Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
Green Zone is a story we’ve already heard shot in a manner we’ve already seen and starring Matt Damon in a role he’s already played. Remember those WMDs that were never found in Iraq and later exposed to be the invention of a dubious and poorly-vetted informant? Remember the misguided and hideously botched attempt at establishing democracy after the fall of Saddam and the violent prolonged insurgency that ensued? If you’ve been away from the television for the past hour and somehow managed to forget any of these details Green Zone is here to remind you.
Damon plays Chief Warrant Officer Roy Miller an Army weapons inspector whose frustration over repeatedly coming up empty in his search for Iraqi WMDs leads him on a quest to track down and expose the people responsible for leading him (and us) down that infamously bogus path. Though his hand-to-hand skills are a notch below Jason Bourne’s Miller’s single-mindedness moral certainty and permanent expression of square-jawed defiance — always threatening another “How do you like them apples?” rebuke — in the face of an insidious multi-level government conspiracy are essentially equivalent to those of Damon’s Bourne trilogy soulmate.
And like Bourne his most dangerous adversary isn’t found on the battlefront but rather within the government he once served so proudly. As Miller delves ever deeper into the Case of the Faulty WMD Intelligence Clark Poundstone (Greg Kinnear) the duplicitous arrogant Defense Department bureaucrat in charge of U.S. operations in Iraq summarily relieves him of his post. (Hint: the better dressed a Green Zone character is the more sinister his ambitions.) But Miller remains undeterred and he goes rogue to locate the CIA informant “Magellan ” a formerly high-ranking Iraqi official whose supposed confirmation of Saddam’s nuclear ambitions served as the basis for U.S. invasion.
We know how the story ends. Green Zone’s pervasive overarching sense of deja vu is accentuated by director — and veteran Bourne helmer — Paul Greengrass who employs the trademark hand-held super-shakycam style which was so fresh and inventive in 2004 but now feels stale and predictable. (Admittedly my aversion to Greengrass’ approach was no doubt heightened by a previous night’s viewing of Roman Polanski’s excellent The Ghost Writer a political thriller as subtle and precise and finely tuned as Green Zone is ham-fisted and haphazard — and which also uses the phantom WMD controversy to far greater narrative effect.)
Green Zone culminates in essentially a violent footrace between Miller and the Army Special Forces as they scour a heavily-armed insurgent stronghold to find Magellan with Miller hoping to secure his potentially damning testimony before the Army can silence him for good. The climactic sequence for all I could tell was either shot in Damon’s backyard culled from Bourne trilogy deleted scenes or assembled from scattered YouTube clips. This punishingly chaotic often incoherent and ultimately exhausting approach to storytelling isn’t cinema verite; it’s dementia pugilistica.
Hit mob series The Sopranos and TV movie Bury My Heart at Wounded Knee lead the 2007 Primetime Emmy Award nominations with 15 and 17 nods, respectively.
The Sopranos is nominated for Best Drama, while the show's star James Gandolfini has been praised in the Outstanding Lead Actor in a Drama Series category for his role as mafia boss Tony Soprano. Costar Edie Falco, who portrayed Carmela Soprano, is up for the Outstanding Lead Actress award, while Michael Imperioli, Aida Turturro and Lorraine Bracco have also received nods for their supporting roles.
Bury My Heart at Wounded Knee scooped nominations including Outstanding Made for Television Movie, Outstanding Supporting Actor in a Miniseries or a Movie for stars August Schellenberg (who plays Sitting Bull) and Aidan Quinn (Senator Dawes), while Anna Paquin (Elaine Goodale) is nominated for Outstanding Supporting Actress.
Meanwhile, actress Mary-Louise Parker scored two nominations for two different roles--Outstanding Lead Actress in a Miniseries or a Movie (The Robber Bride) and Outstanding Lead Actress in a Comedy Series (Weeds).
But the Primetime Emmy nominations--announced on Thursday--had a big shock in store for fans of Desperate Housewives, Lost and Kiefer Sutherland's 24--all three programs missed out on the Best Drama category. Instead, The Sopranos will battle it out against Heroes, Boston Legal and medical dramas House and Grey's Anatomy.
Elsewhere, hit comedy Ugly Betty was nominated in 11 categories, including Best Comedy Actress for star America Ferrera and Outstanding Comedy Series, where it will compete against Entourage, 30 Rock, Two and a Half Men and The Office.
The 59th annual Primetime Emmy Awards will be broadcast live from Los Angeles on Sept. 16.
