Swayze and a pottery wheel.
"Must've Been Love" in Pretty Woman
Roxette's hit from the Julia Roberts film still calls to mind a tangle of red curls looking hopefully out of the back window of a limousine and a sadly dapper Richard Gere looking forlornly from his balcony.
"You Make My Dreams" in (500) Days of Summer
It wasn't the first time that Hall & Oates song was used in a movie, but just try playing it now without thinking about Joseph Gordon-Levitt happily dancing down the street after his hook-up with Zooey Deschanel.
"Can You Feel the Love Tonight" in The Lion King
Yes, it's a Disney movie, but it's also Elton John. The song is so linked to the image of lions falling in love that Sir Elton frequently plays the animated clip on screen when he sings it in concert.
"Falling Slowly" in Once
Even if it hadn't subsequently become the centerpiece of the Tony-winning Broadway musical version, the duet by Glen Hansard and Markéta Irglová in John Carney's movie would still be just as sweet.
"Iris" in City of Angels
The movie about Nicolas Cage's angel who falls in love with Meg Ryan's mortal would probably have faded from memory entirely if not for John Rzeznik's plaintive voice on The Goo Goo Dolls hit.
"When You Say Nothing at All" in Notting Hill
Hugh Grant and Julia Roberts climb over a fence to wander in an English garden. As they share a moment, Ronan Keating's version of the country song plays and suddenly they're the only two people in the world.
"(I've Had) The Time of My Life" in Dirty Dancing
When Jennifer Warren sang with Joe Cocker for An Officer and a Gentleman, only the instrumental version of their "Up Where We Belong" played over the climactic scene (similar to Celine Dion's "My Heart Will Go On" from Titanic). In Dirty Dancing, however, Warren's duet with Bill Medley is front and center as Swayze pulls Jennifer Grey's Baby out of the corner.
"I Will Always Love You" in The Bodyguard
Regardless of what you think of her acting, Whitney Houston could sing. We're not sure that we would stop a plane to go kiss Kevin Costner, but we'll watch it all day if we can hear the song and Houston's amazing voice again.
"In Your Eyes" in Say Anything…
According to both parties, John Cusack lobbied director Cameron Crowe to have a Fishbone song playing as his lovesick Lloyd Dobler held his boombox aloft to get Ione Skye's attention. Thankfully, Crowe opted to keep the Peter Gabriel classic.
R&B star Erykah Badu is under fire from human rights activists after performing for Swaziland's controversial King Mswati III. The singer serenaded Mswati for his 46th birthday as a favour for a friend last Thursday (26Apr14), but was unaware of the leader's reputation, which includes criticisms of his polygamy and lavish lifestyle in the poor nation, as well as allegations of torture and human rights abuses.
Human Rights Foundation's Alex Gladstein slams Badu in a statement which reads: "She owes us all an explanation. The king is a kleptocrat who lives in the lap of obscene luxury while most of his countrymen toil in abject poverty for less than $2 (£1.18) a day."
Badu defended her impromptu performance in an interview with the Dallas Morning News in Texas, and explained her friend, American jeweller Jacob Arabo, was organising the birthday party for Mswati and needed a last-minute replacement for a performer who had unexpectedly pulled out of the event.
Badu was recording her album in South Africa at the time, and hopped on a helicopter to attend the celebration in the Mavuso Centre in Manzini, where she sang Happy Birthday then handed the King a gift from Arabo.
She also took to Twitter.com on Tuesday (29Apr14) to defend her actions and wrote, "I was not paid by the KING. I had no idea of the political climate. All the people were smiling when I sang. I was smiling. We ALL felt good in that moment."
Pharrell Williams will always regret missing out on working with Michael Jackson after songs he wrote for the King of Pop were rejected and given to Justin Timberlake instead. The Happy hitmaker penned eight tracks for Jackson more than a decade ago, but the superstar's team rejected the songs and they ended up being used on Timberlake's 2002 debut album Justified.
