Picture this: a high school-turned-collegiate football phenom from a family of similarly-gifted pigskin pushers, fresh off an incredible four years at Notre Dame University. He is crushed by the deaths of two women very close to him — his grandmother and doting girlfriend — within hours of each other. He goes on to lead his team to an epic upset victory against rival Michigan State. A surefire prospect for the upcoming NFL draft. This is the life of Manti Te'o: an inspirational one, at least at first glance. But there's a huge chunk of it that's also a lie. A big, weird, rambling lie.
You know what they say: if it sounds too good to be true, it probably is, and while there's not a lot of good in the story (lying, cover-ups, potential Catfishing), there is a lot of hearsay and potential absolutely scandalous revelations. This is why the Manti Te'o tale is the greatest thing to happen to sports.
Sure, there's lots of things about sports that people care about and like, but the Te'o story crosses all boundaries of interest — it is a universal lightning rod for controversy and proverbial rubbernecking. In the incredibly weird narrative, several players are involved. Deadspin lays it out in extensive detail, but here's everything you need to know quickly and easily:
Manti Te'o is an NFL draft prospect, Notre Dame alumnus, and resident of Hawaii. A Mormon and longtime fan of USC (his family has a veritable smorgasbord of football players in it), he used faith and prayer to decide on Notre Dame. He long purported to be friends with (and later date) a girl named Lennay Kekua of California. On September 12, Te'o's grandmother and (six hours later) girlfriend (Kekua) passed away. His grandmother — and her death — were both confirmed as real events.Lennay Kekua was allegedly a 22-year-old Stanford graduate, friend of Te'o's since the two allegedly met at a football game in 2009, and eventual girlfriend of Te'o as of January 2012. She died hours (or maybe days? No one seems to have a straight answer) after Te'o's grandmother — after a major car accident followed by the discovery that she had leukemia. Oh yeah, she's also 100% fabricated. By Ronaiah Tuiasosopo.Ronaiah Tuiasosopo is a religious singer and former classmate of the actual woman used in Kekua's photos. He's also a very close family and personal friend of Te'o's. He was also in a major car accident in California, about a month before Kekua was allegedly injured. He may have also made up Kekua's sister, U'ilani Rae Kekua.U'ilani Rae Kekua is the faux-sister of Lennay Kekua. There is speculation that this account was also made by Tuiasosopo. U'ilani also frequently tweeted with Te'o. Photos claimed to be U'ilani were actually of a woman named Donna Tei. Tei apparently attempted to contact Nev Schulman of Catfish fame (the show and the movie) after realizing her photos were being used without her knowledge.
So, you can see the appeal of a story so bizarre and seemingly shrouded in mystery and lies (probably from everyone involved). Now that the story has broken, it seems everyone is singing different tunes: Te'o is asserting he was the victim of a hoax, but his seemingly close relationship with Tuiasosopo makes it hard to believe that it could go on for as long as it did. But is it possible? Well, if you watch the show Catfish, you'll know that it is: in episode 7 of the show's inaugural season, a boy named Joe believed he had fallen in love with former Miss America Keri Ann Peniche, only to later discover it was his close friend Rose the whole time. Now, if you believe this particular episode's authenticity then you know: sometimes even the best of friends go to really weird lengths to have a relationship with someone they have feelings for: heck, that's the point of the show, to an extent!
That said, it is also entirely possible that Te'o was aware of Kekua's true identity the whole time. Think about it: a hotshot sports star (a scene that isn't generally the most accepting of non-heteronormative lifestyle choices) who's deeply religious, and a friend who's set up a fake female profile online to talk to the person he already knows in real life, who is also deeply religious? Could this double-cross simply be an attempt to maintain a secret relationship between two young, gay men? Plus the added "inspirational quotient" that comes along with turning around an entire football franchise single-handedly — especially during a tragedy. We all know everybody loves a story with a good triumph at the end — and Kekua's death and illness play into that like a screenwriter's dream. Which, of course would make this scenario all the more icky and terrible. But, hey, welcome to 2013! Repression and deception when it comes to sexuality are hardly anything new. And in this situation, it could actually make sense. Of course, only when the truth actually comes out will we know the real reasons behind this increasingly-modern tale of love and deceit in the Internet age.
In an official statement from Notre Dame, University Spokesman Dennis Brown explained the University's involvement as that of completely unaware and totally not at fault. "On Dec. 26, Notre Dame coaches were informed by Manti Te’o and his parents that Manti had been the victim of what appears to be a hoax in which someone using the fictitious name Lennay Kekua apparently ingratiated herself with Manti and then conspired with others to lead him to believe she had tragically died of leukemia. The University immediately initiated an investigation to assist Manti and his family in discovering the motive for and nature of this hoax. While the proper authorities will continue to investigate this troubling matter, this appears to be, at a minimum, a sad and very cruel deception to entertain its perpetrators."
