Actress Kate Bosworth deprived herself of sleep to prepare for her drug addict role in new action thriller Homefront. The Superman Returns star plays meth addict Cassie Bodine in the new movie, and she decided to give up her beauty sleep in order to give herself a more haggard look.
She tells Collider.com, "I got very little sleep. The physicality was something that the role required. She's someone who's abusing herself every day and that starts to take a toll.
"Clearly meth is a very destructive substance, and it shows physically very quickly, and it's a quick demise. It was... about how rough we wanted her to look. It wasn't something that I thought twice about. It was something that was required.''
Homefront, which also stars Jason Statham, James Franco and Winona Ryder, is due for release in the U.S. on Wednesday (27Nov13).
Found-footage filmmaking has been all the rage in horror films for the past few years with the Paranormal Activity franchise and its innumerable variants making enthusiastic use of the cheap but effective vérité technique for conjuring scares. Silent House the new (well somewhat new) thriller from the husband-and-wife directing team of Chris Kentis and Laura Lau may not technically be found-footage but its hand-held “captured in real time” approach achieves essentially the same effect minus the idiotic faux disclaimers attesting to its "authenticity."
Presented as a single 88-minute take without any visible editing (think Alfred Hitchcock’s Rope) Silent House stars Elizabeth Olsen (Martha Marcy May Marlene) as Sarah a somewhat aloof young girl staying with her father (Adam Trese) as he and his brother (Eric Sheffer Stevens) renovate their family’s waterfront vacation home in preparation for its sale. After years of neglect the house has fallen into disrepair lacking electricity phone lines or much of anything else that might possibly aid a girl in surviving a home invasion the potential for which is made abundantly clear in the film’s opening act.
And just who might wish to pay Sarah an unwelcome visit? Silent House’s script written by Lau offers any number of likely suspects from the vandals who’ve repeatedly trashed the vacation home to the unsavory ex-boyfriend who’s recently resurfaced in Sarah’s life. And that supposed “childhood friend” who paid her an ominous visit can’t possibly have good intentions. Oh and let’s not forget the simmering feud between Sarah’s father and uncle the fallout from which is bound to turn one of them homicidal. Perhaps they’ll all join forces and form some kind of supergroup the Power Station of sociopaths.
Whoever they are they’re exceedingly ill-tempered as Sarah learns when she happens upon her bloodied father in one of the upstairs bedrooms. Sounds of footsteps signal that his attacker(s) is near and soon Sarah is engaged in a terrifying game of hide-and-seek scrambling about the house to evade capture.
Generous kudos must be paid to cameraman Igor Martinovic who works in lock-step with Olsen in Silent House trailing close behind as she darts up and down the stairs peering over her shoulder as she gingerly opens a door and training on her face as she grimaces in silent terror trying to contain her panic as her unseen tormentor approaches. There are times however when Silent House could use a steadier hand. During some of the film’s more frantic moments the action becomes so hopelessly frenzied as to turn cinema vérité into cinema vomité.
Silent House’s "captured in real time" gimmick is exceedingly well-executed with hidden cuts spread pretty much seamlessly throughout the film. (Of course the fact that I spent a good deal of time scanning for said hidden cuts testifies to its potential to become a distraction.) Lau and Kentis establish a steady build-and-release rhythm with the tension while dropping in subtle clues here and there as to the motives behind the mayhem.
The success or failure of Silent House ultimately hinges on the efforts of Olsen who quite impressively shoulders the burden of inhabiting nearly every frame of the film. Olsen is significantly more nuanced than your typical scream-queen and it’s her performance alone that holds the film aloft during its more ludicrous moments.
Good as she is Olsen can’t hope to rescue the film’s poorly conceived third act. Over a year removed from its 2011 Sundance debut Silent House saw its ending thoroughly rejiggered in preparation for its theatrical release with the final 15 minutes replaced entirely. In its existing iteration the film abruptly takes leave of its senses during the climax with a flurry of preposterous twists and revelations that are only frightening in their abject inanity.
Click here to hear Elizabeth Olsen talk about Silent House's arduous shooting process in our exclusive interview.
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After garnering widespread praise (and an Oscar nomination for screenwriting) for his 2000 directorial debut You Can Count on Me Kenneth Lonergan was in-demand. In September 2005 the writer/director began production on a follow-up feature: Margaret which touted Anna Paquin Matt Damon Mark Ruffalo Matthew Broderick Allison Janney as well as legendary filmmakers Sydney Pollack and Anthony Minghella (The English Patient) as producers. The movie wrapped production in a few months time. The buzz was already growing.
