Columbia Pictures via Everett Collection
Treading water at the very surface of RoboCop, there is an idea. A dense concept, ready and willing to provide no dearth of dissection for any eager student of philosophy, psychology, political science, physics — hell, any of the Ps. To simplify the idea on hand: What separates man from machine? It's a question that is not just teased by the basic premise of José Padilha's remake of the 1987 sci-fi staple, but asked outright by many of its main characters. And then never really worried about again.
We have principal parties on both sides of the ethical quandary that would place the security of our crime-ridden cities in the hands of automatons. Samuel L. Jackson plays a spitfire Bill O'Reilly who wonders why America hasn't lined its streets with high-efficiency officer droids. Zach Grenier, as a moralistic senator, gobbles his way through an opposition to the Pro-boCop movement. We hear lecture after lecture from pundits, politicians, business moguls (a money-hungry Michael Keaton heads the nefarious OmniCorp...) and scientists (...while his top doc Gary Oldman questions the nature of his assignments while poking at patients' brains and spouting diatribes about "free will"), all working their hardest to lay thematic groundwork. Each character insists that we're watching a movie about the distinction between human and artificial intelligence. That even with an active brain, no robot can understand what it means to have a heart. But when Prof. Oldman tempers his hysterical squawking and Samuel L. Hannity rolls his closing credits, we don't see these ideas taking life.
In earnest, the struggle of rehabilitated police officer Alex Murphy (Joel Kinnaman) — nearly killed in the line of duty and turned thereafter into OmniCorp's prototype RoboCop — doesn't seem to enlist any of the questions that his aggravated peers have been asking. Murphy is transformed not just physically, but mentally — robbed of his decision-making ability and depleted of emotional brain chemicals — effectively losing himself in the process. But the journey we see take hold of Murphy is not one to reclaim his soul, although the movie touts it as such. It's really just one to become a better robot.
Columbia Pictures via Everett Collection
Meanwhile, RoboCop lays down its motives, and hard: Murphy's wife and son (Abbie Cornish and a puckish young John Paul Ruttan) lament the loss of Alex, condemning his dehumanization at the hands of Raymond Sellars' (Keaton) capitalistic experiments, and sobbing out some torrential pathos so you know just how deep this company is digging. Weaselly stooges (Jay Baruchel, Jennifer Ehle, and Jackie Earl Haley) line the OmniCorp roster with comical wickedness. Overseas, killer combat bots take down peaceful villages, unable to work empathetic judgment into their decision to destroy all deemed as "threats." And at the top, figures of power and money like Sellars and Pat Novak (Jackson) speak the loudest and harshest, literally justifying their agenda with a call for all naysayers to "stop whining." Clearly, RoboCop has something to say.
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And when it's devoted to its outrage, RoboCop is terrifically charming. The buzzing political world is just a tiny step closer to ridiculous than our own; the pitch meetings at OmniCorp are fun enough to provoke a ditching of all the material outside of the company walls. And one particular reference to The Wizard of Oz shows that the movie isn't above having fun with its admittedly silly premise. But it loses its magic when it steps away from goofy gimmicks and satirical monologues and heads back into the story. We don't see enough of Murphy grappling with the complicated balance between his conflicting organic and synthetic selves. In fact, we don't see enough "story" in Murphy at all. First, he's a dad and a cop. Then, he's a RoboCop. But can he also be a RoboDad? With all of its ranting and raving about the question, the film doesn't seem to concerned with actually figuring out the answer.
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For all the controversy and hype surrounding "Eyes Wide Shut," the film will most likely be remembered as director Stanley Kubrick's last opus -- finished just days before he died in his sleep March 7.
The 70-year-old eccentric filmmaker's career was founded on spectacle, from the shocking "A Clockwork Orange" to the profound "2001: A Space Odyssey." It somehow seemed fitting that "Eyes Wide Shut," despite the star talent of Tom Cruise and Nicole Kidman, would make its mark by bearing the director's ghost.
