And the Comic-Con news just keeps on coming!
Vampires, werewolves, geeks, serial killers, secret agents and more are set to dazzle fans at the 2013 Comic-Con in San Diego. Warner Bros. has just unveiled their lineup, and it's looking like 17 of their fan-favorite series will be in attendance. Take a look at the full lineup below to find out when stars from The Vampire Diaries, Arrow, The Big Bang Theory, and more will be taking the stage.
Wendesday, July 17:– Pilot screenings of Almost Human, The Tomorrow People, and The 100, as well as a special presentation of The Originals featuring never-before-seen footage.
Thursday, July 18:- MAD: Producers Kevin Shinick and Mark Marek.
Friday, July 19:- Almost Human: Stars Karl Urban, Michael Ealy, and executive producer J.H. Wyman. - The Big Bang Theory: Executive producers Steven Molaro and Bill Prady and the writers- Childrens Hospital: Creator/star Rob Corddry and executive producers David Wain and Jonathan Stern join cast members Lake Bell, Erinn Hayes, Ken Marino and Rob Huebel. - The Following: Kevin Bacon, Shawn Ashmore, and Valorie Curry join executive producers Kevin Williamson and Marcos Siega. - Nikita: Maggie Q, Shane West, Lyndsy Fonseca, Aaron Stanford, Melinda Clarke, Devon Sawa, and Noah Bean join executive producer Craig Silverstein. - The 100: Series stars Eliza Taylor, Thomas McDonell, Marie Avgeropoulos, and Henry Ian Cusick join executive producers Matthew Miller and Jason Rothenberg. - The Paranormal and Extraterrestrial Squad: Producers Milo Ventimiglia and Russ Cundiff and creators/stars John Dale and Michael Hobert.
Saturday, July 20:- Arrow: Stephen Amell, Katie Cassidy, David Ramsey, Emily Bett Rickards and Colton Haynes joining executive producers Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg. - The Originals: Joseph Morgan, Claire Holt, Phoebe Tonkin, and Charles Michael Davis join executive producer Julie Plec. - Person of Interest: Executive producers Jonathan Nolan and Greg Plageman join members of the cast for their third visit to Comic-Con. - Revolution: Series stars and creator/executive producer Eric Kripke. - The Tomorrow People: Series stars Robbie Amell, Mark Pellegrino, and Peyton List with executive producers Greg Berlanti, Phil Klemmer and Danny Cannon. - The Vampire Diaries: Nina Dobrev, Paul Wesley, Ian Somerhalder, Kat Graham and Candice Accola join executive producers Julie Plec and Caroline Dries.
Sunday, July 21:- Supernatural: Jared Padalecki, Jensen Ackles, Misha Collins, and Mark A. Sheppard with executive producers Jeremy Carver and Robert Singer. - Beware the Batman: Producers Glen Murakami and Mitch Watson. - Teen Titans Go!: Producer Aaron Horvath joins members of the voice cast, including Greg Cipes and Scott Menville.
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Director Alexander Payne's (Election Sideways) new film opens over sprawling landscape shots of Hawaii's scenic suburbia accompanied by George Clooney's character Matt King summing up his current predicament: "Paradise can go fuck itself." The reaction unfortunately is reasonable.
We pick up with King an ancestor of Hawaiian royalty in the middle of deliberations over a plot of land handed down through his family over generations. With every uncle aunt and cosign whispering opinions into his ear King is suddenly presented with an even greater problem: taking care of his two daughters. A boating accident leaves his wife in a coma forcing Matt to take a true parenting role with his young socially-troubled daughter Scottie (Amara Miller) and his rebellious teen Alexandra (Shailene Woodley) who was previously shipped off to boarding school. Matt awkwardly hunts for the emotional glue necessary for the mismatched bunch to become "a family " but matters are made even more complicated when Alex reveals that her mother was cheating on him before the accident. Murphy's Law is in full effect.
With The Descendants Payne continues to explore and discover the inherent humor in life's melancholic situations unfolding Matt's quest for understanding like a road movie across Hawaii's many islands. Simultaneously preparing for the end of his wife's death and searching for the identity of her lover Matt crosses paths with a number of perfectly cast side characters who act as mirrors to his best and worst qualities: his father-in-law Scott (Robert Foster) who belittles Matt for never taking care of his daughter; Hugh (Beau Bridges) an opportunistic cousin who pressures Matt to sell the land; Alexandra's dunce of a boyfriend Sid (Nick Krause) who always has the wrong thing to say; and Julie (Judy Greer) the wife of the adulterer in question. Colorful yet real Matt experiences a definitive moment with each of them yet the picture never feels sporadic or episodic.
Clooney and Woodley help gel these sequences together as they observe experience and butt heads as equals. Clooney's own magnetism stands in the way of making Matt a fully dimensional character but he shines when playing off his quick-witted daughter. His reactions are heartbreaking—but it's the moments when he has to put himself out there that never quite ring true. But the script by Nat Faxon Jim Rash and Payne gives Clooney plenty of opportunities to work his magic visualizing his struggle as opposed to vomiting it out like so many of today's talky dramas.
The Descendants is a tender cinematic experience an introspective and heartwarming film unafraid to convey its story with pleasing simplicity. Clooney stands out with a solid performance but like many of Payne's films it's the eclectic ensemble and muted backdrop that give the movie its real texture. The paradise of Descendants isn't all its cracked up to be but for movie-goers it's bliss.