Now six years later the movie is finally hitting theaters. So…what took so long?
The journey to this point hasn't been an easy one and it shows. If a film's shot footage is a block of granite and the editing process is the careful carving that turns it into a statuesque work of art Margaret feels like it was attacked by a blind man with a jackhammer. The film is a cinematic disaster a mishmash of shallow characters overwrought politics and sporadic tones. The story follows Lisa Coen (Paquin) a New York teenager who finds herself drowning in chaos after distracting a bus driver (Ruffalo) causing him to hit and kill a pedestrian (Janney). Initially Lisa tells the police it was all an accident but as time passes regret takes hold and the girl embarks on a mission to take down the man she now regards as a culprit. That's just the tip of the iceberg–along the way Lisa deals with everyday teen stuff: falling for her geometry teacher (Damon) combating her anxiety-ridden actress mother losing her virginity dabbling in drugs debating 9/11 and the Iraq War cultivating a relationship with her father in LA and more. There are about eight seasons of television stuffed into Margaret but even a two and a half hour run time can't make it all click.
For more on Margaret check out Indie Seen: Margaret the Long Lost Anna Paquin/Matt Damon Movie
Think Johnny Depp would be interested in a role? Variety reports Paramount Pictures plans to make a big-screen version of 21 Jump Street, the popular late-'80s TV series that launched Depp's career and gave the then-fledgling Fox network its first youth audience boost. The film treatment, to be written by series co-creators Stephen J Cannell and Patrick Hasburgh, focuses on a group of 20-something undercover cops who return to high school to crack down on drug dealers roaming the hallways. The series also starred Peter DeLuise, Holly Robinson Peete, Dustin Nguyen and Richard Grieco.
Frances Bay, the 83-year-old character actress who was struck by a car Thursday, was listed in critical condition Saturday at a Los Angeles hospital after having part of her right leg amputated. Bay, who has appeared in more than 50 films including Happy Gilmore and The Wedding Planner, also suffered from head injuries due to the accident in which a 17-year-old driver struck her going 30 miles per hour. No charges have been filed as yet.
Paula Poundstone has taken the first step in getting her children back. An appeals court granted the comedian her first unsupervised visit with her three adopted children since she lost custody 17 months ago in her child endangerment case, Reuters reports. She has been visiting the kids, now in a foster home, with a court-appointed monitor nearly every day.
Jethro gets in on some casino action. Max Baer Jr., the actor who played the dumb but lovable Jethro Bodine on the popular '60s show The Beverly Hillbillies, has signed a deal to produce hundreds of penny slot machines featuring the show, AP reports. If this works out, Baer, 64, looks to expand the Hillbillies franchise by coming up with grocery items such as Elly May's buns and Granny's lye soap. Yee-haw!
Antoine Fuqua (Training Day) will direct Warner Bros. Pictures' Strangers, an update of the Patricia Highsmith novel Strangers on a Train. The story, which in 1951 got classic treatment from the master of suspense himself, Alfred Hitchcock, centers on a tennis pro embroiled in an ugly divorce who wants to kill his wife. He ends up meeting a man on a train who wants to kill his father, and the two make a pact to swap murders. Only one, however, has the guts to carry it out.
The Emmy-nominated miniseries Dinotopia, a fantastical story about dinosaurs and humans living and conversing compatibly, will become a TV series on ABC. The 13-episode series will begin airing Thanksgiving and will be geared toward the young viewing audience that made the miniseries so popular. Meaning, the T. Rexes will still devour humans, they'll just do it off-camera.
Chris Robinson, the lead singer of the Black Crowes who left the popular rock band to pursue a solo career, is now promoting his debut album New Earth Mud. Robinson, 35, who is married to actress Kate Hudson, told Reuters, "I'm not looking for an easy life."
Sean "P.Diddy" Combs and Alicia Keys were on hand Saturday in Cape Town, South Africa, to perform for MTV's Staying Alive Concert and to voice their indignation over the lack of support for the AIDS epidemic currently ravaging Africa. "I don't think you see enough of this story in your face," Combs told reporters. MTV will broadcast the concert globally Dec. 1 as part of a 90-minute World AIDS Day special .