Jennifer Lawrence and her boyfriend Nicholas Hoult are preparing to move in together after making an offer on an English country house, according to a U.K. report. The Oscar-winning actress has been dating her X-Men: First Class co-star on and off since 2011, and she is now reportedly stepping up the relationship by moving from her native America to set up home with the Brit.
The couple has reportedly made an offer on a seven-bedroom barn conversion near Hook in Hampshire, England, according to Britain's The Sun.
They reportedly decided to buy the property after viewing it together over the Christmas holidays (13), but it is not known if their offer on the $2.1 million (£1.3 million) home has been accepted.
The house is close to Hoult's parents, who live just a few miles away.
Paramount via Everett Collection
Three sleepless nights and a coffee-fueled morning after Labor Day, and I'm still waiting for the kicker. The reversal, the twist, the big reveal that Jason Reitman — a talented filmmaker and prodigious wordsmith who managed such sophisticated character material in each of his previous movies — wasn't actually telling the story I understood it to be. That I missed something altogether, some nectar of honesty buried beneath layers of theatrical pie crust. Owing to the respect I have for Reitman, his starring players Kate Winslet and Josh Brolin, and a few fellow film critics who saw beauty in Labor Day, I'll keep on entertaining the idea that I overlooked the picture's authenticity. But for now, I've got to give benefit of the doubt to my senses — hey, we all have deadlines — and concude: this movie is full of s**t.
This is no victimless crime, as Labor Day sets us up in the household of depression- and anxiety-ridden Adele (Winslet) and her 12-year-old son Henry (Gattlin Griffith), promising a tale we never get to hear. The film jumps right into the former's struggles with stinging mental illness and what appears to be a blossoming Oedipus complex in the latter — in The Wonder Years-style narration delivered by a flu-ridden Tobey Maguire, Henry proudly affirms that his mother is his whole life: he gives her back rubs, runs her baths, takes her on dates, and asserts himself her ad hoc husband to eradicate the loneliness that cripples her so (Clark Gregg plays Henry's absent father, a "Buck up, sport" type dad who lives across town with his "better" family). On one of their monthly outings to the Piggly Wiggly, or whatever — the film takes place in a 1987 that you'd swear was actually 1959 — Adele and Henry happen upon Frank (Brolin), a blood-soaked menace on the lam who makes tacit threats at Henry's safety to convince the rattled mother to allow him room and board until he can make a spring for the border.
And then, of course, they fall in love. Once Frank is settled into Adele's spacey Massachusetts two-story, he reveals himself the perfect man who fixes leaks, tends gardens, bakes pies, and whisks the shaken woman out of her decaying shell. It's clear why she takes to him — Frank is a heaven-sent gender reversal of the Natalie Portmans and Kirsten Dunsts and Zooey Deschanels who have fallen from the sky to turn things around for their broken beaus with spontaneity and singing and hamster funerals and cupcakes. In Frank's case, pies. I really can't overemphasize the position of the pies in this movie. They're everywhere.
Past the point of keeping Frank hidden from those pesky neighbors, it doesn't really serve as much concern to Adele — or, far less forgivably, to the movie itself — that he's an escaped con who threatened her son's life in order to earn a place to hide from the cops. Labor Day is not interested in redemption or excuse for Frank; it goes so far as to insist that we're wrong for distrusting him in the first place. But no. This guy, for all his redeeming qualities, is a problem.
Paramount via Everett Collection
Labor Day is even less interested in honing the authenticity of its other adult lead, Adele, who earns Frank's attention for no discernible reason other than that she seemed vulnerable enough to con into taking him back to her place. After that? Guilt, maybe. A knight-in-shining-armor syndrome that keeps him attracted to such an open wound. Just as Frank lives up to the one-dimensional angelicism of the aforementioned heroines of modern cinema, Adele is the counterpart to their boyfriends. Vacant and passive, just waiting to be saved by people who have nothing going on inside of them other than the drive to play savior. On top of that, she's got a pretty volatile emotional illness in full swing. But it's nothing love can't cure, right?
