What will September bring?
Plenty, say the major TV networks as they begin their weekly series of meetings in New York known as the TV "upfront," hyping their 2001-02 TV schedules to advertisers. As much as 80 percent of next season's ad inventory is bought during this time.
NBC and the WB have announced their lineups, with ABC scheduled to make its presentation Tuesday.
NBC will shake things up a little. It has lessened its sitcom load by scheduling only eight comedy series, including three new sitcoms, the lowest the network has aired in two decades. Gone is the Sunday night movie, an NBC staple since the mid-1970s. It also is banking on its new primetime game show, The Weakest Link, to prosper. The Anne Robinson-hosted quizzer will remain at 8 p.m. Mondays while a second serving will now air at 8 p.m. Sundays.
A new sitcom with much to prove is Inside Schwartz, about a sports fan (Road Trip's Breckin Meyer) whose thoughts are revealed through conversations with sports figures. NBC will air it at 8:30 p.m. Thursdays following Friends, a time slot notorious for such failures as Jesse and The Single Guy. The series comes from the creators of Just Shoot Me and Mad About You. NBC is looking to combat the dent CBS' Survivor put in the famed NBC Thursday Must-See TV schedule, which was once virtually unbeatable with Friends kicking off the night. The rest of Thursday will remain the same with Will & Grace, Just Shoot Me and ER.
NBC also will add three new dramas, changing the schedules on Mondays, Tuesdays, Thursdays and Sundays while keeping Wednesdays, Fridays and Saturdays intact.
Mondays will lead off with The Weakest Link, with Third Watch moving to 9 p.m., followed by a new drama series, Crossing Jordan, with Jill Hennessy as a female coroner.
The new sitcom Emeril, to air 8 p.m. Tuesdays, stars the TV chef Emeril Lagasse in a "show-within-a-show" scenario. And in the 9:30 p.m. spot will be the last new sitcom, Scrubs, about hospital interns, from the makers of Spin City.
On Sundays, another extension of the Law & Order franchise, called Law & Order: Criminal Intent, will air at 9 p.m. UC: Undercover, about an elite unit at the U.S. Justice Department, will follow at 10 p.m.
Say goodbye to DAG, which starred Delta Burke and David Alan Grier; The Fighting Fitzgeralds, with Brian Dennehy; and the popular 3rd Rock from the Sun, which is in its final season.
Midseason candidates include a new comedy with Seinfeld's Julia Louis-Dreyfus; another new sitcom, What Are You Thinking, starring Hank Azaria; and Leap of Faith; from the creators of HBO's Sex in the City.
Losing Buffy the Vampire Slayer to UPN was a major defection for the fledging WB. Now one of its other popular shows, Charmed, also may go through some unexpected changes.
The WB picked up Charmed for a new season, but Shannen Doherty, one of the three witches/sisters who call themselves "the power of three," is leaving the show after three seasons.
"We have had a long and prosperous relationship with Shannen and we didn't want to hold her back from what she wanted to do," Spelling Television, Charmed's producer, released in a statement. "We wish her all the best and much continued success."
"We hope to see her back on the network in the future," the WB added in its statement.
This is not the first time that Doherty has walked away from an Aaron Spelling-produced show. In 1994, Doherty fled Beverly Hills, 90210. Spelling welcomed Doherty back with open arms in 1998 when he cast her in Charmed.
Nan Sumsky, Spelling Television's director of series publicity, said Monday that it was unclear whether Doherty will be replaced. The show's two other costars, Alyssa Milano and Holly Marie Combs, will return.
"It would be hard to have a 'power of three' without a third," Sumsky added.
Still, the WB has negotiated multiple-year deals with four of its top-rated series: Dawson's Creek, 7th Heaven, Sabrina, the Teenage Witch and Felicity. The network also is keeping the Buffy spin-off Angel, but did not renew its option with the sci-fi show Roswell. UPN is now in serious negotiations to pick up Roswell.
New shows to be added to the WB's fall schedule include: Deep in the Heart, a sitcom starring Reba McEntire, and Smallville, a drama about the young Superman mythology. The WB also will launch a "reality wheel" on Sundays, with two new shows, Lost in the USA and No Boundaries.
Popular, Jack and Jill, Grosse Pointe and The Jamie Foxx Show, which recently aired its final episode, will not return.
Possible ABC fall schedule
Looks like ABC is weaning itself off of the Who Wants to be a Millionaire juggernaut, now that the writers strike has been averted. The Regis Philbin-hosted game show will now just air twice weekly come the fall.
The Alphabet Network is adding a variety of new and returning shows, with reality, sitcom and dramas among them. A few new sitcoms are planned, including Bob Patterson, about a motivational speaker, starring Jason Alexander, and a Jim Belushi-led family vehicle. There also will be a new Steven Bochco drama, Philly, starring Kim Delaney, to compliment the return of NYPD Blue. ABC also is relying on its reality programming, bringing back another installment of The Mole and a new show, The Runner. ABC will make its announcement Tuesday.
