Ready or not, nostalgic kids of the '90s, here it comes: a Jumanji remake, for some reason. Despite being completely perfect in its original form, Hollywood is rebooting the 1995 film, which originally starred Robin Williams, baby Kirsten Dunst, and some very mischievous computer-generated monkeys. According to The Hollywood Reporter, screenwriter Zach Helm will roll the dice and take his chances adapting Chris Van Allsburg's beloved story for the big screen reboot, which is being produced by Ted Field and Mike Weber for Columbia Pictures. (There are no stars or director attached to the project yet.) Hollywood.com has reached out to Helm's reps.
The book Jumanji, about two children named Judy and Peter Shepard who unleash a jungle (quite literally) when they play the titular magical board game, differed in many ways from the movie, including making Judy and Peter orphaned and adding a backstory about a man named Alan (played by Williams) who has been trapped in the world of the game for years. It will be interesting to note the direction in which Helm — who penned both the imaginative, serious Will Ferrell vehicle Stranger Than Fiction (which earned him a Critics Choice Award nomination) and the kid-friendly Mr. Magorium's Wonder Emporium (another adaptation of a childhood favorite book, though this one was noticeably less loved by critics) — will go.
Will he stick closer to the book or the movie? For the Jumanji remake to work, it's got to have the right amount of appeal to a new generation without dumbing the story down or betraying fans of the original film. In which case, it might be wiser for Helm to stick more faithfully to the book so that it doesn't rely too heavily on being a complete reboot of the movie. And hey, a David Alan Grier cameo wouldn't hurt, okay?
[Photo credit: Tristar Pictures]
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The second official weekend of the summer is upon us as three wide release newcomers hit the marketplace and have to contend with the behemoth that is "Iron Man 2" in the wake of its $128.1 million opening weekend. Even if the film were to drop big (which with strong mid-weeks is unlikely), it would still be the odds on favorite to top the weekend. That said, Russell Crowe and Ridley Scott have teamed up yet again for Universal's "Robin Hood" which will bring out action seekers, "Gladiator" fans and those looking for a stylistic look at the legendary character. Opening in 3503 theatres, the film should do solid business for the period-piece action genre and offer audiences a decidedly retro-brand of action with bows and arrows rather than futuristic gadgetry. Director Ridley Scott always brings an incredible visual style to all of his movies and "Robin Hood" is no exception.
On the other side of the spectrum is the PG-Rated romance "Letters to Juliet" from Summit Entertainment. Starring the versatile Amanda Seyfried ("Mama Mia!," "Dear John," "Chloe"), "Juliet" is a quiet and non-cynical love letter of a movie that will appeal to older audiences and hopeless romantics everywhere with its classic tale of unrequited love and personal redemption. The film also stars Vanessa Redgrave, Gael Garcia Bernal and of course the incredible scenery of the Italian countryside which will have many booking their tickets as soon as they leave the theatre. For a nice and light non-summer style film devoid of explosions, fist fights and shootings, "Letters to Juliet" may offer the kind of counter-programming that will appeal to the sophisticated moviegoer.
Finally Fox Searchlight debuts "Just Wright" in a perfect 1,831 theatres to fill out this weekend's trio of wide release openers. A story of a physical therapist that falls for the basketball player she is helping recover from a career-threatening injury, this ensemble romantic comedy stars Queen Latifah, Common and Pam Grier. Urban audiences in particular and anyone looking for a fun date movie will make this their choice this weekend.
With Paramount/Marvel's "Iron Man 2" kicking butt and taking no prisoners after the fifth best opening weekend of all-time, it will take on all comers and likely come out on top. However, with three distinctive newcomers hitting the marketplace, there is literally something for every cinematic taste and that is what the summer movie season is all about. Last year's one-two punch of Sony's "Angels and Demons" and the second weekend of "Star Trek" created solid revenues for this, a typically transitional weekend at the summer box-office and we are looking for "Robin Hood" and "Iron Man 2" to give us the edge this year.
Fela!, about the life of revered African world music star Fela Kuti, will go up against Green Day's American Idiot, Memphis, and Million Dollar Quartet in the coveted Best Musical category at the 64th annual prizegiving, which honours the best on Broadway.
