After 25 seasons of The Bachelor and The Bachelorette — and countless breakups — you would think skeptical audiences would give up on watching beautiful people find love on television. But, following high ratings for Sean Lowe's Bachelor season, ABC has announced a 26th season. On Monday night duringThe Bachelor: After The Final Rose, fourth runner-up Desiree Hartsock was announced as the star of The Bachelorette.
While Desiree has experience competing on the reality dating series, she now must cope with life off the sidelines and into the spotlight. So what can she learn from previous Bachelorette? Here's a list of eight lessons Desiree can learn from those looking for love before her.
Eight Lessons for the New Bachelorette:
Trista Sutter (Season 1): Make It Last. If you are a fan of The Bachelor/Bachelorette franchise, then you know that it's rare for a couple to make it down the aisle. Out of 25 seasons, only two couples have tied the knot: Trista and Ryan Sutter and Ashley Hebert and J.P. Rosenbaum. Sutter, however, is the poster child of Bachelor franchise success — the reality star and her husband, who have been together since they met in 2003, have two children together. (Ashley and J.P., married in 2012, have a long way to go.) Desiree, please try to join the married few.
Meredith Phillips (Season 2): Be Remembered. You are probably wondering who, in fact, Phillips is. For those with shoddy memories, Phillips starred as The Bachelorette back in 2004 — only nine years ago. So why don't we remember her? Unlike the cast of characters normally who are associated with this franchise, Phillips didn't chase fame or give the tabloids reason to print stories about her. And since going on The Bachelorette, all she has done is participate in a 20/20 special in 2010 and come out with a cookbook. So Desiree, if you want a reality TV future, get the drama started now.
Jennifer Schefft (Season 3): Don't Settle. Jen may have found love on The Bachelor with Andrew Firestone. But after a short realtionship, the two split and Jen went on to star as The Bachelorette. At the end of her season, Jen turned down two proposals, leaving the show single. If it doesn't feel right (or if it leads to a reality TV-friendly shocking moment), then move on.
DeAnna Pappas (Season 4): Don't Let the Good One Get Away. Pappas dumped one of America's favorite Bachelor men: Jason Mesnick, a single dad with a heartwrenching backstory. While Pappas broke Mesnick's heart, he went on to star on the next season of The Bachelor. Now, he is happily married to someone else with another baby on the way. Don't invite the ire of Bachelor audiences by letting the good guy go, Des.
Jillian Harris (Season 5): Make Reality TV a Career. Harris found love and a career on reality TV. Not only did she participate in The Bachelorette (and The Bachelor before that), but she parlayed those appearances into a job with a Canadian home design show, Love It or List It Vancouver, and is featured as a designer on ABC's Extreme Makeover Home Edition.
Ali Fedotowsky (Season 6): Let the Bad Ones Get Away. Those who tuned into Ali's season may recall Justin Rego, a contestant who Fedotowsky discovered had a girlfriend back home. He also happened to be on crutches, which made his mad dash out the door hilarious.
Ashley Hebert (Season 7): Let Us Say It Again: Let the Bad Ones Get Away. Hebert may be married to her Bachelor boyfriend Rosenbaum now, but there was a time when she fell hard for bad boy Bentley Williams, the most hated Bachelor villain of all time. (Yes, he's even more heinous than Courtney Robertson and Tierra LiCausi.) When not whispering sweet nothings into Hebert's ear, Williams would insult the Bachelorette in front of the cameras. (Exhibit A: "I came in thinking that Ashley was not attractive at all. I'm not feeling it. ... I'm gonna make Ashley cry.") Note to Desiree: Keep these villains around for a few episodes to keep us entertained, but then drop them like he's hot, regardless of how hot he is.
Emily Maynard (Season 8): Make ABC Give Into Your Every Demand. ABC knew they wanted Maynard to be The Bachelorette and Maynard knew that she wanted it to happen her way. So instead of heading to Los Angeles to film the first few episodes, she made ABC travel to Charlotte, N.C. for production so her daughter's life wouldn't be disrupted. (Now, if only the reality show didn't end up doing that precise thing anyway.)
Season 9 of The Bachelorette premieres on ABC this May!
