In the realm of cinema, especially in the major awards circuit, there is one category that often gets shafted to the background: animation. With the assigned stigma that an animated movie is necessarily childlike and uncomplicated, animated pictures rarely get the respect they deserve come Oscar season. But thankfully, there is the Annie Awards, an institution that turns 40 this year.
The International Animated Film Association's award enterprise has announced its nominations for achievements in the year 2012. Recognized above all are the far-reaching greats of the year: Pixar's majestic adventure Brave, the video game celebration of Wreck-It Ralph, and the respective claymation love-letters to horror cinema of the 1950s and early 1980s: Tim Burton's Frankenweenie and ParaNorman. Check out the complete list of nominees below. Best Animated Feature Brave Frankenweenie Hotel Transylvania ParaNorman Rise of the Guardians The Pirates! Band of Misfits The Rabbi’s Cat Wreck-It Ralph Annie Award for Best Animated Special Production Batman: The Dark Knight Returns, Part 1 Before Orel – Trust Despicable Me: Minion Mayhem Disney Tron: Uprising – Beck’s Beginning Dragons: Gift of the Night Fury Justice League: Doom Best Animated Short Subject Brad and Gary Bydlo Eyes on the Stars Goodnight Mr. Foot Kali the Little Vampire Maggie Simpson in ‘The Longest Daycare’ Paperman The Simpsons Best General Audience Animated TV Production For Preschool Children Bubble Guppies - ‘A Tooth on the Looth’ Chuggington - ‘Magnetic Wilson’ Jake & The Never Land Pirates - ‘Peter Pan Returns’ Doc McStuffins - ‘The Right Stuff’ Justin Time - ‘Marcello’s Meatballs' Best Animated Television Production For Children Adventure Time- ‘Princess Cookie’ Dragons: Riders of Berk- ‘How to Pick Your Dragon’ LEGO Star Wars- ‘The Empire Strikes Out’ Penguins of Madagascar -‘Action Reaction’ SpongeBob SquarePants -‘It’s a SpongeBob Christmas!’ The Amazing World of Gumball -‘The Job’. The Fairly OddParents- ‘Farm Pit’ The Legend of Korra- ‘Welcome to Republic City’/’A Leaf in the Wind’ Best General Audience Animated Television Production Archer - ‘Space Race, Part 1’ Bob’s Burgers- ‘Earsy Rider’ Motorcity- ‘Blond Thunder’ MAD - ‘FrankenWinnie/ParaMorgan’ Robot Chicken- ‘DC Comics Special’ South Park -‘Raising the Bar’ Animated Video Game Borderlands 2 Family Guy – Back to the Mutiverse Journey Skullgirls Best Student Film Can We Be Happy Now– Tahnee Gehm Defective Detective– Avner Geller & Steve Lewis Head Over Heels– Timothy Reckart I Am Tom Moody– Ainslie Henderson Ladies Knight– Joseph Rothenberg Origin– Jessica Poon The Ballad of Poisonberry Pete– Karen Sullivan Tule Lake– Michelle Ikemoto Animated Effects in an Animated Production Andrew Nawrot, Joe Gorski, Grant Laker - ParaNorman Andrew Schneider - Ice Age: Continental Drift Andy Hayes, Carl Hooper, David Lipton - Rise of the Guardians Bill Watral, Chris Chapman, Dave Hale, Keith Klohn, Michael K. O’Brien - Brave Brett Albert - Wreck-It Ralph Jihyun Yoon - Madagascar 3: Europe’s Most Wanted Joel Aron - Star Wars: The Clone Wars Animated Effects in a Live Action Production Jerome Platteaux, John Sigurdson, Ryan Hopkins, Raul Essig, Mark Chataway - The Avengers Stephen Marshall, Joseph Pepper, Dustin Wicke - The Amazing Spider-Man Sue Rowe, Simon Stanley-Clamp, Artemis Oikonomopoulou, Holger Voss, Nikki Makar, Catherine Elvidge - John Carter Willi Geiger, Rick Hankins, Florent Andorra, Florian Witzel, Aron Bonar - Battleship Character Animation in an Animated Television/Broadcast Production Dan Driscoll - SpongeBob SquarePants: It’s a SpongeBob Christmas! Jennifer