Dame Helen Mirren, Joanna Lumley and new Doctor Who actor Peter Capaldi are among the stars who are supporting a new foster carer recruitment campaign in the U.K. The actors have offered up cherished snaps from their childhood as part of leading charity Barnardo's Create My Memories initiative, which urges Brits to take vulnerable children into their homes.
The collection of pictures will be projected in busy shopping areas in London and Manchester in England, and Glasgow, Scotland as part of the annual Fostering and Adoption Week, which starts on Monday (13Jan14).
Other stars who are supporting the scheme include pop singer Nicola Roberts, actress Amanda Holden and veteran model Twiggy.
Brenda Farrell, head of fostering and adoption at Barnardo's, says, "Without the right foster family to care for them, many vulnerable children may never experience the love and stability they so desperately need and happy memories will remain a distant dream. We are truly grateful that so many household names are helping us to broadcast our plea for people to consider becoming foster parents."
Spike Jonze doesn't waste any time introducing us to the technology at the center of Her. "An operating system that can mimic human sentience?" a dangerously lonely Joaquin Phoenix wonders after catching glimpse of an ad in a transit station. "Don't mind if I do!" (He doesn't actually say that, don't worry.) But by the time we're meant to believe that such a world can seamlessly integrate characters like Scarlett Johansson's automated voice Samantha into the lives of living, breathing men and women like Phoenix's Theodore, we're already established residents of this arresting, icy, quivering world the filmmaker has built. We meet Theodore midway through his recitation of a "handwritten letter" he penned on behalf of a woman to her husband of many years. That's his job — tapping into his own unique sensititivies to play ghostwriter for people hoping to adorn their spouses, boyfriends, girlfriends, parents, and children with personal notes of personal affection. Theodore is no independent contractor; he's part of a thriving company, and we almost get the feeling that the folks on the receiving end of these letters are in the know. Before we ever encounter Samantha, we're embedded in the central conceit of the movie: emotional surrogacy is an industry on the rise.
What makes Jonze's world so palatable is that, beneath its marvelously eerie aesthetic, this idea is barely science-fiction. Theodore, humbled and scarred by a recent divorce from lifelong love Catherine (Rooney Mara, who contrasts Johansson by giving a performance that, for a large sum of the movie, is all body and no voice), accesses the will to go on through interractions with video game characters and phone-sex hotlines. But the ante is upped with Samantha, the self-named operating system that Theodore purchases to stave off loneliness, deeming choice a far less contorting one than spending time with old pals like Amy (Amy Adams)... at first.
Samantha evolves rather quickly from an articulate Siri into a curious companion, who is fed and engaged by Theodore just as much as she feeds and engages him. Jonze paces his construction of what, exactly, Samantha is so carefully that we won't even catch the individual steps in her change — along with Theodore, we slowly grow more and more enamored and mystified by his computer/assistant/friend/lover before we can recognize that we're dealing with a different being altogether from the one we met at that inceptive self-aware "H-hello?" But Jonze lays tremendous groundwork to let us know this story is all for something: all the while, as the attractions build and the hearts beat faster for Samantha, we foster an unmistakable sense of doom. We can't help but dread the very same perils that instituted one infamous admission: "I'm sorry, Dave. I'm afraid I can't do that."
But Jonze's sci-fi constructs are so cohesively intertwined with his love story that our dread doesn't exactly translate to an anticipation of HAL's hostile takeover. Her wedges us so tightly between Theodore and Samantha that our fears of the inevitable clash between man and machine apprehend a smaller, more intimate ruin. As Samantha's growth become more surprising and challenging to Theodore, to herself, and to us, the omens build for each.
And although all three parties know better, we cannot help but affix ourselves to the chemistry between Theodore and Samantha, and to the possibility that we're building toward something supreme. A good faction of this is due to the unbelievable performances of Phoenix — representing the cautious excitement that we all know so painfully well — and Johansson, who twists her disembodied voice so empathetically that we find ourselves, like Theodore, forgetting that we have yet to actually meet her. The one castigation that we can attach to the casting of Johansson is that such a recognizable face will, inevitably, work its way into our heads when we're listening to her performance. It almost feels like a cheat, although we can guarantee that a performance this good would render a figure just as vivid even if delivered by an unknown.
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In this way, Her is as effective a comment on the healthiest human relationships as it is on those that rope in third parties — be they of the living, automated, or greeting card variety. In fact, the movie has so many things to say that it occasionally steps on its own feet, opening up ideas so grand (and coloring them so brightly) that it sometimes has trouble capping them coherently. Admittedly, if Spike Jonze had an answer to some of the questions he's asking here, he'd probably be suspected of himself being a super-intelligent computer. But in telling the story of a man struggling to understand what it means to be in love, to an operating system or not, Jonze invites us to dissect all of the manic and trying and wonderful and terrifying and incomprehensible elements therein. Just like Samantha, Her doesn't always know what to do with all of its brilliance. But that might be part of why we're so crazy over the both of them.
