Lifetime Adds a Leading Lady: TV icon Brooke Shields is joining Lifetime’s lady drama Army Wives. According to a press release, Shields will join the cast as “brash and brilliant” Air Force Colonel Katherine “Kat” Young. Kat is a guy’s girl who can definitely hold her own in the boys' club atmosphere of the military, but it won't take long before she’s butting heads with Army General Michael Holden (Brian McNamara). Army Wives fans can look forward to seeing Shields' character in a full-fledged power struggle with Holden to see who’s top dog on the base. But of course it wouldn’t be a Lifetime show unless Kat was holding onto a deep dark secret. “Only after their initial skirmishes does Holden learn of Kat’s tragic past, discovering they have more in common than he thought.” Shields is just one of the new additions to join the drama this season — Ashanti and Torrey DeVitto are also set to join the cast. Fans can catch the Season 7 premiere of Army Wives on Sunday, March 10 at 9 PM. [Lifetime]
A Witchcraft Reunion: Grab your spell books and wands because Disney Channel is reuniting the cast of Wizards of Waverly Place! Selena Gomez is back as Alex — the snarky best friend you’ve always wanted — in a one-hour special airing Friday, March 15 at 8 PM. The Russo family will travel to Tuscany, Italy for a family reunion, but in a attempt to show her serious magical skills, Alex accidently splits her personality in two: good Alex and bad Alex. (Side note: Didn’t they already do an episode like this? I'm pretty sure I've seen this already...) In a totally believable twist, the two Alexes battle for the fate of their family and the world atop the Tower of Pisa. [TV Guide]
Going Through The Gates... Again: Ken Marino and Aasif Mandvi have joined the NBC comedy pilot The Gates. Based on the British series, The Gates is an adult ensemble comedy set at the front gates of an elementary school drop-off and revolves around the parents, school staff and 15-minute social minefield they navigate at the beginning and end of each school day. (Side note: We're getting another case of deja vu here. Wasn't there already a TV series The Gates? On ABC? In the summer of 2010? Yes, yes there was...) This new incarnation centers on type-A Helen (Kathleen Rose Perkins), who just moved to town with her husband Mark (Marino) and their 8-year-old daughter for Helen’s big new job. Mark is described as a loveable, sweet, well-meaning, puppy-dog of a guy, a type B, or C, maybe even D to his wife’s type-A personality. Since he owns a construction business, he’s got a more flexible schedule than Helen and is at their daughter’s school more than his wife. Mandvi will play another dad at the school, a super-driven, competitive Yale-educated lawyer who’s one of these comedically intense guys who pushes his kids way too hard. [Deadline]
Party Down Parties On: This reunion is definitely one worth noting. On Feb. 9, San Francisco’s Sketchfest will reunite the cast of Starz’s brilliant-but-canceled catering comedy Party Down. Adam Scott, Ken Marino, Martin Starr, and Ryan Hansen are already locked in as attendees and it has just been revealed that Lizzy Caplan will join the group at this sold-out event as well. [EW]
It's Still Pilot Season, Y'all: NBC greenlighted a single-camera comedy from The Office developer/executive producer Greg Daniels starring Craig Robinson. The untitled project is about a talented musician with rough edges who adjusts to his new life as a music teacher in a big-city middle school, where he encounters teacher politics and the temptations of single moms. CBS has handed two more pilot orders to comedy Bad Teacher and drama The Advocates. Bad Teacher, a single-camera comedy series adaptation of the hit 2011 movie of the same name, is about a sexy, foul-mouthed divorcee who becomes a teacher to find her next husband. The Advocates, which had a pilot production commitment, centers on a female lawyer and a male ex-con who team up as “victim advocates,” going to the edge of the law to right wrongs and fight for the underdog. [Deadline, Deadline]
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Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.