“A heel should be about SEX!” yells Lola played with electrifying force by Chiwetel Ejiofor. Based on a true story Kinky Boots takes a look at an old-school shoe factory in the quiet burgh of Northampton England. Charlie Price (Joel Edgerton) inherits the place when his father passes away--but the factory in financial straits. It is simply outdated. So on the advice of one of his employees Lauren (Sarah-Jane Potts) Charlie decides to think out of the box so to speak and finds a niche market selling over-the-top but sturdy footwear to transvestites and drag queens. But he needs vision since most of the factory’s workers are used to making men’s loafers. That’s where Lola one of London’s premier drag queens comes in. She has all the flair and design ideas Charlie is looking for--but bringing her to conservative Northampton proves to be a bit tricky. That is until everyone gets to know Lola. Ejiofor is definitely an actor to watch out for. Since making an indelible impression in Stephen Frears’ gritty drama Dirty Pretty Things the British-born actor has been quietly stealing scenes in almost every movie he is in--from playing a deliciously evil drug lord in Four Brothers to Denzel Washington’s sparring partner in Inside Man. But in Kinky Boots Ejiofor doesn’t have to steal any scenes; he IS the movie as the tough but kindhearted Lola. The rest of the cast does a very nice job don’t get me wrong. Edgerton (King Arthur) is particularly endearing as the son desperately trying to keep his dad’s dreams alive while Potts (Wonderland) with her pixie face plays Charlie’s sweet love interest. But it’s all Ejiofor--strutting around in one outlandish musical number after another all while helping Charlie save the factory. A tour de force. A movie about shoes. What could be more fun? Actually Kinky Boots follows some standard fairly foolproof plot devices. There’s the son taking over the family business even though he has no interest in it but finds the joy of making shoes after all. Then there’s the drag queen who is just so fan-tabulous on the stage just OWNS the world but of course harbors deep pain over a father who never understood her and can’t find the right man to save her life. These kind of Boots have walked before. But with a quirky script from writers Geoff Deane and Tim Firth and an easy-going style from TV director Julian Jarrold the film further highlights that certain British wry sensibility that makes most comedies from across the pond so very appealing.
Hollywood delivered a one-two box office punch this weekend with big openings targeted to adult and family audiences.
Minority Report reported the majority of moviegoer votes, claiming first place with $36.9 million. Lilo & Stitch, which out-grossed Minority on Friday, wound up second with livelier than expected ticket sales of $35.8 million.
Insiders had projected only an $18-20 million launch for Lilo. Minority fell into the $30-40 million range that Hollywood handicappers had anticipated, although some had gone out on a limb speculating about a $50 million kickoff.
With stiff competition on two key demographic fronts, all three Top Five holdovers suffered big drops. Scooby-Doo slid 55 percent to third place with $24.4 million. The Bourne Identity fell 46 percent to fourth place with $14.8 million. The Sum Of All Fears skidded 41 percent to fifth place with $7.9 million.
Driven mostly by Minority and Lilo, ticket sales were up nearly 16 percent from this weekend last year. Key films -- those grossing $500,000 or more -- took in $159.4 million versus last year's $137.7 million.
THE TOP TEN
20th Century Fox's opening of its and DreamWorks' PG-13 rated sci-fi fantasy thriller Minority Report took first place with a hot ESTIMATED $36.9 million at 3,001 theaters ($12,296 per theater).
Directed by Steven Spielberg, it stars Tom Cruise.
Minority's average per theater was the highest for any film playing this weekend.
"We had terrific results in big cities, urban and suburban (and in) sophisticated (markets)," Fox distribution president Bruce Snyder said Sunday morning. "The audience breakdown was 52 percent male, 64 percent 25 and over. (It had) great scores all around, especially from the younger folks even though they weren't there in the bigger numbers. But they actually had the better scores. So that bodes well for the future."
Focusing on the weekend day by day, Snyder noted, "We had a decent bump from Friday to Saturday. It seemed to be a little bit soft in the bump there for all movies. But we were up 13 percent. I've got $11.9 million for Friday and $13.4 million for Saturday -- 13 percent up. And 13 percent down (estimated) for Sunday to $11.6 million."
Minority's reviews, Snyder said, "were spectacular. There's always some negatives in there, but overall across the country it was a really wonderfully reviewed movie."