Meanwhile, Grammer and Hodge, who star as a camp gay couple in La Cage, will compete against Sean Hayes (Promises, Promises), Chad Kimball (Memphis) and Sahr Ngaujah (Fela!) for Best Performance by a Leading Actor in a Musical.
The evening is sure to be a star-studded event, with Hollywood actors Jude Law (Hamlet), Alfred Molina (Red), Liev Schreiber (A View from the Bridge), Christopher Walken (A Behanding in Spokane) and Denzel Washington (Fences) pitted against each other for the Best Performance by a Leading Actor in a Play award.
Washington's co-star Viola Davis will battle it out in the category for Best Performance by a Leading Actress in a Play, against Valerie Harper (Looped), Linda Lavin (Collected Stories), Laura Linney (Time Stands Still) and Jan Maxwell (The Royal Family).
Catherine Zeta-Jones (A Little Night Music), Kate Baldwin (Finian's Rainbow), Sherie Rene Scott (Everyday Rapture), Montego Glover (Memphis) and Christiane Noll (Ragtime) received nods for Best Performance by a Leading Actress in a Musical, and Scarlett Johansson's Broadway debut in A View from the Bridge has earned her a nomination for Best Performance by a Featured Actress in a Play.
Nominations for Best Play include In the Next Room (or The Vibrator Play), Next Fall, Red and Time Stands Still.
The winners will be announced on 13 June (10) at Radio City Music Hall in New York City.
The main list of nominees is as follows:
In the Next Room (or The Vibrator Play)
Time Stands Still
Million Dollar Quartet
Best Book of a Musical:
Everyday Rapture - Dick Scanlan and Sherie Rene Scott
Fela! - Jim Lewis & Bill T. Jones
Memphis - Joe DiPietro
Million Dollar Quartet - Colin Escott and Floyd Mutrux
Best Original Score (Music and/or Lyrics) Written for the Theatre:
The Addams Family - Music & Lyrics: Andrew Lippa
Enron - Music: Adam Cork, Lyrics: Lucy Prebble
Fences - Music: Branford Marsalis
Memphis - Music: David Bryan, Lyrics: Joe DiPietro, David Bryan
Best Revival of a Play:
Lend Me a Tenor
The Royal Family
A View from the Bridge
Best Revival of a Musical:
La Cage aux Folles
A Little Night Music
Best Performance by a Leading Actor in a Play:
Jude Law - Hamlet
Alfred Molina - Red
Liev Schreiber - A View from the Bridge
Christopher Walken - A Behanding in Spokane
Denzel Washington - Fences
Best Performance by a Leading Actress in a Play:
Viola Davis - Fences
Valerie Harper - Looped
Linda Lavin - Collected Stories
Laura Linney - Time Stands Still
Jan Maxwell - The Royal Family
Best Performance by a Leading Actor in a Musical:
Kelsey Grammer - La Cage aux Folles
Sean Hayes - Promises, Promises
Douglas Hodge - La Cage aux Folles
Chad Kimball - Memphis
Sahr Ngaujah - Fela!
Best Performance by a Leading Actress in a Musical:
Kate Baldwin - Finian's Rainbow
Sherie Rene Scott - Everyday Rapture
Montego Glover - Memphis
Christiane Noll - Ragtime
Catherine Zeta-Jones - A Little Night Music
Best Performance by a Featured Actor in a Play:
David Alan Grier - Race
Stephen McKinley Henderson - Fences
Jon Michael Hill - Superior Donuts
Stephen Kunken - Enron
Eddie Redmayne - Red
Best Performance by a Featured Actress in a Play:
Maria Dizzia - In the Next Room (or The Vibrator Play)
Rosemary Harris - The Royal Family
Jessica Hecht - A View from the Bridge
Scarlett Johansson - A View from the Bridge
Jan Maxwell - Lend Me a Tenor
Best Performance by a Featured Actor in a Musical:
Kevin Chamberlin - The Addams Family
Robin De Jesus - La Cage aux Folles
Christopher Fitzgerald - Finian's Rainbow
Levi Kreis - Million Dollar Quartet
Bobby Steggert - Ragtime
Best Performance by a Featured Actress in a Musical:
Barbara Cook - Sondheim on Sondheim
Katie Finneran - Promises, Promises
Angela Lansbury - A Little Night Music
Karine Plantadit - Come Fly Away
Lillias White - Fela!