Williams admits he was deeply disappointed not to have been able to work with Jackson, especially as the superstar later told him how much he liked the tracks.
He tells News.com.au, "I did eight songs for him that never made it to him, that ended up on Justin's record. Later he sang me all those songs and told me they should have been his and I told him they were for him."
Williams adds of his musical hero, "He is the King of Pop, an incredible dancer, an incredible writer, incredible visionary, he changed the world in so many ways. I am just a fan who has been given the opportunity to make music."
Jackson died from an accidental overdose of anaesthetic in 2009.
Columbia Pictures via Everett Collection
Treading water at the very surface of RoboCop, there is an idea. A dense concept, ready and willing to provide no dearth of dissection for any eager student of philosophy, psychology, political science, physics — hell, any of the Ps. To simplify the idea on hand: What separates man from machine? It's a question that is not just teased by the basic premise of José Padilha's remake of the 1987 sci-fi staple, but asked outright by many of its main characters. And then never really worried about again.
We have principal parties on both sides of the ethical quandary that would place the security of our crime-ridden cities in the hands of automatons. Samuel L. Jackson plays a spitfire Bill O'Reilly who wonders why America hasn't lined its streets with high-efficiency officer droids. Zach Grenier, as a moralistic senator, gobbles his way through an opposition to the Pro-boCop movement. We hear lecture after lecture from pundits, politicians, business moguls (a money-hungry Michael Keaton heads the nefarious OmniCorp...) and scientists (...while his top doc Gary Oldman questions the nature of his assignments while poking at patients' brains and spouting diatribes about "free will"), all working their hardest to lay thematic groundwork. Each character insists that we're watching a movie about the distinction between human and artificial intelligence. That even with an active brain, no robot can understand what it means to have a heart. But when Prof. Oldman tempers his hysterical squawking and Samuel L. Hannity rolls his closing credits, we don't see these ideas taking life.
In earnest, the struggle of rehabilitated police officer Alex Murphy (Joel Kinnaman) — nearly killed in the line of duty and turned thereafter into OmniCorp's prototype RoboCop — doesn't seem to enlist any of the questions that his aggravated peers have been asking. Murphy is transformed not just physically, but mentally — robbed of his decision-making ability and depleted of emotional brain chemicals — effectively losing himself in the process. But the journey we see take hold of Murphy is not one to reclaim his soul, although the movie touts it as such. It's really just one to become a better robot.
Columbia Pictures via Everett Collection
Meanwhile, RoboCop lays down its motives, and hard: Murphy's wife and son (Abbie Cornish and a puckish young John Paul Ruttan) lament the loss of Alex, condemning his dehumanization at the hands of Raymond Sellars' (Keaton) capitalistic experiments, and sobbing out some torrential pathos so you know just how deep this company is digging. Weaselly stooges (Jay Baruchel, Jennifer Ehle, and Jackie Earl Haley) line the OmniCorp roster with comical wickedness. Overseas, killer combat bots take down peaceful villages, unable to work empathetic judgment into their decision to destroy all deemed as "threats." And at the top, figures of power and money like Sellars and Pat Novak (Jackson) speak the loudest and harshest, literally justifying their agenda with a call for all naysayers to "stop whining." Clearly, RoboCop has something to say.
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And when it's devoted to its outrage, RoboCop is terrifically charming. The buzzing political world is just a tiny step closer to ridiculous than our own; the pitch meetings at OmniCorp are fun enough to provoke a ditching of all the material outside of the company walls. And one particular reference to The Wizard of Oz shows that the movie isn't above having fun with its admittedly silly premise. But it loses its magic when it steps away from goofy gimmicks and satirical monologues and heads back into the story. We don't see enough of Murphy grappling with the complicated balance between his conflicting organic and synthetic selves. In fact, we don't see enough "story" in Murphy at all. First, he's a dad and a cop. Then, he's a RoboCop. But can he also be a RoboDad? With all of its ranting and raving about the question, the film doesn't seem to concerned with actually figuring out the answer.