Dickie - Justin Time: Yodel Odel Day Keith Kellogg - Star Wars: The Clone Wars: Revenge Forrest Savelen - SpongeBob SquarePants: It’s a SpongeBob Christmas! Shi Zimu - Dragons: Riders of Berk Sihanouk Marinona - Before Orel: Trust Teri Yam - Dragons: Riders of Berk Yan Jiazhuang - Dragons: Riders of Berk Character Animation in a Feature Production Dan Nguyen - Brave David Pate - Rise of the Guardians Jaime Landes - Brave Phillppe LeBrun - Rise of the Guardians Pierre Perifel - Rise of the Guardians Travis Hathaway - Brave Travis Knight - ParaNorman Will Becher - The Pirates! Band of Misfits Character Animation in a Live Action Production Erik de Boer, Amanda Dague, Matt Brown, Mary Lynn Machado, Aaron Grey - Life of Pi (Orangutan) Erik de Boer, Matt Shumway, Brian Wells, Vinayak Pawar, Michael Holzl - Life of Pi (Tiger) Jakub Pistecky, Maia Kayser, Scott Benzu, Steve King, Kiran Bhat - The Avengers Mike Beaulieu, Roger Vizard, Atushi Sato, Jackie Kochler, Derek Esparza, Richard Smith, Mac Tyrie - The Amazing Spider-Man Character Design in an Animated Television/Broadcast Production Andy Bialk - Dragons: Riders of Berk: Alvin and the Outcasts Andy Suriano - DC Nation-Plastic Man: The Many and the Fowl Bryan Konietzko, Joaquim Dos Santos, Ryu Ki-Hyun, Kim Il Kwang, Kim Jin Sun - The Legend of Korra: Welcome to Republic City “C” Raggio IV - Kick Buttowski: Petrified Derrick Wyatt, Chap Yaep, Steven Choi - Ben 10: Omniverse: The More Things Change, Pt. 2 Gordon Hammond - T.U.F.F. Puppy: Dudley Do-Wrong Robert Valley - Disney Tron: Uprising: The Renegade, Part I Thaddeus Paul Cauldron - Secret Mountain Fort Awesome: Secret Mountain Uncle Grandpa Character Design in an Animated Feature Production Bill Schwab, Lorelay Bove, Cory Loftis, Minkyu Lee - Wreck-It Ralph Carlos Grangel - Hotel Transylvania Carter Goodrich - Hotel Transylvania Craig Kellman - Madagascar 3: Europe's Most Wanted Heidi Smith - ParaNorman Yarrow Cheney, Eric Guillon, Colin Stimpson - Dr. Seuss' The Lorax Directing in an Animated Television/Broadcast Production Howie Parkins - Jake and The Never Land Pirates: Peter Pan Returns! John Eng - Dragons: Riders of Berk: Animal House Mark Cabalero, Seamus Walsh - SpongeBob SquarePants: Its a Spongebob Christmas Mic Graves - The Amazing World of Gumball: The Job Michael Chang - Teenage Mutant Ninja Turtles: Never Say Xever Zack Keller - Dick Figures: Kung Fu Winners Directing in an Animated Feature Production Genndy Tartakovsky - Hotel Transylvania Johan Sfar, Antoine Delesvaux - The Rabbi's Cat Remi Bezancon, Jean-Christophe Lie - Zarafa Rick Moore - Wreck-It Ralph Sam Fell, Chris Butler - ParaNorman Music in an Animated Television/Broadcast Production Adam Berry - Penquins of Madagascar: Private and the Winky Factory Alf Clausen - The Simpsons: Treehouse of Horror XXIII Frederik Wiedmann - Green Lantern The Animated Series: Into the Abyss Guy Moon - T.U.F.F. Puppy: Really Big Mission John Paesano - Dragons: Riders of Berk: How to Pick Your Dragon Michael Rubin - Bubble Guppies: Bubble Puppy's Fin-tastic Fairytale! Music in an Animated Feature Production Alexandre Desplat - Rise of the Guardians Bruce Retief - Adventures in Zambezia Henry Jackman - Wreck-It Ralph Joel McNeely, Brendan Milburn, Valerie Vigoda - Secret of the Wings John Powell, Adam Schlesinger, Ester Dean - Ice Age: Continental Drift John Powell, Cinco Paul - Dr. Seuss' The Lorax Mark Mothersbaugh - Hotel Transylvania Patrick Doyle, Mark Andrews, Alex Mandel - Brave Production Design in an Animated Television/Broadcast Production Alberto Mielgo - Tron: Uprising: The Stranger Ian