There should be a rule stating if a movie has already won the Academy Award for Best Picture it should never EVER be remade at a later time no matter who is involved. Why mess with a good thing? The 1949 All the King's Men based on the Pulitzer Prize-winning novel by Robert Penn Warren starred Broderick Crawford as Willie Stark a 1950s Louisiana politician who uses fiery rhetoric to get the poor folk to elect him as governor but who becomes corrupt in the process and is eventually assassinated. The story is loosely based on the real-life legendary 1930s Louisiana governor Huey P. Long and the original film adaptation was equally brazen and subtle wonderfully executed and won three Oscars including the top prize. But apparently the original wasn’t as authentic as this current incarnation. This time Sean Penn stars as our prime filibuster who tries to keep things lively but gets bogged down by the muddled subplots especially the one involving Stark’s PR guy Jack Burden (Jude Law) and his relationships with his very Southern godfather (Anthony Hopkins) and childhood friends (Kate Winslet and Mark Ruffalo). Yawn. With a cast like this it’s no wonder King's Men got remade. Penn clearly stands out of course. How could he not? His Willie Stark is the only thing sparking anything close to life in the film. But with the part such as it is Penn also tends to unnecessarily chew up scenery while everyone stands around him in a wilting repose. Law—once again narrating the proceedings (must he do this in ALL his films?)—tries to embody a character who really doesn’t seem to give a rat’s ass about anything except being Stark’s beck and call boy even after all the horrible things Stark makes him do to the people he supposedly loves. Winslet as Jack’s unrequited childhood love Ruffalo as her put-upon brother and Hopkins as a former judge who stands in Stark’s way to success are all just completely wasted. As is Patricia Clarkson as Stark’s campaign manager and mistress Sadie Burke who was so brilliantly played by the Oscar-winning Mercedes McCambridge in the 1949 original. Whatever happened in translation is surely not Clarkson fault. Come on guys you’ve got a powerhouse crew here. Why fritter them away? Apparently redoing All the King's Men has been a dream project of political pundit James Carville one of the film’s producers for some time. He has dabbled here and there in the entertainment industry especially in the riveting documentary The War Room so periodically through the years Carville would mention to filmmakers in passing how he had a passion for Robert Penn Warren’s novel and how deeply he wanted to see it filmed authentically. Lo and behold someone finally listened and a new King's Men was underway helmed by writer/director Steven Zaillian (Searching for Bobby Fischer) with an all-star cast. Filming on location in New Orleans and the outlying areas of Louisiana just before Hurricane Katrina hit Zaillian provides the faithfulness Carville was looking for. But did anyone at any time ask the question “Why are we doing this movie again when it was already done so well?” I repeat it was a Best Picture winner for chrissakes. And now remaking it into a giant snore-fest just ruins the mystique. Sometimes they just don’t get it.
PASADENA Calif., July 20, 2000 - Substance reigned over style as NBC unveiled its new Fall lineup to the media this week. Gone were the matching color schemes and meals by the pool that ABC employed to fete reporters just a few days ago; in their stead, there were neon peacocks and buffet trays with sternos. And the consensus among critics at the Ritz-Carlton Hotel was that ABC surely hung window dressing on everything because it only had four new series to pump. NBC, on the other hand, needed no frills to roll out seven new series and two miniseries.
Not surprisingly, the Q-and-A sessions were shorter, with less time for breathing in between. Trashy dramatist Aaron Spelling unveiled his high-camp "Titans," a Dallas-for-the-millennium evening soap with vixens, sex and greed, and starring Yasmine Bleeth, Casper Van Dien ("Sleepy Hollow") and Victoria Principal. Critics broke into applause during a preview, when Bleeth tells Van Dien she is pregnant with his baby - even while walking down the aisle to marry his father.
Katey Sagal showed has ditched her Peg Bundy wig to play a neighborhood witch with heart in the coming-of-age sitcom, "Tucker." Oliver Platt ("Bulworth") and indie film queen Lili Taylor spoke about their New York newspaper drama "Deadline." And writers and producers hailing from "The Late Show with David Letterman" brought out the romantic comedy "Ed," starring Tom Cavanaugh ("Providence"), about a New York lawyer who gets fired, catches his wife cheating and moves back to his hometown to buy a bowling alley.
Then there was Michael Richards ("Seinfeld"), promoting his sitcom "The Michael Richards Show," an Inspector Clouseau meets Ernie Kovacs P.I. romp. Steven Weber ("Wings") was on hand to tout "Cursed," co-starring Chris Elliot ("There's Something About Mary'), about a guy who, uh, gets cursed. And, David Alan Grier ("In Living Color") joked about starring in the sitcom "DAG" about a demoted secret service agent who guards the demanding First Lady, the slimmed-down Delta Burke, saying "You will always hear these lines: 'It's because I'm black.'"
Then there were the two miniseries, the biblical drama "In the Beginning" starring Jacqueline Bisset and Martin Landau, and the Kennedy wives' drama "Jackie, Ethel, Joan: Women of Camelot," which features Jill Hennessey ("Law & Order"), Lauren Holly ("Dumb and Dumber") and Leslie Stefanson ("The General's Daughter"), respectively.
NBC's marathon unveiling ended with a celeb-fest at Jillian's Hi-Life Lanes, a bowling alley at the tourist-beseiged Universal City Walk shopping mall. While the food was, again, unspectacular, everyone was handed disposable cameras to take pictures of things like Rob Lowe and Kathy Ireland talking (two perfect creatures that seem freakish standing together), Martin Sheen mugging with "Daddio" tyke Mitch Holleman, and "Will & Grace" actor Eric McCormack discussing how the characters will soon have significant others. In short, the stars pranced, the critics howled.