Sean 'Diddy' Combs' children are helping the victims of the deadly typhoon which battered the Philippines last week (ends10Nov13) by donating some of their own belongings. More than 10,000 people have died since Typhoon Haiyan ripped through the southeast Asian island, with experts calling it one of the worst natural disasters in modern history.
The devastation has left thousands homeless, so the hip-hop mogul's children, six-year-old twins Jessie James and D'Lila Star, along with their elder brothers Christian, 13, and Justin, 19, have organised their own relief effort by sending essential products to the country.
According to editors at TMZ.com, the kids have filled up boxes with shoes, clothes and blankets in order to ship them off to relief agencies.
After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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S1E08: My general problem with Game of Thrones that I didn’t really imagine I’d have is its production values. Or rather, the production values of any fantasy series. Now, to be fair, GoT looks wonderful but there have just been certain things that pop up that really take me out of a series I generally enjoy being in. I never really thought this would happen since the books read like something that's relatively easy to film, unlike LoTR and its walking, talking trees.
My complaint is regarding the opening scene with Arya and her swordmaster. Now this scene takes place in the books exactly as it was filmed: some knights come up to take her away and the sword dancer defeats most of them with his wooden sword. But when it was filmed it looked rather silly because they fought like a typical televised sword fight: a General swipe across the chest or a quick thwack and the bad guy goes down. However, this guy had a wooden sword and since sword fights on TV are never real the whole thing just took me out of it by exposing the magic of TV making.
But then again, GoT usually avoids most combat scenes like this in favor of extreme close ups of blood spurting out or horses losing their heads. So my point is mute.
Anyway, Arya is able to outwit her captives thanks to the head start she was given and she scampers off with Needle. But not before some stable boy tries to stop her and she uses the pointy end for it’s intended purposes. GoT really focuses on the loss of innocence in children, whether it be murdering a fellow child or selling your soul in a futile attempt to save your enslaved father, like Sansa did. Oh Sansa, you poor poor girl. I know she was only trying to save her and her father’s skin by doing as Cersei suggested (read: commanded), but grow some balls.
Then again, Ned’s honorable balls are what got him locked up in the first place. In his only scene of the episode, Varys comes to pay him a visit and remind him that his “mercy” is the thing that got him locked up and Robert murdered. Not exactly the most pleasant visit of all time. Varys is such an intriguing character; his true motivations are never exactly clear. And to be honest, I can’t quite believe him when he says his true master is the Realm. It could be, but what does he think is best for the Realm? He’s a true Trickster by definition and it’ll be interesting to see what side (or sides, for that matter) he chooses.
"Tell Lord Tywin winter is coming for him. 20,000 Northerners marching south to find out if he really does shit gold." - Robb Stark
Ep.8 - Recap
Meanwhile, up on the Wall we finally get something that makes this show a fantasy series and not a soap opera in chain mail. The Watch finds some former rangers dead but good old fat Sam (groan) notices they don’t stink. They don’t stink because they’re not alive and eventually wake up. Whoops, zombie attaaaack! Luckily Jon is there to grab a flaming lantern (because looking and reaching for the handle would’ve taken literally all of no time at all) and burns the dead dude. Smart thinking Jon! No wonder he’s a bastard.
Anyway, jump across the sea and Daenerys discovers that her plan to conquer Westeros costs money and Drogo’s way of making money is pillage and rape. Well, he doesn’t make any money off the raping, but his men like it. But Daenerys grows some big lady balls and stops the abuse. The soldiers didn’t appreciate not being able to appreciate the spoils of war and take their complaints to Drogo. He scolds Daenerys, but again, she has lady balls and defends herself. Ned could take a lesson from her. This is how you defend your honor: have a big ass dude rip the throat out of your enemies when he tries to do some raping. That’s how you do it. So to review: rape even though the queen says not to = throat ripped out. Got it?
Glad we got that cleared up. Speaking of teenagers thrust unwillingly into positions of power but still managing to hold their own, Robb Stark! (I actually just made that connection between Robb and Daenerys, not being too far ahead in the books from the show I can’t say if something happens between them but the parallels are too obvious). Robb’s being all kingy and calls his bannermen, but they don’t exactly like taking orders from a boy so they challenge him; a basic hazing if you will. Robb passes with flying colors when his direwolf leaps over the table and bites off the challengers fingers. Everyone is silent but then burst out in laughing because that’s what men do when fingers get chomped off at dinner. Once he has the men's trust Robb starts planning a war. A Lannister spy gets caught but Robb lets him go, basically saying “Tell the Lannisters we’re coming for them, yo!” I may be paraphrasing there.