In Friday's grosses Lilo out performed Minority. "I've got them at $12.5 million on Friday and we were $11.9 million, so they were (ahead)," he said, pointing to the animated hit's strong matinee showings that day. "Lilo & Stitch's average was $4,000 for the matinees on Friday. Our average was $2,325. When they ended up having the same basic average when day was done, what it tells you is that they had the possibility to crank all day long with a much shorter movie. We have a two hour and 22 minute movie and ended up with one main show at night."
Is Minority's length a drag on its grossing potential? "It's a slight one," Snyder replied, "especially with a movie that kind of plays adult. Eventually we will get more and more teens, but (right now) we're not getting those 15 year olds that will be in there at 11 o'clock. So you really get that one main show. And it's a long show, so your eight o'clock show is your main show and that's what you've really got to work off of.
"Saturday you can get two shows, but Friday's a one show (day). I think that's how the grosses end up as they are. They cranked all day long, had a short movie and probably had five great matinees and we were working off really one main show at night."
Buena Vista/Disney's PG rated animated family appeal feature Lilo & Stitch arrived to much better numbers than expected, placing second with a colorful ESTIMATED $35.8 million at 3,191 theaters ($11,218 per theater).
Written and directed by Chris Sanders, it was produced by Clark Spencer. Its original score is by Alan Silvestri.
"We are thrilled," Buena Vista Distribution president Chuck Viane said Sunday morning. "We never anticipated coming in in first place (but) I truly believe that's where we're at. In our hearts, we truly believe we're number one. We will speak as though we're number one."
Whatever Lilo's ranking for the weekend, Viane said, "The amazement here is that this is the second best opening in June on an animated film we've ever had -- second only to The Lion King (which opened to $40.9 million the weekend of June 24-26, 1994)."
Focusing on Lilo's terrific numbers, Viane said Disney is, "a very happy place. It's great. It's amazing how this one apparently didn't show up on some people's radars. But obviously the public was out there in masses. I was over at the Promenade (multiplex in L.A.) yesterday and I cannot tell you how many kids walked into the theater with those little Stitch cuddly dolls. It'll be an eminently successful film. I think the directors and the animators and everybody (who worked on the picture) did a magnificent job."
Warner Bros.' PG rated family comedy Scooby-Doo stumbled two steps to third place in its second week with a still sizable ESTIMATED $24.36 million (-55%) at 3,447 theaters (theater count unchanged; $7,067 per theater). Its cume is approximately $101.2 million.
Directed by Raja Gosnell, it stars Freddie Prinze Jr., Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini and Rowan Atkinson.
"It's the first hundred million dollar movie of the year for us," Warner Bros. Distribution president Dan Fellman said Sunday morning. "$101.195 million in 10 days. We're very thrilled about it. We've announced a sequel (for 2004). We're going to build a franchise on Mr. Doo. Audiences still love this movie. I'm very pleased with that hold considering the $35.8 million that Disney (grossed with Lilo)."
Universal's PG-13 espionage thriller The Bourne Identity starring Matt Damon slid two pegs to fourth place in its second week -- holding respectably given Minority's strong opening -- with an ESTIMATED $14.76 million (-46%)) at 2,643 theaters (+5 theaters; $5,585 per theater). Its cume is approximately $54.1 million, heading for $85 million.
Paramount's PG-13 rated thriller The Sum Of All Fears dipped one notch to fifth place in its fourth week, holding its own in the face of strong competition from Minority with an ESTIMATED $7.9 million (-41%) at 3,039 theaters (-191 theaters; $2,601 per theater). Its cume is approximately $97.4 million, heading for $120 million or more in domestic theaters.
Directed by Phil Alden Robinson and produced by Mace Neufeld, it stars Ben Affleck and Morgan Freeman.
"I think the biggest (film based on a Tom Clancy book) was $122 million. Whether or not it surpasses that is a question mark at this point," Paramount distribution president Wayne Lewellen said Sunday morning, noting that Fears was impacted by both Minority and Bourne. "We're very happy with the hold. Obviously, we would have liked to have held better than the 41 percent, but given the level of the competition it's a good hold."
MGM's R rated World War II drama Windtalkers retreated three trenches to sixth place in its second week with a wounded ESTIMATED $6.7 million (-54%) at 2,898 theaters (theater count unchanged; $2,312 per theatre). Its cume is approximately $26.7 million.
Directed by John Woo, it stars Nicolas Cage.
Morgan Creek's MPG-13 rated urban appeal basketball theme comedy Juwanna Mann opened in seventh place via Warner Bros. to an unexciting ESTIMATED $6.0 million at 1,325 theaters ($4,528 per theater).
