At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
Forget Black Swan – Natalie Portman’s real crowning performance is to be found in the romantic comedy No Strings Attached in which director Ivan Reitman asks her to convey sincere unqualified affection for Ashton Kutcher. Portman much to her credit gamely complies and though she may not have the emaciated figure bloody nails and bandaged ankles to tell of her labors the psychic scars must no doubt be just as severe.
Exhibiting strong chick-flick leanings and a rambunctious soft-R comic tone (i.e. lots of F-bombs some menstrual humor and a few shots of Kutcher’s naked ass) No Strings Attached is built around a basic relationship role-reversal: The dude Adam (Kutcher) longs for a deeper lasting commitment; the chick Emma (Portman) insists on keeping matters purely physical. Emma’s motive is a practical one: As a doctor-to-be her busy residency schedule with its 80-hour work weeks and intensive exam preparations precludes a serious relationship. But alas a woman has certain needs (foreplay apparently not being among them) and who better to fulfill them than Kutcher’s non-threatening boy-toy?
Thus a “friends with benefits” arrangement is cemented whereupon the ripcord is to be pulled on the occasion that either of them develops stronger feelings. This does not last long for soon Adam is cloyingly lobbying for escalation. Emma demurs – not out of disinterest we are told but because she’s intimacy-averse and afraid of a broken heart. Why else would she resist a more permanent attachment to someone like Adam?
Perhaps it’s because Adam as played by Kutcher is about as interesting as cabbage. And yet No Strings Attached would have us believe he’s some kind of floppy-haired Albert Schweitzer. This despite the fact that his greatest aspiration in life is to join the writing staff of a High School Musical-esque television series the shallow inanity of which is one of the film’s recurring jokes. In vain support of his cause the filmmakers decorate Adam’s apartment with various props – vintage posters books about 1920s movies a guitar that is occasionally picked up but never actually played – that hint at a depth that Kutcher himself never manifests.
Still Portman sells us on Adam and Emma’s inevitable union with every ounce of her not inconsiderable talent. (And her comic chops are legit – as those who’ve glimpsed her appearances on SNL and Funny or Die can attest.) But she asks too much. And Elizabeth Meriweather’s script while witty and stocked with some keen observations on the evolving nature of relationships in the modern age becomes weighed down by sentiment unbecoming an R-rated comedy not directed by Judd Apatow. In the end Kutcher seals the increasingly contrived deal with the climactic line “I’m warning you: Come one step closer and I’m never letting you go ” (I’m paraphrasing but not loosely) by which time the film's already lost its grip.
In a story published Friday, The New York Times looks at the intersection of celebrity, teen culture, reality TV and the Internet that is the recent spate of burglaries at the homes of Lindsay Lohan, Paris Hilton, Orlando Bloom and other celebrities.
The Bling Ring, as the Los Angeles Times has come to call it, is made up of mostly 18- and 19-year-olds who used celebrity Web sites to figure out when their victims' homes would be vulnerable. It doesn't hurt the chances of the group becoming the subject of a movie that the teenagers "look like the cast of Twilight," as one Hollywood lawyer put it.
Six accused members of the band have been charged with residential burglary and other crimes.
Rachel Lee, 18, is said to be the ringleader and was arrested in Las Vegas. She is expected to be charged soon.
Nowadays, celebrities are close enough to reach out and touch, even more so thanks to gossip Web sites that track the nightly antics of young Hollywood. "Young people see a lifestyle on television and have peer pressure and constant bombardment from media to have what other people have, to want what other people want and to try to live the dream," Jason Peirce, the host of Calabasas Teen Forum, a local cable television program, told the NYT.
Police say that some of the stolen bling was fenced for cash, while other items were kept as trophies. The paper goes on to look at the private lives of the suspected celebuthieves themselves.
Lee "dressed very trendy, things like what celebrities wore," Dani Ley, a classmate, told the paper. "Everyone would be in jeans and shorts. She would come in fancy jean skirts and fancy tops." But friends also said Lee had trouble at home.
The stealing started small about two years ago, said Sean Erenstoft, a lawyer for one of the other accused, Nicholas Prugo.
"Rachel for fun would break into cars in rich neighborhoods," Erenstoft told the paper. "She would yank on the handles of cars to see if they were locked. They find an open door, grab a roach."
That version of events was disputed by David Diamond, the lawyer for 27-year-old Roy Lopez Jr. He said that it was Prugo who was the mastermind and is pointing the finger at everyone else.
By late last year, according to court documents, Prugo and others burglarized Paris Hilton's home in Sherman Oaks by entering through an open door and making off with jewelry and other belongings.