Worrel - Gravity Falls – Tourist Trapped Lynna Blankenship, Sean Coons, Hugh Macdonald, Debbie Peterson, Charles Ragins, Lance Wilder, Darrel Bowen, John Krause, Kevin Moore, Brent M. Bowen, Brice Mallier, Steven Fahey, Dima Malanitchev, Karen Bauer, Eli Balser, Anne Legge - The Simpsons: Moe Goes From Rags to Riches Nick Jennings, Martin Ansolebehere, Sandra Calleros, Ron Russell, Santino Lascano, Derek Hunter, Catherine E. Simmonds - Adventure Time – The Hard Easy Peter Martin, Chris Grine, Ira Baker, Ramon Olivera, Scott Brown - hoops & yo yo's Haunted Halloween Scott Brandon James, Lee Keith - Justin Time: The Rubbery Dumplings Production Design in an Animated Feature Production Kendal Cronkhite-Shaindlin, Shannon Jeffries, Lindsey Olivares, Kenard Pak - Madagascar 3: Europe's Most Wanted Marcello Vignali - Hotel Transylvania Nash Dunnigan, Arden Chen, Jon Townley, Kyle McNaughton - Ice Age: Continental Drift Nelson Lowry, Ross Stewart, Pete Oswald, Ean McNamara, Trevor Dalmer - ParaNorman Norman Garwood, Matt Berry - The Pirates! Band of Misfits Patrick Hanenberger, Max Boas, Jayee Borcar, Woonyoung Jung, Perry Maple, Peter Maynez, Stan Seo, Felix Yoon - Rise of the Guardians Rick Heintzich - Frankenweenie Steve Pilcher - Brave Storyboarding in an Animated Television/Broadcast Production Andy Kelly - Doc McStuffins: Righty-On-Lefty Cole Sanchez, Rebecca Sugar - Adventure Time: Lady & Peebles Doug Lovelace - Dragons: Riders of Berk: Portrait of Hiccup as a Buff Man Holly Forsyth - Sofia the First: Once Upon a Princess Irineo Marramba, Ciro Nieli - Teenage Mutant Ninja Turtles: I Think His Name is Baxter Stockman Robert Valley, Kalvin Lee - Tron: Uprising: The Reward Ryan Kramer, Paul Linsley, Kenji Ono, Le Tang, Alice Herring, Mike Mullen, Aaron Hammersley - Kung Fu Panda: Legends of Awesomeness: Enter the Dragon Tom Herpich, Skyler Page - Adventure Time: Goliad Storyboarding in an Animated Feature Production Emmanuela Cozzi - ParaNorman– Focus Features Johanne Matte - Rise of the Guardians– DreamWorks Animation Leo Matsuda - Wreck-It Ralph– Walt Disney Animation Studios Lissa Treiman - Wreck-It Ralph– Walt Disney Animation Studios Rob Koo - Madagascar 3: Europes Most Wanted – DreamWorks Animation Voice Acting in an Animated Television/Broadcast Production James Patrick Stuart as Private - Penguins of Madagascar: High Moltage– Nickelodeon Animation Studios Jeff Bennett as Keswick - T.U.F.F. Puppy: Pup Daddy– Nickelodeon Animation Studios Jessica Walter as Malory Archer - Archer: Lo Scandolo– Weissman Markovitz Communications for FX Network Kevin Michael Richardson as Willem Viceroy - Randy Cunningham:9th Grade Ninja: Gossip Boy– Disney TV Animation Kristen Schaal as Mabel Pines - Gravity Falls: Tourist Trapped– Disney TV Animation Mae Whitman as April ONeil – - Teenage Mutant Ninja Turtles: Rise of the Turtles– Nickelodeon Animation Studios Sam Witwer as Darth Maul - Star Wars: The Clone Wars: Revenge– Lucasfilm Animation Ltd. Tom McGrath as Skipper - Penguins of Madagascar: The Otter Woman– Nickelodeon Animation Studios Voice Acting in an Animated Feature Production Adam Sandler as Dracula - Hotel Transylvania– Sony Pictures Animation Alan Tudyk as King Candy - Wreck-It Ralph– Walt Disney Animation Studios Atticus Shaffer as “E”Gore - Frankenweenie– The Walt Disney Studios Catherine OHara as Weird Girl - Frankenweenie– The Walt Disney Studios Imelda Staunton as Queen Victoria - The Pirates! Band of Misfits– Aardman Animations Jim Cummings as Budzo - Adventures in Zambezia– Saltzman Communications Jude Law as Pitch - Rise of the Guardians– DreamWorks Animation