Enigmatic and deliberate Tinker Tailor Soldier Spy makes no reservations while unraveling its heady spy story for better or worse. The film based on the bestselling novel by John Le Carre is purposefully perplexing effectively mirroring the central character George Smiley's (Gary Oldman) own mind-bending investigation of the British MI6's mole problem. But the slow burn pacing clinical shooting style and air of intrigue only go so far—Tinker Tailor Soldier Spy sports an incredible cast that can't dramatically translate the movie's impenetrable narrative. Almost from the get go the movie collapses under its own weight.
After a botched mission in Hungary that saw his colleague Jim (Mark Strong) gunned down in the streets Smiley and his boss Control (John Hurt) are released from the "Circus" (codename for England's Secret Intelligence Service). But soon after Smiley is brought back on board as an impartial observer tasked to uncover the possible infiltration of the organization. The former agent already dealing with the crippling of his own marriage attempts to sift through the history and current goings on of the Circus narrowing his hunt down to four colleagues: Percy aka "Tinker" (Toby Jones) Bill aka "Tailor" (Colin Firth) Roy aka "Soldier" (Ciaran Hinds) and Toy aka "Poor Man" (David Dencik). Working with Peter (Benedict Cumberbatch) a conflicted younger member of the service and Ricki (Tom Hardy) a rogue agent who has information of his own Smiley slowly uncovers the muddled truth—occasionally breaking in to his own work place and crossing his own friends to do so.
Describing Tinker Tailor Soldier Spy as dense doesn't seem complicated enough. The first hour of the monster mystery moves at a sloth's pace trickling out information like the tedious drips of a leaky faucet. The talent on display is undeniable but the characters Smiley included are so cold that a connection can never be made. TTSS sporadically jumps around from past to present timelines without any indication: a tactic that proves especially confusing when scenes play out in reoccurring locations. It's not until halfway through that the movie decides to kick into high gear Smiley's search for a culprit finally becoming clear enough to thrill. A film that takes its time is one thing but Tinker Tailor Soldier Spy does so without any edge or hook.
What the movie lacks in coherency it makes up for in style and thespian gravitas. Director Tomas Alfredson has assembled some of the finest British performers working today and they turn the script's inaccessible spy jargon into poetry. Firth stands out as the group's suave slimeball a departure from his usual nice guy roles. Hardy assures us he's the next big thing once again as the agency's resident moppet a lover who breaks down after a romantic fling uncovers horrifying truth. Oldman is given the most difficult task of the bunch turning the reserved contemplative Smiley into a real human. He half succeeds—his observational slant in the beginning feels like an extension of the movie's bigger problems but once gets going in the second half of the film he's quite a bit of fun.
Alfredson constructs Tinker Tailor Soldier Spy like a cinematic architect each frame dripping with perfectly kitschy '70s production design and camera angles that make the spine tingle. He creates paranoia through framing similar to the Coppola's terrifying The Conversation but unlike that film TTSS doesn't have the characters or story to match. The movie strives to withhold information and succeeds—too much so. Tinker Tailor Soldier Spy wants us to solve a mystery with George Smiley but it never clues us in to exactly why we should want to.
If a major motion picture studio gave you $50 million to make the movie of your choice what would it be like? If you’re producers Tim Bevan and Eric Fellner and writers Simon Pegg and Nick Frost it’d be a loving lampoon of geek culture and an homage to the films of the Spielberg/Lucas revolution but nostalgia is both an advantage and disadvantage in director Greg Mottola’s Paul.
Pegg and Frost star as a pair of nerds from across the pond who fulfill lifelong dreams when they fly to San Diego for the annual Mecca of nerdom Comic-Con. The doofy duo extend their trip to tour America’s extraterrestrial hot spots including Area 51 where they pick up an unexpected alien hitchhiker on the run from the proverbial men in black. Across the country they go getting into trouble picking up more passengers and building bromantic bonds as the little green man Paul inches closer to his escape from planet Earth and the shadowy government official who has been exploiting his knowledge of the universe since he crash landed in Wyoming over 60 years ago.
Fan-favorite filmmakers since 2004’s Shaun of the Dead Pegg and Frost have been making geek chic for years now and continue to create identifiable roles for themselves while finding humorous ways to write their like-minded friends into their movies. Their collection of wacky characters is charming if incredibly derivative but for better or worse they are the heart and soul of the film. Jason Bateman Kristen Wiig Bill Hader and Jo Lo Truglio turn in fun performances but I expected a bit more from the Jane Lynch David Koechner and Sigourney Weaver cameos. Still Seth Rogen’s vocal performance as Paul adds significant layers to an already adorable alien and enlivens the adequately rendered CG character.
The comedy is surprisingly sweet and doesn’t bite like Mottola’s Superbad though there are enough religious jabs and signs of anti-establishment fervor to call it mildly subversive. Lack of laughs isn’t the issue here; lack of originality is. Mottola is too dependent on pop-culture references and inside jokes pertaining to E.T. Star Wars and Close Encounters of the Third Kind so much so that the film ultimately becomes a parody of itself as its storyline mirrors that of Steven Spielberg’s massive 1982 blockbuster (in this world the movie mogul actually consults the incarcerated alien for inspiration for his beloved family film). While these nods are all amusing they’re not enough to carry the film and Mottola/Frost/Pegg offer little else. At its worst Paul will give you a reason to revisit those classic sci-fi staples and remember the good old days. At best it provides a few mindless chuckles and gives you good reason to give the geek next to you a great big hug.