Te'o also released a confounding, meandering statement: "This is incredibly embarrassing to talk about, but over an extended period of time, I developed an emotional relationship with a woman I met online. We maintained what I thought to be an authentic relationship by communicating frequently online and on the phone, and I grew to care deeply about her. To realize that I was the victim of what was apparently someone's sick joke and constant lies was, and is, painful and humiliating. It further pains me that the grief I felt and the sympathies expressed to me at the time of my grandmother's death in September were in any way deepened by what I believed to be another significant loss in my life. I am enormously grateful for the support of my family, friends and Notre Dame fans throughout this year. To think that I shared with them my happiness about my relationship and details that I thought to be true about her just makes me sick. I hope that people can understand how trying and confusing this whole experience has been. In retrospect, I obviously should have been much more cautious. If anything good comes of this, I hope it is that others will be far more guarded when they engage with people online than I was. Fortunately, I have many wonderful things in my life, and I'm looking forward to putting this painful experience behind me as I focus on preparing for the NFL Draft."
However the story unfolds, it seems one thing is for certain: this will not end well, for anyone except the viewing public. MTV, if you don't chronicle this on Catfish or if somebody doesn't make a movie about this, you have all failed us. Now get going!
What do you think of the Manti Te'o saga? Who do you believe? Sound off in the comments!
[Photo Credit: Kelly Kline/Getty Images]
Follow Alicia on Twitter @alicialutes
More:Lance Armstrong Confesses to Doping in Oprah Interview — Could He Face a Perjury Charge?The Problem with Jodie Foster's Big Coming Out RambleJeremy Renner's Going to Be a Dad, According to Ridiculous Gossip Item
From Our Partners: Craziest Celebrity Swimsuits (Celebuzz) 25 Risqué Miley Cyrus Stage Outfits (Celebuzz)
Death is a natural part of life. Without one, the other cannot exist. And in 2012, many heavyweights of the entertainment world were lost. Sometimes death can be a moment to mourn those we've lost, but also celebrate their achievements.
Perhaps the most notable death of 2012 was that of Whitney Houston. Houston passed away at age 48 in February of this year, and with her the world mourned. Houston was a true icon in every sense of the word: her voice was like none other in the world, and her death served as a wake-up call to the real dangers of narcotics. It is said that "despite her past personal troubles, she still became one of the most successful and award-winning female artists of all time." Whether on-screen in The Bodyguard and Sparkle, or on-stage at the Grammy Awards, Houston made every moment shine with her golden vocal chords, and her loss will be felt far beyond her 48 years of life.
In August we lost iconic and barrier-breaking female comedian Phyllis Diller. Diller was "often cited as a pioneer of comedy, helping establish women in Hollywood as legitimate stand-up talent." Her work as a female comedian started "in radio in the 50s, before leveraging the appearances into television spots and a full touring career." A feat, no doubt, impressive at any time, but especially while Diller was doing it. During the 60s, Diller starred alongside Bob Hope in 23 television specials and three films.
Another female icon gone too soon was Nora Ephron, a woman who wore many hats, including director, writer, journalist, and more in her impressive career. In our obituary for Ephron, we discussed the "surprisingly diverse and fantastic career," of hers, one "with nary a creative miss on her IMDb page." She wrote and directed some of the most classic romantic comedies out there, including Sleepless in Seattle, You've Got Mail, and Julie & Julia, Heartburn, and When Harry Met Sally. "What separated Ephron from her counterparts was not only her distinct sense of humor, but the way that she could create original, complex female characters and put them in traditional movies without making them seem simple or pandering." It is a universal truth that the name Nora Ephron "was a hallmark of the quality that she brought to all of her work."
Hero to space nerds and humans everywhere was Neil Armstrong, who lost a battle with complications from a heart bypass surgery in August. His first steps on the moon were "one small step for man, one giant leap for mankind" even though, in the end, Armstrong fancied himself "a reluctant American hero who always believed he was just doing his job."
A shocking loss was the unexpected death of Green Mile actor Michael Clarke Duncan, who was especially known for his booming voice and hulking stature. But not only that, Duncan was a comedy man. "Duncan's comedic timing coupled with his action-star prowess made him a staple in other films," including Daredevil, a remake of Planet of the Apes, Sin City and animated kids' film Kung-Fu Panda.
One of the longest-running careers in Hollywood was cut short in July when Ernest Borgnine passed away. The charismatic 95-year-old had a career that spanned decades. Six, in fact, "making him an icon of the business, beloved and respected by many." He was mostly-known for his work as a character actor, where "Borgnine made the Hollywood scene his playground, making a name for himself with generally villainous roles. His career-bucking role as a lovelorn butcher in 1955’s Marty won him an Oscar for Best Actor." Other highlights of his career included 1953's From Here to Eternity, and his long-standing run on TV's McHale’s Navy as the title character Quinton McHale.
Author and political and gay activist Gore Vidal left us in July, and with him an iconic voice of truth-telling and honesty in writing. From the plays (and screenplays) of Paris is Burning to his work on Ben-Hur, "Vidal was considered many things outside of his writerly pursuits" and one of his most famous works, The City and the Pillar, is said to be one of the first mainstream American novels to feature overtly gay characters at its center." It was so controversial at the time that The New York Times refused to review it in 1948. His passion for Hollywood and his interests never wained.