Speaking of the imminent war - Tyrion Lannister! Oh how we missed Tyrion! The little devil manages to sweet talk his way out of another situation, this time from the hands of the mountain men. He rallies them to join the Lannister's and brings them to his father’s camp. I’m surprised more people don’t recognize the power Tyrion has with his words but then again, that’s what makes him so cunning. No one expects the imp. But Tyrion doesn’t exactly like his father, and despite delivering him a veritable force of fighting mountain men, the elder Lannister still sends his brilliant son to war with them. Methinks overlooking Tyrion will be the downfall of many men soon enough.
Despite my initial misgivings about the show’s few shortcomings, the stories are still rich enough to keep me watching week after week. Fake sword fights be damned, I still want to see what will happen with Tyrion and Daenerys, who are safe to say the most interesting characters. Second place would probably go to Robb and Arya. I would say Ned, but as we saw at the end of the episode, he’s about to have a trial and yeah, things aren’t exactly looking great for him. You know what else wasn’t looking good this week? No gratuitous sex scenes!
When X-Men: First Class hits theaters on June 3rd, you may notice that the blockbuster series has changed a bit. The costumes and setting are different, as are the actors playing lead characters Charles Xavier and Eric Lensherr/Magneto. But the most noticeable departure for the franchise is its super-powered roster. The A-team of Cyclops, Storm, Jean Grey and Wolverine are gone, along with heroes-in-training like Ice Man, Rogue and Kitty Pride. And though you’ll hear a few familiar names like Mystique and Beast, you won’t recognize their faces. Filling in for these future fighters are a new batch of mutants who join Xavier in actually founding the X-Men, and a young and talented cast of newcomers who you’ll be seeing a lot of in the coming years. Let’s take a look at the new mutants (well, not THOSE New Mutants…).
Emma Frost/The White Queen
Played by: January Jones
First Comic Book Appearance: X-Men #129 (1979)
Mutant Abilities: Various telepathic powers, including mind reading, mind control, mental sedation and psionic force bolts. In addition, she can transform her skin and hair into a diamond-like substance, rendering her nearly invulnerable.
Emma was born into a wealthy Boston family, but shunned its success and instead wished to make it in the world on her own. Guided by her ambition, intelligence and charm (not to mention her telepathic powers), she climbed the corporate ladder of big business and became the majority stockholder of a multi-billion dollar conglomerate principally involved in electronics and transportation. Her success caught the attention of the Hellfire Club, an elite secret society bent on global domination led by Sebastian Shaw, which is at the center of the conflict in X-Men: First Class. From there, she became one of the Club’s most respected members, and eventually its White Queen.
Played by: Kevin Bacon
First Comic Book Appearance: Uncanny X-Men #129 (1979)
Mutant Abilities: Can absorb kinetic energy and re-channel it into superhuman strength, speed and durability. He also has minor telepathic capabilities.
It’s no wonder that Frost and Shaw hit it off so well; they come from different sides of the same coin. Born to a poor family in Pittsburgh, Shaw turned his fortunes around by his mid-twenties with Shaw Industries, a company he built from the ground-up. He was quickly invited to join the Hellfire Club, and rose it ranks to become the Black King with relative ease. At this point, he planned to use its political and economic resources to further his own goals of global domination, but the X-Men surely had something to say about that…
Played by: Jason Flemyng
First Comic Book Appearance: Uncanny X-Men #428 (2003)
Mutant Abilities: Like the video game Portal? If so, this is the mutant for you. He can teleport by opening portals from one dimension to another. He can also concentrate this portal energy to conjure devastating blasts. Additionally, he shares a mental link with all of his offspring.
Believe it or not, mutants have been around since biblical times (Jesus? Maybe?). Azazel is one of the oldest, and he’s a pretty bad dude. As ruler of the Neyaphem (demon-like mutants from the old days), he believes that Earth and everything in it belongs to him, which kind of puts him at odds with the X-Men. It’s quite strange, then, that one of his children would turn out to be one of them! That’s right: Nightcrawler, the blue teleporter from X2, is the son of this evildoer, though I wouldn’t expect him to bring that up in First Class.
Played by: Zoe Kravitz
First Comic Book Appearance: New X-Men #118 (2001)
Mutant Abilities: They’re quite icky, actually. Angel possesses a few abilities akin to that of a common housefly. Aside from having a pair of wings that allow her to both fly and create a deafening ultrasonic sound by vibrating them, she has an insect like reproductive system that lets her lay eggs that can hatch after just five days. If that’s not weird enough for you, she can spit up an acidic bile-like substance that’s probably not too good for your skin.