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Former The Streets star Mike Skinner has sparked a war of words with vocalist Leo Ihenacho after dismissing his role in the band as little more than a "session singer". Ihenacho sang on some of the group's biggest hits, including Dry Your Eyes, toured with The Streets and performed alongside Skinner at the BRIT awards in 2006.
He is now attempting to launch a career as a solo star after joining British TV talent show The Voice as a contestant, but his reappearance in the spotlight appears to have irritated Skinner, who took to his official blog to comment on Ihenacho's contribution to the group.
Skinner wrote, "Leo The Lion (Ihenacho) wasn't in the streets. He was a session singer on a few album tracks. He also sang on tour for a bit. He wasn't part of any songwriting."
The remarks have infuriated Ihenacho, who hit back in a series of posts on his Twitter.com page, writing, "You are a total disgrace...!! How f**king dare you... session singer..!!???... Egotistical a**e hole... Explain to the fans why we haven't spoken for years... You refuse to be happy for me... After all these years... You gonna post that..!!!!!... It's just incredible how some people can never ever want others to succeed..."
Singer Sky Ferreira grew up as a close family friend of Michael Jackson when her grandmother worked as the pop superstar's hair stylist. The 21 year old has revealed she was close to the King of Pop when she was a youngster, and often spent time with him and his three children.
Ferreira reveals she sometimes sang to the Thriller hitmaker and even celebrated birthdays at his home, telling Britain's The Guardian, "She (my grandmother) went everywhere with him, so I was always around him and his kids. I had birthdays there, I sang gospel music for him - he was kind of my mentor, so he influenced me, but more as a friend than as Michael Jackson, the pop star."
The singer goes on to admit she was devastated by Jackson's death in 2009, adding, "Everything just kinda stopped, it was the first death I'd ever experienced. But sometimes something will remind me of him and I feel a lot better."
It's Christmas and the only thing shining brighter than the tree at 30 Rock is SNL alum Jimmy Fallon. He didn't waste any time, appearing with Justin Timberlake in the cold open. It's like the show knew that the audience couldn't wait to see these two together. Before the monologue, Timberlake appears alongside Fallon as rapping and dancing presents alongside Aidy Bryant in Timberlake's signature "Bring it on down to _________-ville!" sketch. This high-energy opener set up expectations for Fallon and Timberlake to collaborate and SNL more than delivered. Unbelievably Fallon sang more than his musical guest, meriting consistent squeals of delight from the audience he got his start in front of.
This music-heavy episode, though centered around giving the crowd what they want (Fallon and Timberlake) also allowed the women of the cast to show off. The catchy and hilarious song "(Do It On My) Twin Bed" features the female cast killing it as they attempt to get laid in their childhood rooms, an all too familiar scenario during the holiday season. The sketch features expert rapping from Fallon, who "can't fully undress in case your parents come through. Just shirt, no pants like Winnie the Pooh."
Not to be outdone by last week's cameos from Sylvester Stallone and Robert De Niro, Fallon and Timberlake reprised their best Bee Gees impressions for "The Barry Gibb Talk Show," featuring appearances from Madonna and Barry Gibb himself. The singing, outfits, and Gibb fits are endlessly amusing, but unfortunately Madonna and Gibb's cameos did not add as much comedy as excitement from just seeing them. Fallon and Timberlake continued to commit but because the content had little to do with Christmas, revisiting this recurring sketch felt forced. (Not to mention that reprising the sketch after Robin Gibb's death seems a bit tacky.)
Weekend Update as usual showcased expert topical joke writing, going after Duck Dynasty, Kathie Lee and Hoda, and Kate McKinnon as tennis champion Billie Jean King, the newly-announced official U.S. delegate to the Sochi Olympics, . McKinnon's earnest intensity is what comedy is made of, especially lines like "There's no demographic in this world that gives less of a flip than 70 year-old lesbians. All I need to survive is a clean canteen and a sweater." Her air tennis swings don't hurt the hilarity either.