BEVERLY HILLS, Calif., March 19, 2000 - Rene Russo, the actress, didn't win any awards for her head-turning performance in "The Thomas Crown Affair." But tonight here at the Beverly Hilton, Rene Russo, the haircut, did. Welcome to the first-ever Hollywood Makeup Artist and Hair Stylist Guild Awards, where the above-the-title stars take back seats to behind-the-scenes primping professionals.
Yes, it was the beauty folks' turn to make Oscar-like acceptance speeches and bask in the praise of thankful A-list celebrities who they've made look good, "day after day, year after year, facelift after facelift," as host Rita Rudner drolly put it.
"It's the American dream that I've heard so much about. It's happening to me right now," hair stylist Enzo Angileri said, accepting the so-called Georgie award for doing Russo's do in "Thomas Crown," named best contemporary hairstyling work.
Decades ago, hair and make-up people were treated like celebrities themselves. But the list of big names attending the awards ceremony showed that, while movie and TV beauticians may no longer make it into the gossip columns, they nonetheless are held in high esteem by those who do.
"It's an art form," said actor Billy Bob Thornton, an award presenter. As if to prove that point, Thornton showed up in full make-up (complete with oily gray hair) and costume (a Slim Whitman-meets-Colonel Sanders outfit) from "Waking Up In Reno," a film he's now shooting, in which he plays an aging country singer.
"A lot of people don't realize how much time we spend in make-up, how many hours we spend being literally transformed by these artists," he said.
Other name brands handing trophies included: Holly Hunter, Brendan Fraser (greeted by cat-calls from the audience), Ellen Burstyn, Mimi Rogers, and cast members from TV shows like "That 70's Show," "Freaks and Geeks," and "Providence." Before the event, crowds of fans and electronic lined the Beverly Hilton lobby as the stars rolled in.
Tony Curtis presented the lifetime achievement award to makeup artist Monty Westmore, who recently retired after a 50-plus-year career that included more than 100 films, ranging from "The Treasure of Sierra Madre" with Humphrey Bogart to the forthcoming "How the Grinch Stole Christmas" with Jim Carrey.
Unlike the Oscars, which have been plagued by mishaps this year despite 72 years of experience, the Georgies basically survived their first go-round with almost no problems. Ballots were mailed out to the 1,100 members of the International Alliance of Theatrical Stage Employees Local 706, who voted on the 17 different award categories. And the golden statuettes, which look vaguely Oscar-like, didn't disappear en route to the event.
But note the phrase: Almost no problems. Amid the celebration, two important items were missing: The champagne and sunglasses. The champagne ordered for the ceremonies never arrived, and was believed to have been delivered to another hotel. And the Calvin Klein shades that were to be supplied by the designer label and given out to the presenters, also were no-shows.
When informed of this caper, actress Christina Applegate (of "Jesse" fame) was understandably dejected.
"Was I supposed to get some glasses?" Applegate said. "Darn."
Here's a complete look at the night's winners:
Best Contemporary Makeup (Feature) Toni G and Will Huff "The General's Daughter."
Best Period Makeup (Feature) Leonard Engleman, "Tea With Mussolini."
Best Character Makeup (Feature) Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch, "Sleepy Hollow."
Best Effects Makeup (Feature) Greg Cannom and Wesley Wofford, "Bicentennial Man."
Best Contemporary Hair Styling (Feature) Enzo Angileri "The Thomas Crown Affair."
Best Period Hair Styling (Feature) Vivian McAteer, for Cher in "Tea With Mussolini." Television TELEVISION
Best Contemporary Makeup (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) James MacKinnon and Stephanie Fowler, "Thank You Providence," "Providence."
Best Period Makeup (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham, "Triangle," "The X-Files."
Best Character Makeup (Television) Jennifer Aspinall, Felicia Linsky and Ed French, Episode #507, "Mad TV."
Best Makeup Effects (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Kenny Myers, Todd A. McIntosh, Robin Beauxchesne, Douglas Noe, and Brigette Myre-Ellis, "Living Conditions," "Buffy The Vampire Slayer."
Best Period Makeup (For a Mini-Series or Movie of the Week) Sue Cabel, Matthew Mungle and Joe Hailey, "And The Beat Goes On: The Sonny and Cher Story."
Best Character Makeup (For a Mini-Series or Movie of the Week) Douglas Noe, for Cicely Tyson in "A Lesson Before Dying."
Best Contemporary Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Darrell Fielder, Jonathan Hanousak and Joy Zapata, "The Final Frontier," "Mad About You."
Best Period Hair Styling (For a Single Episode of a Regular Series -- Sitcom, Drama or Daytime) Gabriella Pollino, Deborah Piper, Valerie Scott and Cindy Costello, "Prom Night," "That 70's Show."
Best Character Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Josee Normand, Charlotte Parker and Gloria Montemeyor, "Bride of Chaotica," "Star Trek Voyager."
Best Innovative Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Josee Normand, Charlotte Parker and Gloria Montemeyor, "Dragon's Teeth," "Star Trek Voyager."
Best Period Hair Styling (For a Mini-Series or Movie of the Week) Marlene Williams and Tim Jones "And The Beat Goes On: The Sonny & Cher Story."