In April (10), Washington will thread the boards in New York and reprise Jones' 1987 role as patriarch Troy Maxson in the August Wilson revival - which centres around U.S. race-relations in the 1950s.
But Washington continually declined to star in the Tony-winning play until he could realistically follow-up acting legend Jones, who at 79, is 24 years his senior.
Producer Scott Rudin says, "Denzel and I have been having conversations about this one role for years. This was no sudden thought. A long time ago he met August Wilson at Wilson's home in Seattle. It was a rainy afternoon, and they spent time talking. And he loved this particular play. He always wanted to do it 'one day.'
"The reason it was 'one day' was because Denzel's role in Fences is that of the patriarch father. The character is 54. Denzel didn't think he was old enough. So many years have passed and we've talked about it so long."
And it wasn't until Washington earned a boost of confidence from his role in Broadway's 2005 revival of Julius Caesar that he finally agreed to the project.
Rudin adds,"He's already done Broadway in 2005 as Brutus in a Julius Caesar revival, so that he now feels he's old enough."
Washington will take to the New York stage in April in the August Wilson play, which centres around U.S. race-relations in the 1950s.
The original 1987 production starred James Earl Jones as patriarch Troy Maxson, Mary Alice as his wife and Courtney B. Vance as his son. It won both the Tony Award for best play and the Pulitzer Prize for drama.
Washington was last on Broadway in 2005 in a revival of Julius Caesar, in which he played Brutus.
The new production will be directed by Kenny Leon, who directed Wilson's Radio Golf and Gem of the Ocean on Broadway.
On the surface Kevin Smith has crafted a clever concept a ragtag group attempts to make a porno film in order to get some quick cash. The underlying story is the platonic relationship between roommates Zack (Seth Rogen) and Miri (Elizabeth Banks) whose friendship goes to a whole new level once they find themselves out of cash and decide to cast themselves in their own triple XXX film. After meeting a gay adult film actor at a party Zack comes up with the get-rich quick idea to make a porn movie enlisting Miri’s help and convincing her that it will not affect their friendship. They set about casting the rest of the film with a disparate group of participants including the very self confident sex maniac Lester (Jason Mewes) superstud Barry (Ricky Mabe) gorgeous blonde bombshell Stacey (adult film icon Katie Morgan) and daring kinky Bubbles (legendary Traci Lords). What seemed like a simple proposition turns complicated when Zack and Miri in the heat of simulated lovemaking and in front of the whole crew discover they may be more than just friends. Even considering his great work in Knocked Up Zack is Rogen’s most accomplished character to date a lovable loser who uses last-ditch initiative to turn his life around and in the process discovers more than he ever bargained for. Chemistry is a tricky thing but Rogen certainly has it in spades with co-star Banks who takes what could have been a broadly sketched role and turns Miri into a three-dimensional woman who doesn’t even realize her true soul mate may be right under her nose --literally. You root for these two all the way. The wonderful supporting cast is unique to say the least including adult film star Katie Morgan making her mainstream debut as the ditzy Stacey. After some 200 “real” XXX films she graduates to the big leagues in style and shows she may have a future outside of her niche. Lords who made that leap some time ago niftily sends up her own former image and shows fine comic chops and a willingness to dress deliciously inappropriately. As for the guys Mabe is very funny but Jason Mewes (Jay of Jay and Silent Bob) lets loose with a hilarious and totally uninhibited portrayal of a sex addicted tattooed dude willing and able to do anything on camera. Also nearly stealing the show is The Office’s Craig Robinson a married crew member who is excited to help out buddy Zack because he wants to see “titties.” And in extended cameos Justin Long as a gay porn star and Superman Brandon Routh have a great time sending up their straight movie images playing bickering boyfriends. Kevin Smith has always gone for the jugular challenging the ratings boards and pushing the envelope in his films ever since the classic “dirty movie” Clerks made him famous. But not since his early films such as Chasing Amy has he showed such style and maturity as a filmmaker as he does in Zack and Miri his most outrageously hilarious and accomplished movie to date. Yes he does continue going for shock value (there’s a laugh-out-loud moment involving a certain bodily function natch) but his story is grounded in reality recognizably human and engaging. He milks this genius comic premise for all its worth but gives it an extra dimension that makes it different unexpected and finally memorable. Mostly though it’s just plain fun.
Winners of the second annual Tribeca Film Festival were announced at the Stuyvesant High School Auditorium in Tribeca Sunday, with French director Valeria Bruni-Tedeschi taking the prize for emerging narrative feature filmmaker for her Italo-French comedy, It's Easier For a Camel.... The comedy revolves around a walthy woman, Frederica, whose money is keeping her a prisoner rather than giving her a life of ease.
The French director also stars in the pic and walked away with best actress honors, Variety reports. Tedeschi collected a $25,000 prize for her film plus six months of services from PMK/HBH Public Relations.
Igor Bares won the actor category for his role in Some Secrets, along with Ohad Knoller in the Israeli army love story Yossi & Jagger.
Tribeca also honored Li Yang's tale of Chinese mine workers, Blind Shaft, which won the Silver Bear award at Berlin earlier this year.
In the documentary category, Mohamed Zran won the prize for emerging documentary feature filmmaker for Song for the Millennium. The prize includes $25,000 and six months of services from PR firm PMK/HBH.
Prize for documentaries by directors with two or less previous films went to Elizabeth Chai Vasarhelyi and Hugo Berkeley for A Normal Life, with honorable mentions going to Laura Gabbert's Sunset Story and Francesca Comencini for Carlo Giuliani, a Boy.
For directors with more than two previous features, Moslem Mansouri won for Trial with Nick Broomfield and Joan Churchill picking up an honorable mention for Aileen: Life and Death of a Serial Killer.
The winners picked up $25,000 worth of services from Technicolor Creative Services New York.
The documentary short film award went to Harvey Wang for Milton Rogovin: The Forgotten Ones.
Lars Daniel Krutzkoff Jacobsen won the narrative short film category with Precious Moments, and Richard Linklater's Live From Shava's Dance Floor received a special citation.
The Budweiser/TriggerStreet.com audience award for feature film went to the documentary by David G. Berger, Holly Maxson and Kate Hirson, Keeping Time: The Life, Music & Photographs of Milt Hinton and Chen Kaige for Together. Both films will share the $25,000 prize.
The MTV Films Award for student visionary film went to Enrico Kahn for Make Up.
Presenters at this year's festival included Martin Scorsese, Kevin Spacey, Whoopi Goldberg, Parker Posey, Nora Ephron, Sheila Nevins, Fisher Stevens and Sandra Bernhard.