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Council leaders in Andover, England are still trying to figure out how best to honour the town's most famous son, Reg Presley, two months after the rocker's death. The local hero passed away in February (13) and now officials are trying to find the best place to remember the Wild Thing singer.
Reports suggest his former school, rehearsal space and the house where he was born back in 1941 are being considered by town clerk Wendy Coulter.
Town council chairman David Drew tells the local newspaper Andover Advertiser, "I think it is something that we should do for someone known as Mr. Andover."
A planned plaque tribute to the late star won't be his only honour in his hometown - there's also a poetry trail featuring the lyrics of his hit The Troggs tune Love is All Around.
Presley's widow Brenda tells WENN, "They haven't contacted us yet about a way to honour Reg but I won't be pushing for anything. If they want to pay tribute to him that's fine, but he is in my heart and I don't need a way of remembering him."
A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
The irresistibly named Poppy (Sally Hawkins) is a wide-eyed--accentuate the positive--cheerleader of a school teacher with an attitude that says “I want to be your friend.” She is endlessly Happy Go Lucky and even several encounters with those who don’t share her optimistic outlook can’t seem to knock her down. The film doesn’t have a traditional plotline but rather is a series of recurring scenes from her life. After her bike is stolen she decides to take driving lessons from an increasingly frustrated instructor (Eddie Marsan). Their frequent episodes grow more intense each time as the lessons tend to bring out the pent-up anger of the man trying to teach Poppy how to make a left turn. She also takes Flamenco lessons from a loopy Spanish dance instructor (Karina Fernandez) gets romantically involved in an intense relationship with a social worker (Samuel Roukin) spends time with her best pal and roommate Zoe (Alexis Zegerman) who provides a soothing counterpoint to Poppy’s non-stop cheerfulness and tries to deal with problems involving her sisters (Kate O'Flynn and Caroline Martin) and brother-in-law (Oliver Maltman).
Leigh is known for an improvisational style of filmmaking spending months working everything out with his actors in rehearsal and then letting them do the scenes with only an outline of what it will be. In this environment actors have to be top notch and indeed Leigh has elicited a few Oscar-nominated performances in the past including Brenda Blethyn in Secrets & Lies and Imelda Staunton in his last film Vera Drake. Add Sally Hawkins to the top tier of actors in Leigh films. She is in nearly every scene and the film lives or dies on her inherent appeal. We are with this irrepressible life force from the very first moment she hits the screen with her rather garish but colorful outfits and unflappable demeanor. Hawkins is a breath of fresh air a real discovery. Also getting lots of screen time is Eddie Marsan as the driving instructor who goes ballistic. His slow simmering rage is fascinating to watch as the dynamic of the student/teacher relationship goes into unexpected--and uncomfortable--territory. Fernanez provides most of the film’s comic relief as the demanding flamenco instructor and her scenes with Hawkins are the film’s highlight. Leigh is a director known for exploring the lives of British working class. His unique films focus generally on those poor blokes and birds just trying to get by and live a life of dignity despite England’s class system. As one of his film titles suggests Mike Leigh characters have High Hopes. But Happy Go Lucky is perhaps his lightest and certainly most optimistic film yet. By focusing an entire feature on a central character who exudes happiness and goodwill toward her fellow man he turns a light also on the problems and hang-ups of people who bounce their woes off her in this oddly segmented film. Leigh’s improv filmmaking techniques work well here but seem less structured and disciplined than usual. The film is too long for its own good and many scenes wear out their welcome halfway in. Still it’s good to have a craftsman with the kind of singular voice Leigh has still able to make movies his way because in this instance at least that has produced the gift of Sally Hawkins.