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: Kevin Foley/ABC]
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True love: something that for a long time seemed only reserved for fairytales — until ABC's The Bachelor and The Bachelorette series came around. Finally! Regular people (who are very attractive and vetted through a long and involved casting process) could find fairytale love! Love that was real and true, just like in the movies!
...at least, that's what we all hoped. But, it turns out, televised matchmaking doesn't work out so well. The Bachelor/Bachelorette couples who remain happy in love are in the minority (to say the least), and the recent breakups of Jef Holm and Emily Maynard as well as Ben Flainjk and Courtney Robertson are just icing on the cake. Who would've thought, right? How is it possible that hand-picked attractive people from around the country going on extravagant dates can't find true love over the course of six weeks? It's shocking, really.
Don't believe us? Check out the numbers and über-fancy statistics, below.
The Bachelor Relationship Rundown
Bachelor Season 1:
Alex Michel and Amanda Marsh — Broke up after 10 months. The beginning of the reinvention of love.
Bachelor Season 2:
Aaron Buerge and Helene Eksterowicz -— Broke up 5 weeks after the finale. Woops.
Bachelor Season 3:
Andrew Firestone and Jen Schefft — Broke up 7 months after the finale. No spare tires for this relationship!
Bachelor Season 4:
Bob Guiney and Estella Gardinier — Broke up 1 month after the finale. What about Bob, indeed!
Bachelor Season 5:
Jesse Palmer and Jessica Bowlin — Broke up 1 month after the finale. It's hard to make a relationship work when your names are THAT similar.
Bachelor Season 6:
Byron Velvick and Mary Delgado — Broke up after 5 years. They became engaged in November 2004 and, while they did endure some domestic squabbles, they didn't officially end their relationship until December 2009.
Bachelor Season 7:
Charlie O'Connell and Sarah Brice — Broke up after two attempts at making it work: May 2005 - September 2007 (28 months), then again November 2008 - April 2010 (19 months). Total: 47 months together; certainly nothing to balk at!
Bachelor Season 8:
Travis Stork and Sarah Stone — Broke up after 1 month, probably because of all the stork jokes.
Bachelor Season 9:
Lorenzo Borghese and Jennifer Wilson — Broke up after 2 months, which makes zero sense because this guy was A REAL-LIFE PRINCE so, like, Happily Ever After was guaranteed, I thought! Isn't that in the Ye Olde Royal Contract?
Bachelor Season 10:
Andy Baldwin and Tessa Horst — Broke up after 4 months. Guess he wasn't a total Baldwin.
Bachelor Season 11:
Brad Womack chose NO ONE because he hates everyone.
Bachelor Season 12:
Matt Grant and Shayne Lamas — Broke up after 2 months. Lorenzo Lamas reportedly weeped for years.
Bachelor Season 13:
Jason Mesnick and Melissa Rycroft — Broke up at the reunion.
Jason Mesnick and Molly Malaney — Got together at the reunion (yikes!) and married in February 2010. They're still together and expecting a baby! Mazel!
Bachelor Season 14:
Jake Pavelka and Vienna Girardi — Broke up after 3 months, and were totally casual and not-at-all mean about it (haha just kidding it was the ugliest break-up on TV maybe ever)!
Bachelor Season 15:
Brad Womack and Emily Maynard — Released an official "we broke up" statement after 3 months (though reports say it ended much earlier).
Bachelor Season 16:
Ben Flajnik and Courtney Robertson — Broke up after 7 months, when Ben realized that the entire planet really didn't like his decision-making skills..
And the Bachelorettes — How Did the Ladies Fare?
Bachelorette Season 1:
Trista Rehn and Ryan Sutter — Married for 8 years and counting! With kids! What a bunch of weirdos.
Bachelorette Season 2:
Meredith Phillips and Ian McKee — Broke up after 1 year. Does anyone remember this season?
Bachelorette Season 3:
Jen Schefft and Jerry Ferris — Broke up 3 weeks after he proposed. Woops!
Bachelorette Season 4:
DeAnna Pappas and Jesse Csincsak — Broke up after 4 months, probably because Jesse's last name was really hard to spell.
Bachelorette Season 5:
Jillian Harris and Ed Swiderski — Broke up after 1 year, probably because she was Canadian.
