WHAT IT’S ABOUT?
Writer/director Woody Allen chose to remain behind the camera for Whatever Works employing Larry David as his muse. The Curb Your Enthusiasm star plays a cranky pessimist who becomes the initially unwilling husband to a much MUCH younger Southern girl with a father fixation. But when her conservative mother arrives all hell breaks loose as Mom tries to drive her daughter away from the old guy and toward a much younger model. But New York City has a strange effect on everyone and soon everyone in this very disparate group learns the best things in life are really “whatever works.”
WHO’S IN IT?
Forgoing the umpteenth opportunity to play the May/December romance bit again Allen turns over the starring role to David in an inspired bit of casting about which it’s simply impossible to curb your enthusiasm. David given hilarious monologues that riff on life and border on a constant stream of doomsday analysis is perfect casting in Allen’s peculiar New York world. What’s most surprising is he actually creates a three-dimensional character we grow to care about even though the flow of one-liners rarely stops. As the super-conservative Southern yokel mother-in-law Patricia Clarkson is equally at home in Allen’s universe and takes the stereotypical role into unexpected places. As the innocent ex-beauty queen who bounces into David’s life Evan Rachel Wood practically channels a backwoods Tammy persona but somehow it works well enough for us to believe she could actually fall for such a cranky old man. Also of note is Ed Begley Jr.’s terrific turn as her pious father and estranged hubby of Clarkson who shows up near the end and defies all convention.
After a sojourn abroad first to England for his expert thriller Match Point and the less successful Scoop then to Spain for last year’s delightful Vicky Cristina Barcelona Allen returns triumphantly to his New York roots for the first time since 2004’s Melinda and Melinda. Despite the absence he hasn’t lost a beat when it comes to his very singular view of the Big Apple and its inhabitants. Casting David was the masterstroke that makes this one stand out as one of the prolific Allen’s (he turns out a film a year) most consistently amusing works in some time.
Whatever Works is very slight and feels more like one of the comedian’s New Yorker short stories than a fully fleshed-out motion picture. But when you’ve got this kind of sharp dialogue and these performers it’s hard to quibble about substance.
NETFLIX OR MULTIPLEX?
Whatever works for you but if you’re a Woody Allen or Larry David fan it’s a must wherever you see it.
A guy who usually doesn't have luck with the ladies Matt Saunders (Luke Wilson) has finally found the perfect girl. Egged on by his buddy Vaughn (Rainn Wilson) Matt pursues the mousy and innocent-looking Jenny Johnson (Uma Thurman) after the two meet on a subway. But Jenny has a few secrets--and what Matt doesn't know in this case can hurt him. See Jenny is really G-Girl a superhero and although it's a side most superheroes don't show G-Girl is a bit possessive and essentially has a borderline personality. So when Matt wants to dump her so he can go out with his quiet and cute co-worker Hannah (Anna Faris) Jenny er G-Girl goes ballistic. She unleashes her superpowers on Matt and unsuspecting Hannah doing things like throwing a shark through his window while they're making out tossing his car around immature things like that. What Matt doesn't do is obey the cardinal rule: Never break up with a girl when she's holding a knife--or when she can throw you through a wall by blowing on you. This should be Luke Wilson's moment to shine and he seizes it. He's had little chance to break away from his goofier-looking and more popular brother Owen and has never carried a movie as much as this one. It's perhaps his meatiest role in which he gets to show a restrained comedic side as well as a dramatic angry and perplexed side. Although it's a typical romantic comedy plot the storyline allows for more reach because of the absurd nature of the jealousy by G-Girl’s arch nemesis Professor Bedlam played perfectly by Brit comic Eddie Izzard as well as the persistently bad advice from Matt’s friend Vaughn played by scene-stealer Rainn Wilson (TV's The Office). Rainn is a definitely a talent to watch out for. Unfortunately Thurman is the biggest disappointment. She's exciting only when she rekindles her Kill Bill persona but is mostly outshined by the cute and fun Anna Faris who's so naively brilliant in the Scary Movie spoofs. Expectations would have to be high if you have director Ivan Reitman on board the guy behind such classic comedies as Animal House Ghostbusters and Dave. Perhaps that's why it's so disappointing--and so very familiar. The comic moments are retreads from the past. Sure we've seen the odd moments where mortals make it with super-human characters--Superman II Bewitched I Dream of Jeannie--and every once in a while the character with super powers gets a bit peeved and goes off the deep end. The best contribution Reitman makes is to keep the over-the-top comedic aspects in check. He doesn’t have the actors play it for laughs. But if you look at past history female superhero movies don't seem to do well at the box office (Elektra and Catwoman anyone?) maybe because guys don't like to take dates to see movies about women who will kick their butts. And guys will be cringing in their seats BIG time when Jenny is trying to analyze the real meaning of the color of a rose that she just got. "Red means that you're in love with the girl. Of course I'm not trying to pressure you." Ugh! Just take the flower.