Directed by Jesse Vaughan, it stars Kevin Pollak, Tommy Davidson, Kim Wayans, Ginuwine and Lil' Kim.
"The picture played (best) predominantly in the urban ethnic markets and did little to cross over (into mainstream situations)," Warners' Dan Fellman said.
Warner Bros. and Gaylord Films' PG-13 rated drama Divine Secrets of the Ya-Ya Sisterhood fell two slots in its third week to eighth place with a less divine ESTIMATED $5.69 million (-36%) at 2,310 theaters (-197 theaters; $2,461 per theater). Its cume is approximately $46.4 million.
Directed by Callie Khouri, it stars Sandra Bullock, Ellen Burstyn, Fionnula Flanagan, James Garner, Ashley Judd, Shirley Knight, Angus Macfadyen and Maggie Smith.
"It had the best hold of any of the wide releases, only down 36 percent," Warners' Dan Fellman said. "And with the strong mid-weeks that this picture's getting we'll be past $50 million by the end of the week (and) heading into the $60 millions."
20th Century Fox and Lucasfilm's PG rated franchise installment Star Wars: Episode II -- Attack of the Clones dropped three rungs to ninth place in its sixth week with a slower ESTIMATED $5.1 million (-46%) at 2,107 theaters (-294 theaters; $2,421 per theater). Its cume is approximately $279.8 million, heading for $300 million in domestic theaters.
Star Wars: Episode I -- The Phantom Menace took in $431.1 million in domestic theaters. Its worldwide total (domestic plus international) was $923 million.
Directed by George Lucas, it stars Ewan McGregor, Natalie Portman and Hayden Christensen.
Rounding out the Top Ten was Columbia's PG-13 sci-fi fantasy blockbuster Spider-Man, down three pegs in its eighth week with a less energetic ESTIMATED $4.4 million (-41%) at 2,278 theaters (-424 theaters; $1,932 per theater). Its cume is approximately $390.2 million heading for $400 million-plus in domestic theaters.
Directed by Sam Raimi, it stars Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson and Rosemary Harris.
This weekend also saw the arrival of Sony Pictures Classics' PG-13 drama Sunshine State to a sunny ESTIMATED $92,000 at 10 theaters ($9,202 per theater).
Written, directed and edited by John Sayles, it stars Jane Alexander, Angela Bassett, Gordon Clapp, Edie Falco, Miguel Ferrer, Timothy Hutton, James McDaniel and Mary Steenburgen.
There were no national sneak previews this weekend.
On the expansion front this weekend IFC Films' PG rated romantic comedy My Big Fat Greek Wedding added a few more theaters in its 10th week with a still impressive ESTIMATED $1.7 million (-1%) at 459 theaters (+4 theaters; $3,785 per theater). Its cume is approximately $16.3 million.
Directed by Joel Zwick, it stars Nia Vardalos and John Corbett.
Miramax's PG rated comedy The Importance Of Being Earnest expanded in its fifth week to an uninteresting ESTIMATED $0.5 million (-18%) at 201 theaters (+21 theaters; $2,487 per theater). Its cume is approximately $4.2 million.
Directed by Oliver Parker, it stars Rupert Everett, Colin Firth, Frances O'Connor, Reese Witherspoon, Judi Dench and Tom Wilkinson.
Think Film's R rated dark comedy The Dangerous Lives of Altar Boys went wider in its second week with an uneventful ESTIMATED $0.2 million at 76 theaters (+67 theaters; $2,510 per theater). Its cume is approximately $0.3 million.
Directed by Peter Care, it stars Kieran Culkin.
Miramax's R rated classic drama Cinema Paradiso: The New Version added theaters quietly in its second week with an ESTIMATED $28,000 at 7 theaters (+4 theaters; $4,000 per theater). Its cume is approximately $67,000.
Directed by Giuseppe Tornatore, it stars Philippe Noiret.
Key films -- those grossing more than $500,000 -- took in approximately $159.42 million, up 15.74 percent from last year when they totaled $137.74 million.
Key films were down about 1.00 percent from the previous weekend of this year when they grossed $161.01 million.
Last year, Universal's opening week of The Fast and the Furious was first with $40.09 million at 2,628 theaters ($15,255 per theater); and 20th Century Fox's opening week of Dr. Dolittle 2 was second with $25.04 million at 3,049 theaters ($8,212 per theater). The top two films one year ago grossed $65.1 million. This year, the top two films grossed an ESTIMATED $72.7 million.
