While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
After thirteen years of an electrifying Stabler/Benson dynamic, Law & Order: SVU is entering its new season with a completely different formula. Now that Christopher Meloni has left the show, Mariska Hargitay will be breaking in a new partner in the form of Danny Pino. Pino will play Detective Nick Amaro, a newcomer to Special Victims Unit with whom veteran Olivia Benson (Hargitay) clashes...although this antagonism is likely rooted in her grief over the loss of her longtime partner and friend, Elliot Stabler (Meloni). Also new to the series is Kelli Giddish, portraying new-to-the-force cop Amanda Rollins. Returning to the cast will be Assistant District Attorney characters Alexandra Cabot (Stephanie March) and Casey Novak (Diane Neal), to finally settle the score on the age-old fan argument of who is the better ADA. Go Team Cabot.
This featurette highlights the cast's thoughts on the upcoming season and their respective characters. In addition to the above actors, cast members Ice T, and (briefly) Richard Belzer share their feelings about Season 13 and its new additions.
Let’s be honest here, if Dwayne ‘The Rock’ Johnson snitches on your ass, he does not get stitches. That probably explains why he is willing to go undercover in Snitch. As the Hollywood Reporter correctly notes, Johnson seems to swing back and forth between action and family films, but right now, he seems to be in the action stage again. And in Snitch, he'll be the father of a jailed son who goes undercover to reduce his son’s sentence. Hopefully, many an elbow will be dropped in the name of the law and justice will be served ice cold. Ric Roman Waugh is directing and doing a rewrite on the Justin Haythe script.
Question: when can we start referring to Johnson as just Dwayne Johnson? How famous does he need to get before we can stop reminding people that he is/was The Rock? I bet he kind of gets tired of it because every time someone says The Rock in his name people automatically remember that he used to dress up in tights and wrestle with other oiled up monster men. I bet that isn’t exactly the image he wants in people’s minds when he’s trying to be a serious actor. I think a soft mumble-core performance followed by a tour across country promoting a country album would be enough for us to forget The Rock and accept him as Dwayne.
Source: Hollywood Reporter
WHAT’S IT ABOUT?
G.I. Joe is a top-secret multi-national special forces unit comprised of highly-trained physically attractive military personnel from around the world. Equipped with the latest in superawesome vehicles and weaponry and guided by the tough but fair General Hawk they take on the baddest of the bad guys the kind of terrorists that scoff at conventional organizations. As the General himself so aptly states “When all else fails we don’t.”
That credo is put to the test however when a shadowy terrorist group armed with even awesomer vehicles and weaponry like crazy-ass laser guns and computer-guided zombie troopers infiltrates the Joes’ compound and makes off with a cache of four WMDs each of which is capable of leveling an entire city. Do the men and women of G.I. Joe have what it takes to defeat these menacing new adversaries before they mount their next devastating attack?
WHO’S IN IT?
It takes an elite group of actors to play an elite group of soldiers and the cast of G.I. Joe: The Rise of Cobra is stocked with an abundance of Hollywood’s most talented performers all adorned in various types of leather fetish apparel. White Chicks star Marlon Wayans plays Ripcord a flight specialist who can pilot any type of airplane even enemy crafts that respond only to voice commands uttered in Celtic. Channing Tatum star of Step Up and Step Up 2: The Streets plays his best pal Duke a badass infantryman who knows no fear. Preeminent ginger chick Rachel Nichols showcases her fiery crimson locks as Scarlett a shrewd intel expert whose stoic exterior hides a growing attraction to Ripcord. Barking out the orders as General Hawk is Enemy Mine star Dennis Quaid.
On the side of the bad guys is the Baroness played by Factory Girl star Sienna Miller in a push-up bra dirty librarian glasses and a raven-colored dye job. She’s the point woman for McMullen a shady Scottish weapons magnate played by Christopher Eccleston. But McMullen is no ordinary shady Scottish weapons magnate; he’s covertly amassed a huge terrorist empire headquartered beneath the polar ice caps. It’s there that “The Doctor ” a horribly disfigured mad scientist played by (500) Days of Summer star Joseph Gordon-Levitt concocts all sorts of diabolical new weapons and gadgets to unleash on the innocent.
Oh and there are ninjas too. Good guy Snake Eyes played by Ray Park wears sleek black body armor while the evil Storm Shadow played by Byung-hun Lee runs around in a updated version of Elvis Presley’s classic all-white jumpsuit.
