After breaking out two years ago with the teen pregnancy comedy Juno writer-director Jason Reitman trains his keen acerbic eye on the modern business traveler in Up in the Air a bittersweet comedy about one man’s turbulent journey of self-discovery and redemption.
George Clooney stars as Ryan Bingham a corporate downsizer (he fires people for a living essentially) and seasoned road warrior whose aversion to real human connection is reflected in his mammoth stockpile of frequent flyer miles the fruits of a job that calls for 300-plus days spent away from the office. Thoroughly content with a life spent in hotel bars and airport lounges Ryan begins to slowly unravel when he’s tasked with mentoring Natalie (Anna Kendrick) a fresh-faced recent graduate with a bold set of ideas for transforming the business of firing people — ideas that threaten both Ryan’s untethered existence and his budding relationship with Alex (Vera Farmiga) a fellow corporate nomad whose penchant for low-effort commitment-free relationships mirrors his own.
Enchanted by visions of a perpetual booty call replete with racy Blackberry messages and romantic trysts arranged via Outlook Ryan begins to suspect he might have found his soulmate in Alex. Inconveniencing his idealized scenario however is his travel partner Natalie a probing perceptive gal who proves a far more worthy adversary than he initially anticipated. As Ryan exposes Natalie’s real-world inexperience and naivety in a series of mildly disastrous business meetings she in turn refutes his resolutely isolationist approach to love and relationships. Soon their mutual resentment gives way to a father-daughter dynamic characterized by genuine albeit guarded affection. As his carefully crafted barriers steadily erode Ryan’s thoughts increasingly turn to Alex and he begins to contemplate the previously unthinkable prospect of putting down actual roots.
Corporate downsizing emotional detachment and the dehumanizing effects of modern technology aren’t exactly the most lighthearted of topics but Up in the Air avoids wallowing in dour Death of a Salesman territory with the help of Reitman’s sharp perceptive wit and a handful of lively cameos from comic heavyweights like Danny McBride Zach Galifianakis and J.K. Simmons. In fact the whole affair makes for a surprisingly uplifting experience in a "saddest happy ending" kind of way. Though the latter half of the film is hampered by structural deficiencies and a pair of melodramatic sadly predictable twists that move the plot forward but diminish its overall impact it still qualifies as one of the top films of the year and Reitman’s best work to date. Consider Up in the Air a surefire Oscar contender.
We all know Adolf Hitler did not die as a result of an organized assassination plot against him but this fact does not hinder the enjoyment of watching how that attempt by members of his own Nazi command plays out. Reminiscent of great ‘60s WWII conspiracy thrillers such as 36 Hours and Night of the Generals this film centers on the actions of Colonel Claus von Stauffenberg (Tom Cruise) a loyal German officer who nevertheless is horrified by what he sees Hitler doing to his country and is determined to find a way to stop him. In 1942 he tries to persuade senior commanders to overthrow Hitler and later in 1943 while recovering from combat injuries he joins the German Resistance a secretive anti-Hitler group comprised of several men in the highest ranks on the inside. Using Hitler’s own contingency plan labeled Operation Valkyrie to prop up the government should he die this group puts their assassination and take over plan in motion. As the eye patch-wearing SS colonel Tom Cruise is excellent. He comfortably manages to get to the heart of Stauffenberg and portray a man who clearly loves his country and feels it’s a patriotic duty to stop the madness. Wisely Cruise (who produced through his United Artists studio) surrounds himself with actors of the first stripe. Among those supporting the mission are: Kenneth Branagh in a relatively brief turn as an German officer; Bill Nighy as one of von Stauffenberg’s closest allies in the venture; and Eddie Izzard as a communications specialist charged with cutting Hitler’s contact to the rest of Germany. There’s also superb work from Terence Stamp as another high-ranking conspirator and the always great Tom Wilkinson as career officer Fredrick Fromm who seems to be playing all sides despite appearing to be a stern supporter of the Fuhrer. And as Stauffenberg’s loyal wife Carice van Houten (Black Book) looks lovely and hits just the right notes as her husband’s sounding board. Although he has guided big popcorn pictures such as Superman Returns and X-Mens director Bryan Singer has also given us intense thrillers like the Oscar winning Usual Suspects and Apt Pupil. So the command he shows in turning out this nifty thriller should come as no surprise. Clearly Singer knows how to grab hold of an audience and keep them on the edge of their seats -- no easy trick here since the outcome is never in doubt. He keeps this going like a speeding train ratcheting up the suspense at every turn and focusing his camera directly into the eyes and sweat of these courageous conspirators. Valkyrie is a pulse-pounding heart-racing excitement from start to finish.