The Shining star purchased the green-gabled Victorian estate in Aspen several years ago.
And now the five-bedroom, eight-bathroom property, which was originally built in 1895 for British politician William Shaw, has gone up for sale.
The property overlooks Hallam Lake and was added to the National Register of Historic places in 1987.
Aspen has longtime been a celebrity hotspot - the city is often frequented by the likes of Mariah Carey and husband Nick Cannon, model Heidi Klum, actress Kate Hudson, and singer LeAnn Rimes.
The actress, who famously romanced Elvis Presley and Don Johnson, admits she still regrets not taking Taxi Driver co-star De Niro up on his offer to join him for a barbecue, but she knew she was doing the right thing staying away from Hollywood ladies man Nicholson.
She says, "I could have gone out with him (De Niro) but unfortunately I double booked that weekend.
"I avoided several people in this town, Jack being one of them... I kinda broke a date with him and I haven't worked with him since."
The former Bond girl will play one of counsellor Sheen's temperamental clients in Anger Management, when the series debuts in America this summer (Jun12).
Richards' character, Lori, is also a potential business partner for the actor's onscreen ex, played by Shawnee Smith.
Sheen's dad Martin Sheen has already landed a guest spot on the show, which is a spin-off to the movie Anger Management, starring Jack Nicholson and Adam Sandler.
The Hollywood veteran's role as R.P. McMurphy, a criminal faking insanity to serve his jail sentence in a mental hospital, came top in a poll by Total Film magazine.
Robert De Niro's acclaimed role as boxer Jake La Motta in 1980's Raging Bull was runner-up, and Daniel Day-Lewis' Oscar-winning portrayal of a turn-of-the-century oil baron in There Will Be Blood came third.
The top five was rounded out by Al Pacino's performance as Mafia boss Michael Corleone in gangster sequel The Godfather: Part II and Emily Watson, for her role as Bess McNeill in 1996 drama Breaking the Waves.
In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
"Around the time I was negotiating to do this... I was watching television one night and The Shining came on and I was like, 'Oh my God, that's it - she's Jack Nicholson in The Shining, she's lost in her hotel castle going slowly crazy...' It was very inspiring for me." Charlize Theron on the inspiration behind her evil Queen Ravenna role in new fairytale adaptation Snow White & The Huntsman.
Bank tellers in the city of Recife alerted authorities to Ricardo Sergio Freire de Barros' actions after he attempted to pass off a famous picture of The Shining icon as his own.
He was taken into custody on Tuesday (28Feb12) and charged with use of false documents and falsification of a public document.
According to CNN.com, the impostor had been under investigation for fraud for months.
The Nicholson image he used on the fake ID was taken by celebrity photographer Martin Schoeller and published in Entertainment Weekly magazine in 2003. It has since featured in exhibits around the world.
In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
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Known for her comedic chops and charming wit on U.S. hit shows like Hot in Cleveland, The Golden Girls and The Mary Tyler Moore Show, White boasts a successful career, which now spans seven decades.
And she doesn't appear to be slowing down with age - on Monday night (16Jan12) bosses at U.S. network NBC paid tribute to the legend's career by airing a star-studded TV special, which featured Hugh Jackman and Carol Burnett, among others, paying tribute to the birthday girl - and she is just about to premiere a new senior citizen hidden camera show, titled Off Their Rockers.
Because the funnywoman has already celebrated her birthday with her best celebrity pals, White tells WENN she plans on spending the day working on crossword puzzles and hanging out with her longtime companion - a Golden Retriever named Pontiac.
And in honour of the spunky star's landmark birthday, we've compiled 10 fascinating facts about the beloved actress to mark the occasion. Happy Birthday, Betty White!
- The actress was born in Illinois during America's Great Depression but her parents moved the family to Los Angeles when she was just two years old.
- She attended the Horace Mann School in Beverly Hills, California - the same middle school as Angelina Jolie, Nicolas Cage and Lenny Kravitz.
- Unlike a number of celebrities, the actress never changed her name before entering the entertainment industry. She was born Betty - not Elizabeth - because her parents didn't want her to be bogged down by nick names.
- White has been married three times - briefly to Army Air Corps pilot Dick Barker in 1945, Hollywood agent Lane Bryant from 1947 to 1949 and TV host Allen Ludden, from 1963 until his death in 1981.
- She has won a total of seven Emmy Awards throughout the course of her career - her first was a 1975 Best Actress honour for her work on The Mary Tyler Moore Show, and her most recent was in 2010, for Outstanding Guest Actress on A Comedy Series for her hosting turn on U.S. sketch show Saturday Night Live.
- White has been a life-long animal advocate. She received the American Veterinary Medical Association's Humane Award in 1987 for her charitable work, and the Los Angeles Zoo recognised the comedian with a bronze plaque near the Gorilla Exhibit in 2006, when she was officially named the tourist attraction's Ambassador to the Animals.
- She turned down the chance to play Helen Hunt's mum in the 1997 film As Good As It Gets because she objected to a scene in which Jack Nicholson's character pushes a dog down a trash chute.
- She has already cemented her place in television and movie history - White was inducted into the Television Hall of Fame in 1995 and she was honoured with a star on the Hollywood Walk of Fame next to her late husband Ludden's in 1998.
- White is the last surviving member of the cast of hit TV show The Golden Girls, which premiered in America in 1985. Estelle Getty died in 2008, Bea Arthur passed away in 2009, and Rue McClanahan followed in 2010. Industry insiders feared White might succumb last year (11) after a mysterious annual pattern of co-star deaths was discovered.
- She is also a highly-successful author - White has written a total of six books. Her last one, If you Ask Me (And Of Course You Won't), is currently a New York Times Bestseller.
Film fans have speculated that the Jack Nicholson movie is packed with clues about the U.S. government's 'faked' moon landing in 1969 and hidden messages about politics and issues of the day.
And now first-time director Rodney Ascher has investigated the theories for his new film Room 237, named after the hotel suite the film's psychic boy is warned not to enter.
Ascher tells Entertainment Weekly magazine, "Some of this stuff seems funny, because people are coming up with very big ideas based on incidental details, but others might see it as a little scary."
One of the highlights of the new documentary is the study of claims the late Kubrick helped U.S. officials stage the Apollo 11 moon landing and then planted clues about the hoax throughout The Shining.