Justin Timberlake, Imagine Dragons Robin Thicke and Jennifer Lopez were among the big winners at the 2014 Billboard Music Awards on Sunday (18May14), each taking home top honours. The SexyBack hitmaker, who is currently on his world tour, emerged victorious in a total of seven categories, including Top Artist, Top Male Artist and Top Radio Songs Artist, while he also claimed the title for Top Billboard 200 Album for The 20/20 Experience.
Imagine Dragons and Robin Thicke were also multiple winners on the night, while Lorde had double the reason to celebrate as she was named Top New Artist and her hit Royals earned her the Top Rock Song prize. It was also a big night for Jennifer Lopez, who opened the Las Vegas ceremony by joining Pitbull and Claudia Leitte to perform their official 2014 FIFA World Cup soccer anthem, We Are One (Ole Ola).
She returned to the stage almost three hours later to close the show with her new song First Love as she was feted with the Icon Award by pal Ricky Martin and rapper Iggy Azalea, while video tributes from the likes of Taylor Swift, Keith Urban, Cameron Diaz, Britney Spears, Rihanna and Mary J. Blige were shown on a big screen. She grew emotional as she gave thanks to her friends, family and key colleagues and she wrapped up her acceptance speech by addressing all the youngsters watching the awards on TV, telling them, "Have faith, think big, dream big and know that anything is possible. You never know where you might end up. Thank you, I love you."
Other show highlights included Ricky Martin's energetic Vida and Lorde's first TV rendition of her new single Tennis Court. There was also a pre-taped Birthday surprise from Katy Perry, who recorded a segment from her recent gig in Newcastle, England, where she plucked a real birthday girl from the audience and serenaded her onstage, for the awards show, while footage from Miley Cyrus' concert in Manchester, England last week (14May14), when she sang a cover of the Beatles' Lucy in the Sky with Diamonds with the Flaming Lips' Wayne Coyne and Steven Drozd, also aired.
The main list of winners at the 2014 Billboard Music Awards, presented by rapper Ludacris, is as follows:
Top Artist - Justin Timberlake
Top New Artist - Lorde
Top Male Artist - Justin Timberlake
Top Female Artist - Katy Perry
Top Duo/Group - Imagine Dragons
Top Touring Artist - Bon Jovi
Top Billboard 200 Artist - Justin Timberlake
Top Billboard 200 Album - Justin Timberlake, The 20/20 Experience
Top Hot 100 Artist - Imagine Dragons
Top Hot 100 Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Radio Songs Artist - Justin Timberlake
Top Radio Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Digital Songs Artist - Katy Perry
Top Digital Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Social Artist - Justin Bieber
Top Streaming Artist - Miley Cyrus
Top Streaming Song (Audio) - Imagine Dragons, Radioactive
Top Streaming Song (Video) - Miley Cyrus, Wrecking Ball
Top Christian Artist - Chris Tomlin
Top Christian Song - Matthew West, Hello, My Name Is
Top Christian Album - Alan Jackson, Precious Memories Volume II
Top Country Artist - Luke Bryan
Top Country Song - Florida Georgia Line featuring Nelly, Cruise
Top Country Album - Luke Bryan, Crash My Party
Top Dance/Electronic Album - Daft Punk, Random Access Memories
Top Latin Artist - Marc Anthony
Top Latin Song - Marc Anthony, Vivir Mi Vida
Top Latin Album - Marc Anthony, 3.0
Top R&B Artist - Justin Timberlake
Top R&B Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top R&B Album - Justin Timberlake, The 20/20 Experience
Top Rap Artist - Eminem
Top Rap Song - Macklemore & Ryan Lewis featuring Ray Dalton, Can't Hold Us
Top Rap Album - Eminem, The Marshall Mathers LP 2
Top Rock Artist - Imagine Dragons
Top Rock Song - Lorde, Royals
Top Rock Album - Imagine Dragons,
Night Visions Milestone Award - Carrie Underwood
Icon Award - Jennifer Lopez.
After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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