What do the following movies have in common: Crash, Little Miss Sunshine, The Hurt Locker, The Kids Are All Right and Winter's Bone? Not only were all of them hit indie movies that were nominated for (and in some cases won) the Oscar for Best Picture, but they were all summer releases. The major studios spend their summers focusing on blockbusters and tentpole movies like Transformers and wait until year’s end to release more serious, artistic fare. Meanwhile, indie distributors take advantage of the dearth of mature, intelligent or just offbeat programming for more adventurous moviegoers, and this summer yields one of the strongest selections of such films to come along in a while. There’s a wide assortment of films from all over that bring the kind of diversity that this season’s major studio slate doesn’t provide, and they’re all hitting theaters over the next four months.
BIG STARS, LITTLE MOVIES
Just because it’s an indie doesn’t mean there are no names to entice audiences, and this summer’s indie selection offers some top names in smaller, more personal films…
Everything Must Go (May 13)
Behind every comedian is a serious actor just waiting to come out, and Will Ferrell is no different, here playing a man who loses everything in his life – his job, his marriage and his home – in one day, so he sells off his belongings on his front lawn for days on end. Based on a short story by Raymond Carver, it’s still got moments of humor, but it’s mainly a fine showcase of Ferrell’s dramatic gifts.
Hesher (May 13)
Joseph Gordon-Levitt is the mysterious stranger who literally walks into the lives of Rainn Wilson and Natalie Portman in this very offbeat and original comedy/drama from director Spenser Susser.
Midnight in Paris (May 20)
This year’s opening-night film at the Cannes Film Festival, Woody Allen brings us a comedic fantasy starring Owen Wilson as an American tourist who uncovers a mysterious portal that transports him to Paris in the 1920s. As usual, Allen lines up a star-studded cast (including Rachel McAdams, Adrien Brody, Michael Sheen and Marion Cotillard) and great locations in a film that promises good, old-fashioned movie fantasy.
Beginners (June 3)
Ewan McGregor, Christopher Plummer and Melanie Laurent (Inglourious Basterds) star in this comedy/drama from writer/director Mike Mills (not the R.E.M. guitarist) about the romantic foibles of a man (McGregor) who falls in love just as his aging father (Plummer) comes out of the closet.
Our Idiot Brother (August 26)
Paul Rudd stars as the title character, a lifelong slacker whose return after a stint in jail wreaks havoc on his sisters (Elizabeth Banks, Emily Mortimer and Zooey Deschanel).
Last year’s Toronto fest and this year’s Sundance fest held a record for amount of multimillion-dollar acquisitions, and most of them (such as the aforementioned Our Idiot Brother) are starting to make their way to theaters this summer, starting with Submarine (June 10), the acclaimed coming-of-age comedy from British comedian Richard Ayoade, best known in the U.S. for his role on IFC’s The I.T. Crowd… Another pair of famed British comics, Steve Coogan and Rob Brydon, join acclaimed director Michael Winterbottom on The Trip (June 10), which has already caused a viral video sensation online with Coogan and Brydon’s competing Michael Caine impersonations… The complications of young love in NYC hit Freddie Highmore and Emma Roberts in The Art of Getting By (June 17), which was originally titled Homework when it premiered at Sundance… Another Earth (July 23), co-written by and starring Brit Marling (who became this year’s breakout star at Sundance) takes a sci-fi premise – the discovery of a second Earth – but takes a more philosophical and dramatic approach to the subject… Another Sundance 2011 star is Dominic Cooper, who earned praise in the dual role of the sadistic Uday Hussein and the man picked to be his unwilling double in The Devil's Double (July 29)… Oscar nominee Vera Farmiga stars as a woman seeking spiritual enlightenment in Higher Ground (August 12), which also marks the Up in the Air star’s directorial debut… Finally, there’s Bellflower (August 5), one of the most talked-about films at both Sundance and SXSW, a true original about love, muscle cars, flame throwers and the end of the world. Tough to pinpoint, but this is one you’ll definitely be hearing about and is well worth seeing.
Some of the strongest titles of any movie year are usually the documentaries, and summer 2011 brings us some truly great ones, starting with Page One: A Year Inside the New York Times (June 24), which shows the inner workings at one of the world’s most powerful newspapers; it’s an absolute must for anyone interested in journalism and the changing information age… On the stranger side of the news comes Oscar winner Errol Morris’ Tabloid (July 15), the bizarre true story of a former beauty queen who abducts a Mormon missionary as a sex slave… And Oscar-winning director James Marsh (Man on Wire) returns with Project Nim (July 8), the account of a 1970s experiment that raised a chimpanzee as a human child.
If you want a better example of the wide variety of indie films coming out this summer, look no further than such oddities as Jason Eisener’s Hobo with a Shotgun (May 6), starring Rutger Hauer in the title role (“Delivering justice… one shell at a time!”); The Troll Hunter (June 10), a Norwegian monster epic in which a documentary film crew uncovers a secret government agency whose job is to keep Norway’s trolls in line; and acclaimed Spanish director Alex De La Iglesia’s The Last Circus (August 12), the story of two circus clowns violently battling over the same woman in post-Franco Spain.