Considered the most popular of Austen’s novels Pride and Prejudice examines the class struggles of England’s 19th century. It revolves around the spirited Bennet family: the headstrong and intelligent Elizabeth (Keira Knightley); her older and more serene sister Jane (Rosamund Pike); their three younger sisters (Jena Malone Talulah Riley Carey Mulligan); their doting father (Donald Sutherland); and their mother (Brenda Blethyn) who’s obsessed with finding the girls suitable husbands. When Lizzie finally meets her match in the aloof Mr. Darcy (Matthew MacFayden) she immediately dismisses him as an arrogant ass. But ever so slowly it dawns on Lizzie she may be entirely wrong about Darcy. Is it too late to tell him? An Austen adaptation naturally lends itself to a gathering of fine British actors (or actors who can pretend to be British). Leading the pack is the very lovely Keira Knightley. A far cry from the shotgun-totin’ bounty hunter in Domino the actress certainly gives her most layered performance as Elizabeth. But she’s once again playing a spirited woman who doesn’t adhere to the rules. Guess nobody’s gonna ever put Keira in a corner. As her Mr. Darcy MacFayden plays one of literature’s more enduring romantic figures with style. He gives Colin Firth--who’s considered one of the better Darcys after playing him in a 1995 TV miniseries--a run for his money. The rest of the stellar cast is just as refreshing as ever including Pike (Doom) as the modest beauty Jane and Sutherland as the elder Bennet who is the reason Elizabeth is as independent as she is. This feature film adaptation of Pride and Prejudice is entirely different from the last one--the 1940 glossy production starring Greer Garson and Laurence Olivier. Newcomer Joe Wright gives Pride and Prejudice a definitive indie feel by using the camera in very intimate ways as we watch the fun-loving Bennets interact. Of course filming in the flourishing English countryside doesn’t hurt either. Wright delivers amazing displays of breathtaking beauty from Elizabeth standing on a cliff in Brighton to watching Darcy stride across a field at sunrise to claim his love once and for all. Pride and Prejudice does move a little slowly and it isn’t as rich as the 1995 Oscar-winning Sense and Sensibility but it’s been awhile since we’ve had Austen done in such a wonderfully romantic way. And who couldn’t use a little 19th-century romance?
Two members of the rap group Junior M.A.F.I.A. and a bodyguard employed by the group have been charged in connection with a shooting outside a New York deli, police told The Associated Press.
Rappers Little Caesar--whose real name is James Lloyd, 23--and Banger--Antoine Spain, 23--and their bodyguard Suif Jackson, 31, were arrested Friday and charged with attempted murder, reckless endangerment and criminal possession of a weapon. Two 9mm handguns were found in a hidden compartment of the car they allegedly fired the shots from. The guns are registered to rapper Lil' Kim, who is also a member of Junior M.A.F.I.A., police said.
Actress Tisha Campbell-Martin and her husband, actor Duane Martin, gave birth to Xen Martin, their 8-pound, 11-ounce son, on Wednesday. Both mother and baby are doing well, her manager, Gina Rugolo-Judd, told The Associated Press on Friday. Campbell-Martin played Gina, Martin Lawrence's girlfriend, on the Fox series Martin.
Country music Oak Ridge Boys' member William Lee Golden and wife, Brenda, welcomed a 6 pound baby boy, Solomon Golden, Friday, in Nashville, Tenn. "He looks wise already,'' Golden commented. This is the couple's first child, but Golden has three sons from a previous marriage, reports The Associated Press.
Michael Houston, brother of famed diva Whitney Houston, was arrested Wednesday and charged with cocaine, marijuana and drug paraphernalia possession, and being under the influence of drugs, Launch.com reports. Police searched his car and found 14 partially smoked marijuana cigarettes, a bag of marijuana, and cocaine. Michael Houston was arraigned at 12:30 a.m. Thursday, and released on a $3,500 bail.
A member of the rap group Insane Clown Posse pleaded no contest to charges stemming from a local bar fight. Joseph W. Utsler--also called Shaggy 2 Dope--entered no contest pleas to misdemeanor charges of battery and disorderly conduct Thursday in Wisconsin's Eau Claire County Circuit Court. Utsler paid $396 in fines and court costs, reports The Associated Press.
Singer-songwriter Dale Watson, 37, pays tribute to his fiancée, Terri Herbert, who died in a car accident last September, on his new CD Every Song I Write Is for You. "The album is a chronicle of grief, if you will,'' Watson told The Associated Press.
Lynyrd Skynyrd resumed their tour Saturday at the Mandalay Bay Events Center in Las Vegas, following the death of bassist Leon Wilkeson on July 29.
The Backstreet Boys are on course to continue their tour following AJ McLean's release on Aug. 4, from the rehabilitation center where he had been staying since early July. McLean, who underwent treatment for alcoholism, depression and anxiety, has been moved to a "transitional care" facility in Los Angeles, according to the Backstreet Boys' publicists. The Backstreet Boys tour will resume on Aug. 24 at the Bradley Center in Milwaukee, WI and end at the Coors Amphitheater in Oct. 20 in Chula Vista, CA.
Irish pop group U2 has launched a European tour with a plea to Northern Ireland to ''Give peace a chance," reports Reuters. "Compromise is not such a bad word after all,'' lead singer Bono told the crowd in Manchester, England Saturday night. "Our prayer is that this week brave people make brave decisions and this little island across the little channel does not go back to war,'' Bono said.