It is unclear why the teenagers graduated from parked cars to celebrity homes, but once they did they apparently found the Internet an excellent aid: They consulted sites to learn of stars' comings and goings and celebrityaddressaerial.com to learn their home addresses, the NYT says.
In coverage of the Bling Ring, the NYT points out, there has been much speculation about what turns teenagers to such crimes: lax parenting? Have children raised on reality TV and intimate-sounding Tweets from movie stars lost all boundaries between the screen and themselves?
Blair Berk, a lawyer who has represented Lindsay Lohan and other celebrities, said that in the brief comments some Bling Ring members have made to the ubiquitous video cameras that now follow them, they seem to be having a good time.
"Wait until they become the people they robbed," she said. "Give it 60 days before these kids are household names."
The Constant Gardener is leading the pack ahead of next month's British Academy of Film and Television Arts (BAFTA) Awards after picking up 10 nominations.
Rachel Weisz, who won the Best Supporting Actress in a Motion Picture Golden Globe on Monday, is nominated for Actress in a Leading Role for her performance in the adaptation of Graham Greene's novel, while Ralph Fiennes is up for Actor in a Leading Role and filmmaker Fernando Meirelles is put forward for the David Lean Award for Achievement in Direction.
Hot on the heels of The Constant Gardener are gay cowboy heartbreaker Brokeback Mountain and politically charged Crash, which have both received nine nominations for the Feb. 19 awards ceremony.
Taiwanese filmmaker Ang Lee is nominated for the David Lean Award, and his stars Heath Ledger, Jake Gyllenhaal and Michelle Williams have all received recognition for their performances.
Hit British movie Pride and Prejudice has been named in six BAFTA categories including British Film of the Year and Actress in a Supporting Role for Brenda Blethyn's scene-stealing performance.
George Clooney is up for two awards—Actor in a Supporting Role for Syriana and Achievement in Direction for his handling of Good Night, And Good Luck—which has scooped six nominations.
Oscars favorites and Walk the Line co-stars Joaquin Phoenix and Reese Witherspoon have both been nominated for their acclaimed acting in the Johnny Cash biopic, while Chinese beauty Ziyi Zhang is up for the Actress in a Leading Role BAFTA for her star turn in the big screen version of Arthur Golden's best-selling novel Memoirs of a Geisha.
The partial list of nominees is as follows:
The Constant Gardener
Good Night, And Good Luck
The Alexander Korda Award for the Outstanding British Film of the Year:
A Cock and Bull Story
The Constant Gardener
Pride and Prejudice
The Curse of the Were-Rabbit
The Carl Foreman Award for Special Achievement by a British Director, Writer or Producer in Their First Feature Film:
David Belton (Producer)--Shooting Dogs
Peter Fudakowski (Producer)--Tsotsi
Annie Griffin (Director/Writer)—Festival
Richard Hawkins (Director)--Everything
Joe Wright (Director)--Pride and Prejudice
The David Lean Award for Achievement in Direction:
Brokeback Mountain--Ang Lee
The Constant Gardener--Fernando Meirelles
Good Night, And Good Luck--George Clooney
Best Original Screenplay:
Cinderella Man--Cliff Hollingsworth/Akiva Goldsman
Crash--Paul Haggis/Bobby Moresco
Good Night, And Good Luck--George Clooney/Grant Heslov
Hotel Rwanda--Keir Pearson/Terry George
Mrs. Henderson Presents--Martin Sherman
Best Adapted Screenplay:
Brokeback Mountain--Larry Mcmurtry/Diana Ossana
The Constant Gardener--Jeffrey Caine
A History of Violence--Josh Olson
Pride and Prejudice--Deborah Moggach
Best Film Not in the English Language:
De Battre Mon Coeur S'est Arrêté (The Beat That My Heart Skipped)
Le Grand Voyage
Kung Fu Hustle
Best Actor in a Leading Role:
David Strathairn--Good Night, And Good Luck
Heath Ledger--Brokeback Mountain
Joaquin Phoenix--Walk the Line
Philip Seymour Hoffman--Capote
Ralph Fiennes--The Constant Gardener
Best Actress in a Leading Role:
Charlize Theron--North Country
Judi Dench--Mrs. Henderson Presents
Rachel Weisz--The Constant Gardener
Reese Witherspoon--Walk the Line
Ziyi Zhang--Memoirs of a Geisha
Best Actor in a Supporting Role:
George Clooney--Good Night, And Good Luck
Jake Gyllenhaal--Brokeback Mountain
Best Actress in a Supporting Role:
Brenda Blethyn--Pride and Prejudice
Frances Mcdormand--North Country
Michelle Williams--Brokeback Mountain
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