Sir Mick Jagger paid a musical tribute to his late girlfriend L'Wren Scott at a memorial service in New York. Scott took her own life in March (14) and a private funeral was held in Los Angeles later that month. Her close friends and family attended a memorial service at St. Bartholomew's Church in the city to celebrate the fashion designer's life on Friday (02May14).
The Rolling Stones frontman sang Bob Dylan's Just Like a Woman as a musical tribute to his longterm girlfriend. He and Scott's brother Randy Bambrough also spoke a few words to the guests. Jagger's son James and Scott's niece, Hannah Bambrough, both read poems, and the singer's grandchildren, Mazie and Zak, read Psalm 23 from the Bible.
R&B singer Lisa Fischer, who has been a back-up singer for the rockers for years, also performed her version of Amazing Grace. Jagger's bandmates Ronnie Wood and Keith Richards attended the service, along with actresses Julianne Moore, Ellen Barkin, Meg Ryan, Sarah Jessica Parker, Olivia Munn and Renee Zellweger, U.S. Vogue editor Anna Wintour, and film directors Martin Scorsese and Baz Luhrmann.
Heavy rockers Avenged Sevenfold were triple winners at the Revolver Golden Gods Awards on Wednesday night (23Apr14). The band's stars Synyster Gates and Zacky Vengeance were jointly awarded the Dimebag Darrell Best Guitarist prize, while Arin Illejay was named Best Drummer. The group was also awarded the title for Most Devoted Fans.
Meanwhile, Queens of the Stone Age frontman Josh Homme was declared Best Vocalist, Rob Zombie took Best Live Band, Deep Purple claimed the Comeback of the Year accolade and Twelve Foot Ninja earned recognition as Best New Talent.
Five Finger Death Punch were two-time winners, scoring the Paul Gray Best Bassist Award for Chris Kael and Song of the Year for Lift Me Up.
It was also a big night for Ozzy Osbourne and his Black Sabbath bandmates, who celebrated their comeback with the Album of the Year honour for 13.
Joan Jett made awards history as the first female recipient of the Golden God Award and Axl Rose was feted with the Ronnie James Dio Lifetime Achievement Award.
Rose also treated guests to a special reunion performance with his former Guns N' Roses pal Duff McKagan, who recently stepped in to the line-up to temporarily replace bassist Tommy Stinson, while another highlight of the heavy metal awards show came from Slayer, who delivered a surprise three-song set to open the ceremony. They also debuted new track Implode, their first new material since the death of guitarist Jeff Hanneman last year (13).
Actor-turned-writer Tony Marriott has died at the age of 83. He passed away on 17 April (14). No further details of his death have been released.
After starting his career as an actor in the 1960s, he turned his hand to writing and co-created comedy play No Sex Please, We're British.
The show opened in London in 1971 to dismal reviews, but it became a smash hit with theatregoers and remained on stage for 16 years, making it the longest-running comedy play in British history.
A film version was made in 1973 and starred beloved British comic Ronnie Corbett.
Marriott also produced scripts for TV series Z-Cars and worked on 1980s children's animation shows including James the Cat, and Bill the Blue Bear.
He went on to run an animal charity in London and worked as a magistrate.
Rocker Duff Mckagan will make his U.S. stage return as part of Guns N' Roses by reuniting with frontman Axl Rose at the Revolver Golden Gods Awards on Wednesday (23Apr14). The bassist has been filling in for Tommy Stinson, who is currently on the road with his reunited group The Replacements, on five recent dates on the band's South American tour, and he will join the Sweet Child o' Mine hitmakers once more as they perform at the Club Nokia prizegiving in Los Angeles this week.
McKagan originally quit Guns N' Roses in 1997, but he will be on hand to help Rose celebrate as the recipient of the 2014 Ronnie James Dio Lifetime Achievement Award.
Meanwhile, heavy rockers Suicide Silence will also debut a new member at the Golden Gods Awards after hiring Hernan 'Eddie' Hermida to replace late frontman Mitch Lucker following his death in a motorcycle accident in 2012. The gig will mark Hermida's first U.S. show with the group, which will also welcome former Sepultura co-founder Max Cavalera to the line up for a special performance.
Other artists due to take the stage at the Golden Gods Awards include Joan Jett and the Blackhearts, Zakk Wylde and The Pretty Reckless.
Heavy rock heavyweights Corey Taylor, Duff Mckagan and Rob Halford paid tribute to late peer Ronnie James Dio at an album listening party in Los Angeles on Monday night (17Mar14). The VIP bash at the Avalon offered those with golden tickets the chance to hear Dio's new all-star tribute album, This Is Your Life, two weeks before the project is released.
Anthrax's Scott Ian, Tim 'Ripper' Owens and former Dio stars Jimmy Bain and Rowan Robertson also joined in the festivities by performing, while Judas Priest star Halford was honoured with a Metal God award.
Dio lost his battle with stomach cancer in 2010.
Rocker Joan Jett is set to make history at the Revolver Golden Gods Awards this year (14) when she becomes the first female to receive the prestigious Golden God title. The I Love Rock 'n' Roll hitmaker will follow in the footsteps of previous honourees Motorhead, KISS star Gene Simmons and Alice Cooper, who have all taken home the top prize at the Los Angeles event in recent years.
