WHAT IT’S ABOUT?
Proving that everything “old” can be new again 17 Again opens in 1989 where star basketball player Mike O’Donnell turns his back on a college scholarship deciding instead to marry his girlfriend Scarlet when she reveals they are suddenly expecting a baby. Cut to 20 years later Mike’s marriage and job are floundering when he is physically transformed back into his 17-year-old self although his mind and sensibilities still remain that of a decidedly square thirtysomething dude. With the help of his nerdy-turned-billionaire best childhood buddy Ned he gets himself enrolled in the same school his own teenage kids now attend. Can he help them avert the same kinds of mistakes now that he (sorta) has a second chance to change?
WHO’S IN IT?
Zac Efron (High School Musical) shoots and scores in a breakout starring role. He shows he’s got the comic chops to believably pull off the way-out-there premise of being a 37-year-old trapped in a 17-year-old’s body. Matthew Perry (Friends) does a nice job bookending the movie as the older Mike but it’s Efron’s show all the way. Thomas Lennon follows up his hilarious supporting antics as the spurned man-date in I Love You Man with some equally amusing work as Mike’s friend Ned while Leslie Mann plays the estranged wife in style. As Mike’s kids who unknowingly become high school buds with their own father newcomer Sterling Knight and Michelle Trachtenberg get enough screen time to shine. Melora Hardin (The Office) is also quite funny as the school principal that lovelorn Ned keeps stalking.
Although the premise of the adult/kid switcheroo has been done to death director Burr Steers and writer Jason Filardi take it one step further a la It's a Wonderful Life or Damn Yankees by letting their main character regain his youth for the chance to see what his life would be like if he could live it another way. This fanciful premise makes this “teen” comedy one that adults will probably enjoy even more.
The filmmakers sometimes have a tendency to go over the top particularly in the "Star Wars fight sequence" when the newly transformed Mike confronts old friend Ned with the news and a laser battle erupts (!). Another scene where 17-year-old Mike is seduced by his own unwitting daughter may be funny but it veers a little too far into creepy territory.
DOES THIS SOUND FAMILIAR?
If you like 17 Again try renting 18 Again in which 81-year-old George Burns switches places with his grandson. Or how about Big Vice Versa Like Father Like Son or either version of Freaky Friday? And who said there are no original ideas in Hollywood ...
NETFLIX OR MULTIPLEX?
A no-brainer — the "Zac Pack" will be out in force on opening day.
Based on the bestseller by Nicolas Sparks the film begins with Duke (James Garner) and Allie (Gena Rowlands) an inseparable couple living in a nursing home. While Duke remembers their life together Allie who suffers from progressive dementia does not. Their only bond is a faded notebook from which Duke reads to Allie every day telling her the same story over and over. It's a sweeping tale of two South Carolina teens country boy Noah (Ryan Gosling) and city gal Allie (Rachel McAdams) who spend one glorious summer in the early 1940s falling madly in love. Unfortunately the couple is soon separated first by her disapproving parents and then by World War II but after seven years apart after taking different paths they are passionately reunited. There's a catch though; Allie is now faced to choose between the man she once loved and the successful businessman (James Marsden) she is engaged to. It's really no surprise who the young Allie chooses in the end--but for Duke the only thing that keeps him going is the fact that every day somehow through the power of this story the mentally impaired Allie miraculously remembers their love if only for a very brief moment before slipping back into oblivion. Tears being jerked from your eyes yet?
The talented cast certainly elevates The Notebook's romantic drudgery. McAdams takes a departure from all the Mean Girls she's played lately (including The Hot Chick) and easily wins you over as the spirited young Allie while the usually intense Gosling also tackles something lighter so to speak than his previous darker roles such as his Jewish-turned-American Nazi leader in The Believer. While infusing a certain sense of brooding and melancholy into Noah especially in the years he spends pining for Allie Gosling manages to exude Noah's genuine warmth and sensitivity as well. And between the two of them real sparks fly as the actors paint a fresh and inviting picture of young love that stands the test of time. Marsden is completely wasted however as Allie's fiancé Lon a upstanding Southern gentleman Allie's parents expect her to marry who offers little as to why Allie should stay with him. As the older contingency veterans Garner and Rowlands who take the sappiest material and turn it into something meaningful inspire some truly heart-ripping moments as the aging couple holding onto their love as tight as they can. In the supporting cast Joan Allen has some shining moments as Allie's uptight mother with a secret of her own.
In bringing the popular novel about enduring love to life director Nick Cassavetes (Unhook the Stars) may have used his own experiences having seen his parents--the late John Cassavetes and his lady love and muse Gena Rowlands--play out their own real-life love affair. Cassavettes gets to the heart of the material right away and permeates the screen with the beautiful surroundings of South Carolina where The Notebook was filmed. We glide through lush moss-filled swamps and sleepy Southern towns marvel at languid shots of the South Carolina coastline. It's very clear Cassavetes has a way with actors much like his father did gently coaxing realistic performances from his young somewhat untested leads while allowing old guards like Garner and Rowlands to simply work their magic (imagine telling your Oscar-nominated mother how to act. Right). The problem is the story itself which not only offers nothing new to the romance genre but also isn't very compelling. There are no great tragedies (save perhaps for the whole dementia thing) no real villainous presence to keep the lovers apart no peril at all. It's boy-meets-girl boy-loses-girl boy-wins-girl-back--ho-hum. Where's the sudsy soap opera when you need it?