Loosely based on the (rather lame) 1960 Rat Pack film dashing understated-but-cool thief Danny Ocean (George Clooney) orchestrates the most sophisticated elaborate casino heist in history less than 24 hours after being released from jail. In one night Danny's handpicked 11-man crew of specialists--including an ace card sharp (Brad Pitt) a young-but-masterful pickpocket (Matt Damon) and a demolition genius (Don Cheadle)--will attempt to steal over $150 million from three Las Vegas casinos owned by Terry Benedict (Andy Garcia) the elegant ruthless entrepreneur who just happens to be dating Danny's ex-wife Tess (Julia Roberts). To score the cash Danny will have to risk his life and risk his chance of ever reconciling with Tess. But if all goes according to his intricate nearly impossible plan Danny won't have to choose between his stake in the heist and his high-stakes reunion with Tess. Or will he?
The star wattage in this movie could solve all of California's electricity problems in one fell swoop. George Clooney easily passes himself off as suave mastermind Danny Ocean playing the role with understated class and elegance. Brad Pitt takes a similar arc as Rusty though he's slightly more dispassionate and professional than Clooney's visionary Ocean. Matt Damon is convincing as the inexperienced-but-talented pickpocket who's essential to getting in the vault. And Julia is simply Julia--glamorous and charming a smart cookie who is being wooed by the evil ruthless (and anal-retentive) casino mogul so elegantly portrayed by Andy Garcia. Affecting a Cockney accent and attitude Don Cheadle's portrayal of the demolition expert is a tour de force. Carl Reiner is absolutely hilarious as Saul Bloom an aging old-timer who comes out of retirement to infiltrate the casino as a debonair arms dealer. Elliott Gould Bernie Mac Scott Caan and Casey Affleck round out the cast nicely with inspired performances especially Gould's and Mac's.
Soderbergh cemented his reputation last year as a director of serious weight when both Traffic and Erin Brockovich were nominated for the Best Film Academy Award and garnered him two Best Director nominations---an unprecedented feat. Ocean's Eleven marks Soderbergh's departure from the serious to the seriously fun. This is one of the most stylish most elegantly filmed movies I have ever seen. Not only are all the actors beautiful but so are the locations clothes and shot selections. The speed and pacing of the flick belie the movie's length; Soderbergh clearly had fun making this movie. He shot this film very intimately often allowing the camera to stay close on the actors a tad longer than expected which lets their personas shine through--thus their personalities draw you into the movie as much as the caper itself. It's not often you see a movie where the direction has as much wit and cleverness as the plot itself. Ocean's Eleven makes no pretense to be something other than a jaunty cheeky exhilarating heist movie. So while the plot's not too deep all is forgiven considering the level of acting and direction.
When it comes to production value, “Crouching Tiger, Hidden Dragon” and “Erin Brockovich” are tops.
At least that’s what the Producers Guild of America is saying with its nominees of the best film productions of 2000.
The group also nominated “Almost Famous” “Billy Elliottt” and “Gladiator” for the 12th annual Golden Laurel Awards. The awards will be handed out March 3.
NBC led the group’s nominations for TV comedies with nominations for “Frasier,” “Friends” and “Will & Grace.” Fox’s “Ally McBeal and HBO’s “Sex in the City” also were nominated.
In the drama category, NBC's “The West Wing, “ER” and “Law & Order” received best production nods, along with HBO's “Oz” and ABC's “The Practice.”
This year, the PGA will honor Kirk Douglas with its Milestone Award. Lifetime achievement awards will go to Brian Grazer, producer of “Bowfingerr” and “Dr. Seuss' How the Grinch Stole Christmas,” and David E. Kelley, producer of the TV shows “Ally McBeal” and “The Practice.”
Kindly chemistry whiz Sherman (Eddie Murphy) has found the love of his life in cutie colleague Denise (Janet Jackson) who appreciates the heart of gold beneath his extra-large exterior. But the hero's happiness is threatened when his irrepressible alter-ego Buddy Love (Murphy) reappears with a scheme to wreak havoc with Sherman's newly discovered youth potion.
"The Klumps" displays Murphy's remarkable talent for submerging himself in diverse characters even more prominently than the original did. He impressively expands upon the four Klump family members he plays with the aid of Rick Baker's Oscar-winning prosthetic makeup effects -- especially his hilarious turn as sex-crazed Granny Klump. Larry Miller is amusingly caustic as the dean of Sherman's college while pop diva Jackson deserves credit simply for keeping a straight face opposite Murphy's various incarnations.
Peter Segal ("Tommy Boy") hands in a polished if not particularly inspired piece of broad comedy that achieves its primary purpose -- staying out of Murphy's way as he works his special magic. The filmmakers pay little attention to the brainless shamelessly mechanical plotline devoting nearly all their energy to fart and sex gags that if anything aim lower than the original film's. We're talking about a flick draws one of its biggest laughs from a character getting sodomized by a giant hamster. Baby that's nasty!