The year that was marked the passing of other legends, as well -- from George C. Scott (Kubrick's "Dr. Strangelove" star) to singer Mel Tormé to movie critic Gene Siskel.
Some, like Sylvia Sidney and DeForest Kelley, died after long, rich careers; others, such as Dana Plato and David Strickland, succumbed in relative youth to their inner demons.
From marquee names to behind the sceners, Hollywood will mourn:
Kirk Alyn, 88, died March 14. In 1948, the first actor to play Superman on the big screen.
Hoyt Axton, 61, died Oct. 26, heart attack. Singer-actor who wrote hits such as Three Dog Night's "Joy to the World"; appeared in "Gremlins" and "The Black Stallion."
Ian Bannen, 71, died Nov. 3, car accident. Theater veteran who starred in "Waking Ned Devine," appeared in "Braveheart" and was nominated for an Oscar in 1965 for "Flight of the Phoenix."
Mary Kay Bergman, 38, died Nov. 11, suicide. Actress who voiced numerous "South Park" characters in the TV series and film.
Dirk Bogarde, 78, died May 8, heart attack. British veteran of more than 70 films, including "Death in Venice."
Rory Calhoun, 76, died April 28, emphysema and diabetes. Western film actor in the 1940s and '50s and star of CBS' "The Texan" series.
Allan Carr, 62, died June 29, cancer. Producer of the hit 1978 musical "Grease" and Tony Award winner for "La Cage aux Folles" on Broadway.
Iron Eyes Cody, about 90, died Jan 4, natural causes. American American actor best known as the "Crying Indian" in 1970s anti-litter public-service announcements.
Ellen Corby, 87, died April 14. Oscar nominee for the 1948 film "I Remember Mama"; Emmy winner for her grandmother role on TV's "The Waltons."
Harry Crane, 85, died Sept. 14, cancer. Co-created the TV sitcom "The Honeymooners''; wrote for entertainers such as the Marx Brothers, Red Skelton and Bing Crosby.
Charles Crichton, 89, died Sept. 14. Acclaimed British director of film comedies, including "The Lavender Hill Mob" and "A Fish Called Wanda."
Frank De Vol, 88, died Oct. 27, congestive heart failure. Film composer who received Oscar nominations for "Hush ... Hush, Sweet Charlotte," "Pillow Talk" and "Guess Who's Coming to Dinner.'' Wrote the theme music for TV's "The Brady Bunch."
Edward Dmytryk, 90, died July 1, heart and kidney failure. Directed films such as "The Caine Mutiny"; one of the blacklisted Hollywood Ten during the 1940s Red Scare.
Allen Funt, 84, died Sept. 5, complications from stroke. Hosted and created prankster TV show "Candid Camera."
Betty Lou Gerson, 84, died Jan. 12, stroke. Provided the voice for villainess Cruella De Vil in Disney's 1961 animated "One Hundred and One Dalmatians."
Ernest Gold, 77, died March 17, complications from stroke. Composer for films such as "It's a Man, Mad, Mad, Mad World"; won an Academy Award for "Exodus."
Sandra Gould, 73, died July 20, stroke. Played nosy neighbor Gladys Kravitz on TV's "Bewitched."
Huntz Hall, 78, died Jan. 30, heart failure. Starred in more than 100 "Dead End Kids" and "Bowery Boys" films in the 1930s through the '50s.
Brion James, 54, died Aug. 7, heart attack. Played the murderous droid Leon in Ridley Scott's "Blade Runner."
Madeline Kahn Madeline Kahn, 57, died Dec. 3, ovarian cancer. Oscar-nominated actress-comedian who starred in "Blazing Saddles" and "Paper Moon."