With so much wrong to cover in regards to the movie's central love story, I haven't even gotten to Henry yet: the good-natured, sexually curious middle schooler through whom the story is told. Although Henry at least has a real relationship with Frank, who stands in as dad and teaches him to play baseball, fix a car, and — of course — bake pies, every one of the boy's interesting conceits that is teased by the movie gets tossed out in favor of... well, that's the million dollar question. We're introduced to Henry through what appears to be a complex relationship with his mother, whom he views in part as a wife — without payoff, or even exploration, this is just some odd and incomplete stuff with which to open a movie. His distrust of Frank is entertained, but discarded almost immediately thereafter. Just about everything that might serve as character work for Henry is dealt with in the film's 3-minute epilogue. Spoilers: there are pies involved.
If it weren't for the severity of the characters' flimsiness, you might not risk an occuluar injury from all the eye rolls provoked by the ridiculous plot maneuvers this movie cranks out. We're talking doors left ajar, oblivious bank tellers, and the idea that James Van Der Beek can be accepted as a police officer materializing at the summit of the film's dramatic climax. All this, not to mention some atrociously goofy dialogue, feels like it was rescued from Nicholas Sparks' waste basket — only in glimmers of Jason Reitman's usual shtick through a loquacious tertiary character (Brighid Fleming playing "Psuedo Juno") who institutes far more narrative turns than she really should are you reminded of whose movie you expected to be watching.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
And these slight reminders might be why Labor Day is such an aggressive failure: it had potential. At the onset of the film, we thought we were diving into something juicy. When things get more ridiculous than you can accept, you convince yourself that it's all going to pay off with an honest, deconstructive revelation. But three days later, I'm still looking for what I missed. The disclosure of the true activity behind the false, theatrical curtain. But there doesn't seem to be anything there: just flat characters, an ill-conceived romance, dead-end arcs, and so many motherf**king pies.
Follow @Michael Arbeiter
| Follow @Hollywood_com
On this 237th birthday of our dear country America, we all band together in our patriotism. Yes, we do have quite the uniting country indeed... despite it being split up into 50 states, all of which vehemently hate the other 49 (especially Jersey).
But as brethren of the same land, we must find common ground. We must find something to appreciate each of the states from which we do not hail. The best way to do that: Movies. Hollywood.com has taken a look at every corner of our land of the free and pinpointed the big screen feature that best exemplifies each of the 50 states. Check below, and see if your home state is represented by a particular favorite of yours.
AlabamaForrest GumpSure, he ran all around the country, but that Greenbow pride stuck with him.
AlaskaOut ColdWacky, off-kilter, and a gem that nobody ever talks about. Just like Alaska.
ArizonaPsychoFrom the creepiest corner of the country comes the creepiest movie ever made.
ArkansasTrue GritRemake or original, both have that AK charm.
CaliforniaCluelessNever before has the Valley been so astonishingly well represented.
ColoradoThe Shining Beautiful and inspiring, but haunting nonetheless — we mean the film and the state.
ConnecticutMystic PizzaSoft-spoken and charming? A little bit sad, but able to laugh? That's Connecticut for you.
DelawareThere are no memorable movies set in Delaware. Sorry, Delaware. Sorry, everybody.
GeorgiaThe Legend of Bagger Vance Ah, that whimsical mystery that soars through the Georgia winds... the kind of mystery only a Will Smith Ghost could convey onscreen.
HawaiiLilo & StitchHawaii is such a fantasy land that only an animated Disney flick could appropriately capture its presence.
IdahoNapoleon DynamiteSlow moving, weird, and possibly ingenious. From the fields of Idaho comes a cult classic that nobody could stop quoting for years.
IllinoisFerris Bueller’s Day Off Danke schoen for Chicago and its favorite son, John Hughes.
IndianaBreaking AwayA sleepy state with firecracker passion gives us a coming-of-age dramedy that can be described just the same.
IowaWhat’s Eating Gilbert Grape? Sad, lonely, desperate, hopeless... No. Not hopeless. Just remember: We can go anywhere.
KansasThe Wizard of OzOh gee, as if there was any alternative?
KentuckyGoldfingerYou don't think of James Bond as a Southern boy, do you? Well, he payed a visit to the Bluegrass State in this classic chapter.
LouisianaSteel MagnoliasThat heartfelt hometown passion for which Louisiana is famous just courses through the beloved modern classic.
MaineCasper The other creepiest corner of the state gives us a slightly more charming ghost story.
MarylandThe Blair Witch Project And we thought the scariest thing in Maryland was Omar Little...
