Move over cupid; it’s time for the angel of death to play matchmaker in Life As We Know It a rom-com from director Greg Berlanti and first-time screenwriters Ian Deitchman and Kristin Rusk Robinson which proves the old adage that there’s no better catalyst for love — and comic hijinks — than the sudden tragic demise of loved ones.
Holly Berenson (Katherine Heigl) and Eric Messer (Josh Duhamel) could not be more different. He’s an aspiring television sports director and an unrepentant cad whose casual seat-of-your pants approach to life is best symbolized in the ratty baseball hat that perpetually adorns his dome (always worn backwards — classic movie shorthand for “slob”). She’s a successful caterer with a five-year plan and a strict intolerance for disorder of any kind. He has a penis; she a vagina. We’re talking Israel and Palestine here folks.
The mutual disdain between Holly and Messer is palpable and intense but the two are always able to put their differences aside when in the presence of their goddaughter Sophie the unbearably adorable spawn of his best friend Peter (Hayes MacArthur) and her best friend Alison (Christina Hendricks). When the youthful parents perish suddenly in a car accident (the tragedy of which is compounded by the loss of Mad Men star Hendricks on-screen for all of a few minutes and annoyingly clothed throughout that span) there’s little time to mourn before hilarity comes calling in the form of an estate lawyer who reveals that Peter and Alison mischievous rascals that they were mandated in their will that Sophie be raised by Holly and Messer in the event that the child is abruptly orphaned.
One’s heart really goes out to Duhamel’s character here: Not only does he lose his best friend but he’s saddled with both a helpless one-year-old and Katherine Heigl. What sort of mass-murdering past life is this guy being forced to atone for? Put this material in the hands of Clint Eastwood and it’s got Oscar potential. And yet not only does Messer not strangle Holly in her sleep he falls in love with her! And she for him! Their romantic bond flowers unexpectedly as they devote themselves to the task of caring for Sophie within whose many noxious emissions it seems is housed some sort of powerful aphrodisiac that renders even the most unappealing people somehow irresistible.
The effect spreads to the audience as Duhamel and Heigl conspire to win our affections establishing a keen romantic chemistry that almost makes Life As We Know It’s far-fetched (and occasionally bizarrely macabre) plot palpable. Duhamel hits that sweet spot between eye candy and everydude as well as any actor working today and his easy charm rubs off on Heigl whose trademark busybody antics aren't nearly as cloying as in the previous seven chapters of her “Men Are Pigs” rom-com decalogy. In fact she’s downright likable in this film. Maybe there's some truth to all that nonsense about babies being little miracles after all.
Think Mean Girls meets High School Musical meets whatever other high school teen scenario you can think of. Here four teenage girls make up the Bratz contingency each come from different ethnic and socio-economic backgrounds—just like the dolls they are based on. There’s Yasmin (Nathalia Ramos) a quiet Latina beauty with a great voice; Sasha (Logan Browning) the outgoing black cheerleader who loves to dance; Jade (Janel Parrish) a lovely Asian fashionista who also a wiz in chemistry; and Cloe (Skyler Shayne) the tall Caucasian blonde who despite being a klutz is a star on the soccer field. They’ve been best friends forever (or BFF as they lovingly refer to it) but once they hit high school they drift apart and into respective cliques organized by the narcissistic class president Meredith (Cheslea Staub). Still these BFF’s—who live for clothes make-up and hair products—won’t be pushed down. They’re gonna shake things up and prove it’s always best to just be yourself and stick together. You can’t really blame the unknown girls—each very cute in their own way—for wanting to bring the Bratz dolls to life. It’s a big deal! They get to sing and dance and wear all these cool clothes! They get to throw food in a cafeteria lunch fight! They get to serve sweets at Meredith’s Sweet 16 party dressed as clowns and still look fabulous! All the young girls in the audience will idolize them and wish they were a Brat too (perhaps to their parents’ chagrin). No it’s the adults in the movie you have to scratch your head about and ask “Do they really need the money that bad?” Character actors such as Lainie Kazan who plays Yasmin’s wise grandmother and Jon Voight as the inept high school principal and Meredith’s father just embarrass themselves over and over again—especially Voight who along with his mediocre appearance in Transformers has become the go-to guy to star in movies based on toys. And what’s with this latest trend to make live-action flicks based on toys? You can understand Transformers because they already had their own cartoon show and you know the movie would at least be action-packed full of cool visual effects. But a Bratz movie is a little too much. Even though it tries really hard to send positive messages there’s really nothing redeeming about turning little dolls—who frankly dress a little on the trashy side—into flesh-and-blood teenagers obsessed with how they look and dealing with high school politics. Bratz really only distinguishes itself from other Mean Girls-type movies because of the toy franchise. It would have been easier to take had it aired on the Disney Channel.