Hollywood Reporter editor Anita M. Busch resigned Monday following a dispute with publisher Robert Dowling over his decision to quash an article by the trade paper's labor reporter. The article by David Robb questioned whether the paper's gossip columnist, George Christy, had accepted favors from movie producers in return for mentions in his column. Robb resigned last week. Another Reporter writer, Beth Laski, also quit Monday. Busch, who last week appeared to be trying to control the internal fallout from the incident, apparently was jolted by a statement issued by Dowling to The Associated Press on Friday accusing Robb of losing his objectivity and failing to adhere to the Reporter's standards and journalistic ethics. In a letter to the editorial staff, Busch said, "I just can't stand by comments made to The Associated Press about a journalist that I know as being one of the most ethical and incorruptible I have ever worked with." In a statement Monday expressing disappointment over Busch's resignation, Dowling repeated his accusations against Robb and, in interviews with other publications, maintained that Robb's story was not killed but "reassigned." He told the Internet media magazine Inside: "As I said in the staff meeting today, if I had to do it over again, I would make the same decision." A story about the Christy matter, written by two other Reporter writers, appeared in the trade paper on Monday, noting that the Screen Actors Guild is investigating charges that Christy received credits in movies without ever working in them in order to receive benefits from the guild's pension and health fund. Robb told the New York Post that it was "a shadow of my story. They had to write something." Meanwhile, Christy, in an interview with AP, insisted that he had in fact worked in the films for which he was credited. He added, "I should say that there is such a thing as a cutting-room floor."
LITTLE TV "DIVERSITY" AT 8 P.M., SAYS STUDY
According to a study by the organization Children Now, the so-called Family Hour between 8 p.m. to 9 p.m., contains the least racially diverse casts in all of primetime TV. Minorities are included in these shows only to provide "a service, a piece of information or a punch line," the study said. It found that only 13 percent of network fare during the hour featured a mixed cast, versus 67 percent during the 10 p.m. hour. The study also found that men outnumbered women on programs during the 8 p.m. hour by more than 2-1 and that the female characters on them tended to be "beautiful, young, thin and white."
BACK TO THE '70S COMMERCIALS, TOO
In a one-time stunt, Fox TV's That '70s Show on Tuesday will include commercials for five regular advertisers -- Cola-Cola, Dr Pepper, Kentucky Fried Chicken and Volkswagen -- that originally aired in the '70s. Jon Nesvig, president for sales at Fox Broadcasting, told Tuesday's New York Times: "We were looking for a way to 'event-ize' That '70s Show for the sweeps. ... It becomes a little bit like the Super Bowl, where the commercials are part of the show, so hopefully people will stay tuned to watch." Although the TV Land cable channel regularly runs vintage commercials for free, advertisers will be paying an estimated $150,000 apiece for those airing on Fox tonight, the Times reported.
CAMERON SAYS HE'LL WAIT HIS TURN TO FLY INTO SPACE
James Cameron, who has proposed a television series for Fox TV filmed aboard the International Space Station, has indicated that he does not want to become embroiled in the same sort of controversy between NASA and the Russian Aviation and Space Agency that involved "space tourist" Dennis Tito. In an interview with Tuesday's USA Today, Cameron said that he would await the completion of safety and training protocols for non-professional astronauts. The newspaper quoted a Russian space official as saying that Cameron would be required to undergo extensive training before being allowed to fly to the space station and that he would not be able to make the trip until late 2002 at the earliest.
WEAKEST GROWS WEAKER
Although it won its time slot, NBC's The Weakest Link slipped significantly in the ratings Monday night. The Anne Robinson-hosted quiz show sank to an 8.7 rating and a 14 share versus a 10.5/16 a week earlier. The slide helped CBS regain the leadership on Monday night as it averaged a 9.3/14. ABC took second place with an 8.7/13, while NBC slid to third with an 8.5/13, just a notch above Fox, which scored an 8.4/13.