Garson Kanin, 86, died March 13, heart failure. Oscar-nominated screenwriter ("Adam's Rib," "Pat and Mike"); penned hit play "Born Yesterday." DeForest Kelley
DeForest Kelley, 79, died June 11, long illness. Starred as Dr. Leonard "Bones" McCoy on TV's original "Star Trek" series and in several of the franchise's big-screen movies.
Richard Kiley, 76, died March 5, bone marrow disease. Actor/singer best known for introducing audiences to original power ballad, "The Impossible Dream," via Broadway's "Man of La Mancha."
Stanley Kubrick, 70, died March 7 in his sleep. Acclaimed director of films such as "Dr. Strangelove," "Spartacus," "2001: A Space Odyssey," "A Clockwork Orange" and "The Shining."
Desmond Llewelyn, 85, died Dec. 19, car accident. British actor who played James Bond's gadget-guru Q through "From Russia With Love" (1963) to "The World Is Not Enough" (1999).
Victor Mature, 86, died Aug. 4, cancer. Hunky star of the 1940s and 50s, with leading roles in "Samson and Delilah" and "My Darling Clementine."
Jay Moloney, 35, died Nov. 16, suicide. Talent agent known as the "boy wonder," who once represented Hollywood heavies such as Steven Spielberg and Leonardo DiCaprio.
Clayton Moore, 85, died Dec. 28, heart attack. Longtime star of TV's "The Lone Ranger."
Dana Plato, 34, died May 8, apparent accidental drug overdose. Former child star of the 1970s sitcom "Diff'rent Strokes."
Abraham Polonsky, 88, died Oct. 26, heart attack. Oscar-nominated screenwriter ("Body and Soul"); one of the blacklisted Hollywood Ten.
Mario Puzo, 78, died July 2, heart failure. Novelist/screenwriter ("The Godfather") who two Oscars for his screenplays for "The Godfather" (1972) and "The Godfather Part II" (1974).
Irving Rapper, 101, died Dec. 20. Golden-era director best known for collaborating with Bette Davis on four films, including "Now, Voyager" (1942).
Oliver Reed, 61, died May 2, apparent heart attack. British actor best known for starring in "Oliver!" and "Women in Love."
Charles "Buddy" Rogers, 94, died April 21, natural causes. Starred in 1927's "Wings," the first film to win the Best Picture Oscar; widower of silent-star Mary Pickford.
George C. Scott George C. Scott, 71, died Sept. 22, ruptured abdominal aortic aneurysm. Gruff-voiced leading man who starred in "Dr. Strangelove" and "Anatomy of a Murder." Won (and refused) the Oscar for 1970's "Patton"; won Emmy and Golden Globe for 1997's Showtime film "12 Angry Men."
Sylvia Sidney, 88, died July 1, throat cancer. Veteran actress whose career spanned the 1930s through the 1990s. Nominated for an Oscar for 1973's "Summer Wishes, Winter Dreams." Gene Siskel
Gene Siskel, 53, died Feb. 20, brain tumor. With Roger Ebert, the nation's most influential movie critic and purveyor of the "thumbs up/thumbs down" rating system on their syndicated TV series. Writer for Chicago Tribune.
Susan Strasberg, 60, died Jan. 21, breast cancer. Theater/TV/film actress ("The Diary of Anne Frank"); daughter of famed acting guru Lee Strasberg; cohort of Marilyn Monroe.
David Strickland, 29, died March 23, suicide. Co-star of the NBC sitcom "Suddenly Susan"; played a lovelorn ex-boyfriend in "Forces of Nature" (1999).
Mel Torme, 73, died June 5, complications from stroke. Velvety crooner of jazz and pop, who co-wrote "The Christmas Song (Chestnuts Roasting on an Open Fire)."
Norman Wexler, 73, died Aug. 23, heart attack. Oscar-nominated screenwriter of "Joe" and "Serpico." Also wrote "Saturday Night Fever" and "Stayin' Alive."
John Woolf, 86, died June 28, heart failure. British producer of "Oliver!" and "The African Queen."