He's a movie star, Broadway actor and multiple Tony Award winner. Now you can add one more title to Matthew Broderick's resume -- television's "The Music Man." Daily Variety reports today that the "Inspector Gadget" guy will star in the TV version of the Tony-winning Broadway musical "The Music Man."
In the telepic, Broderick is slated to play Professor Harold Hill, a con man trying to unload band instruments in a small Iowa town but instead falls in love with the town librarian. According to Variety, Broderick's wife, "Sex and the City" star Sarah Jessica Parker, is being courted for the role of Marian the librarian.
Broderick won two Tony Awards for his roles in the revival of "How to Succeed in Business Without Really Trying" and the Neil Simon play "Brighton Beach Memoirs."
The three-hour "The Music Man" will air on ABC's "Wonderful World of Disney" some time next year.
ANNE AND 'ALLY': Anne Heche is switching sides again, but this time she's going from the silver screen to the boob tube. The Hollywood Reporter says that the actress has signed on to guest star in Fox's legal eagle dramedy "Ally McBeal." Heche, an Emmy winner during her days on the soap "Another World," will reportedly play a picky client in her three-episode deal. Her guest appearance will air during November sweeps.
'KISS ME,' DANNY: The Associated Press says that Danny Nucci ("Titanic," "Crimson Tide") has landed a starring role on a CBS comedy series. The show, called "Kiss Me, Guido," is about a guy (Nucci) who unknowingly ends up rooming with a gay man (Jason Bateman). The CBS series will debut in midseason, according to the report.
PEE-WEE'S BACK: Rejoice, Pee-Wee's back on TV! OK, not exactly, but it's close enough. Paul Reubens, the man who once brought to daytime kid TV the strange world of Pee-Wee Herman, will return to the tube as the host of ABC's long-delayed gameshow "You Don't Know Jack." In case you haven't heard, the show is based on a mega-popular CD-ROM game of the same name.
PUBLIC SERVICE ANNOUNCEMENT: Set your VCR! AP tells us that PBS stations will turn over two and a half minutes of airtime for eight nights so that presidential candidates George W. Bush and Al Gore can deliver their campaign messages. The arrangement starts Wednesday after Jim Lehrer's "NewsHour".
Rob Lowe fans can breathe a little easier. Contrary to popular speculation, Lowe's character on NBC's "The West Wing," Communications Director Sam Seaborn, did not lose life nor limb on Wednesday night's assassination conclusion.
Others weren't so lucky.
Martin Sheen's character, President Josiah Bartlet, was shot in the lower abdomen, but suffered no serious injuries. However, Bradley Whitford's character, Deputy Chief of Staff Josh Lyman, suffered a collapsed lung and severed pulmonary artery, but it's doubtful he'll end up leaving the show.
Late in the two-hour premiere, it was revealed that Sheen was in fact not the target of the shooting. Charlie Young (actor Dule Hill), a black Presidential Aide, was singled out by a white-supremacist group.
Diamond (Haitian-American rapper Pras) hopes to launch a recording career with a self-financed CD but loyalty to his loose-cannon homie Gage (hip-hop star Ja Rule) and a lack of cash keep him uncomfortably linked to Gage's drug-trafficking boss ("Lock Stock and Two Smoking Barrels" star Jason Statham). Diamond's pregnant girlfriend (Tamala Jones) and estranged father (Vondie Curtis-Hall) try to steer him on a more responsible path but the would-be superstar continues to find himself in more gunfights than in the average Wesley Snipes flick. Will the violence ever end?
Handsome ex-Fugee Pras' refusal to register any emotion whatsoever hampers what little credible drama there is to be found in the script. Just because the quiet angry thing works for Ice Cube doesn't mean it will work for every rapper-turned-actor. The fierce Ja Rule shows much more promise in his feature debut though his gat-packing crazyman character is too much of a cliché to go anywhere very interesting. The terrific Curtis-Hall ("Eve's Bayou") perks things up every time his dreadlocked wise man shows up on-screen but he's criminally underused.
Writer-director Robert Adetuyi tries to have things both ways in the classic Hollywood style -- selling a vague anti-violence message while glamorizing the film's glossy gunfights. Dramatically the piece seesaws between soap opera-ish personal exchanges and cheesy gangster movie confrontations. Mechanical problems with the plot mount as Diamond and Gage set up the inevitable Big Score and soon the only question in viewers' minds is how thematically dishonest the action finale will be.