Guns N' Roses frontman Axl Rose will be another big winner - he will be presented with the Ronnie James Dio Lifetime Achievement accolade. Metallica took home the award at last year's (13) ceremony.
Meanwhile, Black Sabbath, Avenged Sevenfold and Korn are among the multiple nominees for the prizegiving, which honours the best in heavy metal.
Ozzy Osbourne's group and their comeback release 13 will face off against Avenged Sevenfold's Hail to the King and Korn's The Paradigm Shift for Album of the Year, while Jonathan Davis (Korn) and M. Shadows (Avenged Sevenfold) have been shortlisted for Best Vocalist, as have Josh Homme (Queens of the Stone Age) and Ivan Moody (Five Finger Death Punch).
The Best Guitarist category will be a fight between Tony Iommi (Black Sabbath) Munky & Head (Korn), Synyster Gates & Zacky Vengeance (Avenged Sevenfold), John Petrucci (Dream Theater), Jerry Cantrell (Alice in Chains) and Zoltan Bathory & Jason Hook (Five Finger Death Punch), while Geezer Butler (Black Sabbath), Fieldy (Korn) and Johnny Christ (Avenged Sevenfold) are among the nominees for Best Bassist.
Best Live Band nods go to Lamb of God, Rob Zombie, Slayer and Motley Crue, among others, and Black Sabbath, Deep Purple, Nine Inch Nails and Queens of the Stone Age will compete for Comeback of the Year.
The awards, not to be confused with Metal Hammer's Golden Gods in the U.K., will take place at Club Nokia in L.A. on 23 April (14).
Motorhead, Anthrax and Metallica are among the heavy metal heavyweights paying tribute to late rock icon Ronnie James Dio on a new album. The three acts have joined the likes of Killswitch Engage, Scorpions and Tenacious D to rework Dio's classic tracks for the upcoming release, This is Your Life, which will help raise funds for the Ronnie James Dio Stand Up And Shout Cancer Fund.
Produced by Dio's longtime manager and wife Wendy, the album's highlights include Metallica's nine-minute Ronnie Rising Medley, which features snippets from the late rocker's Rainbow recordings, and a new version of Starstruck recorded by Motorhead and Saxon frontman Biff Byford.
The album will be released in April (14).
Dio lost his battle with stomach cancer in 2010.
143/ReprisePlaying yuletide songs outside of December always seems rather inappropriate. But there are several 'festive' standards that have as much right to be blared out in the blazing hot summer as in the run-up to the big day. Here are five Christmas favorites that have absolutely nothing to do with Christmas at all.East 17 – "Stay Another Day"The track which pipped Mariah Carey's "All I Want For Christmas Is You" to the U.K. number one spot back in 1994, boyband East 17's signature hit has become a staple of the holiday season across Europe. But despite its use of sleigh bells and an accompanying snow-filled video, the ballad is in fact a heartfelt tribute to chief songwriter Tony Mortimer's brother, Ollie, who had committed suicide several years previously.Frankie Goes To Hollywood – "The Power Of Love"Taken to the U.K. number one spot by Frankie Goes To Hollywood in 1984 and then again by Gabrielle Aplin last year, the message of "The Power Of Love" may be in keeping with the season of goodwill ("make love your goal"). But there's not one mention of Christmas during its epic production and the track has only become synonymous with the festivities because of its nativity-themed promo.Aled Jones – "Walking In The Air"Another track which has become associated with Christmas due to its accompanying visuals, "Walking In The Air" was written by Howard Blake for the animated adaptation of Raymond Briggs' much-loved children's book The Snowman. Played during the boy and the snowman's journey to the North Pole, the soaring lullaby has perhaps inevitably since become a choirboy favorite but it still contains a distinct lack of anything Christmassy."Jingle Bells"Recorded by everyone from The Beatles to Buble, "Jingle Bells" has been a yuletide favorite for over 150 years, largely thanks to its copious amounts of snow. But snow isn’t confined to Christmas and the jaunty ditty was actually written by composer James Lord Pierpont to be sung at Thanksgiving rather than December 25th."Baby It's Cold Outside"Recently covered by the likes of She & Him and Kelly Clarkson & Ronnie Dunn, "Baby It's Cold Outside" has been a seasonal favorite ever since its writer, Frank Loesser, and his wife, Lynn Garland, premiered it at their housewarming party back in 1944. But again, the track has become so ingrained in the festive season because of its Arctic weather conditions rather than anything particularly Christmassy.
Black Sabbath star Geezer Butler has revealed he wrote a macabre tribute song to bandmate Tony Iommi after the guitarist was diagnosed with cancer at the beginning of 2012. Iommi has been battling lymphoma throughout the heavy rock group's reunion and when bassist Butler, who writes the bulk of the band's songs, learned of his health crisis he felt inspired to get his thoughts and feelings out in lyrics for a track he tentatively titled Hanging by a Thread.
He tells Revolver magazine, "It (song) was very much about dying, about giving your last breath and passing your spirit on."
But the track didn't make it on the band's comeback album 13.
Butler adds, "We never came up with the finished thing."
The rocker admits he feared the worst for his bandmate - because their pal Ronnie James Dio had lost his cancer battle in 2010.
He tells the magazine, "We didn't know if he (Iommi) was going to recover from it, especially after seeing Ronnie go so fast. Ronnie went right in six months from being diagnosed to dying (sic)."
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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