Kelly MacDonald as Merida - Brave– Pixar Animation Studios Writing in an Animated Television/Broadcast Production Doug Langdale – Kung Fu Panda: Legends of Awesomeness: Kung Fu Day Care – Nickelodeon Animation Studios Eric Horsted – Futurama: The Bots and the Bees – Gracie Films in Association with 20th Century Fox TV Gabe Garza – - Penguins of Madagascar: Endangerous Species- Nickelodeon Animation Studios Ian Maxtone-Graham, Billy Kimball - The Simpsons: How I Wet Your Mother– Gracie Films in Association with 20th Century Fox TV Kacey Arnold – - Robot and Monster: The Blimp– Nickelodeon Animation Studios Mike Teverbaugh, Linda Teverbaugh – Dragons: Riders of Berk: Animal House – DreamWorks Animation Stephanie Gillis - The Simpsons: A Tree Grows in Springfield– Gracie Films in Association with 20th Century Fox TV Trey Parker – - South Park: Jewpacabra– Central Productions Writing in an Animated Feature Production Chris Butler – ParaNorman – Focus Features Gideon Defoe – The Pirates! Band of Misfits – Aardman Animations Hayao Miyazaki, Keiko Niwa, Karey Kirkpatrick – From Up on Poppy Hill – GKIDS John August – Frankenweenie – The Walt Disney Studios Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi - Brave – Pixar Animation Studios Phil Johnston, Jennifer Lee – Wreck-It Ralph – Walt Disney Animation Studios Editorial in an Animated Television Production Bret Marnell - Puss in Boots: Three Diablos– DreamWorks Animation Chris Hink - Robot and Monster: Cheer Up Mr. Wheelie– Nickelodeon Animation Studios Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye - Kung Fu Panda: Monkey in the Middle– Nickelodeon Animation Studios Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye - Kung Fu Panda: Enter the Dragon– Nickelodeon Animation Studios Jason Tucker - Star Wars: The Clone Wars: Revival– Lucasfilm Animation Ltd. Lynn Hobson - Dragons: Riders of Berk: Animal House– DreamWorks Animation Pieter Kaufman - Sofia the First: Once Upon a Princess– Disney TV Animation Steffie Lucchesi, Matt Steinauer, May Blaisdell - Dan Vs Monster Under The Bed– Film Roman Editorial in an Animated Feature Production Catherine Apple - Hotel Transylvania– Sony Pictures Animation Joyce Arrastia - Rise of the Guardians– DreamWorks Animation Mark Rosenbaum - Secret of the Wings– DisneyToon Studios Nicholas A. Smith, ACE, Robert Graham Jones, ACE, David Suther - Brave– Pixar Animation Studios Tim Mertens - Wreck-It Ralph– Walt Disney Animation Studios JURIED AWARDS Winsor McCay Award– Oscar Grillo, Terry Gilliam, Mark Henn June Foray– Howard Green Ub Iwerks– Toon Boom Animation Pipeline [Photo Credit: Walt Disney Pictures] More: 'Moonrise Kingdom' Takes Top Prize at Gotham Awards Seth MacFarlane Says Non-TV-Friendly 'Family Guy' Movie is (Probably) Happening 'The Hobbit': The Dragon Attacks, Bilbo Fights Fire with Shire — VIDEO
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Much as I enjoyed X-Men: First Class Fox’s exuberant prequel/reboot (preboot?) of the fabled Marvel Comics series I was a bit disoriented by its opening sequence in which a Mengele-esque Nazi scientist played by Kevin Bacon attempts to coax a terrified young Erik Lensherr a death camp inmate into demonstrating his newly discovered mutant powers. As the interaction transpires the camera does something odd: It remains static holding its gaze on the characters’ faces affording us the rare treat of being able to scrutinize their expressions without the distraction of rapid-fire cuts or circling dollies or palsy-cams or any of the other myriad tools preferred by Hollywood’s increasingly ADD-addled action directors.