Best Direction of a Play:
Michael Grandage - Red
Sheryl Kaller - Next Fall
Kenny Leon - Fences
Gregory Mosher - A View from the Bridge
Best Direction of a Musical:
Christopher Ashley - Memphis
Marcia Milgrom Dodge - Ragtime
Terry Johnson - La Cage aux Folles
Bill T. Jones - Fela!
Rob Ashford - Promises, Promises
Bill T. Jones - Fela!
Lynne Page - La Cage aux Folles
Twyla Tharp - Come Fly Away
Jason Carr - La Cage aux Folles
Aaron Johnson - Fela!
Jonathan Tunick - Promises, Promises
Daryl Waters & David Bryan - Memphis
Best Scenic Design of a Play
John Lee Beatty - The Royal Family
Alexander Dodge - Present Laughter
Santo Loquasto - Fences
Christopher Oram - Red
Best Scenic Design of a Musical:
Marina Draghici - Fela!
Christine Jones - American Idiot
Derek McLane - Ragtime
Tim Shortall - La Cage aux Folles
Best Costume Design of a Play:
Martin Pakledinaz - Lend Me a Tenor
Constanza Romero - Fences
David Zinn - In the Next Room (or The Vibrator Play)
Catherine Zuber - The Royal Family
Best Costume Design of a Musical:
Marina Draghici - Fela!
Santo Loquasto - Ragtime
Paul Tazewell - Memphis
Matthew Wright - La Cage aux Folles
Best Lighting Design of a Play:
Neil Austin - Hamlet
Neil Austin - Red
Mark Henderson - Enron
Brian MacDevitt - Fences
Best Lighting Design of a Musical:
Kevin Adams - American Idiot
Donald Holder - Ragtime
Nick Richings - La Cage aux Folles
Robert Wierzel - Fela!
Best Sound Design of a Play:
Acme Sound Partners - Fences
Adam Cork - Enron
Adam Cork - Red
Scott Lehrer - A View from the Bridge
Best Sound Design of a Musical:
Jonathan Deans - La Cage aux Folles
Robert Kaplowitz - Fela!
Dan Moses Schreier and Gareth Owen - A Little Night Music
Dan Moses Schreier - Sondheim on Sondheim
Special Tony Award for Lifetime Achievement in the Theatre:
Regional Theatre Tony Award:
The Eugene O'Neill Theater Center, Waterford, Connecticut
Isabelle Stevenson Award:
David Hyde Pierce
Tony Honors for Excellence in the Theatre:
Alliance of Resident Theatres/New York
Fancy another shag, baby?
The horniest of all secret agents springs into action for the third time in Austin Powers in Goldmember, which should jolt the box office back to life after two less-than-shagadelic weekends.
This spoof of the James Bond classic Goldfinger pits Powers against nemesis Dr. Evil and his new partner-in-crime Goldmember, all played by Mike Myers. A perfectly cast Michael Caine joins the franchise as Powers' father, a master spy who's more Bond than Harry Palmer, the working-class secret agent Caine played in five theatrical and cable TV films in the 1960s and 1990s, including The Ipcress File. Destiny's Child singer Beyoncé Knowles, the newest Powers girl, pays homage to the Pam Grier blaxploitation flicks of the 1970s as the butt-kicking Foxxy Cleopatra.
The cast additions clearly are an attempt to keep things fresh and fun, but the franchise is very quickly losing its mojo. Goldmember never seems more funnier or inspired than its cameo-laden pre-opening credits sequence, and it regurgitates too many of the first two films' most hilarious moments, as one guest star splutters. There are only so many times you can laugh at Powers purring, "Yeah, baby!" incessantly, Dr. Evil coddling clone Mini-Me and Scott Evil desperately trying to win his father's approval. Knowles brings a little spunk to the proceedings, but the film lacks comic sparks during Caine's many long absences. Goldmember is a worthless creation who does nothing except roller boogie and munch on his own dead skin.
