September 16, 2005 5:05am EST
The socially inept Elizabeth Masterson (Reese Witherspoon) is a workaholic doctor who never leaves the hospital. Her married sister Abby (Dina Waters) tries in vain to set up with a good man to no avail. But fate is about to intervene. On her way home from a long shift Elizabeth gets into a head-on collision with a semi-truck and suddenly the lines between life and death are blurred. Jumping forward we meet David Abbott (Mark Ruffalo) a guy wallowing in self-pity from the death of his wife two years earlier who to find some solitude moves into a fabulous furnished apartment. What he doesn't know is the previous tenant hasn't left not really. That's right it was Elizabeth's apartment and for whatever reason (seriously they don't entirely explain it) Elizabeth--or her spirit I guess--hasn't grasped the idea that she is in well limbo. Only David can see her of course as she yells at him for leaving sweat rings on the coffee table but Elizabeth eventually grows on him. She elicits his help in finding out what happened to her and with a little help from the eccentric Darryl (Jon Heder) a bookstore employee who has the gift for sensing spirits David and Elizabeth find that heaven and earth are not really that far apart.
As our romantic pair Witherspoon and Ruffalo do an adequate job adhering to the staid romantic comedy formula. Witherspoon is one of the more consistent comedic actresses these days and has the sweet but controlling ingénue routine down to a science. But it may be time for her to take a break from the standard fare and head back to the indies getting down and dirty like she did in Election. Ruffalo does a pretty impressive job for his second time as the romantic lead. As he did with 13 Going on 30 Ruffalo at least tries to add some quirky twists to a boring character. Still he should also probably stick to showcasing his dramatic acting talent in cool indies much like he did in You Can Count on Me. It's Heaven's side characters who have all the fun. Waters (The Haunted Mansion) does a nice turn as the caring sister who's own hectic life as a mother of two rambunctious kids always seems to interfere with what she's doing. Donal Logue (TV's Grounded For Life) as David's therapist best friend too has a fun time yuking it up. But the real standout in an otherwise dull universe is Napoleon Dynamite himself Jon Heder in his second feature film. He's still a geek but at least this time he's a mystical one who knows a thing or two about wandering spirits. Of course he also gets the best lines: "I'm 99.9 percent parched here. I need a cola." I'm going to use that one from now on.
As the director of the satirical Mean Girls and the cutesy Freaky Friday Mark Waters may be out of his element with an out and out romantic comedy. The initial idea about a women whose stuck in the spirit world until she finds the true love she never sought after in life is somewhat intriguing. But rather than play with that the film just ends up your standard romantic comedy while also stealing from other films such as Ghost and The Sixth Sense. Just Like Heaven also has some serious logistical flaws. For example seeing how Elizabeth is supposed to be a ghost--that she can't touch anything tangible and can walk through walls tables and just about anything else--she is later seen laying on top of a table. It doesn't make sense as to how she can walk through it at one moment and be on it the next. And the fact you are paying attention to these inconsistencies means you just aren't caring that much about the rest of the film.
December 13, 2002 4:56am EST
As Star Trek: Nemesis begins its journey the U.S.S. Starship Enterprise is enjoying Officer William T. Riker (Jonathan Frakes) and Counselor Deanna Troi's (Marina Sirtis) wedding reception. But the celebrations come to halt when Engineer La Forge (Levar Burton) detects some sort of electromagnetic signal coming from the nearby planet Kolaris III. A crew from the Enterprise heads to the planet to investigate and finds scattered body parts of what looks like an android prototype of Lt. Commander Data (Brent Spiner). Before they can put the android back together again Captain Jean-Luc Picard (Patrick Stewart) receives a message from Admiral Janeway (Kate Mulgrew) that the Romulans have undergone a revolution and their new Praetor (leader) wants to discuss peace with the Federation. But when a hesitant Picard and his crew arrive on the planet they discover that the Praetor Shinzon (Tom Hardy) is not actually a Romulan but a human from Romulus' sister planet Remus. And not only is he human--he's a younger clone of Picard. Shinzon is hell-bent on revenge and wants to destroy everything in his path including the Enterprise the Federation and Earth but first he has a score to settle with Picard. Meanwhile Data struggles with what to make of his own double B-4.
Stewart's Picard faces his most personal enemy here in Shinzon and must grapple with heavy moral issues. Although Shinzon is maniacal and antagonistic Picard cannot help but wonder if he would have turned out the same way had his life been like Shinzon's. Stewart delivers a great performance as his character finds his judgement clouded by Shinzon. Shinzon as played by Hardy (Black Hawk Down) with a shaved head and a sculpted latex nose and chin is believable as Picard's doppelganger (although I hate to say that with the pale skin and scarred lip he looks an awful lot like Mike Myers's Dr. Evil). While Picard and Shinzon are dealing with their own issues Spiner's Data is going through his own personal turmoil. His prototype recovered on Kolaris III B-4 is not as advanced as he is prompting Data to turn him into a better android. Not since the Star Trek TNG episode "The Measure of Man" has Data's character been explored so in depth. Cast members Frakes Sirtis Burton and Michael Dorn (Worf) take a back seat in Nemesis allowing the film to focus on the main story line involving Picard Shinzon and Data.
Nemesis was directed by Star Trek newcomer Stuart Baird who stays true to the franchise's tradition by delivering a film that encapsulates a good story with great dialogue without going overboard on the special effects. As the film opens for example the crew has been forced to land on Kolaris III the old-fashioned way since an ion storm has disrupted transporting capabilities. Baird provides some great footage of the planet's surface which is bathed in sepia-toned light complete with the some great shots of the crew riding around in the Argo a sort of high-tech dune buggy. Scribe John Logan (Time Machine) introduces an interesting new race the Remans and a personal foe with Shinzon who although not as menacing as the Borg or as complex as Kahn is just as warped. The most compelling aspect of the film however has to do with Data and his desire to be the best "person" he can be. Nemesis encompasses the kind of dramatic storytelling that made the series created by Gene Roddenberry more than 25 years ago so intriguing. It is also a reminder of what the series was all about: "To explore strange new worlds to seek out new life and new civilization..."