Another author, Ray Bradbury lost his life in 2012. Best known for works like Fahrenheit 451, The Martian Chronicles, Something Wicked This Way Comes, and The Illustrated Man, "Bradbury gained notoriety around the world as one the 20th century's most important voices in science fiction."
In May, the children's literature world lost the iconic creator of Where The Wild Things Are, Maurice Sendak, the wildly imaginative voice of growing up everywhere. He was considered "a defining voice in children's literature as both an author and illustrator."
This December, we lost Jenni Rivera, the world-renowned Mexican-American singer and reality star. Rivera had "a wildly popular career as a singer and reality-television star and has sold over 20 million albums worldwide in addition to her mun2 reality series I Love Jenni." Millions of fans the world over mourned her untimely passing in a plane crash. Other iconic musicians to leave too soon included the and-you-don't-stop, intergalatic party-rights-fighter Adam Yauch of The Beastie Boys lost his battle with cancer in May. Fans the world over mourned the shocking loss of such a huge player in music and movies, as his Oscilloscope Laboratories is "now one of the most important distributors in the film landscape."
These two heavyweights weren't the only losses in music, which also included such big names as "sitar master and Oscar winner" Ravi Shankar, The Monkees' own lead dreamboat and television star Davy Jones, The BeeGees' founding member Robin Gibb, and At Last crooner Etta James. All of whom made huge marks within their respective genres. The loss of disco diva Donna Summer after a battle with cancer also shook the music world to its core.
In a tragic turn of events, director Tony Scott took his own life in August. Scott "rose to prominence in the 80s with Top Gun and Beverly Hills Cop II," He had recently co-produced the summer's alien blockbuster Prometheus with his brother," as well as several TV production credits including The Good Wife and NUMB3RS.
Others, including television actors Jack Klugman and William Windom of The Odd Couple and Murder, She Wrote also passed on in the past year. The men were 90 and 88, respectively. Dallas star Larry Hagman died of cancer complications in November, leaving behind a career that included I Dream of Jeannie, numerous stage productions, and several films like 1972's The Blob, and Oliver Stone's Nixon and Primary Colors. The comedian and actor Sherman Hemsley — star of movin' on up The Jeffersons passed away in July.
Sesame Street also lost two of its performers, director Emily Squires and puppeteer Jerry Nelson. Tom Cruise's mother in Risky Business, Janet Carroll also lost a lengthy battle with illness in May.
In the end, death will always be what comes after life, but the contributions of those we lost this year will reverberate within the industry for years and years to come. May they all rest in peace.
[Photo Credit: CHP/FameFlynet Pictures; Frazer Harrison/Getty Images; Carrie Devorah/WENN; Joseph Marzullo/WENN; WENN]
Follow Alicia on Twitter @alicialutes
Fontella Bass, "Rescue Me" Singer, Dies at 72
Charles Durning, Veteran Character Actor, Dead at 89
Jack Klugman, 'The Odd Couple' Star, Dead at 90
You Might Also Like:
Surprise! Kate Winset Marries Ned Rocknroll: Wedding Details
20 Hot (and Horrifying) TV Nude Scenes
A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
Last week, the music industry mourned the loss of Donna Summer, who passed away at 62 following her battle with cancer. And, on Sunday, the genre must say goodbye to another legend, the Bee Gees' Robin Gibb, who died after being diagnosed with colon and liver cancer. Following news of the loss, famous friends and fans have logged onto Twitter to pay tribute to the Bee Gees singer. Read below to see what some celebrities are saying about Gibb.
Duran Duran: "Sorry to hear about the passing of Robin Gibb of the BeeGees. Our condolences to his friends and family."
Kris Jenner: "Rest In Peace Robin Gibb...you brought us so much joy what an amazing talent!!"
The Script: "R.I.P. Robin Gibb. We met Robin + Barry in NY. Such a lovely guy. Prayers 2 his family. 2 many Legends being taken away from us 2 early. :("
Fred Willard: "Oh, man, Robin Gibb died today. What a voice. Rest in peace, Robin.
Dannii Minogue: "'We start believin' now that we can be who we are - Grease is the word...' RIP Robin Gibb"
Bruno Mars: "R.I.P Robin Gibb"
David Boreanaz: "R.I.P. Robin Gibb. The Bee Gees, one of the most successful groups in pop music history. Pure genius."
Yvette Nicole Brown: "Wow. Another. :("
Mario Lopez: "R.I.P Robin Gibb.. Big Bee Gees fan! Wrote so many great songs too..Our Disco stars are off to perform in the big club upstairs!"
Carson Daly: "Sad to hear about Robin Gibb. Cancer is robbing us of our loved ones way to often. We gotta beat this thing. Breakawayfromcancer.com"
Michelle Branch: "R.I.P. Robin Gibb."
Lance Armstrong: "RIP Robin Gibb. Continues to sadden me to see cancer take our loved ones. Gotta put a stop to it."
More: Robin Gibb, Bee Gees Co-Founder, Dies Robin Gibb Wakes From 12-Day Coma Bee Gees' Robin Gibb Is In a Coma
In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
Follow Thomas Leupp on Twitter.
Follow Hollywood.com on Twitter.