If you had to choose between Girls, Game of Thrones, and Homeland, which one would you say is your favorite show? We know, this is tough question. The shows are all equally entertaining, but in very different ways. These and other series have been pitted against each other in the 2013 Arqiva British Academy Television Awards (put out by the British Academy of Film and Television Arts) international category. Up against Danish/Swedish crime drama The Bridge, only one of these four shows can come out the winner. Which one will it be?
See the full list of 2013 BAFTA Television nominees below.
2013 BAFTA TV Nominees:
LEADING ACTOR:Ben Whishaw, Richard II (The Hollow Crown)Derek Jacobi, Last Tango In Halifax Sean Bean, Accused (Tracie’s Story)Toby Jones, The Girl
LEADING ACTRESS:Anne Reid, Last Tango In Halifax Rebecca Hall, Parade’s End Sheridan Smith, Mrs Biggs Sienna Miller, The Girl
SUPPORTING ACTOR: Peter Capaldi, The Hour Stephen Graham, Accused (Tracie’s Story) Harry Lloyd, The Fear Simon Russell Beale, Henry IV Part 2 (The Hollow Crown)
SUPPORTING ACTRESS: Anastasia Hille, The Fear Imelda Staunton, The Girl Olivia Colman, Accused (Mo’s Story) Sarah Lancashire, Last Tango In Halifax
ENTERTAINMENT PERFORMANCE:Alan Carr, Alan Carr: Chatty Man Ant and Dec, I’m a Celebrity… Get Me Out of Here!Graham Norton, The Graham Norton Show Sarah Millican, The Sarah Millican Show
FEMALE PERFORMANCE IN A COMEDY PROGRAM:Jessica Hynes, Twenty Twelve Julia Davis, HunderbyMiranda Hart, Miranda Olivia Colman, Twenty Twelve
MALE PERFORMANCE IN A COMEDY PROGRAM:Greg Davies, Cuckoo Hugh Bonneville, Twenty Twelve PeterCapaldi, The Thick Of It Steve Coogan, Welcome To The Places Of My Life
SINGLE DRAMA :Everyday, Revolution Films/Channel 4 The Girl, Wall to Wall/BBC Two Murder, Touchpaper TV/BBC Two Richard II(Hollow Crown), Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two
MINI-SERIES:Accused, RSJ Films/BBC One Mrs Biggs, ITV Studios/ITV Parade’s End, Mammoth Screen/BBC Two Room At The Top, Great Meadow Productions/BBC Four
DRAMA SERIES:Last Tango In Halifax, Red Production Company/BBC One Ripper Street, Tiger Aspect Productions/BBC One Scott And Bailey, Red Production Company/ITV Silk, BBC Productions/BBC One
SOAP & CONTINUING DRAMA: Coronation Street EastEnders Emmerdale Shameless
INTERNATIONAL:The BridgeGame of ThronesGirlsHomeland
FACTUAL SERIES:24 Hours In A&E, Garden Productions/Channel 4Great Ormond Street, Films of Record/BBC TwoMake Bradford British, Love Productions/Channel 4Our War, BBC Productions/BBC Three
SPECIALIST FACTUAL:All In The Best Possible Taste With Grayson Perry, Seneca Productions/Channel 4The Plane Crash, Dragonfly Productions, MAP TV/Channel 4The Plot To Bring Down Britain’s Planes, Raw TV/Channel 4The Secret History Of Our Streets, Century Films, Halcyons Heart Films/BBC Two
SINGLE DOCUMENTARY:7/7: One Day In London, Minnow Films/BBC TwoBaka: A Cry From The Rainforest, River Films/BBC TwoLucian Freud: Painted Life, Blakeway Productions/BBC TwoNina Conti – A Ventriloquist’s Story: Her Master’s Voice, Nina Conti in association with the BBC/BBC Four
FEATURESBank Of Dave, Finestripe Productions/Channel 4Grand Designs, Boundless/Channel 4The Great British Bake Off, Love Productions/BBC TwoPaul O’Grady: For The Love Of Dogs, Shiver/ITV
REALITY & CONSTRUCTED FACTUAL:The Audience, The Garden Productions/Channel 4I’m a Celebrity… Get Me Out of Here!, ITV Studios/ITVMade In Chelsea, Monkey Kingdom/E4The Young Apprentice, Boundless Productions/BBC One
CURRENT AFFAIRS:Britain’s Hidden Housing Crisis(Panorama Special), Genie Pictures Ltd/BBC OneThe Other Side Of Jimmy Savile(Exposure), ITV Studios/ITVThe Shame Of The Catholic Church(This World), BBC Northern Ireland/BBC TwoWhat Killed Arafat?(Al Jazeera Investigates), Al Jazeera English/Al Jazeera English
NEWS COVERAGE:BBC News At Ten: Syria, BBC News/BBC One & BBC News ChannelChannel 4 News: Battle For Homs, ITN/Channel 4Hillsborough – The Truth At Last(Granada Reports), ITV Granada/ITV
SPORT & LIVE EVENT:The London 2012 Olympics: Super Saturday, BBC Sport/BBC OneThe London 2012 Olympic Opening Ceremony: Isle Of Wonder, Done & Dusted/BBC OneThe London 2012 Paralympic Games, Sunset & Vine, IMG/Channel 4Wimbledon 2012 – Men’s Final, BBC Sport/BBC One
ENTERTAINMENT PROGRAM:Dynamo Magician Impossible, Phil McIntyre Entertainment, Inner Circle Films/WatchThe Graham Norton Show, So Television/BBC OneHave I Got News For You, Hat Trick Productions/BBC OneA League Of Their Own, CPL Productions/Sky One
COMEDY PROGRAM:Cardinal Burns, Left Bank Pictures/E4Mr Stink, BBC Productions in association with Bert Productions/BBC OneThe Revolution Will Be Televised, Hat Trick Productions/BBC ThreeWelcome To The Places Of My Life, Baby Cow/Sky Atlantic
SITUATION COMEDY: Episodes, Hat Trick Productions/BBC TwoHunderby, Baby Cow/Sky Atlantic The Thick Of It, BBC Productions/BBC Two Twenty Twelve, BBC Productions/BBC Two
Follow Lindsey on Twitter @LDiMat.