The Producers Guild of America will give out awards tonight, with the teams behind A Beautiful Mind, Moulin Rouge and Shrek among those in contention for its top honor. The producers of Harry Potter and the Sorcerer's Stone and Lord of the Rings: The Fellowship of the Ring are also in the running for the Darryl F. Zanuck Producer of the Year Award.
The honor is similar to the motion picture academy's best picture prize, and the winner is considered a near shoo-in for Oscar gold. The 1,500-member Producers Guild has correctly predicted the best picture Oscar winner 10 out
of the last 13 years.
A Beautiful Mind, Lord of the Rings and Moulin Rouge are
nominated for both the PGA award and best picture Oscar. But the guild opted for box office hits Shrek and Harry Potter for its other two slots,
while the Academy chose the indie critic faves In the Bedroom and Gosford Park.
The Producers Guild will also hand out awards in three television categories, with such shows as The West Wing and The Sopranos among those in the running.
The teams behind CSI: Crime Scene Investigation, Law & Order, Six Feet Under, The Sopranos and The West Wing are nominated for the Norman Felton Producer of the Year Award in episodic television-drama.
Contenders for the Danny Thomas Producer of the Year Award in episodic television-comedy are Frasier, Friends, Malcolm in the Middle, Sex and the City and Will & Grace.
The nominated producers of Frasier include the late David Angell, who was aboard one of the hijacked planes that crashed on Sept. 11.
Among the David L. Wolper Producer of the Year Award in longform television nominees are some well-known names--Billy Crystal for HBO's 61*, and Tom Hanks and Steven Spielberg for HBO's Band of Brothers.
Husband-and-wife actors Bradley Whitford of The West Wing and Jane Kaczmarek of Malcolm in the Middle will host the guild's 13th annual ceremony at the Century Plaza Hotel & Spa.
Formed in 1950, the Producers Guild has about 500 active members and 1,000 affiliated members.
Here is the full list of nominees:
Darryl F. Zanuck Theatrical Motion Picture Producer of the Year Award in Motion Pictures
A Beautiful Mind, Brian Grazer and Ron Howard
Harry Potter and the Sorcerer's Stone, David Heyman
Lord of the Rings: Fellowship of the Ring, Barrie M. Osborne, Peter Jackson and Fran Walsh
Moulin Rouge, Martin Brown, Baz Luhrmann and Fred Baron
Shrek, Aron Warner, John H. William and Jeffrey Katzenberg
Norman Felton Producer of the Year in Episodic Television-Drama
CSI Crime Scene Investigation, Jerry Bruckheimer, Ann M. Donahue, Carol Mendelsohn, Anthony Zuiker, Jonathan Littman, Sam Strangis, Danny
Cannon, Cynthia Chvatal and William Petersen
Law & Order, Dick Wolf, Barry Schindel, Jeffrey L. Hayes, Lewis H. Gould and Kati Johnston
Six Feet Under, Alan Ball, Robert Greenblatt, David Janollari and Alan Poul
The Sopranos, David Chase, Brad Grey, Mitchell Burgess, Robin Green, Ilene S. Landress and Terence Winter
The West Wing, John Wells, Aaron Sorkin, Thomas Schlamme, Llewellyn Wells, Christopher Misiano, Alex Graves and Michael Hissrich
Danny Thomas Producer of the Year Award in Episodic Television-Comedy
Frasier, David Angell, Peter Casey, Kelsey Grammer, David Lee, Dan O'Shannon, Mark Reisman and Maggie Blanc
Friends, Kevin S Bright, Marta Kauffman, David Crane, Shana Goldberg-Meehan, Scott Silveri, Andrew Reich, Ted Cohen and Todd Stevens
Malcolm in the Middle, Linwood Boomer and James S. Simons
Sex and the City, Michael Patrick King, Cindy Chupack, John P. Melfi and Sarah Jessica Parker
Will & Grace, James Burrows, Jeff Greenstein, Max Mutchnick, David Kohan and Tim Kaiser
David L. Wolper Producer of the Year Award in Longform Television
61*, Billy Crystal and Ross Greenburg
Anne Frank, Hans Proppe and David R. Kappes
Band of Brothers, Tom Hanks, Steven Spielberg and Tony To
Life With Judy Garland: Me and My Shadows, Craig Zadan, Neil Meron, Robert Allan Ackerman and Lorna Luft
Wit, Cary Brokaw