Restraint? In a comic book film? Strange but true. Even stranger is that it comes courtesy of director Matthew Vaughn whose previous comic book adaptation Kick-Ass was so over-adrenalized it should have come with a complimentary shot of insulin. Here Vaughn shows greater confidence in his material his actors and most admirably his audience letting the story hold sway unhindered by gimmicky enhancements. First Class is hardly a throwback mind you – it features all of CGI accoutrements one expects from a proper summer blockbuster – but it has a stylish retro sensibility to it that is as refreshing as it is unexpected.
In fact were it not for all of its superhuman characters one might not be able to tell that it’s based on a comic book. Whilst devising an approach suitable for his film’s early ‘60s Cold War setting Vaughn a Brit clearly found inspiration in his country’s most enduring film franchise. First Class bears far more in common with The Spy Who Loved Me than with any of the previous X-Men installments or any other comic book flicks for that matter and is all the better because of it.
Playing Vaughn’s Stromberg is Bacon whose character has graduated from death camp atrocitier to swaggering supervillain in the intervening years since the war’s end. Ensconced in his underwater lair aboard a well-appointed submarine Sebastian Shaw as he has re-christened himself (only in the comic book world does a fugitive Nazi war criminal choose an alias with the initials “S.S.”) is secretly conspiring to ignite a fatal MAD-provoking nuclear conflict between the United States and the Soviet Union.
No Bond-inspired film would be complete without a dose of benign sexism embodied ably by Mad Men’s January Jones in the role of Shaw’s right-hand woman Emma Frost. A mutant who can read minds and manifest diamond-plated armor Emma’s greatest gift the filmmakers make abundantly clear is her superhuman rack which when activated turns her into a walking honey trap no soldier or government official can resist. (It’s also the movie's most potent marketing weapon.)
Even our hero Charles Xavier (James McAvoy) has got a bit of 007’s DNA in him. Cheeky rakish given to funneling beers and hitting on Oxford co-eds McAvoy’s Xavier is a far cry from Patrick Stewart’s stuffy avuncular version of the character. Though his mutant telepathic abilities are highly developed his human intuition isn’t as he scarcely notices the insecurity metastasizing in his adopted sister Raven (Jennifer Lawrence) a blue-skinned shape-shifter in desperate need of validation.
She eventually finds that validation in Lensherr (played as an adult by Michael Fassbender) whose cynical view of humanity bred by prolonged exposure to its more sinister aspects places him at odds with Xavier’s vision of peaceful co-existence between mutants and their unenhanced counterparts. Nevertheless Xavier and Lensherr become fast friends and they agree to collaborate in the recruitment and training of a clandestine force of superhumans capable of stopping Shaw. Shortly thereafter the first-ever mutant all-star team is born.
Anyone vaguely familiar with the comic book knows how this relationship turns out. But Vaughn’s fresh approach to the characters and their underlying motivations helps ameliorate some of the predictability of film’s plot and its inevitable resolution. Like Batman Begins First Class is bound to pursue a pre-determined outcome but it makes brief detours here and there that refresh the franchise without jeopardizing its sacred canon. Vaughn takes great care to appease the film's fanboy base without alienating the broader audience. Though I couldn’t care a whit about Torso-Beam Boy Winged Stripper Girl or a handful of other extraneous characters devotees of the comics will no doubt rejoice in the screen time allotted to their respective backstories.
There are a handful of moments when Vaughn’s ambitions exceed his effects budget but for the most part he proves a dexterous purveyor of popcorn theatrics. Some of the best bits including a spectacular sequence in which an anchor tears through the deck of a luxury yacht have been spoiled by the film’s trailers but they still impress when writ large on the big screen. And there are a few surprises in First Class that remain thankfully unspoiled. Better see it quick before the next ad campaign debuts.