Not to be confused with Ben Foster’s winged character from The Last Stand, Angel comes from a very different background than Warren Worthington III. Her abusive stepfather drove her out of her home, forcing her to sleep in the woods where her mutant abilities kicked in a formed a cocoon around her. When she woke up, she had her wings and ran into Wolverine, who took her to Xavier’s mansion. On an interesting side note, actress Zoe Kravitz, who plays Salvadore in First Class, briefly dated the fore mentioned Foster, bringing the cinematic mutant universe back full circle in a sense.
Played by: Lucas Till
First Comic Book Appearance: X-Men #54 (1969)
Mutant Abilities: Havok can absorb cosmic energy into the cells of his body, transform it in an unknown manner and release it as waves of energy that heat the air in their path enough to turn it into plasma, which is a super-heated state of matter consisting of charged subatomic particles.
This is where things get tricky for the chronology of the mutant universe. You see, Alex is the younger brother of Scott Summers a.k.a Cyclops. When we catch up with him in First Class circa 1963, he’s well into his teens already. How, then, can Scott the elder brother be in his early thirties in 2000s X-Men while Alex, the younger is 16 in the sixties? I really hope that director Matthew Vaughn and his army of writers address this fallacy, because it actually has kept me up at night.
Anyway, after a tumultuous upbringing in an orphanage followed by foster care, Havok joined the X-Men and fell in love with Lorna Dane, a.k.a Polaris (who is noticeably missing from the roster). After time spent abroad together doing research, he later would rejoin the X-Men and eventually lead the second iteration of the government sponsored mutant fighting force known as X-Factor.
Played by: Edi Gathegi
First Comic Book Appearance: X-Men Deadly Genesis #2 (2006)
Mutant Abilities: As his moniker would suggest, Darwin’s game is adaptivity. If he’s trapped in a burning building, his skin becomes fireproof. If he’s deep underwater, he grows gills to let him breathe. Get it? Unfortunately, he has no control over his powers; they are purely the result of an instinctual response. However, they have increased his intellect to near genius level.
Darwin is a relatively new addition to Marvel’s mutant universe, but no less important. His story begins in a 2006 run of comics in which he’s born to a father who rejects him and a mother who resents him. However, his intelligence got him a full scholarship to a prestigious boarding school, where he was bullied because of his wraithlike appearance. At 15, his latent abilities kicked in and he used them to fight back. It was then that he was sent to Dr. Moira MacTaggert, a renowned geneticist and friend of Charles Xavier. Eventually, all of MacTaggert’s students joined Xavier’s growing band of freedom-fighting peacekeepers known as the X-Men.
Played by: Caleb Landry Jones
First Comic Book Appearance: X-Men #28 (1967)
Mutant Abilities: Sean’s got a powerful set of pipes; thanks to his superhuman lungs, he can produce a sonic scream for various effects. First off, he can stun, disorient or knock someone out with his deafening shriek. He could generate sonic blasts that strike with tremendous concussive force, liquefying or outright disintegrating targets at his highest levels of power. He can even concentrate the sound waves to enable himself to fly.
Cassidy belongs to a noble line of Irishmen that dates back before recorded history. Born into a happy home where as a youngster he dreamed of heroic acts, he discovered his mutant abilities as a teen but concealed them at first, fearing for his own safety. He frequently clashed with his mutant cousin Black Tom, and the two had a longtime feud over a local girl who Sean ended up marrying. After a career in law enforcement with Interpol, Sean teamed with the X-Men to take on the rising mutant subversive organization Factor Three and, following their defeat, joining the team full time. In First Class, Cassidy will be one of the younger team members, but in comic book lore he’s actually of the same age as Charles Xavier and became a close confidante of the leader.
Played by: Alex Gonzalez
First Comic Book Appearance: Uncanny X-Men #210 (1986)
Mutant Abilities: Riptide can spin his body at incredible speeds, creating a vacuous suction that draws in nearby objects and allows him to throw objects at equally powerful velocities; chief amongst them calcified “daggers” which he grows from his own body.
Another villain who has clashed with the X-Men on numerous occasions, in the comics Riptide is a member of the mutant collective the Marauders who serve Mr. Sinister. In the film, he’s one of Sebastian Shaw’s henchmen and in all likelihood a low-ranking member of the Hellfire Club.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.