Added up, that could harm Goldmember's opportunity of duplicating the success of its predecessor. Austin Powers: The Spy Who Shagged Me debuted with $57.4 million, blowing away the $53.8 million total earned by Austin Powers: International Man of Mystery and recording the third-highest-grossing weekend haul at the time. The Spy Who Shagged Me danced its way to a smashing $206 million total.
Goldmember's cheekiness should charm audiences who have shown little or no interest in recent newcomers K-19: The Widowmaker, Reign of Fire and Eight Legged Freaks. This second sequel should debut with a whopping $50 million--about even with Men in Black II and Scooby-Doo--but will lose its groove at around $170 million when the prevailing sense of déjà vu surrounding Goldmember starts to set in.
Accordingly, Goldmember will fail to gross more than its immediate predecessor, a trend that has afflicted the majority of this summer's sequels. Star Wars: Episode II - Attack of the Clones remains the best example as it struggles to reach $300 million. Attack of the Clones has $295.6 million vs. Star Wars: Episode I - The Phantom Menace's $431 million.
There go the Men in Black, as the sequel to the 1997 sci-fi spoof fell 40 percent in its third weekend, from $24.4 million to $14.5 million. MIBII has $163.4 million through Wednesday, with little chance of surpassing Men in Black's $250.1 million total.
The other Michael Myers--he who enjoys nothing more than slicing and dicing promiscuous teens--isn't scaring as many people as he did in Halloween: H20. Halloween: Resurrection, the eighth in the slasher franchise, dropped 55 percent in its second weekend, from $12.7 million to $5.5 million. Myers' H20 rampage, aided by the return of Jamie Lee Curtis, earned a bloody good $55 million. Resurrection, which reduces Curtis' presence to a pre-opening credits cameo, has $23.2 million through Tuesday.
The latest underachiever: the extremely expensive Stuart Little 2.
The sequel was expected to build upon the success of its 1999 predecessor, but the lovable animated rodent bit off more cheese than he could chew this time around. Stuart Little 2 debuted with $15.1 million vs. Stuart Little's $15 million. This lackluster debut allowed Road to Perdition to top the box office after opening last weekend in the second slot.
Stuart Little managed to climb to $140 million through sheer tenacity. With a mousy $22.1 million through Wednesday, Stuart Little 2 needs all the help it can get to scurry past $70 million. It doesn't help that Disney's Lilo & Stitch is still doing good business, having amassed $130.7 million through Wednesday, or that Spy Kids 2: The Island of Lost Dreams opens in less than two weeks.
Only The Sum of All Fears looks set to surpass its predecessor, Clear and Present Danger, and would become the biggest earner in the Jack Ryan franchise in the process. The Sum of All Fears has $116.9 million through Sunday, while Clear and Present Danger ended with a $122 million total.
Remakes, conversely, seem like a sure thing. Adam Sandler's Mr. Deeds has $111 million through Wednesday. Insomnia, with Al Pacino and Robin Williams, has $66 million through Sunday.
Hollywood often seeks inspiration from comic books, classic and foreign films, TV shows and Internet-originated series.
But theme park attractions?
The Country Bears brings to life those singing grizzlies from the Disneyland and Disney World attractions. A young bear raised as a human sets out to finds its roots. Along the way, he recruits a band known as The Country Bears to help save a concert hall from being demolished by banker Christopher Walken. The Sixth Sense's Haley Joel Osment lends his voice to the young bear.
What's scarier? That such an attraction could inspire a film? Or that Disney has already commissioned a script for a sequel?
Not that a sequel--at least one headed for theaters--seems a possibility. If kids want to see a fairy tale about a talking animal adopted by a human family, they're more likely to be enticed by the familiarity of Stuart Little 2 than the country-rock shenanigans of The Country Bears. And parents would happily sit through Lilo & Stitch or Like Mike ($43.2 million through Wednesday) again before being dragged to see bear-costumed actors whoop it up Hee-Haw style.
