Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.
Mad Men looked set to dominate the night, going in with 19 top nominations, and it continued its winning streak for the best drama title for the fourth year in a row.
But the stars of the period drama didn't fair so well - Jon Hamm was a four-time loser for Outstanding Lead Actor in a Drama Series - Kyle Chandler claimed that prize for his role in Friday Night Lights, while Julianna Margulies beat the likes of Elisabeth Moss (Mad Men), Mariska Hargitay (Law & Order: Special Victims Unit) and Kathy Bates (Harry's Law) to take home the female equivalent for her turn in The Good Wife.
Meanwhile, Modern Family started the Emmys as they planned to go on - TV husband and wife Ty Burrell and Julie Bowen kicked off the celebrations by walking away with the acting honours for Outstanding Supporting Performance in a Comedy Series.
The hit programme went on to earn accolades for writing and directing before being crowned best comedy at the end of the event.
It was a good night for the Brits too - Kate Winslet was named Lead Actress in a Miniseries or Movie for Mildred Pierce, while Downton Abbey's Dame Maggie Smith claimed the supporting actress in a miniseries or movie title.
Justin Timberlake (Saturday Night Live) and Gwyneth Paltrow (Glee) were already winners before the red carpet at Los Angeles' Nokia Theatre was even rolled out - they were honoured at the Primetime Creative Arts Emmy Awards last weekend (10Sep11) in the Outstanding Guest Performance in a Comedy Series category.
Awards host Jane Lynch opened the show with a song-and-dance sequence featuring Star Trek's Leonard Nimoy and the cast of Mad Men, while Andy Samberg's comedy rap trio The Lonely Island, featuring crooner Michael Bolton and R&B singer Akon, and rapper/actor LL Cool J, were among the musical acts providing the entertainment in between awards at Los Angeles' Nokia Theatre.
The main list of winners at the 63rd Primetime Emmy Awards is as follows:
Outstanding Lead Actor In A Comedy Series: Jim Parsons - The Big Bang Theory
Outstanding Lead Actress In A Comedy Series: Melissa McCarthy - Mike & Molly
Outstanding Lead Actor In A Drama Series: Kyle Chandler - Friday Night Lights
Outstanding Lead Actress In A Drama Series: Julianna Marguiles - The Good Wife
Outstanding Lead Actor In A Miniseries Or A Movie: Barry Pepper - The Kennedys
Outstanding Lead Actress In A Miniseries Or A Movie: Kate Winslet - Mildred Pierce
Outstanding Supporting Actor In A Comedy Series: Ty Burrell - Modern Family
Outstanding Supporting Actress In A Comedy Series: Julie Bowen - Modern Family
Outstanding Supporting Actor In A Drama Series: Peter Dinklage - Game Of Thrones
Outstanding Supporting Actress In A Drama Series: Margo Martindale - Justified
Outstanding Supporting Actor In A Miniseries Or A Movie: Guy Pearce - Mildred Pierce
Outstanding Supporting Actress In A Miniseries Or A Movie: Maggie Smith - Downton Abbey
Outstanding Guest Actor In A Comedy Series: Justin Timberlake - Saturday Night Live (Host)
Outstanding Guest Actress In A Comedy Series: Gwyneth Paltrow - Glee
Outstanding Guest Actor In A Drama Series: Paul McCrane - Harry's Law
Outstanding Guest Actress In A Drama Series: Loretta Devine - Grey's Anatomy
Outstanding Comedy Series: Modern Family
Outstanding Drama Series: Mad Men
Outstanding Miniseries Or Movie: Downton Abbey (Masterpiece)
Outstanding Variety, Music Or Comedy Series: The Daily Show With Jon Stewart
Outstanding Animated Programme: Futurama
Outstanding Variety, Music Or Comedy Special: The Kennedy Center Honors
Outstanding Reality Programme: Deadliest Catch
Outstanding Reality-Competition Programme: The Amazing Race
Outstanding Writing For A Comedy Series: Steven Levitan and Jeffrey Richman - Modern Family (Episode: Caught In The Act)
Outstanding Writing For A Drama Series: Jason Katims - Friday Night Lights (Episode: Always)
Outstanding Writing For A Miniseries, Movie Or A Dramatic Special: Julian Fellowes - Downton Abbey (Masterpiece)
Outstanding Writing For A Variety, Music Or Comedy Series: Steve Bodow, Tim Carvell, Rory Albanese, Kevin Bleyer, Rich Blomquist, Wyatt Cenac, Hallie Haglund, J.R. Havlan, Elliot Kalan, Josh Lieb, Sam Means, Jo Miller, John Oliver, Daniel Radosh, Jason Ross, Jon Stewart - The Daily Show With Jon Stewart
Outstanding Writing For A Variety, Music Or Comedy Special: David Boone, Matt Roberts, and Mo Rocca - 64th Annual Tony Awards
Outstanding Directing For A Comedy Series: Michael Alan Spiller - Modern Family
Outstanding Directing For A Drama Series: Martin Scorsese - Boardwalk Empire
Outstanding Directing For A Miniseries, Movie Or A Dramatic Special: Brian Percival - Downton Abbey (Masterpiece)
Outstanding Directing For A Variety, Music Or Comedy Series: Donny Roy King - Saturday Night Live (Host: Justin Timberlake)
Outstanding Directing For A Variety, Music Or Comedy Special: Lonny Price - Sondheim! The Birthday Concert.