DISNEY DOESN'T WANT DREAMWORKS SPOTS ON ITS KIDS RADIO NET
The Walt Disney Co. is attempting to block affiliates of the Radio Disney kids radio network from accepting promotions and advertisements for the upcoming DreamWorks movie Shrek, the online media magazine Inside reported Tuesday. Inside published a notice that appeared in Radio Disney's affiliate newsletter, reading in part: "Due to recent initiatives with the Walt Disney Company, we are being asked not to align ourselves promotionally with this new release. Stations may accept spot dollars only in individual markets." Promotions and screenings for Shrek that had already been arranged in San Francisco, Chicago, Cleveland Phoenix and Seattle were canceled, Inside said.
IN THE MIDNIGHT HOUR
Spokespersons for the Writers Guild of America and for film and TV producers continued to express optimism Monday that the two sides would be able to agree to terms for a new labor contract before the current one expires at 12:01 a.m. PT Wednesday. However, as Tuesday's Washington Post observed, there is "little clear evidence to support the sunnier view," and many expect that the guild may ask members for strike authorization following today's meeting (although it is likely to agree to an extension of the deadline). On Monday, Mayor Richard Riordan renewed his offer to mediate the dispute and implied that he was miffed that his previous offer had not been accepted. "Both sides so far have said they don't want politicians involved," Riordan said, "but a strike could be devastating to the city."
GET-OUT-THE-VOTE ACTOR DIDN'T GET OUT TO VOTE, SAYS WEB SITE
Calling it a "colossal display of hypocrisy," the enterprising online investigative site The Smoking Gun reported Monday that actor Ben Affleck, who received much TV coverage during the last election when he participated in get-out-the-vote drives for Al Gore, never bothered to vote in the election himself and in fact has not voted in federal or state races since 1992. Although on election day, Affleck concluded an appearance on the Rosie O'Donnell show by remarking, "I think this is the time to get involved, especially the young folks who are here. ... I'm about to go vote," he had not even registered to do so, the article claimed. A spokesman for the actor said that he was prevented from voting because of a "bureaucratic snafu."
A NEW EALING COMEDY IS COMING
For the first time since 1957, the Ealing comedy logo will be attached to a new film when a remake of Oscar Wilde's The Importance of Being Ernest is released next year, the British newspaper The Guardian reported Tuesday. The $15-million film starring Rupert Everett, Judi Dench and Reese Witherspoon recently began shooting in the west London studio, now owned by the BBC, where such classics as Kind Hearts and Coronets, The Man in the White Suit, The Lavender Hill Mob and The Ladykillers were produced.
The "Angels" may never have seen their Charlie, but at least two of them got to meet Prince Charles.
Resident 'Angels' Drew Barrymore and Lucy Liu got the royal treatment Tuesday when Britain's Prince Charles hosted the actresses at a palace dinner. The feast was the royal one's way to thank the angels for lending the film's London premiere for his Prince's Trust charity.
The third angel, Cameron Diaz, was a no-show at the event due to prior film commitments in the United States.
EASY RIDER: You can now add Christmas Parade grand marshal to the weird and twisted roles actor Dennis Hopper has played in his weird and twisted career.
According to The Associated Press, the easy rider has accepted Hollywood Christmas Parade's invite to serve as its grand marshal this year.
"First of all I was shocked, and then I looked at my 10-year-old son and I said yes. It was that easy," the actor was quoted as saying Tuesday at a ceremony in which he was presented the marshal's red jacket.
Hopper and his son will ride together during the two-mile parade in Hollywood on Sunday.
DISNEY SOLD: AP also reports that erstwhile "Full House" actor John Stamos has paid some $30,000 in an auction for a giant "Disneyland" sign.
The auction was organized by online auction empire eBay and The Walt Disney Co.
According to the report, Stamos plans to display only the "D" portion of the sign in a party barn he plans to construct at his Santa Monica, Calif., ranch and will put the rest of the letters in storage.
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award