Loaded with scene after scene of high-tech action-movie eye candy G.I. Joe: The Rise of Cobra assaults the senses with such a relentless barrage of over-the-top stunts eye-popping visual effects and stylized fight sequences that only the most coldly cynical of viewers will be able to resist submitting to its visceral charms.
As with most sugary indulgences the sweet dizzying high is followed almost immediately by a painful crash. Feelings of guilt and shame start to simmer as you kick yourself for yielding to such soulless gluttony. The next morning you awake with a throbbing headache and a heart filled with regret. The following day a doctor informs you that you have adult-onset diabetes. So in a nutshell G.I. Joe: The Rise of Cobra is the cinematic equivalent of adult-onset diabetes.
The scene where they have the big fight with all the advanced weapons and a whole bunch of stuff blows up. Oh wait that’s EVERY scene.
For the bulk of his performance Joseph Gordon-Levitt’s face is obscured by a bulky breathing apparatus and his voice is altered to sound like the computerized movie trailer's narrator. Which makes one wonder why they bothered to hire a name actor for the role in the first place.
One thing can be said about this Disney movie--it is certainly original. In a galaxy far far away we meet Experiment 626. Created illegally by a mad scientist named Jumba (voiced by David Ogden Stiers) this little blue alien--with four arms big ears and a very bad disposition--can't be reformed. The Galactic Federation rules he must be banished to an uninhabited planet but in the transfer 626 escapes and crash-lands on a primitive natural wildlife preserve--otherwise known as Earth. There on the island of Kauai he disguises himself as a dog named Stitch and befriends Lilo (voiced by Daveigh Chase) a lonely little Hawaiian girl with a penchant for Elvis Presley songs (and thankfully none of the characters burst into original songs). Lilo's older sister Nani (voiced by Tia Carrere) has become her sole guardian after their parents were killed but a big bad social worker named Cobra Bubbles (voiced by Ving Rhames) will take Lilo away if Nani can't prove she is fit to take care of her little sister. Of course throwing the destructive Stitch into the equation doesn't help matters much. Now being pursued by the Federation Jumba and an Earth expert named Pleakley (voiced by Kevin McDonald) the blue devil at first tries to find a way off the planet but soon takes a liking to his new surroundings and learns the meaning of "ohana"--the Hawaiian word for "family."
Although there are no "star" voices being utilized in Lilo & Stitch each character is still stamped with his or her own unique voice. Carrere (Wayne's girlfriend in Wayne's World) and newcomer Chase do a nice job with their sisterly roles and Rhames is easily recognizable as the tough Bubbles who seems a little bit more Men in Black than a mere social worker (obviously intended). Interestingly there really isn't one major villain. Characters like Jumba Bubbles and even Stitch start off as baddies but end up redeeming themselves. Only the Galactic police commissioner Captain Gantu (voiced by Kevin Michael Richardson) a 20-foot shark-like alien seems to be the one who never veers from his malevolent path to bring Stitch to justice but he's only in about one-third of the film. The star of the show is Stitch voiced by Chris Sanders. The devilish imp is a lot funnier when he's being a bad boy--running around saying the most awful things we can't understand--than being the good little alien. In one hilarious scene he builds a replica of San Francisco with Lilo's toys and then pretends he's Godzilla stomping and chewing his way through. But alas it's a Disney film so he has to come around realize he wants to be part of a family and find the goodness within himself. Ho hum.
Disney Studios were once the giants of animation. Remember when they could do no wrong as their movies grossed millions of dollars? Sure they still pride themselves on their heartwarming cutesy movies but as the hip and funny computer-generated Shrek and Ice Age dominate the current trend in animation Disney is having to keep up with the Joneses. With Lilo & Stitch it is trying. This movie is in the same vein as Aladdin and The Emperor's New Groove in which the humor and wit aim right for the older audiences--and it's appreciated. There are several laugh-out-loud moments. Plus it looks like Disney animated films are finally moving away from the original songs (which were never the same since lyricist Howard Ashman died). It's a nice change of pace. The animation is also up to par illustrating a lush and beautiful Hawaiian landscape. (But how could you go wrong with drawing Hawaii?) Still the true audience is the younger set so those Disney-esque elements have to be in place. Stitch has to become "human." Things have to wrap up neatly at the end. Maybe someday just once a Disney animated film will surprise us.