In 2010’s Get Him to the Greek wiry British funnyman Russell Brand played a spoiled lush whose immature antics threatened his rock-star comeback. In the 2011’s Arthur Brand plays a spoiled lush whose immature antics threaten his billion-dollar inheritance. Greek turned out to be one of last year’s underrated comic gems; Arthur not so much. Why? The two films are wildly different to be sure but I submit that the biggest reason for the disparity in quality can be traced to one crucial distinction: Arthur is a remake and as such carries with it the acknowledged lack of creativity inherent in just about every remake not directed by the Coen Brothers.
And Arthur does what most bad remakes seem to do dropping what’s essential about the original film keeping what isn’t and wrapping it all up in a glossy generic heavily-promoted package. The storyline is essentially unchanged – to retain access to his family’s vast fortune perpetually inebriated playboy Arthur Bach (Brand) is arranged to marry a respectable woman he disdains (Jennifer Garner) but he jeopardizes his inheritance by falling for a girl of humble means (Greta Gerwig). Much of the soul and charm of the original film are gone however sacrificed for a succession of canned comic scenarios that probably seemed funny in brainstorming sessions (Russell Brand in a Batman costume? Hilarious!) but are considerably less so when rendered on-screen.
But hey – all the characters’ names are the same! And they’ve all been updated with contrived tweaks that these days passes for invention! Arthur’s acerbic English butler Hobson is now an acerbic English nanny (Helen Mirren); his African-American chauffer Bitterman is now a Puerto Rican-American (Luis Guzman); his betrothed Susan Johnson (Garner) formerly a dainty debutante is now a pugnacious high-powered executive; etc. Brand for his part has little hope of measuring up to Dudley Moore who scored an Oscar nomination for his portrayal of the title character in the original. He does get a few choice lines and he manages to conjure a respectable romantic spark with the luminous Gerwig (trying her best with a character conceived as little more than an assortment of manufactured quirks) but his talents appear severely constrained by a script that can do little more than dress him up in zany outfits and hope for the best.
WHAT IT’S ABOUT?
When all-American girl Susan Murphy is inadvertently hit by a falling meteor on her wedding day she grows to be nearly 50 feet tall. The U.S. military gets wind of this renames her Ginormica and locks her away with a slacker group of other “monsters” in a top-secret compound. But when a mysterious alien robot lands on Earth and begins wreaking havoc these good-hearted but inept creatures are called into action by the President and must band together as a team to save the world from certain catastrophe.
WHO’S IN IT?
As usual Dreamworks has assembled a stellar A-list voice cast led by Reese Witherspoon as Susan/Ginormica. Playing one of the rare female animated heroes Witherspoon’s sweet/confused demeanor — in light of her highly unusual status as a fearsome freakazoid — hits just the right tone generously letting her zanier colleagues steal scenes from right under her (a long way down by the way). Chief among these are a not-so-bright gelatinous blue mass named B.O.B. hilariously voiced by Seth Rogen; the genius Dr. Cockroach Ph.D in the capable hands of House doc Hugh Laurie; and Will Arnett’s half-ape half-fish The Missing Link. In the human roles there’s Stephen Colbert as the idiotic U.S. President Kiefer Sutherland as the monster’s prison guardian Paul Rudd as the ego-driven weatherman fiancé of Susan; and a deliciously villainous Rainn Wilson as Galaxhar the alien determined to take over Earth.
Superb 3-D effects aren’t overdone and add immeasurably to the ginormous fun of the film but even seeing it in theaters that only show it in regular 2-D doesn’t spoil the pure joy of this cartoonish War of the Worlds. Throw in parodies of every cheap '50s sci-fi movie you can think of and you have the ingredients for a silly monster mash sure to appeal to just about anyone who wants to laugh. Despite the impressive production elements it’s the smart and clever script that really sets it apart from its competitors — and that even includes the similar Monsters Inc. from Pixar.
Like any kid-oriented comic ‘toon today the action can be a bit too frenetic and Monsters vs. Aliens piles a lot of it on in its trim 95 minutes. Still the lovable characters carry the day and somehow make it all palatable.
When Susan now Ginormica brings her new friends home to meet her parents chaos ensues and so do the laughs. Also impressive are the large action scenes that make fine use of CGI animation breakthroughs.
BEST SUPPORTING BLOB:
It's easily the one-eyed lame-brained blue lug of a people hugger named B.O.B. perfectly matched to the talents of Rogen. He rolls away with the movie and inevitably the merchandise tie-ins.