Bachelorette Season 6:
Ali Fedotowsky and Roberto Martinez — Broke up after 15 months. And, somehow, Roberto did not become the next Bachelor (sorry, Sean Lowe, sure you'll be great).
Bachelorette Season 7:
Ashley Hebert and JP Rosenbaum — Engaged with plans to marry (on live TV! The way it was meant to be done, obviously) in December of this year after 14 months. Hooray for them!
Bachelorette Season 8:
Emily Maynard and Jef Holm — Broke up after 5 months and lots of marionette fights.
Failed relationships: not just for the normals anymore! So what have we learned from all of this? Well, namely it seems like Brad Womack has a terrible track record but loves television. And so does his second-go-around winner/ex-fiancée, Emily Maynard. (Maybe those two crazy kids were meant for each other after all!)
After compiling the numbers and doing a little bit of Bill Clinton's favorite thing (no, not ladies — dirty minds, all of you!), arithmetic, we have put together this handy guide for understanding love, Bachelorstyle.
Here Are Some Fancy Math Facts:
Mean Length of Relationships:13.6 months
Median Length of Relationships:4 months
Mode Length of Relationships:1 month
Analysis:So while the marriages and successes may have thrown us off a bit (13.6 months: what are these people, monogamists?), it generally seems to be that 4 is every bachelor and bachelorette's lucky number. Unless they're one of the five couples who only like quickie, one-month-long relationships.
It seems that the one thing we cantake away from this is that we, as a nation, need to completely rethink our definition of "true love." Obviously, these very attractive and well-groomed pseudo-celebrities know what true love is: they were on a TV show and are good-looking! Duh! So, maybe we should reevaluate what true love really means. If all of these love experts have relationships with an average shelf-life of 1 - 4 months, maybe that's how long true love really lasts! Maybe we've been fooled all of this time by the movies, the Disney princesses, the happily ever afters. Maybe true love can only last a brief period of time (I mean, forever is like, so many years).
[Photo Credit: ABC]
Follow Alicia on Twitter @alicialutes
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Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
Easy A a teen sex comedy with no actual sex aims rather conspicuously to plumb the best bits of Diablo Cody and Alexander Payne in its upside-down self-consciously campy take on Nathaniel Hawthorne’s The Scarlet Letter. In the role of its high-school Hester Prynne is Emma Stone the sly husky heroine of last year’s surprise hit Zombieland. Tested by a film that is far less clever than its director Will Gluck or screenwriter Bert Royal would have us believe (and they desperately want us to believe) she passes with flying colors delivering a performance that should elevate her into the upper echelon of actresses possessing brains and beauty in equal measure.
Stone plays Olive the kind of quick-witted hyper-literate teen that our educational system produces in ever-diminishing numbers. (If it ever produced them to begin with.) More knowing and sophisticated than others her age she is nonetheless not immune to the pressure of peers and the dread of being labeled a loser. Under duress by a prying friend (Aly Michalka) to dish the details of her birthday weekend a rather mundane affair mainly spent jumping on her bed to the tune of Natasha Bedingfield’s pop monstrosity “Pocket Full of Sunshine ” she feels compelled to embellish a bit and concocts an entirely fictional account of losing her virginity (dubbed the “V-Card” by Royal trying too hard) to a boy from a junior college across town.
Word of Olive’s deflowering spreads with startling speed aided by the incessant rumor-mongering of a catty Evangelical eavesdropper (Amanda Bynes). Suddenly branded a tramp on account of a seemingly harmless little lie Olive opts to embrace her newly tarnished reputation and put it to good use. In a viciously stratified social environment where even the most awkward acne-plagued pariah can earn respect and even admiration from members of the upper castes for having gone All the Way Olive anoints herself the Mother Theresa of (fake) sluts bestowing her blessing upon downtrodden gents in need of a reputation boost. And she resolves to look the part too traipsing around in scandalous bustiers and affixing the letter “A” to her chest.
There are limits to Easy A’s Scarlet Letter conceit overly Glee-ful tone forced repartee and pop-culture references (John Hughes is invoked so many times he should get a producer credit). Which is why director Gluck must be grateful to have found Stone who handles the verbal calisthenics of Royal’s script with charm and verve and a certain effortless appeal that keeps us engaged even as the film wallows in contrived irony and heavy-handedness. Keep your eye on her.