MassachusettsJaws Celebrate Boston pride all you want with The Departed, but Jaws captures everything that a Martha's Vineyardian knows to be home.
MichiganAmerican Pie Great Lakes, great friends, great stories... and hardly a worry in the world. American Pie, you've got Michigan right.
MinnesotaGrumpy Old Men I think just about everyone in Minnesota is in fact 75 years of age or older.
MississippiThe Help Granted, Mississippi has come a long way since the days of The Help, but it still has that connotation...
MissouriWaiting for GuffmanWe'll be honest. We've never been to Missouri. We don't know anyone from Missouri. We have no idea what Missouri is like. But we imagine (and hope) it's exactly like Waiting for Guffman.
MontanaA River Runs Through It That old mountain spirit, that true American flavor, that's what Montana, and this Robert Redford classic, are about.
NebraskaElection We always thought there was something suspicious lurking underneath that oh-so-perfect Nebraska... Tracy Fleck just might be the state incarnate.
NevadaFear and Loathing in Las VegasSorry, Nevada, but you're just Vegas to the rest of the world. Crazy, drug-addled Vegas.
New HampshireLolitaThings are a bit off all throughout the beautiful, jovial, captivating Granite State, and throughout Stanley Kubrick's classic comedy.
New JerseyClerks Angry, grungy, and highly polarizing. Yep. Clerks is Jersey.
New MexicoCity SlickersYes, this movie is about people from other states visiting New Mexico... but isn't that what the real New Mexico is all about, anyway?
New YorkAnnie Hall A symphony of neuroses, heartbreak, and wide-eyed fantasy, Annie Hall is everything that the unstoppable city of New York has to offer.
North CarolinaBull DurhamThis movie is set in North Carolina. So it wins.
North DakotaFargo Oh yah. Quite a sinister tone under this kooky snow-laden state and its signature film, yah.
OhioTommy BoyThe good-natured values of hard work and friendship? That's the cornerstone of Ohio livin', we tell you.
OregonThe GooniesWhen Oregon learned it was finally getting a movie, the entire state cheered: "It's our time."
PennsylvaniaRockyPennsylvania is just another nickname for Philadelphia, right?
Rhode IslandDumb and DumberYes, a good portion of the film takes place on the road (and in a place where the beer flows like wine), but Harry and Lloyd are distinctly, undeniably Rhode Island folk.
South CarolinaThe Notebook That deep, abiding love that can only exist in a small state sheltered from the rest of the world? That can only come from a man like Nicholas Sparks? That can only be appropriately sold through a stunner like Ryan Gosling? Yep.
South DakotaLittle Big ManIt's appropriate that South Dakota's pick is riddled with historical color... and some wacky adventure.
TennesseeThe Blind SideA simple story of family, pride, acceptance, and overcoming adversity. Tennessee should be proud of this Oscar winner.
TexasDazed and ConfusedOf course our Texas pick had to come from Richard Linklater, master of the Lone Star State. And which film better than his most iconic, nihilistic, dreamy high school graduation picture?
Utah127 HoursIn Utah, no one can hear you scream. =
VermontSuper TroopersCall it a mindless stoner comedy, but the Broken Lizard debut packs a lot of that wintry Northeast flavor into its wild, witty mix.
VirginiaThe PatriotAs if there was anything more Virginian. As if there is any state more American.
WashingtonThe Twilight SagaWhat's with the corners of this country being so dang creepy? At least this one has some glitter.
West VirginiaOctober SkyCoal mines and dreams of escaping the coal mines. That's what ol' West Virginia was all about in its day.
WisconsinLars and the Real Girl There's something cold, eerie, and wonderfully beautiful about small town Wisconsin. Ditto Gosling.
WyomingButch Cassidy and the Sundance Kid Wyoming, even though we're not entirely sure that you actually exist, you might win the pot with the best movie on the list.
Follow Michael Arbeiter on Twitter @MichaelArbeiter | Follow hollywood.com on Twitter @hollywood_com
More:Iconic American Foods in Iconic American Films13 Celebs in Really, Really Ridiculously Patriotic GarbFourth of July Box Office Fireworks
From Our PartnersStars Pose Naked for 'Allure' (Celebuzz)20 Grisliest TV Deaths of 2012-2013 (Vulture)