The main category nominations are as follows:
Outstanding Comedy Series:
Two and a Half Men
Ugly Betty Outstanding Drama Series:
Outstanding Lead Actor in a Comedy Series:
Extras - Ricky Gervais
Monk - Tony Shalhoub
The Office - Steve Carell
30 Rock - Alec Baldwin
Two and a Half Men - Charlie Sheen
Outstanding Lead Actor in a Drama Series
Boston Legal - James Spader
House - Hugh Laurie
Rescue Me - Denis Leary
The Sopranos - James Gandolfini
24 - Kiefer Sutherland
Outstanding Lead Actress in a Comedy Series:
Desperate Housewives - Felicity Huffman
The New Adventures of Old Christine - Julia Louis-Dreyfus
30 Rock - Tina Fey
Ugly Betty - America Ferrera
Weeds - Mary-Louise Parker
Outstanding Lead Actress in a Drama Series:
Brothers & Sisters - Sally Field
The Closer - Kyra Sedgwick
Law & Order: Special Victims Unit - Mariska Hargitay
Medium - Patricia Arquette
The Riches - Minnie Driver
The Sopranos - Edie Falco
Outstanding Reality Program:
Dog Whisperer with Cesar Millan
Extreme Makeover Home Edition
Kathy Griffin: My Life on the D-List
Penn & Teller: Bullshit! Outstanding Reality-Competition Program:
The Amazing Race
Dancing with the Stars
Outstanding Lead Actor in a Miniseries or a Movie:
Broken Trail - Robert Duvall
Jesse Stone - Tom Selleck
Longford - Jim Broadbent
Nightmares & Dreamscapes: From the Stories of Stephen King - William H. Macy
The Ron Clark Story - Matthew Perry
Outstanding Lead Actress in a Miniseries or a Movie:
Life Support - Queen Latifah
Prime Suspect: The Final Act (Masterpiece Theatre) - Helen Mirren
The Robber Bride - Mary-Louise Parker
The Starter Wife - Debra Messing
What If God Were the Sun - Gena Rowlands
Outstanding Supporting Actor in a Comedy Series:
Entourage - Kevin Dillon
Entourage - Jeremy Piven
How I Met Your Mother - Neil Patrick Harris
The Office - Rainn Wilson
Two and a Half Men - Jon Cryer
Outstanding Supporting Actor in a Drama Series:
Boston Legal - William Shatner
Grey's Anatomy - T.R. Knight
Heroes - Masi Oka
Lost - Michael Emerson
Lost - Terry O'Quinn
The Sopranos - Michael Imperioli
Outstanding Supporting Actor in a Miniseries or a Movie:
Broken Trail - Thomas Haden Church
Bury My Heart at Wounded Knee - August Schellenberg
Bury My Heart at Wounded Knee - Aidan Quinn
The Christmas Card - Edward Asner
The Starter Wife - Joe Mantegna
Outstanding Supporting Actress in a Comedy Series:
My Name Is Earl - Jaime Pressly
The Office - Jenna Fischer
Two and a Half Men - Holland Taylor
Two and a Half Men - Conchata Ferrell
Ugly Betty - Vanessa Williams
Weeds - Elizabeth Perkins
Outstanding Supporting Actress in a Drama Series:
Brothers & Sisters - Rachel Griffiths
Grey's Anatomy - Katherine Heigl
Grey's Anatomy - Chandra Wilson
Grey's Anatomy - Sandra Oh
The Sopranos - Aida Turturro
The Sopranos - Lorraine Bracco
Outstanding Supporting Actress in a Miniseries or a Movie:
Broken Trail - Greta Scacchi
Bury My Heart at Wounded Knee - Anna Paquin
Longford - Samantha Morton
The Starter Wife - Judy Davis
Tsunami, the Aftermath - Toni Collette
Outstanding Individual Performance in a Variety or Music Program:
79th Annual Academy Awards - Ellen DeGeneres
The Colbert Report - Stephen Colbert
The Daily Show with Jon Stewart - Jon Stewart
Late Show with David Letterman - David Letterman
Tony Bennett: An American Classic - Tony Bennett
Prime Suspect: The Final Act
The Starter Wife
Outstanding Made for Television Movie:
Bury My Heart at Wounded Knee
Inside the Twin Towers
The Ron Clark Story
Why I Wore Lipstick to My Mastectomy
Outstanding Children's Program:
Nick News with Linda Ellerbee: Private Worlds: Kids and Autism
The Suite Life of Zack & Cody
That's So Raven
When Parents Are Deployed
Click here to view the complete list of nominations.
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