MORE:BAFTA Nominations 2012 Homeland Teaser: 5 Questions We Need Answered Making A Case for Homeland
First off, let's have a round of applause for the fantastic first season showing of Revenge. We tip our sea-creature-figurine-decorated-headbands to you, Miss Emily Thorne. You have won our hearts and brought out our murderous rage all at once. But with any well-crafted dramatic finale come a wealth of hair-tearing questions and cliff-hangers. The moment the credits roll, we're supposed to throw our hands up, startle our sleeping canine companions, and exclaim "What?!" so loud our roommates start to question their living situations. Revenge caused a symphony of exasperated reactions with its doozy of a finale, leaving us with no other recourse than wonder about these very pressing issues:
— Did we really just lose two wonderfully scheming characters and one baby schemer? — If so, how can we possibly go on without them? How can we enjoy the show without Lydia’s withering stares and Victoria’s impossibly skin-tight mini-dresses? I’d rather watch Charlotte’s rich brat pout for 15 hours in some Clockwork Orange-inspired viewing room than go on without Victoria Grayson. — Will the White-haired Man/He-who-shall-not-be-named/Voldemort ever get a real name? Or does he gain his powers from the lack of identity and we’ll eventually learn his name is some James Bond-like alias like Q? — How is Amanda’s mom still alive? How could she have left her poor little girl to be sent into a life of juvenile hall and bad dye jobs? And more importantly, that means mama has to be one of the bad guys, right? It’d be too easy to find her locked up in some prison cell run by the White-haired Man. — Is Victoria really dead? — Are Daniel and Ashley about to hook up? Has she been working all season to get into his pants? Is that what her little quip about “always” being there is about? And she has to be lying about having his back, right? She’s going to bed him and steal all his earthy possessions in his sleep. — Nolan’s “OMG” response to hearing about Jack’s baby mama was a Gossip Girl jab, wasn’t it? You know, because Gossip Girl is a busted shell of the compelling melodrama is was in 2007, and in the words of 30 Rock's Kenneth Parcell, "Revenge is the surprise hit of the season!” — Victoria’s not really dead, right? — What was Victoria going to say about Amanda’s mom? Cruelest. Pause. Ever. — Is Jack really going to stick with Amanda? He looks like someone stuck in a traffic jam when “How Bizarre” comes on the radio and they’re forced to just grin and bear it because the cars aren’t moving and the next exit is a mile away. — And please help me out here. Victoria will miraculously be back next season, like a plane-crash-evading lady panther, right? — Is Amanda’s baby even Jack’s? We all know she’s a scheming little street urchin. Plus, are we even sure how long she’s been gone? How many months did we lose with all those trial time jumps? This is all a little fishy. — Seriously, Victoria can’t be dead, right? RIGHT?! — If this whole scandal goes beyond the Graysons, does that mean Mason Treadwell won’t be coming back? (Say it ain’t so! I love me some Mason meddling!) — What was Emily burning when Nolan told her not to do anything revenge-y? Will it drive a stake further between her and Jack? Or was it just Victoria's dumb empty engagement box? Maybe my television is too small. Should I buy a bigger one so I can see these details? — Finally, Queen Victoria’s coming back, right? I’d put up with a Madeleine Stowe ghost if I had to, just tell me she’s not gone! What's your biggest burning question now that Revenge is on summer break? Follow Kelsea on Twitter @KelseaStahler. [Image: ABC] More: Revenge Season Finale Recap: Out With a Bang Revenge Recap: A Death in the Family Revenge Recap: Let's Do the Time Warp Again
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.