With a likely opening of between $8 million and $10 million, The Country Bears will join The Powerpuff Girls Movie ($10.8 million through Sunday) and Hey Arnold! The Movie ($6.7 million through Sunday) as the summer's least family-friendly attractions.
Not that The Country Bears represents Disney's sole attraction-inspired film. Haunted Mansion will star Eddie Murphy. Johnny Depp, of all actors, will headline the Jerry Bruckheimer-produced Pirates of the Caribbean. Let's hope it's not quite as small a world that Disney wants us to believe it is.
Kids currently seem to have little interest in animals, talking or otherwise, real or mythical.
The Crocodile Hunter: Collision Course plummeted by 51 percent in its second weekend, from $9.5 million to $4.5 million, and has $20.8 million through Wednesday. Perhaps wild man Steve Irwin should stick to wrestling crocodiles on his cable TV show.
Eight Legged Freaks crawled its way to a disappointing $6.4 million weekend and has $11.2 million through Wednesday. The comic tale of giant mutated spiders overrunning a small Arizona town didn't look funny or scary enough for most folks.
Man's battle against fire-breathing dragons proved somewhat more appealing, but by not much. Reign of Fire eroded by 53 percent in its second weekend, from $15.6 million to $7.3 million, as it waged war against Eight Legged Freaks. With $32.1 million through Wednesday, Reign of Fire won't blaze past Dragonheart's $51.3 million total.
Stuart Little 2's struggles allowed Road to Perdition to gun its way to the top of last weekend's box office. Tom Hanks' gangland epic expanded from 1,797 theaters to 2,159 theaters and eased by 30 percent in its second weekend, from $22 million to $15.4 million. Initial estimates put Stuart Little 2 ahead of Road to Perdition, but when the final numbers came in, the latter reigned supreme. Still, that's the lowest-grossing No. 1 film since Queen of the Damned debuted Feb. 22 with $14.7 million.
Road to Perdition continues to capitalize on a stellar cast that includes Paul Newman and reviews that labeled this Irish Godfather as the first Oscar-worthy offering of the year. It has $52.9 million through Wednesday, with $100 million a certainty.
Hanks might play a Mob enforcer who kills in cold blood, but that's not stopping audiences from sympathizing with his plight to save his oldest son from being murdered. The same cannot be said for K-19, starring Harrison Ford as the stern commander of a crippled Russian nuclear submarine.
Torpedoed by poor reviews, K-19 limped to a $12.7 million opening. That's Ford's worst opening since his dire 1995 remake of Sabrina.
Ford, sporting a distracting Russian accent, couldn't interest teens or adults in a fictional account of a Cold War-era incident told from the Soviet perspective. With $16.7 million through Wednesday, K-19 will find itself sinking somewhere between The Devil's Own's $42.8 million and Random Hearts' $31 million.
While teens crowd MIBII and Mr. Deeds, adults are finding their way to films that offer more than gunfights, car chases and explosions. Road to Perdition is a good example. So is My Big Fat Greek Wedding, which has amassed $30.8 million without cracking the Top 10.
August will see several intelligent art house offerings that could receive such mainstream acceptance, including Full Frontal, The Good Girl and One Hour Photo.
Tadpole got a jump on the similarly themed The Good Girl, which both praise the virtues of older women. In Tadpole, a 16-year-old boy lusts after stepmother Sigourney Weaver but ends up bedding her best friend, Bebe Neuwirth.
Miramax picked up Tadpole for a reported $5 million after director Gary Winick's digitally shot coming-of-age comedy won the Best Dramatic Director's award at this year's Sundance Film Festival. Miramax's been burned before when overpaying for pickups--remember Happy, Texas?--but Tadpole is a genuinely smart and funny tale featuring terrific performances by Weaver, Neuwirth, John Ritter and relative newcomer Aaron Stanford.
Tadpole, which opened last weekend at six theaters and earned a solid $80,682, expands this weekend in certain cities. Whether Miramax overpaid for Tadpole remains open for debate.