Sofia Vergara has a machine gun bra, Lady Gaga is draped in the fur of a wolf, and Charlie Sheen is president of the United States. No, it's not the end of the world — it's the first trailer for Machete Kills.
Danny Trejo is back in the follow-up to Machete, and this time he's got a random assortment of co-stars with him. Michelle Rodriguez, Demián Bichir, Amber Heard, Sofia Vergara, Zoe Saldana, Jessica Alba, Alexa Vega, Mel Gibson, Lady Gaga, and Carlos Estevez (maybe Charlie Sheen thinks we won't recognize him) will all be throwing knives, cracking whips, and shooting at one another. Presumably it will all make sense later — or not.
But no one really cares about the plot that much. We all just want to see Danny Trejo and his flowing locks take down baddie Mel Gibson. Machete Kills opens on September 13. Will you be there, or will you leave Machete for dead again?
If that trailer isn't crazy enough, check out this mashup from our YouTube channel 'Nanny McChete':
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
Road movie The Motorcycle Diaries and comedy Spanglish lead the nominations
with four nods apiece at this year's Imagen Awards.
The Imagen Awards were established in 1985 to honor Latino actors in
entertainment. The winners will be announced at a ceremony in Beverly Hills,
California, on June 17.
The Motorcycle Diaries--adapted from Argentine revolutionary Ernesto 'Che'
Guevara's diary of his South American trip--is up for best picture, best
supporting actor for Rodrigo De La Serna (Alberto), best supporting actress for
Mia Maestro (Chichina) and best director for Walter Salles.
The Adam Sandler-starring comedy Spanglish has been nominated for best
picture, best actress for Paz Vega (Flor), best supporting actress for Shelbie Bruce (Cristina) and best director for James L. Brooks.
Scrubs star Judy Reyes and Desperate Housewives beauty Eva Longoria will
fight it out for the best television actress award. Ailing comedian George Lopez's eponymous show is up for three gongs, including best TV actor.
Organizers have decided to withdraw the best film actor category this year,
due to lack of suitable entries. However, they will acknowledge the "excellent"
performance by Mexican heart-throb Gael Garcia Bernal as Che in The Motorcycle Diaries.
Article Copyright World Entertainment News Network All Rights Reserved.
With six nominations each, Alexander Payne's wine-soaked Sideways and Joshua Marston's intense drug drama Maria Full of Grace lead the 20th IFP Independent Spirit Awards nominations, announced Tuesday. Both films were nominated for, among other categories, best feature, best director best male lead (Sideways' Paul Giamatti) and best female lead (Grace's Catalina Sandino Moreno). Actors Dennis Quaid and Selma Blair served as presenters at the event.
Others nominated for best feature were Mario Van Peebles' Baadasssss!; Kinsey, starring Liam Neeson as famed sex researcher Alfred Kinsey; and Shane Carruth's Primer, this year's Sundance Film Festival Grand Jury Prize winner.
Dawn Hudson, executive director of IFP/Los Angeles, the largest non-profit membership organization for independent filmmakers, said in a statement, "Over the last 20 years, the Spirit Awards have consistently celebrated the most talented artists--known and unknown--working in independent film. We've honored many filmmakers and artists at the beginning of their careers, and this year is no different."
The winners will be announced at the IFP Independent Spirit Awards ceremony on Feb. 26, 2005 and will air live on the cable network IFC at 5 p.m. EST, as well as be rebroadcast that night on Bravo at 10 p.m. EST.
The complete list of nominations:
Maria Full of Grace
Shane Carruth, Primer
Joshua Marston, Maria Full of Grace
Alexander Payne, Sideways
Walter Salles, The Motorcycle Diaries
Mario Van Peebles, Baadasssss!
The Door in the Floor
BEST FIRST FEATURE
Brother to Brother
Saints and Soldiers
BEST FIRST SCREENPLAY
Brother to Brother
Maria Full of Grace
JOHN CASSAVETES AWARD
Down to the Bone
On the Outs
BEST DEBUT PERFORMANCE
Anthony Mackie, Brother to Brother
Louie Olivos, Jr., Robbing Peter
Hannah Pilkes, The Woodsman
Rodrigo de la Serna, The Motorcycle Diaries
David Sullivan, Primer
BEST SUPPORTING FEMALE
Cate Blanchett, Coffee and Cigarettes
Loretta Devine, Woman Thou Art Loosed
Virginia Madsen, Sideways
Robin Simmons, Robbing Peter
Yenny Paola Vega, Maria Full of Grace
BEST SUPPORTING MALE
Thomas Haden Church, Sideways
Jon Gries, Napoleon Dynamite
Aidan Quinn, Cavedweller
Roger Robinson, Brother to Brother
Peter Sarsgaard, Kinsey
BEST FEMALE LEAD
Kimberly Elise, Woman Thou Art Loosed
Vera Farmiga, Down to the Bone
Judy Marte, On the Outs
Catalina Sandino Moreno, Maria Full of Grace
Kyra Sedgwick, Cavedweller
BEST MALE LEAD
Kevin Bacon, The Woodsman
Jeff Bridges, The Door in the Floor
Jamie Foxx, Redemption
Paul Giamatti, Sideways
Liam Neeson, Kinsey
The Motorcycle Diaries
Saints and Soldiers
We Don't Live Here Anymore
BEST FOREIGN FILM
Bad Education, Spain
Oasis, South Korea
Red Lights, France
The Sea Inside, Spain
Yesterday, South Africa
Chisholm '72: Unbought & Unbossed
Hiding and Seeking: Faith and Tolerance After the Holocaust
Metallica: Some Kind of Monster
Ensemble cast of Mean Creek: Rory Culkin, Ryan Kelley, Scott Mechlowicz, Trevor Morgan, Josh Peck and Carly Schroeder