Prior to the episode, Late Night heir apparent Seth Meyers tweeted that this would not be his last SNL. Weekend Update still confirmed that there would be constant reminders of his departure, this week with Fallon and Mayor Bloomberg. The men in transition spoke of what's next, while there were few hints as to what is ahead for the Update desk. Having served as SNL's head-writer since 2006, Meyers has contributed to the show in ways the audience doesn't always see. Tina Fey credited him with writing the hit Palin sketches she starred in during the 2008 election. His success moving on from the show is no surprise, but his sharp news and political writing will be missed.
The show returned its focus to the holiday spirit with a Christmas-themed "Waking Up with Kimye," complete with a "Bound 2" parody. Fallon later appeared as a gay Ebenezer Scrooge who discovers his sexuality with the Ghost of Christmas Present. But SNL came festively full circle with a clingy counterpoint to the song "Baby It's Cold Outside," reversing the song's gender roles to explore what happens when the woman doesn't want to leave. Cecily Strong held her own as a performer next to Fallon in this episode favorite, a clever and sweet finale to a classic Christmas show.
Rocker Ozzy Osbourne has taken aim at his fellow musicians in the wake of Nelson Mandela's death for using the civil rights leader's death to boost their image. When the former South African president passed away earlier this month (Dec13), celebrities and global leaders alike took to Twitter.com to mourn the icon.
And while the Black Sabbath frontman has nothing but respect for Mandela, he is adamant that there should be a line drawn between the worlds of entertainment and politics.
He tells NME, "I don't touch politics. I leave that to (U2's) Bono. He won't be happy, now that his best mate Mandela has gone. But I'm not politically motivated. I sang songs about political situations, wars and that, but they're all f**king liars if you ask me.
"It's sad that he's gone because he was such a good hope guy for so many people. But it became the clique thing to be photographed with Mandela, you know? He seemed like a good guy but he was f**king 95, at the end of the day. I bet he was tired!
"I think entertainers should stay entertainers and politicians should stay liars. If you say you'll do something and you can't do it, you should get fired, because you got your job under false pretences, I think so anyway."
It was ladies night at the Soul Train Awards in Las Vegas on Friday (08Nov13) as Tamar Braxton and Janelle Monae took home top prizes. Braxton was named Best R&B/Soul Female Artist and she also picked up Song of the Year for Love & War and the Ashford & Simpson Songwriter’s Award. The singer also performed a three-song set during the ceremony.
Monae, who was recovering from a throat infection that prompted her to delay the start of her new tour, claimed the prestigious Video of the Year Award for her Erykah Badu collaboration Q.U.E.E.N.
Other winners included K. Michelle, who was named Best New Artist; Ashanti (Best Independent R&B/Soul Performance for Never Should Have); Kendrick Lamar (Album of the Year for good kid, m.A.A.d city); Miguel (Best R&B/Soul Male Artist), and Robin Thicke, who landed Song of the Year for his summer anthem Blurred Lines.
Meanwhile, Keith Sweat was honoured with the Soul Train Lifetime Achievement Award, and scored the event's highlight by performing with Faith Evans, and R&B legend Dionne Warwick was gifted the Legend Award following tribute performances from Ron Isley, Ruben Studdard, Chrisette Michelle and Gladys Knight.
The superstar quartet each sang a snippet from one of Warwick's hits and then came together to sing her 1985 tune That’s What Friends Are For.
Another performance highlight came at the top of the show when Jennifer Hudson teamed up with Evelyn 'Champagne' King, Chaka Khan and rapper T.I. for a hits medley, while Big Daddy Kane and Slick Rick performed The Show with Doug E. Fresh.
The awards ceremony, hosted by Anthony Anderson, was held at the Orleans Arena in Las Vegas.